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0110512
01
ww.Inadj.co

The trustees, who are also directors
of the charity for the purposes of the
Companies Act 2006, present their
report with the charity's financial
statements for the year ended 30
April 2024. The trustees have
adopted the provisions of Accounting
and Reporting by Charities:
Statement of Recommended Practice
applicable to charities preparing their
accounts in accordance with the
Financial Reporting Standard
applicable in the UK and Republic of
Ireland (FRS 102) (effective 1
January 2019).

As I reflect on another year in LNADJ'S 14-year history, it's always uplifting to see the initial
vision unfolding and gathering momentum. 2023 presented itself as a year of visibility for
LNADJ.
Recognising a new generation of supporters coming through. the team at LNADJ took our
birthday as an opportunity to launch a new website. logo, and brand direction for our
foundation. The team put much lime and energy into reimagining our donor experience.
l am proud that we continue to inspire the electronic music industry and gain more supporters
as each year goes by with the likes of Technics, Joue music, Downtown Music, Native
Instruments, Ableton, Beatport, Roland joining us this year and our key sponsor Pioneer DJ
(Alpha Theta) stepping up again to support us.
Our work would not be possible without the unwavering and ongoing support of Empiric, HG
Ventures, and Oyster. Year after year, these recruitment companies have been dedicated to
joining us on our mission, and my gratitude is immeasurable for the energy they bring to every
challenge and fundraiser we've undertaken.
As a small and dedicated team, we always appreciate people's effort lo demonstrate their
commitment to changing lives and saving lives through the power of music, choosing to use
their platform for good. Our report showcases where we have been positively overwhelmed
with in-kind donalions and individuals going above and beyond to make a difference.
International trips this year have seen us visit Uganda and Tanzania to check in with our
trusted partners on the ground and deliver our outreach directly to children, young people
and families.
In 2023, we committed to building our 1 Ooth 'Have a Drink on Us, well, and it
was incredible to be present in Mpigi. Uganda, with the community as this well was opened
for the first time. In partnership with the charities, we work with to deliver Get Equipped, this
year has shown how genuinely effective this project is in helping young people build
confidence, learn, embrace community. inspire each other and skill share through the power
of music and art.
We've increased our outreach with projects now live in the UK and are preparing to release
an album created by students in Sierra Leone with support from our volunteer Steve Mac.
This year il feels like we've made dreams come true. And as we move into 24125, we look
forward to sharing with you our plans for Get Equipped to grow.
We have discovered new opportunilies to enable the communilies we care about to support
themselves through sustainable initiatives which include our first ever funded farming project
for elders in Uganda and the launch of Upbeat Coffee in Sierra Leone. Both projects which
will provide employment, income and opportunily lo Ihe communities they serve.
l am delighted to share our achievements from Ihe last 12 months and the joy of the LNADJ
team as we enter 202412025 with renewed excilemenl and plans to build hope through
music.
Big Love and Smiles,
Jonny Lee

NOTE FROM
CHAIRMAN
LNADJ'S 14th year proved once again to be one of
progress for the charity & those Ihal benefit from the
many projects we support. An obvious highlight was the
completion of our 1 Ooth well. Most of us are fortunate to
be able to take fresh water for granted-so much so
that it never ceases to amaze people when they are told
the multiple ways that providing a well transforms the
lives of a community.
That a relatively modest amount of money buys so much
for so many is both humbling & a real reminder ol the
direct line of sight that we give our supporters between
their funds & the real-world outcomes that they enable.
I know that this is one of Ihe key reasons that many of
our supporters have been with us for years & we hope
they will be with us for many more years to come. But we
take nothing for granted & are well aware that in a world
full of good causes. we are privileged that they
choose to support LNADJ.
i&IA
We remain forever grateful to them. and as Chairman. I
would like to reiterate my ongoing thanks on behalf of us
all personally.
Russell Clements

VISION
Our vision is to use the power of
music to change and save the
lives of young people and their
families around the world.
MISSION
LNADJ unites people from the electronic
music community and beyond. We create
fundraising initiatives that support
grassroots projects around the world which
make a difference in the lives of young
people, empowering them to build a better
future.

OUR
VALUES
DEFINITION: Values are basic and fundamental beliefs that guide or
motivate attitudes or actions. They help us to determine what is important to
us. Values describe the personal qualities we choose to ernbody to guide our
actions; the sort of person we want to be: the manner in which we treat
ourselves and others, and our interaction with the world around us. They
provide the general guidelines for conduct.

TRANSPARENT
Driven by clear-eyed leadership, we are transparent in all we do. With a
grassroots-led and expert-guided approach to our projects, we ensure that
our donors can see where every penny raised is spent and how it reaches its
highest potential to support beneficiaries.
INSPIRATIONAL
Everything we do begins and ends with beneficiaries. Their resilience inspires
us. we see the whole person and are cornmitted to doing what we can when we
can. We use that inspiration tD inspire others to take positive action.
LOVE
Our work is driven by our deep love for dance music culture and its unifying
power. We believe that the joy, benefits and inspiration derived from music
and art should be accessible to everyone.
COLLABORATIVE
We believe in collective action to create meaningful change. We think
globally, creating space for organisations big and small to unite through the
power of music to improve the life experience of young people and their
families and support them in achieving their full potential.
#Communityovercompetition
COMPASSIONATE
Our vision is to use the power of music to change and save the lives of young
people and their families around the world.

IMHY riiusic AND ART?
IPJE LOIIE
MUSIC.
WE LOVE
ART.

PROJECT NEWS
LNADJ.COM
2023-2024
THISIS I￿[[￿
OUR WHY
CASESTUDY."STREETTO STREET
Munda joined our Street to Street art cL4sses in Sierra Leone
with nothing bLrt enthusiasm. We're delwJhted to share some
of her creations wtlh you and feedback on our project Street
to Street. "At first, I was doing camera and editing. I was not
happy doing it, buttkEre was no way l just had to do tL
Until when last night, a DJ saved my life, did they save my
life?
September through the design l am doing I wll be sending
my child to scho(A the Graffiti have create a job for me that I
can use to take care of my Chi￿.,
st[￿t to Str*t delNers ed￿lion and art therapy to
young Feople exper￿nCIng sccial exclusicfi and
inequaltty. With a f￿u$ on tx)th healing and skill
development, the program aims to enhan￿ the artistic
abiltties of beneficiaries, emtx)wering them to estatAi8h
small businesses arf support theMse￿eS and th￿r
communfcies.
Sharing the joy of art
worfdwide Street to Street
brings the transformative
power of creating art to help
indmduals thrive. Street to
Street
promotes
Self
discovery,
stress
rdief,
emotional rdease and builds
seff esteem.
They came to Sierra Leone and irrtroduced Graffiti, which I
love so much. I love doing design. &nce we started d￿ng
Grafftb at Wayout that time I started putting my anger on
the wall while doing my design trkcause I had so much on my
mind. The influence Graffib have created in my lrfe has
exposed me more to people and also built more confidence
in me today the Graffiti have created a dwdling place for me
and my child through the design l am doing, and the money I
am maknng has help meto ￿Ure a place and by
www.lnadj.com

Art and music can bring. head-to-toe healing,
affecting significant changes to our brqns and
Ibodies, and tap into our emotions in powerfur
ways.
Through our work, we understand the
transformative power of creating art and music
to help individuals thrive.
Art is the heart and soul of our Street to Street
programme, and music is the core of our
pioneering Get Equipped programme.
These creative projects combine beautifully to
build confidence, elevate the positive profile of
youth, and provide a safe space to learn whilst
encouraging self-discovery, stress relief and
emotional release through the power of music
and art.
qi
10

Art and music can help peopfe tap into t'heir
subconscious and express emotions. Through
collaborative creation, we help beneficiaries
explore and acknowledge those hidden feelings
and better understand themselves.
Icreating something with your own two hands
can be incredibly empowering. Whether you're a
seasoned artist, musician, or a complete
{; beginner, actively creating art gives you a sense
of accomplishment that can improve your self-
confidence and self-appreciation.
Sometimes, words aren't enough to express our
complex emotions. Art and music can be
powerful tools for releasing those feelings and
fears we might otherwise keep bottled up.
'ith¥
11

Creating is a healthy outlet for expressing and
processing difficult emotions.
Dealing with anxiety, depression, or emotional
trauma can be incredibly taxing on mental and
physical health. That's where art and music come
Creating art or music can help you relax your mind
and body, providing a much-needed esqape from
the stresses of everyday life.
Art and music reduce stress and anxiety, decrease
pain, and give us a sense of community.

PROJECT NEWS
LNADJ.COM
2022-2023
THISIS
OUR WHY
CASESTUDY." GETEQUIPPED
The LNADJ team met the mu￿ta￿nted Mash P in November
2022 when we travelled to Sierra Leone to cdlaborate wth
WAYout Iwoddwde Arts For Youth). Mash P's dream was to
open a free studio in his hometown, Taiama, a￿1 support
other 5tr*t and conflict-affected youry pey)tAe. Noticing his
tslent and determination to serve his community, the LNADJ
team..
Provided Mash with a MacBook and monitor speakers.
Arranged for Njash to Groove School, a music
education faciifcy managed by our Get Equipped
vdunteer, ￿'ChIe Littkr
rth a ueativ
Provided Mash with a
Native Instruments
Kontrol S serie5
Invited Mash to speak at the Amsterdam Dance Event
and Brighton Music Conference to share his experiences
and the PK)Stbve impact of parbcipating in our Get
Equipped programme
Arranged for Mash to attend a DJing wurse and
Production course al Pointblank Music Schocl
Facilitated Mash's first trip to Ib￿a so he could attend
two Mixmasters retreats and take part in two house
MUS￿ productK)n courses
MU
ai
UFE"
13
www.lnadj.com

PROJECT NEWS
LNADJ.COM
2023-2024
CASESTUDY.. GETEQUIPPED
Overthe last12 months, with the supwrt of our partners,
Mixmasters, we have been ab￿ to help Mash reach his
dream of opening a free studio in hi5 hometown, Taiama,
by upskilling him and troviding him with the tools and
sourTrs to devdop his musical talents. We're very
proucl to have hired his communrty studK) space in
association with Mixmasters for the next three years.
THIS NI
ouuppio
llJOWII.
1t is our honour to support Mash's creative joumey
so he can continue to master his craft whilst paying rc
foNard and giving back to his communtty through
teaching and sharing his newfourKI k￿￿edge.,
14
www.lnadj.com

AND SThIFrANt
Last Night A DJ Saved My Life is a charitable
foundation that creates fundraising initiatives
to support grassroots projects that make a difference
in the lives of children and young people in the UK
and developing countries through the power of music
and art. The charity continues to operate within the
electronic music industry, identifying and initiating
fundraising opportunities to benefit its own projects,
as well as other charitable organisations and projects
that it partners with. It also receives support from
companies outside of the music industry, most
notably from the recruitment industry as its chairman
has close ties within it.
15

The Objectives and principal activities are to partner with and or
assist grassroots charities whose aims support the following:
A)The prevention or relief of poverty (or financial hardship) anywhere in the world
by providing or assisting in the provision of education, training, healthcare
projects and all the necessary support designed to enable individuals to generate
a sustainable income and be self-suff icient.
b) The relief of sickness and the preseNation of health among children, young
people and their families anywhere in the world.
c) The relief of financial need and suffering among victims of natural or other
kinds of disaster Advancing the education of young persons by developing their
mental, physical, and moral capabilities through creative activities.
d) The promotion for the benefit of the public the conservation and improvement
of the physical and natural environment.
e) The promotion of human rights (as set out in the Universal Declaration of
Human Rights and subsequent United Nations conventions and declarations)
throughout the world.
f) Advancing the education of persons under the age of 25 years by developing
their mental, physical and moral capabilities through leisure time activities.
g) The promotion of social inclusion for the public benefit by preventing people
from becoming socially excluded and assisting them to integrate into society.
16

Public Benefit
We have referred to the guidance contained in the Charity
Commission's general guidance on public benefit when
reviewing our aims and objectives and in planning our future
activities. In particular, the trustees consider how planned
activities will contribute to the aims and objectives they have
set.
The Trustees review the fundraising activities and the
projects they have supported at the end of the year and on a
regular basis throughout the year.
This review helps us to plan our future projects and
fundraising activities and to adjust the plans accordingly.
The review also helps us to ensure that we are planning our
activities and selecting projects to meet the objectives as set
out in the Memorandum of Association.
How our activities deliver public benefit
The Last Night A DJ Saved My Life Foundation is very well
connected within the electronic music industry with both
leading artists and suppliers which enables it to access
services, equipment and to create fundraising initiatives.
It provides the vision, connections and essential groundwork
to bridge the gap between the industry and like-minded
grassroots organisations enabling it to provide funding and
support for selected charities and projects.
17

CHALLENGES
18

BOTIGA- BAR
CqlLE
IBlrZII
Ir•
Sponsored by Oyster Partnership,15
cyclists joined our Chairman Russell
and Founder Jonny for Cycle Ibiza 2023
to change lives and save lives. Raising
funds for our international Get
Equipped projects, this annual
challenge sparks companionship,
conversation and unity.
ZA
¢r41)*,j.
19

OND, ON
BR,IGHTON
Sponsored by HG Ventures, Empiric HQ
and Downtown, 26 cyclists joined our
Chairman Russell and Founder Jonny for
' our second London to Brighton bike ride
in September 2023. Raising funds for
our international Get Equipped projects,
this annual challenge has since
developed, welcoming new sponsors on
board and increasing participation from
the music industry.
20

NIGfy
VE,RS
RUNNE,RS
In 2023, we partnered with
Ravers2Runners for our first-ever
Amsterdam Dance Event, the SK Fun
Run.
Organised by a renowned music
industry manager Ed Jenkins and
fitness expert Jo Bryan-smith
Ravers2Runners are a group of runners
from the UK with a shared passion for
music, parties and mobilising the dance
music community to use their
irrepressible energy for good.
The first annual Official Amsterdam
Dance Event sk run took place on
Thursday,19th October 2023, with over
65 registered runners from across the
globe and the dance music
industry.
21

t]0@
In February 2024, we announced our
collaboration with The TRIBE, a
community travel adventure company
and One Love Project Uganda, to climb
Kilimanjaro in February 2025.
Back in 2018, we climbed Kilimanjaro
twice for our campaign Ain't No
Mountain High Enough, raising over
£66,000 (including gift aid), and built a
home for 25-50 special needs children
and their single mothers at Feathers
Tale.
<c
We look forward to completing this
challenge in February 2025 and raising
funds to continue our work with
Feathers Tale Special Needs Home and YHC YRI
Angels Gate Home for Boys.
z£
ÉXPERIE14CE
22

In May 2023, accompanied by friend
Kate, Andrea Adam embarked on a
remarkable challenge, committing to
walk185 km across Menorca in just 8
days. Her efforts raised over £1,000 for
our causes.
Since then, Andrea has become an
integral part of the Last Night A DJ
Saved My Life Foundation team, now
serving as a volunteer Challenge
Coordinator.
23

PROJECT NEWS
LNADJ.COM
2023-2024
100.MILE I￿￿ra
MARA THON
CHALLENGE
CASESTUDY."DANNYSA VAGE
In 2023, Leeds-bom Danny Savage, a leading music irKlustry
innovator, took on the Pilgrims Uttra 100-mile ra￿ to support
Last Night A DJ Saved My Lrfe Foundation. His goal.. to raise
funds for our p￿neering project Get Equipped" building a
musc schod in Sierr8 Le￿e.
'ILOVEGEfE¢XWPED
Having faced challenges in traditional edU￿tk)n, Danny
knows first-hand how musi¢ change lives. His personal
experien￿ fuels his passion for expanding aC￿sS to music
education.
He premousty joined Get
Equipped
pmjects
in
Tanzania and summtted
Kilimanjaro
in
2019,
des¢ribing the expe￿n￿ as
"magicaf,. By COmp￿tIng the
Pilgrims Ultra, Danny inspired
the music communty and
raised over £7500 to SUPFMJrt
our cause
As the founder of Mixmasters, a global dectronic musc
community, Danny is pass￿nate about music eduCat￿n. He
has already helped the cause by donating £10,000 in
production courses to empower aspiring artists. Dannls
career includes discovering top DJS, 5UPtK)rting Iwal talent,
and even estsblishing a radio station in Malaw, offering lrfe-
changirKJ cptX)rtunftiesto bcal volunteers.
24
www.lnadj.com

MUSIC EVENTS
AND
CONFERENCES
25

+ *.+,1,
Maintaining a strong presence at key music conferences across the UK and Europe is
essential for fostering ongoing relationships within the music industry.
This year, we attended major events including BMC and NTIA in the UK, as well as
IMS and ADE in Europe-all ticket costs were provided free of charge. In addition to
hosting a panel at BMC, a significant highlight was hosting our first-ever panel at
ADE, the largest dance music conference in Europe, where we showcased our
impactful work in Sierra Leone and premiered the album No Input No Output from
Way Out Arts.
Our participation at ADE also led to an invaluable connection with Technics, one of
the most prominent brands in dance music.
Additionally, we solidified our membership with AFEM (Association For Electronic
Music), further cementing our position within the global electronic music community.
These opportunities have been pivotal in increasing our visibility and
advancing our mission on an international scale.

IME
NOM
IT.
Ino
Iwlth
11
@ppluk ppluk.eom
STANDING
FOP YU¢
. Ajr

'The Get Equipped initiative which takes
surplus DJ, Production and Music kits, and
distributes them globally whilst educating young
people on how to use it is particularly close to our
hearts, the future of electronic will be global with
hundreds of different scenes and sounds
influencing and merging, so anything that support
this future, and lowers the barriers to young
people becoming Dj's and music makers is to
be celebrated and supported. We love that LNADJ
are open to different kinds of humanitarian help
from art therapy to operations to clean drinking
water...
WHEREVER THERE
IS A NEED LNADJ IS
THERE."
FINUIY JOHNSON. AFEM COO
28

"GEr
EQUIPPED
T E R N A T l O N A
ww.InadJ.com
29

Following the success of our field trips to Sierra Leone, we are committed to further
investing our time and resources to support the growth of the projects we have
initiated.
One key initiative involved partnering with artist Mash P. We secured a
community studio space for him in Taiama to serve as a creative hub,
recognizing the crucial need for teachers in the region. As Mash holds an artist
visa in the UK, we saw an opportunity to further his education in music production
by facilitating his participation in a two-week retreat with Mixmasters in Ibiza. This
experience enabled him to develop new skills, which he can now pass on to the
local community. Additionally, after previously donating equipment for his UK
mobile studio, he is now better equipped to focus on his personal growth and
education.
Our first panel at the Amsterdam Dance Event (ADE), which featured Mash,
received a warm response, with many attendees inspired by his journey. In early
November, the first shipment of equipment, sponsored by Mixmasters, arrived in
Sierra Leone to help establish the foundation of the school. With over100
registrations in the first week alone, the project is already expanding rapidly, and
early reports suggest that six new tracks are being produced weekly.
We are also excited about the upcoming release of the documentary filmed in
Sierra Leone (April 2023), produced by Armoury London and set for release in
2024. This project, a collaborative eff ort involving several production houses,
represents an incredible amount of hard work and effort from Armoury to capture
the impact of Get Equipped. Furthermore, progress on the album No Input No
Output by Steve Mac is attracting interest from music partners. Both projects will
significantly raise awareness for our efforts to build hope through music.

Pioneer DJ has once again supported us through financial sponsorship and a
generous equipment package, both of which are essential in educating our
international students.
We continue to receive a steady stream of second-hand equipment donations
from various DJS, all of which we put to good use.
Additionally, fundraising from our Cycle Ibiza Challenge and London to Brighton
events has contributed directly to our international initiatives.
After a five-year hiatus, we were excited to update our original Get Equipped
project in Tanzania, specifically at the Angelsgate Boys, Home. We were joined
by producer/DJs Seamus Haji and Colin Dale, who transported two new mobile
imac-based studio kits and DJ equipment to the facility.
Spending a week with the boys, we were thrilled to see their progress since our
last visit. The instruments we had previously donated had transformed them into
musicians, and they were now teaching others. The new music teachers were
quick to adapt to the new equipment and software, significantly enhancing their
ability to educate and inspire.
During the trip, we were invited for an inteNiew at a local radio station, where one
of the young songwriters performed his track live on air-an inspiring moment
that showcased the tangible impact of our support. Seamus and Colin also raised
over £7,000 during the trip, covering their travel expenses and directly
contributing to the sustainability of the Get Equipped programme.
31
Eft

Upon our return, a short music video was produced for one of the young artists,
further demonstrating the transformative power of music in spreading joy and
hope within these communities.
T¥1
In November 2023, on Giving Tuesday, we announced our partnership with the
brilliant J-music. Like us, J-music cares about the sustainability and accessibility
of music education.
With creative tools made to make music-making easy, they're on a mission to
help everyone integrate music practice into their daily lives, whatever their
background.
By donating 25 % of their sales on Giving Tuesday, J-music raised £935 towards
our Get Equipped projects.
In addition to their fundraising, J-music donated J-Play packs to our International
Get Equipped projects.

L E E D S
Expanding the UK-based activities of the Get Equipped initiative was a key
strategic goal for 2024, crucial for securing larger UK grants. A significant
milestone in this effort was our success in being named one of the winners of
The Beatport Group's second annual Diversity + Parity Fund, which awarded a
total of $15,000 to support gender parity and diversity in the music industry
and a grant from PPL for £10,000.
The Beatport grant enabled us to partner with Getaway Girls, a Leeds-based
organisation dedicated to empowering young women and girls to lead safe,
healthy, and fulfilling lives.
The allocated funds were strategically utilised to:
Train 24 girls in DJing, using industry-standard Technics 1210 turntables and
Pioneer XDJ-XZ controllers. Technics generously provided four decks for the
program.
Train 8 participants in dance music production, leveraging Ableton's DAW
software. As a valued partner, Ableton contributed both the software and
training staff at no cost.
The comprehensive training program spanned 12 weeks, utilising a pre-
existing media room in Leeds. The final three weeks were dedicated to
practice sessions, culminating in a showcase performance in week12, where
the confident girls could display their new skills.
Our key outcomes include:
DJ trainees capable of delivering one-hour sets in their chosen genre,
with an initial goal to have at least four participants perform at the
showcase.
For the production trainees, we aim to present a minimum of two original
tracks during the final event.
33

'It's great that I can do Djing at Getaway Girls so I
can keep doing it. I want to get my own DJ kit so I
can do it more."
'It was great to see the girls building confidence each
week and learning new skills. I was so proud of them
when they Djed at the event at the Playhouse. They
supported each other to learn. Amber was amazing. She
explained everything at the right pace and made it fun.
Amber and Sharan had a great rapport with young
women."
"A massive thank you to Beatport and Last Night a
DJ saved my Life for the Djing equipment and
Djing course. It has kickstarted the Djing at
Getaway Girls. The young women were really
positive about the course and want to do more
Djing. They built confidence, worked as a team
inspired by Amber and Sharan, They will also
inspire more girls to learn. Seeing the girls DJ at
the event was fantastic. Thanks again for your
support."
'Sharan started Djing like us at Getaway Girls and
now she is a DJ. I'd like to do Djing."
'It was scary at first because I didn't know what
was doing. Sharan and Amber were great
because it was ok if I got it wrong. I want to do
more Djing now."

B R l G H T O N
The LNADJ team recently delivered our
pioneering Get Equipped project, designed for
young people with special educational needs,
right in our hometown of Brighton.
Joined by seven young individuals with complex
special educational needs, we hosted a space at
a four-day Arts Fair in a local secondary school
where students learned to DJ on donated
equipment.
The energy in the room as they immersed
themselves in Djing was nothing short of
magical!
We couldn't be more thrilled about this project.
Our immediate goal is for these young people to
DJ at their upcoming prom, while our long-term
vision is to establish an evergreen project that
leaves a lasting musical legacy for future
students.
At LNADJ, music education isn't about becoming
the next big thing; it's about building hope,
staying safe, creating community, fostering
connections, expressing oneself, and
experiencing the pure joy of creativity.
This is Get Equipped. We build hope through
music.
35

'My daughter has not stopped talking about Djing
at school this week and she never talks about
school. Please thank the team at LNADJ for making
her so happy."
"Thank you for the very kind and generous gifts of
the equipment. We are very excited to be using
this, and will set it up in the new recording studio
when we move (although it will be moved to the hall
or dining hall for discos on a regular basis,
whenever we can squeeze in a party). The students
in the DJ group can not wait to demonstrate their
skills at the next college disco. They are also
looking forward to helping to run sessions for
students next year, getting involved in teaching
them.,
"Thank you so much for the fabulous workshops
you ran last week. The students had an absolute
blast and learned so much. They have been
buzzing about the sessions and are very much
looking forward to continuing work in our
sessions at college.
'The pupils concerned are still talking about it and
keen to get Djing again - we are finally in our new
building and have a number of fantastic spaces for
this. We have yet to have a session this term, but
are looking forward to getting everyone back to it
soon. We even have come lights that can flash in
time to music in the sports hall, so college discos
should be significantly upgraded from last year."

JPN
(K

' AST N5GHT A
FUNDING OUR MUSIC EDUCATION PROGRAMME
Securing support from the music industry is critical to the long-term growth
and impact of our charity. We are thrilled to have major brands such as
Roland, Technics, Native Instruments, izotope, Joue Music and Plugin
Alliance join our mission with in-kind donations valued at approximately
£22,384.
These contributions will fuel key projects both in the UK and Africa,
reinforcing our existing partnerships with Pioneer, Downtown Music Group
and ACS.
In addition, our collaboration on the LNADJ Vinyl releases led to an
extraordinary donation of 1,000 headphones from Black Market Records,
further enhancing our ability to deliver music education and outreach
programs to those who need it most. This growing industry
support will be instrumental in expanding our reach and delivering
meaningful, long-term change.
Meanwhile we continued raising funds via our Cycle Challenges both in
the UK and Ibiza which have been a huge help.
f Y

39

HAVE A
DRINK ON US
This initiative raises funds to construct wells in parts of Africa and India,
providing clean, safe water to the communities that need it most.
40

We ve come along
long way together"
HAVEADRINKOM us 4
This year, we set a clear and ambitious goal as our total number of wells reached 92,
bringing us closer to the milestone of 100. A commissioned survey on the status of all
our wells confirmed that nearly all were fully operational, with only a few undergoing
repairs.
Having commissioned wells since 2012, the fact that they continue to be so well-
maintained is a significant achievement. Local communities play a crucial role in this
success, collecting a small fee to cover repair costs, a system that not only ensures
sustainability but also fosters local ownership and accountability for ongoing
maintenance.
In recent years, milestone birthdays have become popular opportunities for some of our
supporters to encourage friends and family to contribute to the construclion of wells
instead of giving gifts. Similarly, wells built in memoriam serve as meaningful tributes to
loved ones, with one more such well added this year. Visiting these wells and sharing
updates with those who have supported these efforts is always a rewarding experience.
Our primary focus has been on Uganda, partly because our field visils there make it
easier to monitor and support these projects, and because we are able to assist
communities in various other ways.
All eyes were on March 22nd, World Water Day as we set out to reach our goal. In
preparation for this, a field trip was organised with Jonny Lee, our founder. A key
supporter also introduced a U.S. donor who generously committed lo funding five wells,
helping us reach the milestone of 100.
To raise awareness of this significant achievement, Ambassador Fatboy Slim kindly
joined us in sharing the news on social media through a short video blog on World
Water Day.
Our team in Uganda had the honour of witnessing the plaque being installed on the
1 Ooth well, making it a perfect moment to celebrate World Water Day alongside the
community and many others we visited that day.
With this milestone, we are now providing clean water to 64,420 people across eight
countries, and our sights are now set on reaching the next 100 wells.

fT
ifj
11
We'¥etomealon
43

OUR
WEBSITE
The decision to revamp the charity's logo was driven by the need to
modernise our visual identity and position the organisation for its next phase
of growth. Recognising this pivotal moment, we collaborated with Analogue
to create a fresh and compelling logo that embodies our values and mission.
Once finalised, we partnered with Adigi, who generously donated their time
and expertise to develop a new website that truly reflects this updated
branding.
Adigi seamlessly integrated the new logo into the core of the website's
design, using its essence and colour palette as a foundation to craft a
dynamic, engaging, and interactive user experience.The result is a cohesive
digital presence that not only aligns with our refreshed identity but also
enhances our ability to connect with our community and stakeholders.
The feedback has been overwhelmingly positive, with trustees, board
members, and major donors praising the new website's modern look,
functionality, and alignment with the charity's vision.
v i
CHANfilNG LIVES.
SAVING LIVES

OUR
COMMUNICATIONS
We share content and communication which shows we know
what we do, we love what we do, we are what we do. We
create content which reflects our values and respects the life
experiences of the beneficiaries we support.
We're embodying a more unified approach. Our tone has
shifted, consistently reinforcing our core values and mission
across all communications.
With a heightened awareness that our fundraisers, supporters,
and donors share our passion for music and art, we're
committed to forging deeper connections with them, anchoring
them to our mission of changing lives saving lives, and
spreading positivity and joy.
Our followers are naturally drawn to familiar faces and high
successes in digital culture. With Nightmares on Wax recently
backing our 2025 Kilimanjaro Climb and Fatboy Slim supporting
our successful 100-well campaign, we have seen increased
reach and followers.
Our data shows that our audience is most motivated by posts
which include Jonny, recognising Jonny as the brand and face
of the charity. Using a personal approach and dedicating posts,
mailers and communications to our fundraisers and volunteers
through interrfiews and showcasing their generosity and talent,
we have created more shareable content, increasing our reach,
engagement and audience across platforms. Subsequently, we
have garnered new supporters and donors.
Facebook Birthday Fundraiser Totals £1772.72
Expanding our community: 29,401 combined followers
Nearly a 9 % increase from 2022-2023
44

This campaign is
dedicated to improving
the lives of children in
developing countries by
providing essential
resources such as lood.
shelter. oducation. and
tools necessary lor
enhancing their quality ol
lile. Through these
initiatives. Back On Track
has been able to
support various
children's homes and
community projects.
45

In the past, we have supplied bicycles to our projects in Tanzania and Sierra Leone, and
we were thrilled when we partnered with the prestigious hospitality brand, Soho House.
They generously donated 200 British-made Pashley bicycles, valued at £30,000.
Recognising the scale of this opportunity, we collaborated with industry experts in
exporting bikes to Africa, forming a partnership with Re-cycle (https://re-cycle.org/).
This collaboration was highly eff icient, allowing us to service and export the bicycles,
successfully meeting our charity partner's needs.
In addition, we pledged £2,000 to our charity partner in Sierra Leone, Wayout, to assist
them with the rent for their creative hub, which seNes street youth.
Over the years, we have consistently supported Fazirah, an HIV-positive orphan in
Uganda. Her mother, Nakibuule Winnie, passed away when Fazirah was two years old,
and her father, Kafuuma Faisal, who was also Hlv-positive, passed away in 2019 after
years of illness. Fazirah is currently on antiretroviral therapy (ARVS) and resides at the
Well Spring Home for Disabled Children.
The Last Night a DJ Saved My Life Foundation, with sponsorship from Pointblank Music
School, covers her school fees and other educational needs. We are proud to support
Fazirah's education and well-being.
Our sustainable farm project in Uganda, launched in early 2023 and operated by over
50 elderly individuals, achieved a significant milestone with its first maize harvest in
August 2023. This yielded 6,000 kg of maize, which, after milling, produced 3,400 kg of
maize grain, valued at approximately £906. The project is projected to produce seven
harvests over the next three years, potentially generating £6,300, recovering the initial
investment. It was also noted that, with additional piping, the farm could grow another
crop during the hot season, increasing potential earnings by £2,800.
In March 2024, Jonny had the opportunity to visit the project for the first time, shortly
after a haNest. It was incredible to witness the land's productivity and see some of the
stored grain. A small additional investment was made to raise the water tower, enabling
access to fresh water for nearby villages. This project has not only provided essential
food supplies but has also brought the elderly community together, foslering leader
and sustainability.

ADI CHRISTMAS CAMPAIE
The goal of our 2023 Christmas Campaign was to ensure that
no one within our reach went hungry. Collaborating with our
key charitable partners in Uganda, Tanzania, Ivory Coast,
Sierra Leone, Nepal, and the Philippines, we asked them to
identify gifts that could make a meaningful difference for the
children and families they support. These conversations with
families and children helped us understand what could brighten
their lives-for Christmas or their future. The LNADJ team
engaged with our generous supporters, who selected items
from our Christmas wish list, helping to make holiday dreams a
reality. Some of the wishes which made the list include:
Food Parcels for100 Families in Uganda
230 Backpacks
School fees
Vocational Training
Acow
Paint and paint brushes
Donations towards an orphanage poultry project
Wheelchairs
Christmas party on the beach for 77 children
Christmas party for orphans living with a disability
Christmas Party for 113 children
Christmas party for 30 boys in Tanzania
Christmas boxes and celebration for100 children
Christmas party for 60 young adults
Music & Art school rent
Running shoes
Bikes
School fees
Football kits
Basketball stand and net
Food for the orphanage
48

In Uganda, we aimed to provide food parcels to over100
vulnerable families, each with an average of five members,
offering support to those facing poverty and hardship. We also
gave support to Well Spring special needs home with the
purchase of more livestock along with food supplies.
We funded the manufacture of 160 school rucksacks for free
distribution made by vulnerable women to children at some of
the poorest schools in south Nepal to encourage continued
attendance (especially by girls).
We also shifted our focus toward corporate partners,
encouraging them to rethink traditional
Christmas gifting for clients or employees. Instead of a material
gift, we suggested contributing to something that would
genuinely impact others, lives.
Thanks to the contributions of our corporate donors and global
supporters, we created true Christmas magic. Their donations
not only sponsored Christmas parties for children in
homes across Tanzania but also provided life-changing gifts
like education and training for special needs and street-
involved youth, ensuring a lasting positive impact.
Christmas parties to the community of Wayout in Sierra Leone
and a special Christmas day for girls living in the children's
village in the Philippines.
Also, in the Ivory Coast, our partners at Kids House on the
ground delivered the Kids, Purse project, which included a
caravan traveling across different villages to distribute boxes
(Christmas gifts) to 50 children aged 3 to 13 in the western
region of the city of Man. This event and celebration included
performances by the children and musical activities such as
plays, dancing, and singing.
49

41

FESTIVAL
PARTNERSHIP
PROGRAMME
KP4YL%*
Building on the success of our ongoing sponsorship of the UK
Festival Awards, the Festival Partnership Programme achieved
.< significant milestones. Our continued collaboration with Secret
Garden Party resulted in a ticket auction that raised £3,000. We
also secured a new partnership with We Are FSTVL, generating
£1,500 through guest list donations. Additionally, our long-
standing relationship with ACS saw the launch of a targeted
. earplug promotion, further strengthening our Festival
Programme and enhancing our mission to make a meaningful
impact through music and community engagement. 151

In 2023, we committed to re-establish Set for Love as a fundraising vehicle for UK-based
Get Equipped projects. To date, we have held two Brighton-based Set for Love events
fealuring DJS from across the city as well as friends of Last Night A DJ Saved My Life,
Sophie Lloyd and Seamus Haji (Defected) and Steve Mac. Funds raised from our Brighton
Set for Love events covered the costs of three days of Get Equipped delivery at a local
special educational needs school and college. Set for Love remains a popular choice for
entry level fundraisers looking to join us on our mission.
To mark World Children's Day in November 2023, we partnered with live stream visionaries
Castrooms and longtime volunleer and fundraiser for Last Night A DJ Saved My Life
Foundation, Amber D, kicking off with a Set for Love on Friday, 24th November.
Set for Love is a unique and customisable music event that helps raise funds for Last Night
A DJ Saved My Life. CastRooms brings the energy of the crowd to music live streaming.
Their unique video dancefloor lets you see and dance with others online. This brand-new
way to experience livestreams creates feelings of energy and togetherness that are missing
from other platforms.our relationship with Castrooms continued with an additional Set for
Love for World Waler Day 2024 featuring Andy Ward, a DJ and radio presenter committed
to raising funds in 2023 and 2024 to build a freshwater well with Have a Drink on Us.
52

FUNDRAISING
This year, LNADJ took a proactive approach by implementing dedicated fundraising
programs to drive its success. We continued to build momentum with our flagship
fundraising event, the Annual Gala Dinner, which remains the cornerstone of our efforts to
support our mission.
We're pleased to announce the launch of new initiatives, including the LNADJ Vinyl
Release strategy in partnership with AC55iD, offering a free 12-inch release with strong
long-term potential. Additionally, our art auction activity has begun, with Technics donating
a deck for customisation and a partnership with P Art Factory, securing nine unique art
pieces. The first vinyl release and art auction are scheduled for Q4 2024, positioning us to
enhance our fundraising efforts through strategic collaborations in music and art.
We also introduced a new initiative, Tap To Donate, featuring a device enabling instant,
contactless event donations. Successfully tested across the UK and Europe, this solution
is set to streamline fundraising efforts. We're exciled to roll it out with our partners,
enhancing donation opportunities at future events.
Following increasing demand for LNADJ-branded clothing, we are excited to announce the
launch of our off icial merchandise store. We look fO￿ard to expanding this new fundraising
channel in 2025.
53

ANNUAL
FUNDRAISER
We were thrilled to bring back our largest annual fundraiser for core funds after a brief
hiatus, this time with a fresh new venue. After careful consideration, we selected Tanners in
Bermondsey proved to be a perfect fit for our event needs.
The evening was held on October 5th, and it came together beautifully, largely thanks to our
new volunteer, Andrea Adams, who managed the event with incredible skill and dedication.
With over100 guests in altendance, the majority of whom were from the recruitment
industry, the support we received was both overwhelming and deeply appreciated.
One of the highlights of the evening was the premiere of our new showreel, produced by
our longtime partners at 432 Video. The brilliantly edited piece captivated the audience,
providing a vivid and transparent glimpse into our life-changing work for those who haven't
yet had the chance to visit the locations we seNe.
We also had tremendous contributions from several talented artists who generously
donated pieces for the auction, including Chloe Kiddo, Davey Brown, Liz Tyler, George
Sen, and Chapter. Restaurant experiences from Nassau & 1742 in Ibiza and a luxury stay
at Villa Namaste, generously donated by our chairman, were also part of the incredible
offerings.
With the energy and expertise of our auctioneer, Russell Clements, these contributions
helped us raise over £65,00(kan amount that has been instrumental in maintaining the
health of our reseNe funds.
The night wouldn't have been complete without our ambassador, legendary DJ Trevor
Fung, who kept the energy alive and entertained our guests well into the early hours.
We are truly grateful for the unwavering support from everyone involved. Together, we've
ensured the continued success of our mission, and we look forward to even more impactful
work ahead.
54

DONATIONS
IN KIND
Despite having a successful year, raising actual cash to meet
the needs of the projects we support and run in the current
environment is still highly challenging.
Consequently, the charity also firmly focused on 'donations in C> Lr>
kind, during the year. These donations include educational
services, equipment, materials, other services & individuals
donating their time, etc.
This allows us to run projects like Get Equipped at the lowest
costs possible and maximise our charitable services.
56

OUR
ADMINISTRATION
In 2024, LNADJ enhanced its reporting processes by introducing monthly reports,
providing clear insights into key achievements, risks, and opportunities. We built a
comprehensive grant database to support future growth, positioning us for major UK grant
applications following successful partnerships with Beatport and PPL.
Looking ahead to Q4 2024, we're excited to collaborate with a specialist grant and bid
writer. Additionally, we selected a CRM platform this year for implementation in Q4 2024 to
further streamline our operations and donor management.
Our ongoing time logging continued with Get Harvest, and we made use of Slack as our
primary communications tool away from WhatsApp.
The app Monday was also introduced after we received a fully discounted subscription.
Our accounts were getting finer-tuned by Anji Miller, our bookkeeper, who has ensured all
our projects have individual pots to avoid confusion as we expand. This also means we
can present our chartered accountants, West & Berry, with accurate accounting, all updated
within XERO.
We inlend to keep improving these reports and bringing them to life with more content,
which we have captured over the year.
57

OUR
PARTNERS
We were pleased to expand
our partnerships in 2024.
welcoming several new
corporate collaborators.
These include:
J-music
Technics
Ableton
Native Instruments
Black Market Records
Soho House
Plugin Alliance
Downtown
Fuga
CD Baby
Adigi
AC55iD
Armoury London
58

"I HIID AVERY
FEEUNG wrrH
THE LNIIDJ
GLAD rr HAS
NATURAL
IIND EASY TO
CONCREfE
*FfT..*?f
HIIPPEN
TOGEfHEK"

FINANCIAL
REVIEW
Financial Review
Income for the year totaled £410,359 (2023: £330,179) and of this £97,641 (2023:
£180,776) related to restricted funds. At the balance sheet date the charity had
restricted funds of £24,189 (2023: £6,516) and unrestricted funds of £107,786 (2023:
£84,301).
Going concern
After making appropriate enquiries, the trustees have a reasonable expectation that
the charity has adequate resources to continue in operational existence for the
foreseeable future. For this reason they continue to adopt the going concern basis in
preparing the financial statements.
Reserves policy.
The reserves of the Foundation are monitored regularly by the trustees. The
unrestricted reseNes at the year end of £107,786 (2023: £84,301) will be used for the
charity's running costs.
The key focus of the trustees is to have adequate funding to carry out its mainstream
charitable activities. The trustees are constantly working on obtaining funds for this
purpose.
The trustees aim to hold unrestricted reserves to cover between three and six months
running costs.
60

FUTURE
PLANS
Get Equipped project will be expanded further in the UK, we will be looking into more grant
applications to raise funds to further advance this project with the help of a bid writer.
Both Tanzania and Sierra Leone will be visited again as we look to make more progress in
teaching the students more skills in music production. More equipment will be provided to
further expand the educational possibilities.
With the success of the Christmas campaign, we will be looking to continue this in 2024 and
will be looking to release the news of the campaign much earlier.
We have our next Annual fundraiser booked for April 3rd, 2025, at a new venue The
Brewery in London.
A recruitment campaign is to take place to increase the board of Trustees and add more
diversity. This will also expand our potential network of future funders and fundraisers.
As part of our continued commitment to pioneering out-of-the-box projects, we're delighted
to be in the very early stages of launching our social enterprise 'Upbeat Coffee,.
Working in developing countries sourcing coffee beans, we identified an entrepreneurial
opportunity for the communities we support to create a viable business mobilised by
LNADJ.
A bag design was created by Inkie & Nicolas Dixon and UPbeat Coffee was born. More
research is needed in 2024 to secure the potential to import a quantity to then use the funds
from sales to fund projects in the countries the coffee is sourced from. There are other
charity coffees in the business and clearly has the potential to raise funds.
We know the music industry and festivals, and with our festival partnership programme,
we're planning to take Upbeat Coff ee to retail outlets and events throughout the UK,
creating roles and funds for the beneficiaries we support.
61

The Charity is controlled by its governing document,
the memorandum and articles of Association, and
constitutes a limited company, limited by guarantee,
as defined by the companies Act 2006. The
constitution was dated 15 March 2011 , the company
was incorporated on 15 March 2011 and the liability
of each member, in the case of the company being
wound up, is limited to £10.

Organisational Structure and Appointment of Trustees
The directors of the company are also the charity trustees for the
purposes of charity law.
Under the Memorandum and Articles of Association the directors are
elected to serve for the period between Annual General Meetings, at
the end of which they must offer themselves for re-election at the
next Annual General Meeting.
Under this requirement the director to retire by rotation should be
decided by the lot and being eligible, offer themselves for re-election.
Induction and training of new trustees
The current trustees have had a long involvement with the charity.
New trustees will be recruited through fundraising events, contacts
and networking made through the various campaigns and projects of
the charity.
New trustees would be trained by current trustees on
the aims and objectives of the charity.
Risk management
The Trustees have a duty to identify and review the risks, which the
charity is exposed to and to ensure appropriate controls are in place
to provide reasonable assurance against fraud and error.
63

Registered Company number:
07565231 (England and Wales)
Registered Charity number:
1142478
Registered Office:
Nile House
Nile Street
Brighton
BNI IHW
64

Trustees
Russell Clements (resigned15 November 2024)
James McNulty (resigned 3 December 2024)
Brian Reynolds
Simon Runcie, Treasurer
Silvia Montello {appointed 25 November 2024)
65

This report has been prepared in accordance with the special
provisions of Part15 of the Companies Act 2006 relating to small
companies.
Approved by order of the board of trustees on 25 Oct 2024.
66

tom
www.lnadj.com
2024, Last Night A DJ Saved My Life Foundation
67

**Charity registration number 1142478 Company registration number 07565231 (England and Wales)** 

**THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION ANNUAL REPORT AND UNAUDITED FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 APRIL 2024** 

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## **THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

## **LEGAL AND ADMINISTRATIVE INFORMATION** 

## **Trustees** 

Brian Reynolds Simon Runcie, Treasurer Silvia Montello 

(Appointed 25 November 2024) 

**Charity number** 1142478 **Company number** 07565231 

**Registered office** Nile House Nile Street Brighton BN1 1HW 

## **Independent examiner** 

West & Berry Limited Nile House Nile Street Brighton BN1 1HW 

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## **THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

## **CONTENTS** 

||**Page**|
|---|---|
|Independent examiner's report|1|
|Statement of financial activities|2|
|Balance sheet|3|
|Notes to the financial statements|4 - 13|



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## **THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

## **INDEPENDENT EXAMINER'S REPORT** 

## **TO THE TRUSTEES OF THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

I report to the trustees on my examination of the financial statements of The Last Night A DJ Saved My Life Foundation (the charity) for the year ended 30 April 2024. 

## **Responsibilities and basis of report** 

As the trustees of the charity (and also its directors for the purposes of company law) you are responsible for the preparation of the financial statements in accordance with the requirements of the Companies Act 2006 (the 2006 Act). 

Having satisfied myself that the financial statements of the charity are not required to be audited under Part 16 of the 2006 Act and are eligible for independent examination,  I report in respect of my examination of the charity’s financial statements carried out under section 145 of the Charities Act 2011 (the 2011 Act). In carrying out my examination I have followed all the applicable Directions given by the Charity Commission under section 145(5)(b) of the 2011 Act. 

## **Independent examiner's statement** 

Since the charity’s gross income exceeded £250,000 your examiner must be a member of a body listed in section 145 of the 2011 Act. I confirm that I am qualified to undertake the examination because I am a member of the Association of Chartered Certified Accountants, which is one of the listed bodies. 

I have completed my examination. I confirm that no matters have come to my attention in connection with the examination giving me cause to believe that in any material respect: 

- 1 accounting records were not kept in respect of the charity as required by section 386 of the 2006 Act; or 

- 2 the financial statements do not accord with those records; or 

- 3 the financial statements do not comply with the accounting requirements of section 396 of the 2006 Act other than any requirement that the accounts give a true and fair view which is not a matter considered as part of an independent examination; or 

- 4 the financial statements have not been prepared in accordance with the methods and principles of the Statement of Recommended Practice for accounting and reporting by charities applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102). 

I have no concerns and have come across no other matters in connection with the examination to which attention should be drawn in this report in order to enable a proper understanding of the financial statements to be reached. 


## **Michelle Westbury FCCA** 

## **West & Berry Limited** 

Nile House Nile Street Brighton BN1 1HW 

24/01/2025 Dated: ......................... 

- 1 - 

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## **THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

## **STATEMENT OF FINANCIAL ACTIVITIES INCLUDING INCOME AND EXPENDITURE ACCOUNT** 

## _**FOR THE YEAR ENDED 30 APRIL 2024**_ 

|**Unrestricted**<br>**Restricted**<br>**funds**<br>**funds**<br>**2024**<br>**2024**<br>**Notes**<br>**£**<br>**£**<br>**Income from:**<br>Donations and legacies<br>**3**<br>312,718<br>97,641<br>**Total income**<br>312,718<br>97,641<br>**Expenditure on:**<br>Raising funds<br>**4**<br>78,799<br>6,728<br>Charitable activities<br>**5**<br>212,158<br>71,516<br>**Total expenditure**<br>290,957<br>78,244<br>**Net income/(expenditure)**<br>21,761<br>19,397<br>Transfers between<br>funds<br>1,724<br>(1,724)<br>**Net movement in**<br>**funds**<br>23,485<br>17,673<br>**Reconciliation of funds:**<br>Fund balances at 1 May 2023<br>84,301<br>6,516<br>**Fund balances at 30 April**<br>**2024**<br>107,786<br>24,189|**Total**<br>**Unrestricted**<br>**Restricted**<br>**funds**<br>**funds**<br>**2024**<br>**2023**<br>**2023**<br>**£**<br>**£**<br>**£**<br>410,359<br>149,404<br>180,776<br>410,359<br>149,404<br>180,776<br>85,527<br>17,681<br>10,794<br>283,674<br>149,249<br>182,304<br>369,201<br>166,930<br>193,098<br>41,158<br>(17,526)<br>(12,322)<br>-<br>25,913<br>(25,913)<br>41,158<br>8,387<br>(38,235)<br>90,817<br>75,914<br>44,751<br>131,975<br>84,301<br>6,516|**Total**<br>**2023**<br>**£**<br>330,180<br>330,180<br>28,475<br>331,553<br>360,028<br>(29,848)<br>-<br>(29,848)<br>120,665<br>90,817|
|---|---|---|



The statement of financial activities includes all gains and losses recognised in the year. All income and expenditure derive from continuing activities. 

- 2 - 

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## **THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

## **BALANCE SHEET** 

## _**AS AT 30 APRIL 2024**_ 

|**Notes**<br>**Fixed assets**<br>Tangible assets<br>**11**<br>**Current assets**<br>Stocks<br>**12**<br>Debtors<br>**13**<br>Cash at bank and in hand<br>**Creditors: amounts falling due within**<br>**one year**<br>**14**<br>**Net current assets**<br>**Total assets less current liabilities**<br>**Net assets excluding pension liability**<br>**The funds of the charity**<br>Restricted income funds<br>**15**<br>Unrestricted funds|**2024**<br>**£**<br>18,111<br>22,449<br>100,329<br>140,889<br>(10,719)|**£**<br>1,805<br>130,170<br>131,975<br>131,975<br>24,189<br>107,786<br>131,975|**2023**<br>**£**<br>4,090<br>4,927<br>85,557<br>94,574<br>(5,820)|**£**<br>2,063<br>88,754|
|---|---|---|---|---|
|||||90,817|
|||||90,817|
|||||6,516<br>84,301|
|||||90,817|



The notes on pages 4 to 13 form part of these financial statements. 

The company is entitled to the exemption from the audit requirement contained in section 477 of the Companies Act 2006, for the year ended 30 April 2024. 

The directors acknowledge their responsibilities for complying with the requirements of the Companies Act 2006 with respect to accounting records and the preparation of financial statements. 

The members have not required the company to obtain an audit of its financial statements for the year in question in accordance with section 476. 

These financial statements have been prepared in accordance with the provisions applicable to companies subject to the small companies regime. 

23/01/2025 

The financial statements were approved by the trustees on ......................... 


.............................. 

Simon Runcie, Treasurer 

## **Trustee** 

Company registration number 07565231 (England and Wales) 

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**THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

## **NOTES TO THE  FINANCIAL STATEMENTS** _**FOR THE YEAR ENDED 30 APRIL 2024**_ 

## **1 Accounting policies** 

## **Charity information** 

The Last Night A DJ Saved My Life Foundation is a private charitable company limited by guarantee incorporated in England and Wales. The registered office is Nile House, Nile Street, Brighton, BN1 1HW. 

## **1.1 Accounting convention** 

The financial statements have been prepared in accordance with the charity's governing document,  the Companies Act 2006, FRS 102 “The Financial Reporting Standard applicable in the UK and Republic of Ireland” (“FRS 102”) and the Charities SORP "Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102)" (effective 1 January 2019). The charity is a Public Benefit Entity as defined by FRS 102. 

The charity has taken advantage of the provisions in the SORP for charities not to prepare a Statement of Cash Flows. 

The financial statements are prepared in sterling, which is the functional currency of the charity. Monetary amounts in these financial statements are rounded to the nearest £. 

The financial statements have been prepared under the historical cost convention. The principal accounting policies adopted are set out below. 

## **1.2 Going concern** 

At the time of approving the financial statements, the trustees have a reasonable expectation that the charity has adequate resources to continue in operational existence for the foreseeable future. Thus the trustees continue to adopt the going concern basis of accounting in preparing the financial statements. 

## **1.3 Charitable funds** 

Unrestricted funds are available for use at the discretion of the trustees in furtherance of their charitable objectives. 

Restricted funds are subject to specific conditions by donors or grantors as to how they may be used. The purposes and uses of the restricted funds are set out in the notes to the financial statements. 

Endowment funds are subject to specific conditions by donors that the capital must be maintained by the charity. 

## **1.4 Income** 

Income is recognised when the entity is legally entitled to it after any performance conditions have been met, the amounts can be measured reliably, and it is probable that income will be received. 

Cash donations are recognised on receipt. Other donations are recognised once the charity has been notified of the donation, unless performance conditions require deferral of the amount. Income tax recoverable in relation to donations received under Gift Aid or deeds of covenant is recognised at the time of the donation. 

Legacies are recognised on receipt or otherwise if the charity has been notified of an impending distribution, the amount is known, and receipt is expected. If the amount is not known, the legacy is treated as a contingent asset. 

Donated goods and services are recognised when the charity is legally entitled to those goods or services, it is probable that the items will be received and the value to the charity of the donated item can be measured reliably. 

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## **THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

## **NOTES TO THE  FINANCIAL STATEMENTS (CONTINUED)** _**FOR THE YEAR ENDED 30 APRIL 2024**_ 

## **1 Accounting policies** 

## **(Continued)** 

## **1.5 Expenditure** 

Expenditure is recognised once there is a legal or constructive obligation to transfer economic benefit to a third party, it is probable that a transfer of economic benefits will be required in settlement, and the amount of the obligation can be measured reliably. 

Expenditure is classified by activity. The costs of each activity are made up of the total of direct costs and shared costs, including support costs involved in undertaking each activity. Direct costs attributable to a single activity are allocated directly to that activity. Shared costs which contribute to more than one activity and support costs which are not attributable to a single activity are apportioned between those activities on a basis consistent with the use of resources. Central staff costs are allocated on the basis of time spent, and depreciation charges are allocated on the portion of the asset’s use. 

Costs of generating funds relates to expenditure on raising donations, including production costs to put on events to raise funds. 

## **1.6 Tangible fixed assets** 

Tangible fixed assets are initially measured at cost and subsequently measured at cost or valuation, net of depreciation and any impairment losses. 

Depreciation is recognised so as to write off the cost or valuation of assets less their residual values over their useful lives on the following bases: 

Computers 33% on cost 

The gain or loss arising on the disposal of an asset is determined as the difference between the sale proceeds and the carrying value of the asset, and is recognised in the statement of financial activities. 

## **1.7 Impairment of fixed assets** 

At each reporting end date, the charity reviews the carrying amounts of its tangible assets to determine whether there is any indication that those assets have suffered an impairment loss. If any such indication exists, the recoverable amount of the asset is estimated in order to determine the extent of the impairment loss (if any). 

## **1.8 Stocks** 

Stocks are stated at the lower of cost and estimated selling price less costs to complete and sell. Cost comprises direct materials and, where applicable, direct labour costs and those overheads that have been incurred in bringing the stocks to their present location and condition. Items held for distribution at no or nominal consideration are measured the lower of replacement cost and cost. 

Net realisable value is the estimated selling price less all estimated costs of completion and costs to be incurred in marketing, selling and distribution. 

## **1.9 Cash and cash equivalents** 

Cash and cash equivalents include cash in hand, deposits held at call with banks, other short-term liquid investments with original maturities of three months or less, and bank overdrafts. Bank overdrafts are shown within borrowings in current liabilities. 

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**THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

## **NOTES TO THE  FINANCIAL STATEMENTS (CONTINUED)** _**FOR THE YEAR ENDED 30 APRIL 2024**_ 

## **1 Accounting policies** 

## **(Continued)** 

## **1.10 Financial instruments** 

The charity has elected to apply the provisions of Section 11 ‘Basic Financial Instruments’ and Section 12 ‘Other Financial Instruments Issues’ of FRS 102 to all of its financial instruments. 

Financial instruments are recognised in the charity's balance sheet when the charity becomes party to the contractual provisions of the instrument. 

Financial assets and liabilities are offset, with the net amounts presented in the financial statements, when there is a legally enforceable right to set off the recognised amounts and there is an intention to settle on a net basis or to realise the asset and settle the liability simultaneously. 

## _**Basic financial assets**_ 

Basic financial assets, which include debtors and cash and bank balances, are initially measured at transaction price including transaction costs and are subsequently carried at amortised cost using the effective interest method unless the arrangement constitutes a financing transaction, where the transaction is measured at the present value of the future receipts discounted at a market rate of interest. Financial assets classified as receivable within one year are not amortised. 

## _**Basic financial liabilities**_ 

Basic financial liabilities, including creditors and bank loans are initially recognised at transaction price unless the arrangement constitutes a financing transaction, where the debt instrument is measured at the present value of the future payments discounted at a market rate of interest. Financial liabilities classified as payable within one year are not amortised. 

Debt instruments are subsequently carried at amortised cost, using the effective interest rate method. 

Trade creditors are obligations to pay for goods or services that have been acquired in the ordinary course of operations from suppliers. Amounts payable are classified as current liabilities if payment is due within one year or less. If not, they are presented as non-current liabilities. Trade creditors are recognised initially at transaction price and subsequently measured at amortised cost using the effective interest method. 

## _**Derecognition of financial liabilities**_ 

Financial liabilities are derecognised when the charity’s contractual obligations expire or are discharged or cancelled. 

## **1.11 Employee benefits** 

The cost of any unused holiday entitlement is recognised in the period in which the employee’s services are received. 

Termination benefits are recognised immediately as an expense when the charity is demonstrably committed to terminate the employment of an employee or to provide termination benefits. 

## **2 Critical accounting estimates and judgements** 

In the application of the charity’s accounting policies, the trustees are required to make judgements, estimates and assumptions about the carrying amount of assets and liabilities that are not readily apparent from other sources. The estimates and associated assumptions are based on historical experience and other factors that are considered to be relevant. Actual results may differ from these estimates. 

The estimates and underlying assumptions are reviewed on an ongoing basis. Revisions to accounting estimates are recognised in the period in which the estimate is revised where the revision affects only that period, or in the period of the revision and future periods where the revision affects both current and future periods. 

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## **THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

## **NOTES TO THE  FINANCIAL STATEMENTS (CONTINUED)** _**FOR THE YEAR ENDED 30 APRIL 2024**_ 

## **3 Income from donations and legacies** 

|**Unrestricted**<br>**Restricted**<br>**funds**<br>**funds**<br>**2024**<br>**2024**<br>**£**<br>**£**<br>Donations and gifts<br>147,179<br>88,631<br>Donated goods and<br>services<br>94,798<br>250<br>Other<br>70,741<br>8,760<br>312,718<br>97,641<br>**Expenditure on raising funds**<br>**Unrestricted**<br>**Restricted**<br>**funds**<br>**funds**<br>**2024**<br>**2024**<br>**£**<br>**£**<br>**Fundraising and publicity**<br>Events and project costs<br>76,954<br>5,628<br>Other fundraising costs<br>1,845<br>1,100<br>78,799<br>6,728|**Total**<br>**Unrestricted**<br>**Restricted**<br>**funds**<br>**funds**<br>**2024**<br>**2023**<br>**2023**<br>**£**<br>**£**<br>**£**<br>235,810<br>93,996<br>63,101<br>95,048<br>24,015<br>110,155<br>79,501<br>31,393<br>7,520<br>410,359<br>149,404<br>180,776<br>**Total**<br>**Unrestricted**<br>**Restricted**<br>**funds**<br>**funds**<br>**2024**<br>**2023**<br>**2023**<br>**£**<br>**£**<br>**£**<br>82,582<br>15,606<br>10,232<br>2,945<br>2,075<br>562<br>85,527<br>17,681<br>10,794|**Total**<br>**2023**<br>**£**<br>157,097<br>134,170<br>38,913|
|---|---|---|
|||330,180|
|||**Total**<br>**2023**<br>**£**<br>25,838<br>2,637|
|||28,475|



## **4 Expenditure on raising funds** 

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## **THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

## **NOTES TO THE  FINANCIAL STATEMENTS (CONTINUED)** _**FOR THE YEAR ENDED 30 APRIL 2024**_ 

## **5 Expenditure on charitable activities** 

||**Charitable**|**Charitable**|
|---|---|---|
||**activities**|**activities**|
||**2024**|**2023**|
||**£**|**£**|
|**Direct costs**|||
|Staff costs|52,341|49,976|
|Donated goods and services|62,910|121,239|
|Professional fees|669|559|
|Subscriptions|5,409|6,255|
|Administrative costs|3,888|2,795|
|Travel and subsistence|10,574|25,969|
||135,791|206,793|
|Grant funding of activities (see note 6)|69,238|62,675|
|**Share of support and governance costs (see note 7)**|||
|Support|73,832|56,385|
|Governance|4,813|5,700|
||283,674|331,553|
|**Analysis by fund**|||
|Unrestricted funds|212,158|149,249|
|Restricted funds|71,516|182,304|
||283,674|331,553|



## **6 Grants payable** 

|**Grants payable**|||
|---|---|---|
||**Charitable**|**Charitable**|
||**activities**|**activities**|
||**2024**|**2023**|
||**£**|**£**|
|Grants to institutions:|||
|Bognorphenia CIC|3,550|-|
|Conservation Collective|3,641|6,000|
|Drop 4 Drop|18,000|6,000|
|One Love|9,745|-|
|Kituntu Women's Association|3,723|-|
|The Creator Share Foundation|4,355|8,675|
|WayOut|9,864|7,721|
|Other (under £3,500)|16,360|34,279|
||69,238|62,675|



Grants made during the year of £3,500 or more are detailed above. 

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## **THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

## **NOTES TO THE  FINANCIAL STATEMENTS (CONTINUED)** 

## _**FOR THE YEAR ENDED 30 APRIL 2024**_ 

|**7**<br>**Support costs**<br>**Support**<br>**costs**<br>**Governance**<br>**costs**<br>**£**<br>**£**<br>Depreciation<br>1,067<br>-<br>Rent and rates<br>1,118<br>-<br>Postage, printing and<br>stationery<br>1,272<br>-<br>Computer expenses<br>599<br>-<br>Consultancy<br>14,372<br>-<br>Insurance<br>398<br>-<br>Telephone and internet<br>2,447<br>-<br>Advertising<br>39,213<br>-<br>Repairs and renewals<br>421<br>-<br>Travel and subsistence<br>12,723<br>-<br>Bank fees<br>202<br>-<br>Independent examination<br>-<br>2,400<br>Accountancy<br>-<br>2,400<br>Legal and professional<br>-<br>13<br>73,832<br>4,813<br>Analysed between<br>Charitable activities<br>73,832<br>4,813|**2024**<br>**Support**<br>**costs**<br>**Governance**<br>**costs**<br>**£**<br>**£**<br>**£**<br>1,067<br>1,000<br>-<br>1,118<br>-<br>-<br>1,272<br>939<br>-<br>599<br>137<br>-<br>14,372<br>22,602<br>-<br>398<br>199<br>-<br>2,447<br>1,679<br>-<br>39,213<br>21,063<br>-<br>421<br>60<br>-<br>12,723<br>8,298<br>-<br>202<br>408<br>-<br>2,400<br>-<br>2,400<br>2,400<br>-<br>3,287<br>13<br>-<br>13<br>78,645<br>56,385<br>5,700<br>78,645<br>56,385<br>5,700|**2023**<br>**£**<br>1,000<br>-<br>939<br>137<br>22,602<br>199<br>1,679<br>21,063<br>60<br>8,298<br>408<br>2,400<br>3,287<br>13|
|---|---|---|
|||62,085|
|||62,085|



Governance costs includes £2,000 + vat (2023- £2,000 + vat) for independent examination fees. 

## **8 Trustees** 

None of the trustees (or any persons connected with them) received any remuneration during the year, but one of them was reimbursed a total of £414 travelling expenses (2023 - one was reimbursed £68). 

## **9 Employees** 

The average monthly number of employees during the year was: 

||**2024**|**2023**|
|---|---|---|
||**Number**|**Number**|
||1|1|
|**Employment costs**|**2024**|**2023**|
||**£**|**£**|
|Wages and salaries|51,475|48,975|
|Social security costs|866|1,001|
||52,341|49,976|



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## **THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

## **NOTES TO THE  FINANCIAL STATEMENTS (CONTINUED)** _**FOR THE YEAR ENDED 30 APRIL 2024**_ 

## **9 Employees** 

## **(Continued)** 

There were no employees whose annual remuneration was more than £60,000. 

## **10 Taxation** 

The charity is exempt from tax on income and gains falling within section 505 of the Taxes Act 1988 or section 252 of the Taxation of Chargeable Gains Act 1992 to the extent that these are applied to its charitable objects. 

## **11 Tangible fixed assets** 

|**Cost**<br>At 1 May 2023<br>Additions<br>At 30 April 2024<br>**Depreciation and impairment**<br>At 1 May 2023<br>Depreciation charged in the year<br>At 30 April 2024<br>**Carrying amount**<br>At 30 April 2024<br>At 30 April 2023<br>**12**<br>**Stocks**<br>Finished goods and goods for resale<br>**13**<br>**Debtors**<br>**Amounts falling due within one year:**<br>Trade debtors<br>Other debtors<br>Prepayments and accrued income|**Computers**<br>**£**<br>4,270<br>807<br>5,077<br>2,205<br>1,067<br>3,272<br>1,805<br>2,063<br>**2024**<br>**2023**<br>**£**<br>**£**<br>18,111<br>4,090<br>**2024**<br>**2023**<br>**£**<br>**£**<br>9,475<br>2,167<br>10,072<br>2,570<br>2,902<br>190<br>22,449<br>4,927|**Computers**<br>**£**<br>4,270<br>807<br>5,077<br>2,205<br>1,067<br>3,272<br>1,805<br>2,063<br>**2024**<br>**2023**<br>**£**<br>**£**<br>18,111<br>4,090<br>**2024**<br>**2023**<br>**£**<br>**£**<br>9,475<br>2,167<br>10,072<br>2,570<br>2,902<br>190<br>22,449<br>4,927|
|---|---|---|
|||5,077|
|||2,205<br>1,067|
|||3,272|
|||1,805|
|||2,063|
|||**2023**<br>**£**<br>4,090|
|||**2023**<br>**£**<br>2,167<br>2,570<br>190|
|||4,927|



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## **THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

## **NOTES TO THE  FINANCIAL STATEMENTS (CONTINUED)** _**FOR THE YEAR ENDED 30 APRIL 2024**_ 

## **14 Creditors: amounts falling due within one year** 

|**Creditors: amounts falling due within one year**|||
|---|---|---|
|Other taxation and social security<br>Other creditors<br>Accruals and deferred income|**2024**<br>**£**<br>988<br>3,093<br>6,638<br>10,719|**2023**<br>**£**<br>810<br>210<br>4,800|
|||5,820|



## **15 Restricted funds** 

The restricted funds of the charity comprise the unexpended balances of donations and grants held on trust subject to specific conditions by donors as to how they may be used. 

|**At 1 May 2023**<br>**Incoming**<br>**resources**<br>**Resources**<br>**expended**<br>**Transfers**<br>**At**<br>**£**<br>**£**<br>**£**<br>**£**<br>One Love<br>23<br>12,335<br>(12,868)<br>622<br>Have a Drink on Us<br>1,953<br>23,502<br>(21,247)<br>(2,838)<br>Smiles for Life<br>363<br>1,027<br>(1,038)<br>(150)<br>Back on Track<br>1,645<br>8,225<br>(2,647)<br>(1,645)<br>Get Equipped<br>2,532<br>49,349<br>(39,417)<br>2,427<br>Street to Street<br>-<br>3,203<br>(1,027)<br>(140)<br>6,516<br>97,641<br>(78,244)<br>(1,724)<br>**Previous year:**<br>**At 1 May 2022**<br>**Incoming**<br>**resources**<br>**Resources**<br>**expended**<br>**Transfers**<br>**At**<br>**£**<br>**£**<br>**£**<br>**£**<br>-<br>-<br>-<br>-<br>Adobe Project/ One Love<br>756<br>19,973<br>(20,445)<br>(261)<br>Ibiza Challenge<br>3,765<br>-<br>-<br>(3,765)<br>Dance for Peace<br>4,873<br>1,707<br>(5,767)<br>(813)<br>Have a Drink on Us<br>883<br>4,769<br>(4,322)<br>623<br>Home House<br>24,446<br>-<br>-<br>(24,446)<br>Pirate DJ<br>152<br>-<br>-<br>(152)<br>Sets for Love<br>5,045<br>-<br>-<br>(5,045)<br>Smiles for Life<br>250<br>461<br>(257)<br>(91)<br>Xmas Appeal<br>4,582<br>-<br>-<br>(4,582)<br>Back on Track<br>-<br>10,325<br>(7,354)<br>(1,326)<br>Get Equipped<br>-<br>101,973<br>(111,379)<br>11,937<br>Street to Street<br>-<br>41,568<br>(43,574)<br>2,006<br>44,751<br>180,776<br>(193,097)<br>(25,913)|**30 April**<br>**2024**<br>**£**<br>112<br>1,370<br>202<br>5,578<br>14,891<br>2,036|
|---|---|
||24,189|
||**30 April**<br>**2023**<br>**£**<br>-<br>23<br>-<br>-<br>1,953<br>-<br>-<br>-<br>363<br>-<br>1,645<br>2,532<br>-|
||6,516|



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**THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

## **NOTES TO THE  FINANCIAL STATEMENTS (CONTINUED)** _**FOR THE YEAR ENDED 30 APRIL 2024**_ 

**15 Restricted funds** 

## **(Continued)** 

## **Purposes of restricted funds:** 

Have a Drink on Us funds the building of fresh water wells across Africa & India. 

Get Equipped takes surplus DJ, Production and Music kits, donating them to educational and community organisations that support children and young adults in the UK and beyond. 

Smiles for Life funds cleft palate operations for children in The Philippines 

Street to Street delivers education and art therapy to young people experiencing social exclusion and inequality 

Back on Track uplifts the lives of young people & their families in developing countries by providing them with essential necessities such as food, shelter, education, equipment, and other tools to improve their quality of life. 

One Love supports school and community projects in Kabale, Southern Uganda. 

Transfers have been made between restricted and unrestricted funds this year to correct the classification of items between restricted and unrestricted. 

## **16 Unrestricted funds** 

The unrestricted funds of the charity comprise the unexpended balances of donations and grants which are not subject to specific conditions by donors and grantors as to how they may be used. These include designated funds which have been set aside out of unrestricted funds by the trustees for specific purposes. 

|**At 1 May 2023**<br>**Incoming**<br>**resources**<br>**Resources**<br>**expended**<br>**Transfers**<br>**At**<br>**£**<br>**£**<br>**£**<br>**£**<br>General funds<br>84,301<br>312,718<br>(290,957)<br>1,724<br>**Previous year:**<br>**At 1 May 2022**<br>**Incoming**<br>**resources**<br>**Resources**<br>**expended**<br>**Transfers**<br>**At**<br>**£**<br>**£**<br>**£**<br>**£**<br>General funds<br>75,914<br>149,404<br>(166,930)<br>25,913|**30 April**<br>**2024**<br>**£**<br>107,786<br>**30 April**<br>**2023**<br>**£**<br>84,301|
|---|---|



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## **THE LAST NIGHT A DJ SAVED MY LIFE FOUNDATION** 

## **NOTES TO THE  FINANCIAL STATEMENTS (CONTINUED)** _**FOR THE YEAR ENDED 30 APRIL 2024**_ 

## **17 Analysis of net assets between funds** 

|**Unrestricted**<br>**Restricted**<br>**funds**<br>**funds**<br>**2024**<br>**2024**<br>**£**<br>**£**<br>**At 30 April 2024:**<br>Tangible assets<br>1,805<br>-<br>Current assets/(liabilities)<br>105,981<br>24,189<br>107,786<br>24,189<br>**Unrestricted**<br>**Restricted**<br>**funds**<br>**funds**<br>**2023**<br>**2023**<br>**£**<br>**£**<br>**At 30 April 2023:**<br>Tangible assets<br>2,063<br>-<br>Current assets/(liabilities)<br>82,238<br>6,516<br>84,301<br>6,516|**Total**<br>**2024**<br>**£**<br>1,805<br>130,170|
|---|---|
||131,975|
||**Total**<br>**2023**<br>**£**<br>2,063<br>88,754|
||90,817|



## **18 Related party transactions** 

The following related party transactions occurred during the year: 

Consultancy fees totalling £530 (2023: £405) were paid to James McNulty, a trustee of the charity. 

Donations totalling £4,355 (2023: £8,675) were paid to The Creator Share Foundation (also known as Share Tanzania), an organisation that supports children and young people, including those with special needs, in Tanzania.  It is a cause that the charity has supported since 2016, J Lee was appointed a trustee on 20th February 2022. 

The aggregate amount of donations received from Trustees and related parties during the year was £85,207 (2023: £26,700). 

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## **File 2 of 2: Last Night a DJ Saved My Life Foundation 2024 accounts.pdf** 

## Signed By 

**Signer:** Simon Runcie (simon.runcie@phoenix.com.mt) 

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## Event Log 

**Jan 23, 2025, 3:13:26 PM -** Email notification sent to Simon Runcie (simon.runcie@phoenix.com.mt). 

**Jan 23, 2025, 3:13:26 PM -** Email notification delivered to Simon Runcie (simon.runcie@phoenix.com.mt). 

- **Jan 23, 2025, 3:14:33 PM -** Simon Runcie (simon.runcie@phoenix.com.mt) viewed the document(s), from 54.76.165.71. 

- **Jan 23, 2025, 3:16:03 PM -** Simon Runcie (simon.runcie@phoenix.com.mt) electronically signed or completed the document(s), from 54.76.165.71. 

- **Jan 24, 2025, 9:50:34 AM -** Michelle Westbury FCCA (documents@westandberry.co.uk) viewed the document(s), from 86.169.102.134. 

- **Jan 24, 2025, 9:51:00 AM -** Michelle Westbury FCCA (documents@westandberry.co.uk) electronically signed or completed the document(s), from 86.169.102.134. 

END OF LOG 

