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Marie-Louise von Motesiczky Charitable Trust
Trustees, Annual Report
Year ended 5 April 2024
Company Registralion Number 7572024
Charity Registrolion Number 1140890

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
ANNUAL REPORT AND ACCOUNTS
Year ended 5 April 2024
Contents
Page
Contents
Legal and Administrative Infomiation
Chair's Report
6-17
Trustegs, Annual Report
18
Trustees, Responsibilities Statement
19
Statement of Financial Activities
20
Balance Sheet
21
Cash Flow Statement
22-26
Notes to the Accounts
27
Independent Examiner's Report
Page 1

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
LEGAL AND ADMINISTRATIVE INFORMATION
Year ended 5 April 2023
Directors and Trustees
Frances Carey
Keir McGuinness
Sean Rainbird
Company Registered Number
7572024
Charity Registered Number
1140890
Solicitors
Charles Russell Speechlys LLP
5 Fleet Place
London
EC4M 7RD
Registered Office add￿sS
5 Fleet Place
London
EC4M 7RD
Accountants
T￿enSOr and Co. Limited
Chartered Accountants
Four4vinds
Wengeo Lane
Ware
Herts SG12 OEH
Independent Examiner
Hew Tittensor FCA
Foupwinds
Wengeo Lane
Ware
Herts SG12 OEH
Bankers
Coutts & Co
440 Strand London
WC2R OQS
Page 2


Paintings by Marie-Louise von Motesiczky in the newly reinstalled Founders' Galleries at the Fitzwilliam Museum, Cambridge 

Photograph copyright © University of Cambridge, The Fitzwilliam Museum. 


_Marie-Louise in Amersham_ at the Amersham Museum 

Photograph copyright© Linda Gould, Amersham Museum. 

Page 3 



MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
CHAIR'S REPORT
Year ended 5 April 2024
A Painter in Search of an Audience. Marie-Louise von Motesiczky in Exile was the tttle of an
online talk by Ines Schlenker on 9 August 2023 for the Fritz Ascher Society for Persecuted,
Ostracized and Banned Art. based in New York-
htt s:IlfritzaschersocAe
exhibitionovenvmarie-louise-von-motesiczk I
Thanks to Ihe efforts of Ines and many others. Marie-Louise has now found an audience. online
and in person. with displays springing up all the time. In the period under review this has
happened at the Amersham Museum, Burgh House and Hampstead Museum. the Fiknilliam
Museum in Cambridge and a new museum in Salzburg: Museum Kunst der verlorenen
G8neration (Museum of the Losl Generation). In the latter part of 2024 her famity connection to
Sigmund Freud through her matemal grandmother Anna von Lieben. who was one of his earfy
patients, will play a part in the Freud Museum London's exhibition aboul the women associated
with Freud as patients and colleagues, and his wider influence through the visual arts.
Psychoanalyst (1964), Marie-Louise's rather sinister portrait of Freud 5 close associate Emst Kris.
a notable art historian. has had a prominent place at the Freud Museum since 2017.
The Trust has now entered the final period of tts existence with the works that remain in its
possession to be sold at auction later this year. Among the many works distributed as gifts to
museums and galleries, it is very gratifybng to know that a goc*J number of them have permanent
homes in three of the places wth which she was most closely associated: Vienna. London, in
particular Hampstead, and Amersham just beyond where she lived with her mother during the war
years. Marie-Louise continued to go back and forth from London until 1960 when they moved to
their final home at Chesterford Gardens. Hampstead. The importance of women of all kinds as her
subjects (induding herself and her mother). is eV￿ent in two current exhibitions in Amersham:
Marie-Louise in Amersham. and at Burgh House: Marie-Louise von Motesiczky." (in)Visible
Women..
"VVon?en getting older- women at the hairdressers - girls sittii?g in glass-fronted shops
doing the invisible mending and slowly getting older. dying women, bathing women,
cheerful women, sad women...
Marie-Louise von Motesiczky in a letter to Elias Canetti,
1963.
An enigmatic composition including a self-portrait by
the artist, found its way into HMP Grendon as one of
o paintings that were lent under the supervision of
Ikon Gallery for a project run by Dean Kelland, the
artist in residence funded by the Trust from 2019-23.
The men at Gr8ndon chose The Hour because of the
tendemess in the relationship between Marie-Louise
depicted on the right, and the kneeling figure who has
variously been interpreled as either Elias Canetti. her
long-time lover. or her mother Henriette. On 26 July
2023 outside guests were invited to Grendon to see
the men's own work in response to this painting along The 1967
with one other: Cook attacked by Dragonflies. 1950s.
Both compositions are now on permanent display in the Visitors. Centre at Grendon.
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MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
CHAIR'S REPORT
Year ended 5 April 2024
Dean Kelland's residency culminated in his exhibition Imposter Syndrome at Ikon (20 October-
27 December 2023). Related programming at Ikon and Grendon included a symposium at the
prison organised with outside guests on 23 November 2023. Dean's response to his five-year
residency incorporated film, phoiography and mixed-media works, made in collaboration with the
inmates to explore 'masking' as a means of assuming an alter ego. cOn￿aling personal identity
and psychological pain. The media coverage online. in print, on radio and television showed a
keen appreciation of what is being achieved at Grendon. In the words of The Telegraph's
reviewer:
In the light of Britain's contempt for prisoners, Grendon is a politically heroic place.
It also, inevitably works.. its inmates rate of recidivism is drastically i'ediiced. Imposter
Sviidroine niav be iniDerfect. but- Inuch better- it's a 5erioLlS, sincere show.
Like Edmund Clark, his predecessor as artist in residence. Dean made a huge impact,
establishing an immediate rapport with the men at Grendon. The Tnjst is grateful to Dean for his
contributs'on. especially given th8 circumstances of the pandemic from 2020-22, as we are for the
vitsl role played by the member of Ikon staff dedicated to Grendon. James Latunji-cockbill, with
support from his colleagues. The sucLess of the artist in residence programme could never have
been achieved without the unfailing enthusiasm and understanding of the residents at HMP
Grendon. the staff and the Govemors: Rebecca Hayward for Dean's residency and now Olivia
Phelps.
Another inspiring figure Nwth whom the Trust has been dosely associated for several years is
Indhu Rubasingham. Artistic Director of Kiln Theatre in Kilbum until the end of 2023, now Director-
designate of the National Theatre in 2025. She has created a legacy of outstanding new writing
and perfomiance and of constantly evolving cultural engagement among Kiln's diverse local
communities. with which the Trust is proud to be associated.
Not all the projects we have funded will come to fruition within the lifespan of the Trust. but one
that will do so is the Warburg Renaissance. This has entered its final phase prior to the opening at
the beginning of October 2024 of the redeveloped sile. induding the new teaching suite to be
named after Marie-Louise. Further ahead but visibly taking shape is Oriel. the joint Moorfields Eye
Hospital and University College London clinical and research facility at St Pancras, where the
Marie-Louise von Motesiczky Trustees attended the groundbreaking ceremony in July 2023.
Frances Carey
Chair
Pagg 5

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
TRUSTEES, ANNUAL REPORT
Year ended 5 April 2024
The Trustees submit their annual report and the financial statements of the Marle-Louise von
Motesiczky Charitable Trust for the year ended 5 April 2024. The Trustees confinn that the annual
report and financial statements of the Charity comply with the requirements of the Charity's
governing document and the provisions of the Statement of Recommended Practice (SORP) -
Accounting and Reporting by Charities applicable to charities preparing their accounts in
accordance with the Financial Reporting Slandard for Smaller Entities (FRSSE. effective 1
January 2005).
Structure, Governance and Management
The company was incorporated on 21 March 2011 as a company limited by guarantee and
subsequently regislered as a charity on 25 March 2011 {charity registration number 114089)).
The company took over the assets and liabilities of the Marie-Louise von Motesiczky Charitable
Trust (an unincorporated charity of the same name). The Trustees are appointed in accordan
with the provisions of the Articles of Assoaation. The names of the Trustees are gNen on page 2.
The Trustees are responsible for the management of the Charity and the furtheran￿ of its
charitable purposes as given below. The Trustees meet as a body on a ￿gUlar basis, around
three times a year. The Trustees are directly involved in the day to day running of the Charity. led
by the Chair, with assistance when required from the Charity's professional advisers. The Chair is
the principal point of o)ntact for the Charity Commission.
The Trustees have continued lo monitor the major risks to
which the Charity is exposed. in particular those related to
the operations and fInan￿S of the Charity and a￿ satisfied
that the internal controls already in place are commensurate
with the size of the Charity and provide a reasonable degree
of comfort.
Char5table Objects
The objects of the Charity as set out in the Memorandum
and Articles a￿ as follows:
1) The advancement of the education of the public in the fine
arts particularly painb'ng and sculpture by any means but
primarily by:
i. Arranging public exhibitions of paintings and works of art
and in particular those by Marie-Louise von Molesiczky,
ii. The publication of literary works about the lrfe and
works of artists including Marie-Louise von MotescAzky.
2) The relief of diseases and other rnedical conditions
impairing vision by assisting with the payment of medical and
other expenses incurred in the treatment and care of eyes.
including but not limited to, the costs of patient care. support
and assistance to enable sufferers to live independentty.
Marig in L>oorway (after 19541
A poSthur￿uS FX)rtrail of Ihe Motesiczkys.
I￿￿kOePer Mariè Hauplmam Vh￿ IN8d wth
thom in kn•rsham.
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MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
TRUSTEES, ANNUAL REPORT
Year ended 5 April 2024
3) The general purposes of such charitable bodies or for such other purposes as shall be
exclusively charitable as Ihe Truslees may from time to time decide.
Achievements and Public Benefit
In pursuit of the charitable objects as set out above, the Trustees have considered the Charity
Commission's guidance on public benefrt as set out in the Charities Act 2011 to ensure that all
their activities meet this requirement.
1 The advancement of the education of the public in tho fine arts. particularly painting
and sculpture by any means. but primarity by:
l. Arranging public exhibitions of palntlngs and works of art and In particular those by
Marleloulse von Motesiczky
11. The publicatlon of ltterary works about the lrfe and work of artists Including Marie-
Louise von Moteslczky.
1.1 Museums and Galleries
1.1.1 Amersham Museum
The Marie-Louise von Motesiczky Gallery was inaugurated on 8 March, Intemational Women's
Day. with an exhibition devoted to Marie-Louise in Amersham {9 March lo 26 August 2024).
whose opening was attended by the MP for Amersham and Chesham, Sarah Green. The purpose
was to draw attention to Marie-Louise's achievement as an artist and to place her in the context of
the local community which included quite a number of outsiders: servicemen, refugees, and
Londoners seeking escape from the wartime dangers of the city. Work created through the
Museum's community learning programme has been part of the exhibition, from the South
Buckinghamshire Jewish Community and the primary school on Chestnut Lane, located directly
opposite Comerways, the house where Marie-Louise and her mother Henriette lived from 1941
until 1960. The Amersham Museum worked with 180 children from the school. running guided
walks and handling sessions. Year 2 (&7) children also created artwork about the people and
events that took place on Chestnut Lane in the 1940s. This featured in an illustrated map and trail
and in an exhibition at the school.
Amersham Museum will open a second exhibition, Precious Objects. in September 2024 as part
of the programme funded by the Trust. Working with a local artist. the public have been invited to
share objects that are precious to them, to be shown alongside those of particular significance for
Marie-Louise. rnost notably eighteenth century cloisonné enamel sheep now part of Tate's
Archive. that she brought with her when she left Vienna on 13 March 1938.
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MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
TRUSTEES, ANNUAL REPORT
Year ended 5 April 2024
1.1.2 Burgh House, Hampstead
The private view for Marie-Louise von Motesiczky.. (in) Wisible Women {7 March -15 December
2024) and its companion exhibition upstairs-. Ab¢Wt Women." Photographs by Domthy Bohm
(1924-2023) was attended by nearly 200 people. Visitor figures for March-April show a 45°
increase compared with the same period in 2024. the focus on women as artistslpractitioners and
as subjects. being a key factor in the publiG interest.
During 2023-24 the Trust gave a further five paintings by
Marie-Louise to Burgh House and one by her great
friend Milein Cosman, the artist at work in Studio with
Nude Model. All are on show in the House. either in the
exhibition itself or in the Library across Ihe hall. The
recently donated works by Marie-Louise were:
Lo and Lilly. 1951
Mother and Child c.1954
Confrontation in the Forest. c.1970
Mrs Bolter. 1986
Frau Pauz8nberger. 1990
St¢KdK) with Nud6 j110d￿. 1970
1.1.3 Fllzwllllam Museum
The Museum's Founder's Galleries (five of the main paintings galleries}
reopened on 15 March 2024 after a three-year closure. They have been
magnificently restored to house a major rehang and reinterpretation of the
collection. Each gallery brings the historic. modem and contemporary together,
wilh a particular focus on women. artists of colour and those who came to Britsin
trom elsewhere. Three of Marie-Louise's paintings a￿ prominently displayed,
including one of the mosl important works she ever made. a self-portrait titled At
the Dressmaker's (1930). The Trust has funded the post concerned with the
interpretation, for which the Fitzwilliam has secured additional support through
the Higher Education Impact Fund. Together the (x)mbined resources mean the
post can be extended from May 2024 to July 2025.
Paytr 8

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
TRUSTEES, ANNUAL REPORT
Year ended 5 April 2024
1.1.4 Freud Museum London
A grant of £150.000 was made to the Freud Museum on Maresfield Gardens in Hampstead to
cover the cost of refrtiing the exhibition space and tts adjacent room which will be named for
Marie-Louise. and exhibtbons with public programming whose working titles are:
Women & Freud." Patients, Pioneers, Artists (October 2024 - April 2025)
Psychoanalysis and Caricature {January-June 2027) in collaboration with the Warburg Institute
1.1.$ Museum Verlorenen Generation (Museum of the Art of the Lost Generatlon).
Salzburg
The museum which opened in 2017. is an independent charitable foundation comprising the
collection of Prof. Dr Heinz Bohme, focused on the work of artists deemed 'degenerate' during the
Nazi period. Dr Bohme acquired a study by Marie-Louise of Elias Canetti Reading, c.1945. via a
dealer in Vienna which came from the first of the sales held by the Trust with Chiswick Auctions in
December 2020. We have now given four more paintings:
Girl by Fire, 1941
Still-lrfe with Flowers and Pipe. 1940s
Indian Couple. 1951
Coloured Model. c.1956
Marie-Louise's work is featuring this year at the Museum in exhibitions dedicated to Beyond
Beckmann. artists who attended Max Beckmann's masterclasses in Frankfurt 1925-1933.
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MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
TRUSTEES, ANNUAL REPORT
Year ended 5 April 2024
1.1.6 Tate
Following the successful completion of Phase One of the Emigré Art Archives Project, the Trust
has provided funding for Phase Two fo￿SIng on the following collections of material:
Drian Gallery archives (1957-1998): run by Halima Nalecz {1917-2008) Ytho left Poland to settle
in London in 1947.
Josef Herman archives: Herman (1911-2000). another émigré who left Poland for Brussels in
1938. arriving in Britain via France in 1940.
Anton Ehrenzweig archives: Ehrenzweig (19)&1966), bom into a prominent legal family in
Vienna. became a magistrate in 1936, leaving for Britain immediately after the Anschluss in 1938.
He became a theorist on modem art and music. publishing The Psychoanalysis of Artistic Vi&on
and Hearing in 1953, An Introduction to a Theory of Unconscious Perception in 1965 and The
Hidden order of Art in 1966.
Ewan Phillips archNes: Phillips (1914-1994) as a very young man was an assistant organiser of
the Exhibition of Twentieth Century Gemian Art at the New Burllington Galleries in 1938, co-
founder of the Artists, Intemational Associakn'on and helped to organise the Tate Gallery's library
and art Sto￿S. During the Second World War he became one of the 'Monuments Men, stationed
in Hamburg, then in 1948 the first Director of the Institute of Contemporary Arts.
As w811 as cataloguing all the selected material and digitising a signfficant proportion, the budget
allows for a public programme including two films. a Show and Share event, symposium and an
exhibition in the Marie-Louise von Motesiczky Archive Gallery to highlight both Phase 1 & 2 of the
Émigré Art Archives Project and material from Marie-Loutse's archive whose cataloguing was
completed in 2023.
1.2 Art In the Crlmlnal Justlce system
1.2.1 IkonlHMP Grendon Artlst in Residence
After the successful completion of Dean Kelland's residency described on p.5, the Trust awarded
a new grant to cover the three calendar years from 2024-2026 inclusive. The terms of
appointment for the artist (s) in residence are eighteen months each. and the appointees ar8 to
work the Producer from Ikon and the prison community to Co-curate exhibitions in the Marie-
Louise von Motesiczky Studio (three per residency). An Art Orderly will be recruited for each of the
thr8e years from within the prison community to assist with practical facilitation. This post will be
paid for by HMP Grendon.
Simon Harris. tutor at Wofverhamplon University who intri)duced printmaking to Grendon. is the
new artist in residence but was prevented by illness from starting in January 2024. James Lomax,
who was also short4isted for the position. kindly agreed to ad as an interim replacement for iwo
months, presenting the work he has done with the men at an event on 6 June. 2024.
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MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
TRUSTEES. ANNUAL REPORT
Year ended 5 April 2024
MLVM paintings prèséntsd to HMP Grènth)n ￿ aSSLKi8thon wlh IkL￿ Gakny. Cook thlt&ekèdby Drag(￿￿&$ and The Hour
1.2.2 Koestler Arts Trust
The Marie-Louise von Motesiczky Charitable Trust has been
supporting the Koestler Arts menloring scheme since 2016.
with its current grant due to njn until the middle of 2025. The
objectives are to:
To help mentees to continue creative work post release from
prison.
To improve their coping ability. reduce stress and engender
hope for the future:
Oxyg81J8
Koestler Arts M8ntoring Stholar
Acryli¢ on Canv8s. 2022
To support them in accessing education and training"
Thereby to discourage reoffenli
Since the scheme was
launched in 2008, it has
supported 230 mentees. of
whom ten have been funded
by ihe Marie-Louise von
Motesiczky Charitable Trust.
with another appointee
imminent.
At the end of 2023 Koestler
Arts moved into a new
building facing on to Du Cane
Road outside Wormwood
Scrubs, a far more visible
presence than hitherto in the
11(..,11(K
P899 11

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
TRUSTEES, ANNUAL REPORT
Year ended 5 April 2024
former Governorfs house by Ihe main gates to the Prison. This will afford opportuntties for
mentees to see their work showcased in dedicated displays.
The Trust would like to record its gratitud8 for the naming of a Marie-Louise von Motesiczky
Award at the 2023 KoestleT Prize submission. A Portrait of W.H. Auden was given a gold award in
the Portrait category arKI subsequently chosen for the annual exhibition at the Southbank Centre,
In Case of Emergency.
2. The rellef of diseases and other medical condltlons impairing vislon by assisting with
the payment of medical and other expenses incurred in the treatment and care of eyes,
Includlng but nol Ilmlted to, the eosts of pat5ent care. support and asslstance to enable
sufferers lo Ilve Independently.
2.1 Moorfields Eye Charlty
Construction is proceeding well on the St Pancras site for Oriel, the new Clinical and research
centre combining the expertise of Moorfields Eye Hospital and University College London's
research body, the Institute of Ophthalmology. The Marie-Louise von Motesiczky Charitable Trust
will be discussing with the Charity the way in which the Trust's contribution to patient support
services is to be rec¢>3nised in the new building.
3. The general purposes of such charitable bodles or for such other purposes as shall be
excluslvely charitablo as the Trustees may from tlme to tlme declde.
3.1 British Museum International Training Programme
our-worklinternationaifintemational-trainin
htt :Ilwww.britishmuseum.or
ro
ramme
On 22 May 2023 a reception was held at the British Museum to celebrate the Intemational
Training Programme, highlighting the Marie-Louise von Motesiczky Charitable Trust's support
since 2011. Supporters. adV(￿te5 and partner museums were formally welcomed after the Covid
hiatus and speakers included Iwo past ITP Fell0V￿ from Croatia and India.. Barbara VujanoviG
(2016), Chief Curator, Meatrovié Atelier. The Ivan Meètroviè Museums (Split), and Pankaj Protim
Bordoloi (2018). Deputy Director, Art & Museum Section, President's Secretariat Rashtrapati
Bhavan {Delhi).
For the main 2023 summer programme 18 Fellows came from 14 countries, among them 3
newcomers.. Bulgaria. Kiribali and Irietnam. 353 Fellows have partic#pated from 60 countries since
2006. For 10 years a Senior Fellow has been appointed from past candTrdates to take part in the
overall running of the six-week summer programme. In 2023 this was Ciprian Dobra from
Romania who had been one of the MLVM funded Fellows in 2019. Following this placement,
Ciprian has taken on the role of guest editor of the ITP Newsl8tter for 2024 and joined the ITP
Advisory Board comprised of other fomier Senior Fellows. who are continuing to support the
development of the Intemational Training Programme:
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MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
TRUSTEES. ANNUAL REPORT
Year ended 5 April 2024
3.2 Carers UK
The vital support and advocacy provided by Carers UK has been illustrated this past year by Ihe
success of the campaign to get the UK'S 2.3 million carers a statutory right to five days unpaid
annual leave from their employers. Alongside this is the necessity for a fundamental review of the
Carers Allowance, thrown into sharp relief by the overpayments scandal. Carers UK was chosen
to be charity of the year in a compelition for creative agencies to design and deliver a campaign
for their cause. which brings significant media sponsorship with it.
The Marie-Louise von Motesiczky Charitable Trust has made a final grant of £100,000 for the
period from June 2023 to the end of De￿mber 2025 towards carer support services of all kinds,
especially online.
3.3 Klln Theatre
Indhu Rubasingham's legacy is being
carried on by her successor Amit
Shamia, previously an Associate
Director, who is very much part of
Kiln's ethos of excellence through
innovation and collaboration: in Indhu's
own words:
KILII
creati￿ Engagement at Klln Th•atrn
April 2023- March 2024
322
wwnE
105
HAsTERflA￿Es
]FL￿￿ENT
12 BRENT
SCHOOLS
The bedrock of my programming
and passion at Kiln has been giving
a platform to different voices
expressing their perspectives,
concerns and insights of the world
around them. speaking to the
different communities around
28 PARTNERSHIPS
6BACKSTAGE
IWAKSHOPS
61
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96
Across the academic year ending in the summer of 2023, Minding the Gap, one of the main
components of the Creative Engagement programme supported by the Trust, worked with 123
young people aged 14-19 (including 57 newly arrived migrants), speaking 24 languages from 24
countries in 3 Continents. For the second year four alumni from MTG had the chance to become
paid trainees, one of them joining the front of house team at Kiln as a result, and another the
Minding the Gap facilitator team:
Being part of the traineeship has really helped with my confidence - I have explored new
things and n7et new people. I have learnt how to run dress and tech rehearsals, how to
freelance, how to collaborate with others and how to develop your own projects. I would
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MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
TRUSTEES, ANNUAL REPORT
Year ended 5 April 2024
really like to work in rhe theatre industry because of this initiatlve. The Kiln feels like home
to me because I have made a great Gonnection there.
The full range of Kiln's creative engagement over the past financial year is captured in the
'infographic', illustrating why they have secured a grant of £250,000 from the National Lottery
Heritage Fund for Celebrating our Stories.. the lQlbum High Road. a three-year project which will
further embed Kiln's work with local communities and allow them to V￿rk strategically for the
future. Kiln has expressly acknowledged that:
The support fi_
-arie-Loa&a
)n Motesiczky Charitable Trust and contiiiued
investment in our team has been integral in leveraging thi5 significant grant.
3.4 National Youth Orchestra
The Marie-Louise von Motesiczky Charitable Trust has been supporting four places in NYO in
each of the calendar years 2023 and 2024. with further funding for NYO Inspire which provides
opportunities for a wider group of young people. some of whom will qualify for the main orchestra.
In addib'on to the musicians, our funding has paid for the post of Digital Officer created during the
pandemi¢, until the end of 2023. This has had a transfomiative effect on NYO'S profile and
activity. which will form the basis of our final grant in 2024-25.
NYO'S Composition and some of their achievements during 2023 were as follows:
Of 156 musicians in the Orchestra. 50% were from stste education and 29¥0 were Black, Asian
or ethnically diverse.
• r*JNATÈ
We are the UK'S leoding
organisotion championing
orchestral music as a
powerful ogent for teenage
development.
4y.%
YY
OiAPAB T
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MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
TRUSTEES, ANNUAL REPORT
Year ended 5 April 2024
Female and non-binary musicians took 61 Yo of leadership positions across the Orchestra.
They welcomed three musicians age(¥ just thirteen. alongside three musicians who regained
their seats for a fifth time, taking on Signifi￿nt role-modelling ￿sponsibl11t1es.
42Yo of the Orchestra had progressed from NYO Inspire.
Nearly 700 young people were enrolled on the Inspire programme at its peak. of whom 44¥.
were ethnicalty diverse and 820/0 were state school-educated
They reached 5,600 young people in perfomiances across schools and concert venues, and
averaged 270/0 teenage audiences at concert hall performances.
The winter, spring and summer ￿SIdenC1es culminating in a series of public performances are the
highlights each year. In 2023 the Chair, Frances Carey. was privileged to attend a day of
rehearsals and NYO Inspire activity as part of the summer ￿SIdencY al Keele Universily. Five
days laler the Orchestra played at the Proms. conducted by Carlos Miguel Prieto in Richard
Strauss's Four Last Songs with the South African soprano Masabane Cecilia Rangwanasha, Paul
Hindemith's Symphonic Metamorphosis of Themes by Carf Maria von Weber 21 and Aaron
Copland's Symphony No.3. The phenomenal achievement of these young musicians who had had
less than two weeks to rehearse for their summer concerts was ￿cOgnised in what the 5. review
in The Times described as their'immaculate perfomance. all fresh optimism and sparky rhythms..
Within a short space of time the Digital Officer. David Mccaffrey, has become a vital part of NYO
spanning the full range of their activity and enabling successes for recruitment. marketing,
programm8 and ftjndraising teams alike. Applications for the Orchestra were at a record high in
2023.. 727 for around 160 places, a 160/D increase on the year before. The marketing campaign for
NYO'S 2024 winter concert series was launched earlier than ever which made a big difference to
ticket sales. David was involved from the very start in NYO'S rebranding process, liaising with all
the stakeholders and ensuring that the yOLrth voice was at the centre of NYO'S platfonns when the
new web site was launched in September 2023.
3.5 Refugees al Home
The Trust has supported Refugees at Home since 2019. Their mission is to alleviate
homelessness and destitution among the most vulnerable members of our society. and to
encourage integration by connecting those with a spare room to refugees and asylum seekers in
need of somewhere to stay. Founded in 2016, the organisation has developed significantly over
the past seven years to become the UK'S largest hosting organisation.
The Marie-Louise von Motesiczky Charitable Trust has played a significant role in the Charity's
expansion being one of their first grant makers and funding one of their first Placement Co-
ordinators, Areej Osman. She has remained with the Charity and is now a Senior Manager,
overseeing a team of seven. Refugees at Home was chosen as one of three charities for the
Guardian's 2023 Christmas Appeal from which they received £456,208 and 76 applications from
those interested in hosting refugees.
Pa98 15

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
TRUSTEES. ANNUAL REPORT
Year ended 5 April 2024
3.6 The Fundlng Network
TFN International. which the Trust has supported since 2013. celebrated the 10th year of its
programme. Over the past decade TFN'S giving cirde model has raised over £10m from 25,000
donors at 450+ events woddwide. in support of around 1.500 small charities and social
enterprises. In 2023-24 TFN worked with 10 community foundation partners in Europe and Latin
America, 6 national community support organisations. and with TFN Australia and TFN New
Zealand. A major focus has been in Spain Whe￿ a collaboration with the Spanish Association of
Foundations (AEF) led to the first iwo events based on the TFN model:
On our own initiative we would not have decided to organise such an event. The support
both financially and in terms of guidance proved to be key. We dared to exploi"e this optiori
with a very valid objective." to help our con?munity we have learned by doing, taking risks
and exposing oui'selves. Having organisations like TFN and AEF on our side encoii,"aged
the groiip of entrepreneurs to believe in this event. We have been surprised by the great
i"eception of these entrepreneurs promoting the event and a strongei" channeJ of
collaboi'ation has been opened for the future from this firs¢ giving circle. Small donatioiis
fron? family and friends brougl7t lis closer to our neighbours and are a good lesson in
From charity impact reports and anecdotal evidence. TFN COnse￿atIVe[Y estimates that for every
£1 raised at an event. an average of a further £2 is leveraged by the charities after the event. One
of the best examples is that of Refugees at Home whose support from the Marie-Louise von
Motesiczky Charitsble Trust came out of a TFN avenl at the end of 2018:
ha¢ K..- ...-
resting about The Funding Network was we made some amazing
connections. I would think that the Funding Network appearance probably ended up
gaining us nearly half a million pounds over five years... [from] people who had seen us
there then got in touch and then became major grant givers and (refugee) hosts. (Sara
Nathan co-founder of RC(bHI
3.7 Warbury Institute
In anticipation of the launch at the beginning of September 2024 of the new spaces created
through its Gapital project. the Warburg Renaissance. Matthew Harfe, fomerly of the Barbican
C8ntre. has taken up the post of Curator of Artistic Programmes. This is funded by the Marie-
Louise von Motesiczky Charitable Trust for two years from earfy 2024.
Pagè16

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
TRUSTEES, ANNUAL REPORT
Year ended 5 April 2024
Financial Performanco
The Statement of Financial Activities shows net expenditure before gains and losses on
investment disposals during the year of £1,022,313 (2023 £1.718,315). The net
expenditure indudes grants and donations to various bodies amounting to £1,001.988 {2023
£1,723,667). The net assets of the Charity reduced during the year from £2.008,948 to
£901,833.
Reserves pollcy
The Charity is dependent on its bank balances and temi deposits to fund its day to day
activities. The Charity has built up sufficient reserves to be able to continue to meet its
objectives. The Trustees consider that the level of liquid reserves should be sufficient to
cover a period of at least 6 rnonths overheads. The Charity's assets cuffently include works
of art valued at £30,000 which do not currently generate any income but are inte9ral to the
objectives of the Charity.
Investment Pollcy and Perfornianc•
The Trustees may invest the monies of the Charitable Trusl not immediately required for its
purposes in or upon such investments. securits'es or propety as may be thoughl fit. The
works of art are not income projucing and thus the Trustees have been relianl for income on
interest on cash and term deFK)Sits.
The company has taken advantsge of the small companies. exemption in preparing the
report above. The Trusteees declare that they have approved the Trustee's Report (including
directors, report) above.
This report was approved by the Trustees on 12 July 2024 and signed on its behalf by:
Frances Ca
Trustee
Paoe 17

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
TRUSTEES, RESPONSIBILITIES STATEMENT
Year ended 5 April 2024
The Trustees {who are also directors for the purposes of company law) are responsible for
preparing the Trustees. Report and the financial slalements in accordance with applicable law and
regulations.
Company law requires the Trustees to prepare financial statements for each financial year in
accordance with United Kingdom Generally Accepted Accounting Practice (United Kingdom
Accounting Standards and applicable law). Under company law the Trustees must not approva
the financial statements unless they are satisfied that they give a true and fair view of the state of
affairs of the charitable company and of the incoming resources and application of resources.
including the income and expenditure, of the charitable company for that year.
In preparing these financial statements, the Trustees are required to:
a) select suitable accounting policies and then apply them consistently.
b) observe the methods and principles in the Charities SORP,
c) make judgements and estimates that are reasonable and prudent.
d) prepare the financial statements on the going concem basis unless it is inappropriate to
presume that the charitsble company will continue in business.
The Trustees are responsible for keeping adequate accounting records that are sufficient to show
and explain the charitable company's transactions and disclose with reasonable accuracy at any
time the financial position of the charitable company and enable them to ensure that the financial
ststements comply with the Companies Act 2006. They are also responsible for safeguarding the
assets of the charitable company and hence for taking reasonable steps for the detection and
prevention of fraud and other irregularities.
P•Jt 18

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
STATEMENT OF FINANCIAL ACTIVITIES
Year ended 5 April 2024
Note Unrestricted
Funds
2024
Un￿stricted
Funds
2023
INCOME
Inte￿st ￿ bank acccunts
Other income
52,756
1,237
14.597
3,546
TOTAL INCOME
53,993
18.143
EXPENDITURE
Charitable activities
Olhef expendilure
1.010.072
66.234
1. 726.602
72,856
TOTAL EXPENDITURE
1.076.X
1,799,458
NET EXPENDfTURE BEFORE INVESTMENT GAINS I (LOSSES
11.022.313)
(1. 781.315)
Net gains l (losses) on disposals of works of art
Impaimient provision ￿ works of art
Nel exchange gairts l (losses) on conversion of bank accounts
(36.163>
(48.6391
12,374
7,506
NET MOVEMENT IN FUNDS FOR THE YEAR
11,107.115)
(1.761.495)
TOTAL FUNDS AT 6 APRIL 2023
2.008.948
3,770.443
TOTAL FUNDS AT S APRIL 2024
901.833
2.008.948
All ino)me and expenditure relate to continuing activities.
The notes w page5 22 to 26 fom part of these financial stalements.
Page 19

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
BALANCE SHEET
At 5 April 2024
Unrestricted Funds
2024
Unrestncted Funds
2023
Note
FIXED ASSETS
Works of Art
30,WO
180.432
TOTAL FIXED ASSETS
180.432
CURRENT ASSETS
Debtors
Cash at bank and in hand
19.207
862.9)6
3,487
1,838,231
1,841.718
882.113
CREDITORS: Amounts falling due
within one year
(10.280)
(13,202)
NET CURRENT ASSETS
871.833
1.828,516
NEf ASSETS
1,833
2,008,948
CHARITY FUNDS
Unrestrided funds
1,833
1.833
2,008.948
2.008.948
TOTAL FUNDS
For the year ending 5 April 2024. the tharilable cr)mpany was entitled to exempts.on from audit under
section 477 of the Companies Act 20(￿ relating to small companies.
The members have not required the company to obtain an audit in accordan￿ with section 476 of
the Companies Act 21Th.
The directors acknowledge their responsibilities for complwng with the requirements of the
Companies Act with respect to accounting re(x)rds and the preparation of accounts
These accounts have been prepared in accordan￿ with the provisions applicable to small
companies subject to the small companies regi[[￿ and in accordance with FRS102 SORP.
The financial stat￿ments were approved by the Twstees on 12 July 2024 and signed on their behalf
by:
Frances Car
Trustee
Keir McGuinness
Trustee
The notes on pages 22 to 26 forni part of Ihese financial statements.
Page 2Q

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
CASH FLOW STATEMENT
Year ended 5 April 2024
2024
2023
Cash flows generated
Interest on bank accounts
Proceeds of sales of works of art
Other income
52,756
30.499
1.237
14,597
78,975
3.546
84.492
97,118
Appllcatlon of ¢a$h
Grants and donations paid
Expenditure on charitable activiti.es
Other expenditure (below)
966.857
8.084
84.876
1,723,667
2.935
62,615
1.059.817
1,789,217
Net decrease In cash during year
(975.325)
(1,692,099)
Cash at bank and In hand at the beglnnnlng of year
1.838.231
3,530,330
Cash at bank and in hand at th• ond of yoar
862.906
1.838,231
Reconciliation of other expendlture:
Other expenditure per SOFA
Net exchange gains on conversion of bank aCC￿nt
Increase in debtors
(Increase) I decrease in creditors
66,234
72,856
(7,506)
996
(3, 731)
62.615
15.720
2.922
84,876
Page 21

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
NOTES TO THE ACCOUNTS
Year ended 5 April 2024
1 ACCOUNTING POLICIES
1.1 Basis of proparation of ffinanclal statemonts
The financial ststements have teen prepared under the historical cost convention. with the exceptson of
works of art which are induded at market val￿. The company is a public benefit entity for the purFoses
of FRS102 and a registered charity eSta￿l$hed a$ a company limited by guarantee and therefore has
also prepared its financial statements in accordan￿ with the Stslement of Recommended PraCt￿e
applicable to charities weparing their acojunts in aC(XYdan￿ with the Finanoal Reporting Standard
applicable in the UK and Rewblic of Ireland (Tr FRS 102 Chaiilies SORP). the Companies Act 2006
and Charities Act 2011.
1.2 Company stslus
The Charlty is a company limited by ￿arantee. The ry*mbers of the Charity are the Trustees named on
page 2. In the event of the Charity being w(KJThJ up. Ihe liability in respect of the warantee is limited to £1
per mefflber of the Charity.
1.3 Fund accounting
The Charity maintains a general fijnd whith is unrestricted aThJ is availat4e for use at Ihe discretion of the
Trustees in furtherance of Ihe general obieclives of the Charity and have not been designated for
any other pur[4￿.
The Charity has no restrithd or deswJnated funds.
1.4 Income
All investmenl and deposit income k8 recognised on a receipts basis.
1.5 Exwndtture
Expendilure is rects3nis&J where it is mc*e likdy than rKit that there is a legal or constructive obligation
committiro the charity to pay out ￿80￿ceS and the arn￿ of the oblvJation can be measured with
reasonable certainty.
Charitable activities are those costs vAKdty for the fvjrtheran￿ of ihe Chaiitvs objectives induding grants
and donations and expenditure on research. exhibition and catalogue costs and restoration and
conservalion costs.
other expenditu￿ are Ihose costs in(xJrred in connectb)n with the administration of the Charity.
1.6 ¥Vork$ of Art
Works of Art are stated at market value at the balan￿ sheet date (see note 4). The SOFA includes the
net gains and k%ses aT￿ing on revaluations and disp)sals durirwJ the year.
1.7 Ovorseas currenclos
Assets a￿1 liabiliiies in overseas ￿[renCIeS are ￿1Verted into sterling at the rate appli&*)le at the year
end.
Pag8 22

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
NOTES TO THE ACCOUNTS {contlnued)
Year ended 5 April 2024
2024
2023
2 CHARITABLE ACTNMES
Grants and d(￿tiOnS paid in ￿h..
Amersham Museum
ca￿r$ UK
Fitzw'lliam Cambridge
Freud Museum London
Ikon
Kiln Theatre
Koestler Trust
Moorfields
National Youth Orchestra
Refugees al Home
Tale
Univers￿Y of London- Warburg Inslitute
105.613
100.CIXI
100,000
150.(N)O
223.869
1CKJ.000
119,289
80,000
48.000
1,000,000
37.801
132.964
40.176
352,812
IiW,000
966.857
1.723.667
Grants and donalions of Works ofArt:
Amersham Museum
Museum Kunst der Veflorenen Generation
Ik￿ Gallery IHMP Grendon
Burgh House CIO
4.273
14.727
4.487
11.644
35,131
Expenditure on Charitable Activilres..
Grave ￿-InSeripb.on for Kad von Motesiczky
Honorarium
Conservation of painting for chantaL4e gfft
Framing and restoration
Commemorative plaque for artists. fomier
home in Hampstead
Storage ￿MOVal
Transpjrtalion and viewing costs
7,264
2.373
888
130
563
5.461
8.084
2.935
1,010.072
7,726,602
Grants and donatic￿$ of Works of Art are valued in accordarte WU) the provisffis of the relevant legal
deed of grfi.
Paye 23

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
NOTES TO THE ACCOUNTS (contlnued)
Year ended 5 April 2024
2024
2023
3 OTHER EXPENDITURE
Accountancy fees
Legal fees
storage and handling costs
General insurances
Administrative ServI￿S payable to Chair
Postage and stationery
Entertaining and meeting expenses
Bank charges
Grave costs
Computer costs
Website costs
6,067
29.657
3.657
1,805
21.600
132
646
5,900
32,480
4.202
1.283
21,600
156
3,723
30
1.044
62
2.376
72.856
294
76
2.300
66.234
Entertaining and meeting expenses represent reimbursed entertaining and travel costs
incurred by the Trustees, including in respect of the year to 5 April 2023, costs in
relation to travel by two Iruslees to Vienna and for the reception for the unveiling of the
plaque at Chesterford Gardens.
The Chair. Frances Carey, is remunerated for her administrative work to facilitate the
day to day running of the Charty. The arnount payable for the year was £21,600
(2023 £21,600) of which £5.400 was unpaid at the year end (2023 £5.400).
Otherwise none of the Trustees received any remuneration or benefits during the year
{2023 - £Nil).
Page 24

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
NOTES TO THE ACCOUNTS (contlnued)
Year ended 5 April 2024
4 WORKS OF ART
Value at 6 April 2023
Cash disposals in the year at proceeds
Net profit on cash disposals in the year
t)onats'ons in year
Provisi￿ for impairrrEnt
Value at 5 April 2024
180,432
(30.499)
{36.163)
(35.131)
(48.639)
30,000
The works of art comprise a colleciion of painti1￿ and drawings mainly by Marie Louise v
Motesiczky.
Cash dlsposals in the year at proceeds of £30.499 ￿p￿sents the proceeds {net of
commissions) from sales of thirty-three of Marie-Louise von Motesiczky's paintings at IN
avclions (Juring the year. The nel profit OD sales thereof represents the drference betsveen the
proceeds of the cash disposals and the rdevant bcd( value al 5 April 2023.
Works of Art held at 5 April 2024 have been valued t)n the basis of estimated market values
following the experience gained from the results of aUct￿n sales held in the last four years.
2024
2023
S DEBTORS
Amounts falling due ￿thin one year..
VAT recoverable
Olympia Auctions
Prepayments
2.312
15.565
2.157
1.330
19,207
3.487
6 CASH AT BANK ANDIN HAND
All cash at bank and in hand balar￿e$ a￿ held in accounts vrilh less than 3 months maturity
with the exception of a one year deposit of £500.c￿ maturing on 27 June 2024.
7 CREDITORS
Amounts fallirrfJ due within year:
Accruals
10,280
13,202
10.280
13,202
Page 25

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
NOTES TO THE ACCOUNTS (continued)
Year ended 5 April 2024
2024
2023
UNRESTRJCTED FUNDS
At 6 April 2023
Net expenditure before gainsl(losses) on works or
Nel gains on disposals of works of art
Impairment provision on works of art
Net exchange gains on conversion of bank ac￿Unt
At 5 April 2024
2.008,948
(1,022.3131
136.163)
(48,639)
3.770,443
(i. r81.3f 5)
12.314
7,506
901.833
2,008,948
9 SHARE CAPITAL
The Charity is a company limited by guarantee.
Page 26

MARIE-LOUISE VON MOTESICZKY CHARITABLE TRUST
INDEPENDENT EXAMINER'S REPORT
Year ended 5 April 2024
I report to the charity Trustees on my examination of the accounts of the Company for the
year ended 5 April 2024. which are set out on pages 19 to 26.
Respon31bllltles and basls of report
As the charity's trustees of the Company (and also its directors for the purposes of company
law) you are responsible for the preparation of the accounts in accordance with the
requirements of the Companies Act 2006 ("the 2006 Act")-
Having satisfied myself that the accounts of the Company are not required to be audited
under Part 16 of the 2006 Act and are eligible for independent examination. I report in
respect of my examinats'on of your charitys accounts as carried out under section 145 of the
Charities Act 2011 {'Ihe 2011 Acf). In carrying out my examination I have followed the
Directions given by the Charity Commission under section 145(5){b) of the 2011 Act.
Independent examlner's statoment
I have completed my examination and confirm that no matters have come to my attention in
connection with the examination giving me cause to believe:
1. accounting records were not kept in respect of the Company as required by section 386
of the 2006 Act,. or
2. the accounts do not accord with those records: or
3. the accounts do not comply with the accounb'ng requirements of section 396 of the 2006
Act other than any requirement that the accounts give a Irue and fai¢ view which is not a
matter considered as part of an independent examination; or
4. the accounts have not been prepared in accordance wrth the methods and principles of
the Statement of Recommended Practice for accounb'ng and reporting by charities
(applicable to charities preparing their accounls in accordan￿ wtth the Financial Reporting
Standard applicatAe in the UK and Republic of Ireland (FRS102)).
I have no cOn￿mS and have come across no other matters in connection with the
examination to which attention should be drawn in this report in order to enable a proper
ersta
accounts to be reached.
Hew Tittensor FCA
Chartered Accountant
Fourwinds
Wengeo Lane
Ware
Herts SG12 OEH
Dated 12 July 2024
Page 27