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ART AGAINST KNIVES
IA company limited by guarantee)
Unaudited
Report and Financial Statements
For the Year Ended 31 December 2023
ART
AGAINST
KNIVES
46)ITY NO..
Charity number: 1140866
Company number: 07462800
WWW.ARTAGAINSTKNIVES.COM
GSM&Co
Griffin StoneMts5crop &Co
100 YEARS

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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
FOT the Year Ended 31 December 2023
Contents
Reference and Administrative Information
Report of the Trustees
Financial Review
37
Independent Examinér's Report to the Trustees
38
ststement of Financial Activities
40
Balance Sheet
41
Notes to the Financial Statements
42
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Endèd 31 December 2023
Rèferencg and Administrative Information
REFERENCE AND ADMINISTRATIVE INFORMATION
Our main activities and who we support are described in the report below. All our charitable activities
focus on preventing youth violence and are undertaken to further our charitable purposes for the public
benefrt. The Trustees confirm that all activrties are in line with the Charty Commission's Guidance.
CHARITY NAME
Art Against Knives
CHARITY REGISTRATION NUMBER
1140866
COMPANY REGISTRATION NUMBER
07462800
REGISTERED OFFICE
21-27 Lamb's Conduit street
London, WC1N 3GS
OPERATIONAL ADDRESS
162 High Road. East Finchley
London, N2 9AS
BANKERS
HSBC
City of Londtsn Commercial Cent
28 Borough High Street
London, SE1 1YB
CAF BANK
25 Kings Hill Avenue
King Hill
West Malling. ME19 4JQ
CHARTEREO ACCOUNTANTS
JS2 Ltd
Crown House
1 Crown Square
Woking, GU216HR
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Rèference and Administrative Information
BOARD OF TRUSTEES
Jack Joslin
(Chairl (Resigned Jan 2023}
{Resigned October 20231
{Resigned January 2023)
{Resigned July 20241
(Resigned June 2024)
(Treasurer)
{Resigned July 2024}
All￿ Millest
Elizabeth Nottingham
Robina Lamche-Brennan
Luke Solon
James Pole
Bindi McPartland
Jamie Hilton
Sheree Prospere
Alton Brown
(Chair}
(Vice Chair)
Nathan White
Yulryana Ruseva
Anna Hamilos
Franklyn Addo
(Resigned August 2024)
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
FOT the Year Ended 31 December 2023
Trustee's Rgport
An Introduction Written by Guyfred Ruranglrwa
a Young Person who is a part of Art Against Knives
A38
a3HAJ
14ifjU511
Sally ICEOI, James ITre4sur•rl, Guyfred IPeer Loader), Allon (Charrl
Art Against Knives (AAKJ is a charity in Bamet, North London that provides ¢￿alIve spaces,
opportunities and trusted relationships for a wide range of young peop18. AAK uses creativity to engag8
young people in 6xpressing themselves 8nd building close rel81ionships each other8nd highly
skilled professionals in the youth wort( sector.
One of the many ¢reatNe progr8mmgs AAK runs is called 'THE LAB" where I was first introduced to
AAK in 2017 ffn which young people can ￿cOrd and write music, leam how to DJ and produce music
whilst participating in well-being conversations and workshops.
Ov8r the last 12 years AAK has supported 1000$ ofyoung people to overcom8 all sorts of issues in
their lives and provided young artists with the resources, inspiration and 8 plalfom to practise arjd
enhancè th8ir artwoth which has a significant impact on their well being and relationships. AAK also
works to advocate for social and systam changes that marginalize young people who may be al risk or
are disadvantaged.
I￿6 been a young cr8ative at AAK since 2017 and explored $0 many creative outlets such as
DJing. Podcasling and m8king my own music. After suggesting that w8 should start recording podcasts
we created a podcast called One Mic Real Talk In 2021. I became one of the hosts In this podGasl and
began spgaking aboul social issues m8 and my friends were going through. This Èhen led to us having
guests come and talk about social Issues they also passionate abDUt and I st8rted to explore
actwism, community based solulions and syslemic/cultur81 barriers to acc8ssing seNices and support.
Over th& next couple of years I took part in a lol of workshops, trips and projects that We￿ centred
around change and hgalthy relationships. One of the highlights and pivotal moments in guiding me lo
wh8re l am today is when I was involved in a project with another charity called Liberty and helped
design a book th8y released called 'Holding Our Own" which was a guide to non-policing solutions to
serious violenc8.
I rirst began working with them 2021 and then by the time their guidé was ready to be released in
Apn-12023 1 was Invited to discuss the topic of youth violence and the support AAK has provided me
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year End&d 31 Decernber 2023
Trustee's Report
and otheryoung people going through adversity, After this 8xperienc8 1 g￿W my cOnf￿enCe and
knowledge lo a point wher8 I could begin offerNng support lo those younger than me and in October I
gol employed as a PEER LEADER where I would start doing 1..1 mentoring with young people in LAB
sessions and work on a NHS funded projecl called the young Black men s mental health project. In this
project m8 and the otherpeer leaders conduct research on the relationship between young Black men
and mental health seThices 8nd the r(x)ls/healing process foryoung Black men's mental health In the
UK. We will begin delivering workshops in schools to young&r Black boys across Barnel in April
exploring th8 themes of Black men and ment81 health.
My overall experience with AAK h8s absolutely changed my life and guided me into a more positive
direction which was absent in other aspeGts of my life. I've 18arnl, grown and built Glose relationships
with so many people over the last 7 years and lin confident that I'll prosper further and make positive
hanges for all the young people I come across in my future of Gommunily worf(.
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Trustee's Report
ABOUT ART AGAINST KNIVES
Art Against Knives celebrates 12 years of prevenling violence through creativity. From our origins in the
art world lo our grassroots work in communities with young people, together we have been building a
city free from violence. Bul as we came out of our 11th yeai as a charity. the legacy of a pandemic and
the new political, social and economic landscape and into 2023. the root causes of violence have been
escalating in society.
We believe in the power of young people and their imaginations to envision and bring about a safer and
more hopeful future for themselves and wider society.
Art Against Knives was founded in 2011 with the vision Ihat every young person can build a life they
want through creativity, free from violence. Our mission is to prevent youth violence through crealivily,
working with young people and their eommunilies to enable lasting positive change.
We do this through working at three levels..
1. Embedding safe. creative spa￿8 in the communty to give young people skills, capabilities and
access to opportunities to ensure they can achieve their goals.
2. Bringing support to young people in direct response to their needs, via long term trusted
relationships with professionals in order to keep them safe.
3. Ensuring young people's voices are heard. enabling them to affect change in the system8
around them through engagement with local and national partners.
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Trustee's Report
In 2023 we began implementing our new three year strategy, developed durlng
2022 in partnership with young people, our team and Trustees.
Our 2023 - 2026 strategy is summarised as follows
We will ensure our four core principles-.
creativity and social imagination
impact and learning,
3. values-led,
4. psychologically-& culturally-informed
afe embedded wilhia and across all our activities and our focus will be on the following four stralegic
objectives=
1. We will strengthen, secure, coproduce and innovate to develop and increase the impact of our
creative spaces and programmes embedded in earnet and which meet emerging needs and in
partnership with young people and their communitie5.
2. We will imagine and work to Greate safer Gommunities by changing the contextual conditions
that are the root causes of violence and transform the cutture of care for young people al risk in
Barnet, London and wider UK society.
3. We will nurture OUT Staff and retain a diverse, multi-di5ciplinary team including youth leaders,
who are skilled at building trusted relationships and bring an agile, appreciative,
psychologically-informed, creative and values-led mindset,
4. Build a robust and sustainable charity, with the structure, governance and resources to deliver
our objectives and that embodies our values.
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Endad 31 December 2023
Trustee's Raport
These are summarised as follows
(hange thEoJntextual
condltlons that are the root
causes of ￿OlenCe & transform
Ihe culture Of care foryoun8
people ITh Bamet &UK.,
C￿atIve spaces &
r5hl
prografflrnpslLwloLp
with young people and their
cornmunlttes.
We will nurture & develop our
Staff to Tetain ? diverse.
charlfy. wlth the #ructure,
overnance & re50Utces to
deliver our mission & embody
Uf value5.
Including youth leader5.
Or the Headlines of our 4 Key Strategic Objectives
DIRECT SUPPORT
FOR YOUNG PEOPLE
sYsrEMS CHANGE
SKILLED + HAPPY
TEAM
ROBUST
ORGANISATION
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Trustee's Report
STRATEGIC OBJECTIVE ONE
Increase the impact of our creative spaces & programmes In partnership with young
people and their communities.
What we did In 2023...
2023: A TRANSITIONAL JOURNEY INTO OUR NEW N2 FLAGSHIP COMMUNITY SPACE
After leaving our original space in North Finchley N12 The Arcade, towards the end of 2022 we finally
moved into our new N2 Flagship Community Space in June 2023.
We are very grateful to a local graffiti artist who painted our new shullers for us.
.AFTAGAiN8TMiYE6-
2023 w88 a journey of transition as we outgrew and moved out of our previous North Finchley Arcade
space at the end of 2022 and spent the first half of 2023 negotiating the lease and terms of our brand
new home. During this lime, we sustained OUT provision and maintained our relationship with young
people through hiiing interim community spaces for our activities. meeting young people in different
venues and reaching out lo young people via phone, social media and street-based outreach.
As a team we were really excited lo move into our new ftagship space in East Finchley in June 2023.
The space was a shop that had been recently turned into a gallery by ils previous tenants, and directly
on the High Road. When we first fokjnd it, we knew il would be perfect for our organisalional and
delivery needs. Young people helped us to identify the right area, came to see this space with us and
after moving in, we invited young people to help co-design the space with us. So they were involved in
each step of the transition.
During this time, our community reach with young people was well maintained, although because of
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Y8ar Ended 31 December 2023
Trustèe's Report
this transition we did have slightly lower than usual numbers attending sessions as not all young people
wanted to come to the shared community interim spaces. Based on the feedback our team heard from
young people, this reaffirmed the importance of the young people having their own dedicated space
that they feel part of, sate in and co-design with us. This really got us excited about all the opportunities
the new Spa￿ gave us.
Our Direct Support of Young People
In numbers between January - Decernber 2023
Our main programmes are open access, run weekly from 3- 6pm approximately 46 weeks of the
year and are in different spaces across the borough of Barnel. From June 2023. The Lab, The Studio
and Vales Nails were all delivered from our N2 Flagship space.
In total, we reached and supported 165 young people through our community-based programmes in
2023, who between them attended 1190 sessions in our spaces. In addition, we reached another 36
young people consistently through our new partnership with a school (201 young people in total and
approximately 70-100 young people through our outreach and pop up sessions (this does nol Count ou¥
digital outreach through our social media platforrllsl.
IN OUR HANDS Programme
Art Against Knives (AAK) runs three weekly community nail, hair and braid bars as part of the award-
winning IN OUR HANDS Programme IIOHI, created by young women from Dollis Valley Estate
{Barnet) in 2012. In these safe spaces we deliver a range of creative activrties co-produced with young
women, girls. non-binary and trans young people IYPI to support their emotional well-being. resilience,
confidence, empowerment and healthy relationship skills.
It is a free lo all, open acce55, Structured programme of activity but no sel courses or projects, and no
selection process. Young people can attend as often and for as long as they like, on their terms and at
their own pace. Food & drink are available in sessions. Through consislenl delivery and the tactile act
of painting nails, we build long term trusted relationships, enabling participant5 to identify and share
problems. Young people are assessed by the AAK team and supported to set individual goals, and
direct their own learnin9. empowering them to lake the lead on their futures.
Our In Our Hands team is representative of communities served & includes a deeply trusted, IDVA
qualified Programme Manager, Creative Youth Workers, Trainee Clinical Psychologist and Peer
Leaders (youth employees). They offer wraparound support in these creative, accessible and safe
environments.
We provide exciting, industry standard opportunities through our partnerships with the creative
industries, this currently includes GUCCI, London College of Fashion, as well as culturally relevant
trips.
We value young people as experts in their own lives, and amplifying their voice is al our absolute core.
CO- designing every programme and activity with them, ensuring activities are relevant and meet their
evolving needs.
io
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ART AGAINST KNIVES
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For the Yoar Ended 31 December 2023
Trustee's Report
21 young people attended Dollis Dolls IEN511121 attendan¢es) (January- May 2023 only).
59 young people attended Vales Nai15 {N2) during 20231286 attendances).
26 young people attended Nwg Nails during 20231110 attendances).
CREATIVE SPACES Programme
THE LAB & THE STUDIO
Every Wednesday we provide an open access. music industry standard recording studio set up to
support young people in writing, recording and producing their own music. There is also a programme
of creative workshops running wrthin this space such as graffiti art and trainer design for those who
don't want to get involved in music making. We release regular 'Mixtapes' on digital music plaffoTms
Ispolrfy, Apple Music). with showcasing, performing and promotional opportuni118s at local and
bespoke AAK events.
In addition to creattve skills training, wraparound support is available and accessible al the space gvery
Wednesday and this extends into 'The Studio, on a Thursday. This support includes mentoring (healthy
relationships, resilience and so much morel, wellbeing activities, specialist therapeutic mental health
support and safeguarding support. Participants can access specialist EET support e.g. input and help
with CVS, job applications, interview preparation. career planning and portfolio building.
93 young people attended 'The Lab, project which offers artist development, lyric writing. music
production, DJ-ing and other music and Creative skills alongside specialist and mentoring
support {491 attendances).
35 young people attended 'The Studio, space which offers tailored employment, education and
training support e.g. industry standard opportunities with GUCCIIApple, and AAK'S in hoLJse
'Crealnie Design Agency, for yOLJth employees {'Peer Leaders,) and young people {110
attendances).
Innovatlon & Strategic Partnershlps & Projects
We mobilised two new innovation and partnership projects to increase our reach and engagement and
¢ontinued our important corporate partnership with GUCCI.
Collaboratlon Project wlth St Marys and St John's School ISMSJI and Terapia
In July 2023, we were successful in winning the John Lyons Foundation collaboration fvnd in
partnership with St Mary's and Sl John's School and mental health charty, TeTapia. In the Summer. we
mobilised this partnership project with the aim of testing out our delivery and model in the school
setting.
Strategically this innovalion project allows us to continue to build our reach and impacl in the borough,
intervening early and finding ways to address community safety in partnership with the students and
the wider community. Some young people in the school reported feeling unsafe to go out or participate
in social activities and so this projed aims lo bring the creative and social enrichment activities lo those
young people who most need them. The project also aims to support young people to create change in
li
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REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Trustee's Report
their school and community and Wofk with our partners to build the wider conditions that keep young
people safe and well le.g. moving away from school exclusions). As of September 2023, the delivery
team (including two new youth employees) are providing weekly, co-produced creative enrichment &
mentoring support opportunities a5 part of the school curriculum for 36 students facing life, financial
and educational adversities.
Barnet Carers Partnershlp
We also formed a partnership bid with Barnet Carers lo bid for funding from Propel New Deal for Young
People fund (Propel is a cross-sector collaboration, made up of funders, equity partners and
organisations led by and for London's communities). We were successful In 2023. mobilising oveT the
Summer and excitingly allowing us to recruit new Youth Workers who were previous participants
now graduated and retuming to AAK as employees.
The partnership aims lo support the referral of approximately 30 '81-risk' young carers from Barnel
Carers, mentoring programme each year to our programmes for longer term support and mentoring.
We estimate approximately 5 /ts of the young people who access OUT spaeeg are young carers. They
often face particularly challenging Circumstances wfthin their home contexts and benefit from extra
support and the opportunity for creative enrichment. This partnership aims lo recognise and support
more young carers to access our provision in partneTship wl(h our brilliant colleagues at Barnet Carers.
GUCCI- Corporate partnership
In 2023, we continued in the second year of our ongoing corporate partnership with GUCCI, as one of
only three organisations in London handpicked to be part of their 'Changemakers' programme. The
partnership has generated unreslrided income and multiple opportunities for young people and the
leam. including mentoring, ne￿OrkIng and connection building and a professional photoshoot that the
young people really enjoyed.
'The mentoring has really helped me this y88r- it's be8n really cool to conneGI with someone new in
this way where I can leam more about myself, x- 23 (Changemaker Mente8)
-1 was just able to be myself ! Dressing up with the clothes from the wardrobe, being oul of the ends in
a fresh environment and not around the usual faces was so good. I felt that I was able to just be mysgff
and play, let my gu8rd down and actually 8njoy myself. The photoshoot definitely showed m8 another
side of things thal I didny know existed. X- 18 (Changemakerphotoshootparticipantj
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REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Trustee's Report
GUCCI
HANGEMA
11
Ilr* X
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
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REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 Decemb•r 2023
Trustee's Report
We captured and collated insights and data through the public PR launch of the ChangemakeT
Programme via our social media and online platforms (4th Ocl 2023). This was a new linnovativel
approach lo understanding and viewing Dur reach online.
¢HlifiGEllh¥ERS
II451EPMNDXHÉL
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
NHS England & BEH Mentsl Health Trust- Violence Reduction Vanguard - Public funding
We continue to develop this partnership as It has significant 51rategic influence I profile in the sector
8nd fils with our income diversification strategy. In 2023, we gained a 0.4 FTE Clinical & Liberation
Psychologist and a 0.5 FTE Youth Practitioner funded and embedded in the team. The Clinical &
Liberation Psychologist has fantastic experience working with minoritised young people. is also a
spoken word artist and crealNe professional. They are offering one lo one and group therapeutic and
creative support, alongside clinical supervision, reflective practice and learning Spa￿ sessions. The
Youth Practitioner funding is part funding one of our current Youth Worker roles who delivefs incredible
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REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 Decernb&r 2023
Trustee's Rèport
one to one support with young people as part of the Creative Spaces programme. This partnership
opens up further opportunities and collaborations as part of the wider BEH Vanguard.
Women of the World Festival
VES..
In March we hosted a pop-up nail bar al Southbank Centre's annual WOW Festival 2023. We used this
as an opportunity to open dialogue about what more could be done to support young women, trans and
non-binary young people at risk of violence. We learnt so much from all the incredible young people
who let us paint their nails. from what il means to be a feminist through to what action should and can
be taken by individuals and organisations. We were inspired by everyone therel
15
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 Decttmber 2023
Trustee's Report
Strengthening our Quallty & Practlce
In 2023. led by our Head of Quality & Innovation, we also..
* Invested in the re-design of programmes to accommodate new Gohorts of young people, for
example..
* we delivered 8 project to re-brand one of our spaces 'Vales Nails, in partnership with London
College of Fashion.
Strengthened the quality of our practice..
through the successful renewal of Ihe Bronze London Youth Quality Mark which
was approved in 2023.
by further embedding psychologically-informed and culturally-informed practice,
high quality mentoring & specialist support 8¢ross our delivery programmes
through..
the provision of an in-house learning programme co-delivered by the
team, our partners MAC-UK, and young people. This includes developing
& delivering sessions such as e.g. history of Hip Hop, Play Work theory,
using creativity to prevent violence, transitioning from young person lo
employee, anti-oppression, gender inclusivity and anti-poverty training
and practices. We also offer these learning spaces lo the wider sector,
including to our funders and the wider Ba¥net Gommunity & voluntary
sector.
London
Youth
2023-26
• welcoming Dr Sanah Ahsan, a Clinical & Liberation Psychologist, into our
team two days a week as part of the NHS England Violence Reduction
Unit Bamet Enfield and Haringey Vanguard las above).
continuing OUT placement opportunities for two trainee Clinical
Psychologists.
Played an active role in local and national forums I networks, continued lo build
our relationship with key people in Barnet Council and slayed up-to-dale with
local and national research and insights.
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For the Year Ended 31 Dec•mber 2023
Trusteg's Report
Building our Communlty- tho Launch of our New Flagship N2 Space
In the context of tragic international violenee, as a team we wanted to do what we could to build peace
in our local community and bring people together. We wanted to host an event with young people that
amplrfied their lalenl and voice. So in December 2023, we
hosted a launch event, opening our doors lo young
people, partners. funders, stakeholders and the wider
community. Young people from our in-house Creative
Design Agency were given a creative brief and invited to
create a brand, posteis, flyers and other promtstional
assets for the event. With the support form our generous
partners, Wildish and co, the young people did an
incredible job and created our #NEXTGEN branding. This
brand aims to reach out to the next generation of young
people in the community and invite them to come be part
of the event.
LAUNeu PARr¥
. r￿kONE￿DAy 6TFI
DECENBBk 2023
SPM - 9FM
ART
AGAINST
KNIVES
We designed a new youth-focused website drawing on
this concept, see here.. AAK #NEXT GEN which is a one
stop shop for young people to see 'what'$ poppin"
RSVP..
JDIO u4 tor
pprty
The launch event was a huge success with young people
rapping, singing, dancing. speaking poetry and giving
motivational speeches to inspire each other to stsy
connected, aim high and believe in themselves.
Dd
It filled us all with hope and inspiration and we are truly grateful to everyone who showed up and
continues to show up for our community.
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 Decembar 2023
Trustee's Roport
IMPACT OF THIS WORK
Our Theory of Change
In 2023, we collated our impact data from 2022 and 2023 to produce the following summary of our
impact.
Outc•rnts
Long-iirm
Ov•rall Irnp4¢¢
Liea1hT.SaT¢
Spedf•5tSwi
Contpjlu
SrlewtrLkng
Portners
V4
CO.Ptothxlki•*h
y4wwjP￿
We work with some of the most marginalised and minoritised young people aged 11-25 in Barnet who,
without effective and meaningful intervention. are left at Tisk of abuse violence and ex
loitalion and are
unable to reach their full potential.
Total number of unique young people engaged a¢ross all programme activity..
2022= 206
2023 = 201
750/01306 unique young people) have consistently engaged with us over the past two years.
What do we mean by 'eonsistently engaged,? Young people who have registered with us and receNed
a targeted intervention. As a result of our wider community and schools work, our total reach is much
greater. We are developing our evaluation framework to measure this more accurately going fonNards.
Data from 2022123 tells us that 100.10 of the young people we engaged wrth accessed safe creative
spaces, creative skills training and specialist support. As a resurt, they demonstrated..
An increase in
ersonal ca
abilities
* 100 /Tr tr>ok part in creative activity and skills training.
* 94 /D feel like they belong and are part of something"
* 950/0 agree I strongly agree this has benefrted personal I creative development.
* 95D/o agree I strongly agree that AAK has helped wf(h emotional wellbeing.
* 85Yo agree I strongly agree their confidence has increased"
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Griffin Stone Moscrop & Co

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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Trustee's Raport
* 76 % say AAK has influenced their long-term goals l aspirations"
loitation
A reduction in their risk of abuse violence and ex
* 660/0 {202) had regular targeted conversations with staff during sessions in which they accessed
specialist support in relation to their personal safety and wellbeing
* 57Q/o11761 accessed specialist 1.1 mentoring including Mental Health Therapeutic Support from
clinical psychologists, our YPVA (Young Persons Violence Advisor) and Serious Youth Violence
Specialist
* 260/01801 accessed Mental Health Therapeutic Support from trainee clinioal psychologists,
Clinical Psychologists {embedded within our team) andlor trained & clinically supervised staff
* 29Vo (691 demonslraled an increase in healthy relationships as a Tesull of specialist support
* 830/0 say AAK ha5 helped cope with stress or challenging life events"
* 100'/0 said they built trusted relationships wl(h sta
An increase in educational and em
ment ca
abilities
* 390/011201 accessed specialist EET support (with progression into further education,
employment or Irainingl
* 43Q/o11321 participated in skills training and eVIden￿d an inc¥ea5e in skills development
* 800kn agiee I strongly agree AAK has supported them into education I training l jobs.
* 830/0 are inspired to explore new interests l a career.
* 14 young people have been employed in part time employment roles at AAK, 4 of whom have
progressed into full time employed roles within the team supported by a comprehensive training
and development package
An increase in leadershi
abilities and confidence in understandin
that affect them and their communities
and res
ondln
to social issues
* 14D/o (44) were given fomial leadership roles across our programmes
* 60010 agree I strongly agree that trusted relationships have helped developed leadership skills.
* 830/0 say AAK has supported them lo consider bigger issues that impact on young people e.g.
racism, politics, the way that other services work with them {NHS, criminal justice system etc).
* 85Q/o said AAK provided space and support to think about how to overcome these challenges.
'data fmm a suNey ofp8rticipantS across AAK'S programmes carried out in Q4 2023
Learnlng & Challenges
There were some challenge5 to our PTogrammes over the course of 2023 and some learning for us to
take foNard.
Firstly, the Dollis Dolls nail bar was paused in April 2023 due to the community centre we deliver from
being closed down as part of the regeneration of the estate and our dedicated funding for that project
coming to an end (big thank you to Children in Need for supporting that project for three years). Young
people from that area have been supported to attend Vales, Nails in our new flagship space and the
team is maintaining our relationships with them. Nonetheless, il fell difficult for the team to have to
pause the Dollis Dolls project because of ils significant part of AAK'S history and origins in Bamet and
the longevity and popularity of that nail bar. We hope lo revive our work in this neighbourhood again
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Griffin Stone Moscrop & Co
tHAkF￿ED.￿C(￿￿NT55M[￿TEREDA￿￿lc

Doeusiyn Envelope10. 603FAB2&A417445l.8O￿92F3A&A99ABD
ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Trustee's Report
over the coming years if we can find another venue and secure further funding as we know the needs
are still there, as well as desire for us to be there by the community.
Secondly, The Studio sessions did not run weekly for the first four months of the year due to the lack of
available interim community spaces. It's always difficult having to reduce any of our provision even
when it's temporary.
Overall, our team remains under-resourced for the number and complex needs of young people that
we support and we are continually striving to find funding to build our workforce and support our team
to maintain balance. health and wellbeing in the context of such emotionally demanding work. We are
learning how best to do this, such as providing 'well-being and slow down weeks, for the team, in which
we break frorn delivery and have time to work from home, no meetings and have personal and team
wellbeing time across the week to nurture ourselves and connert more meaningfully with each other.
We also are continuing to build our case to funders to demonstrate the needs of young people and the
team required to deliver high quality, consistent support.
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Griffin St[￿e Moscrop & Co
tsyiKTEREDJt((Wl￿￿￿RE￿5IER￿1ALolrO￿5

Docu$ign Envdope ID. 603FAB26.A417.44514D38-92F3A8A99ABD
ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 Decèmber 2023
Trustg9's Report
STRATEGIC OBJECTIVE TWO
Change the contèxtual condltlons that are the root causes of violence & transform the ¢ulture of
care for young people In Barnet & UK
What we dld in 2023...
As Guyfred described in his introduction, we are so proud to be a collaborator in a new guide and
campaign around non-policing solutions to addressing serious youth violence that was launched in
2023.
'Holding Our Own.. A guide to non-policing solutions to serlous youth violen¢e'
In 2023, we were proud to be part of a groundbfftaking Teport launched by the human and CNII rights
organisalion, Liberty, and a coalition of incredible grassroots groups and campaigning organisations
that calls for a new approach to tackling serious youth violence, w((h the powers of the police rolled
back and more funding and support given for young people to thrive.
Together we argue that the government is harming communities by failing to invest in young people.
and say that the policing of young people, particularly young people of colour, is damaging their
fulures.
We advocate for major investment in trauma-informed and racially literate support for young people to
prevent harm. build trusting relationships and 5UPPOrt them with issues they fa￿. We also call attention
to the ways in which the rhetoric around - and subsequent government action towards serious youth
violence continues to be underpinned by racism and ignorance aroLtnd rts Tool causes.
Chapter 1 has been eo-aulhored by young people from AAK'S creative spaces who share perspectives
rarely heard in mainstream conversations about safety. They talk about how policing is a tool used by
the state to reinforce their place in society & as those who are targeted stereotyped and rejected. They
boldly redefine the racist depiction of themselves peTpetualed by the govt and mainstream media. They
have spoken about all of this on their One Mic Real Talk podcast episode.
The launch of the guide has had significant reach on social media, such as twitter {now called Xl - with
428,000 views, 857 likes, 477 reposts and 100 quotes. As well as fantastic media coverage, including
an AAK mention in this piece in The Guardian. Plus some other great Coverage in the GuaTdian, Ihe
Times and the Independent.
We will be continuing this campaign with the other incredible partners involved. The exposure and
support has been fantastic. ##HoldingOurOwn
DEMANDS OF THE COLLABORATION CAMPAIGN
TODAY
End school exclusions and remove police from schools
End drugs policing
Dismantle harmful practices in traditional mentsl health systems
End cuts lo youth services
End the praelice of joint enterprise
End the practice of pre-crime policing
Make the Inquest system more truthful, just and accountable
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Griffin Stwe Moscrop & Co

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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Trustg&'s Report
TOMORROW
Build an emancipatory education system based on care and support, not discipline and
punishment
Deoriminalise all drugs and reinvest resources in trauma services. mental health counselling
and harm reduction services
Build new structures of care and sUPPOrt for people experiencing mental health crises
Invest in safe, healing-centred and racially literate spaces for young people
Develop community-based solutions to harm that allow young people's friendships,
communities and CLJltures to flourish
Invest in and mobilise the expertise and knowledge of our communities to create holistic
public servi￿$
Move away from policing as a response to social problems
Authors - Wffh huge thanks and massive respect to our collaborators - we are In awe of all the
Inspiratlonal work you do.
Liberty
Northern Police Monitorin
Release
No More Exclusions
National Survivor User Ne￿Ork
INQUEST
Kids of Colour
JENGbA
Maslaha
Pro
ect
FROM OUR TWITTER {X} FEED.. STOP SCROLLINGIII Angela Davls ha5 offlclally read our
'Holdlng our own guide.. thank you so much to Hardeep Singh forthe connection.
ANllllA4' DAVIS HAS RtAD IHI
#HOItIlNQ Outl OWN llUIIII!
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Grlffin Stone M05crop & Co

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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Endèd 31 Decernber 2023
Trustee's Rtsport
Agenda Alllance
In 2023, we were delighted to be invited lo join Agenda Allian￿ as a member organisation, in line with
our strategy to join effective policy coalitions. Agenda Alliance, an organisation made up of "bold,
ambitious feminists, working to gnd the cycle of ham7 so that all women and girls can thrive." speaks
directly lo oui values as they work to influence local and national policy to ensure better services and
support for women and girls who experience multiple adversities. The In Our Hands team met with
Agenda Alliance dLJring a number of events in 2023, sharing our work and insights and amplrfying
young people's voices.
During 2023 Agenda Alliance continued Iheir WOTk on the 'Young Women's Justice Project,. in
partnership wrth the Allianee for Youth Justice. This research and policy work advocates for specific
policy and practice solutions that can address the needs of girls and young women in touch with the
criminal justice system.
In November 2023, they released a new briefin
for the
ro
ecl "A Call To Action" which gives
examples of best practice when working with girls and young women. and has a clear list of
recommendations for government, funders. and practitioners. We were proud that AAK'S In Our Hands
programme was Clted as a best practice example within this report. We hope this excellent briefing
goes on to make change in the Cfiminal justice sector.
NHSIBarnet Borough Partngrshlp Young 81ack Men's Mental Health Project
We are delighted to have received continuation funding from the Barnel Borough Partnership
inequalities fund to continue our young Black Men's Mental Health project. We have had 5 young Black
men in part lime, developmental 'Peer Leader, roles that also fits with our 'homegrown workforce.
WHAT ISTHE
NHS AND
AAK YOUNG
BLACK MEN'S
MENTAL
strategy to recruit and relain local young people representing the
community. This group of Peer Leaders are specifically working on
understanding and fincsing ways of addressing the mental health
inequalitiès of young Black men. They decided they wanted to
work in sGhools and deliver workshops to young Black boys aged
13-15 years old. They will be working to deliver this school strategy
in 2023 and 2024. They also deliver alongside AAK'S youth work
team mentoring other young people in The Lab - delivering peer to
peer support.
2022
-23
PROJEcr)
Our Head of Qualify & Innovatlon provided mentoring and
coaching lo support the transition from participant to employment
role. He onboarded and supported the Peer Leader Project Lead,
supporting with building relationships and developing a bespoke
framework for the project that incDrporales personal and
professional development.
Anti-poverty practlce
We continue to see the ￿1rn impact of the cost of Iwing and a decade of austerity on young people.
They have shared with us the challenges of financial hardship on themselves and their families, often
feeling responsible for bringing in money even rf it puts themselves at risk. Young women have told us
about the increasing risk of exploitation through online siles or platforms that encourage them to sell
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REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 Docèmber 2023
Trustee's R8POrt
images of themselves lo subscribers. Poverty, class and financial hardship also interseths with other
identity factors beyond gender, such as ethnicity. immigration status and disability. Wrthin AAK, we
started to consider these factors and how we can work proactively to address them in line with tsur ant
oppression values and systems change strategy. We developed an anti-poverty practice workshop for
our internal team and also for an external audience. The aim was lo consider how we are working with
young people on issues relating lo poverty, including intersectionality, and how we can build on this. as
well as consider the ways we can advocate for an anli-povety strategy within the wider community and
sector. We have facilitated dialogue with Barnet Council and the Community & Voluntary sector
through forum meetings and responses to slTalegy development in the Borough.
We particularly advocated for local economic development that draws on the principles of Community
Wealth Building to ensure wealth, resources and opportunities that are created locally stay within the
local community and are not extracted by big corporations. For example, we spoke to the CEO and
Deputy CEO of Bamet Council about how the council as an anchor institution can support local young
people by resourcing support for young people lo develop their own enterprises, procuring locally and
creating local jobs. 8aTnet Council now has a Community Wealth Building strategy and we will continue
to draw on our networks and relationships lo ensure young people benefit from these local economic
developments. We also trialled our anti-povety workshop within Community & Voluntary sector forums.
as part of this recommending how we can work together to influence local and national policy. We are
grateful to the Young Barnel Foundation who allowed us to test out our workshop and offered feedbaGk
allowing us to iterate and learn what's most useful to the sector.
Learning & Challenges
As the wider world increased in violence, hate crimes and racism in 2023, we did our best lo work
against these fOr￿S in a small way within our community through practices of community building and
social action. Nonetheless, the whole team were affected directly and Indirectly by the increasing
violence and impacted by the weight of it all.
Many of the AAK team are involved in activism and community organising outside of their work and this
can combine to irnpacl wellbeing. We paused at limes towards the end of the yeai to acknowledge the
weight of the wider context and lo celebrate the impact we have locally in peace building and reducing
violence, but al$0 the hopelessness associated with increasing warfare in the world and the horrendous
role modelling this provides to young people and to U5 all.
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iffin Stone Mosciop & Co
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Trust8¥'s Report
STRATEGIC OBJECTIVE THREE
We will nurture & develop our staff to retaln a diverse, multldiscipllnary team Including
youth leaders.
What we dld In 2023..
AI AAK, we understand how incredibly important our team is to young people because of the ITUSt,
support and care that they consistently provide to them, often for many years. Young people will often
come back in points of crisis to get help or alternatively come back in times of celebration to share
these moments. Our team members are part of young people's formative experience5 and we truly aim
to acknowledge, Gelebrate and honour this.
With this in mind, organisalionally we aim to centre, nurture and relain our staff team as best we can.
We do this in a number ofways.,
Firstly. by ensuring the team is confident and skilled in delivering the AAK approach i.e. the
methodology & mindset, by delivering a programme of co-produced learning spaces and
embedding reflective spaces, team building, learning, planning & feedback mechanisms as
regular practices in our weekly and monthly schedules.
Wrthin the learning space Programme in 2023, we included a range of topics, bul there
was a focus on anti-oppression workshops, which involved reflecting on our own values
and how we put these in practice wrthin our work with young people and each other.
This included a review of the In Our Hands programme in ternis of who it is open to and
how we can make it more inclusive for gender minorities. With our partners, Youth
Realities and MAC-UK, and with young people, we made the decision to explicitly
welcome 'young women, girls, non-binary and Irans young people, into our In Ouf Hands
programme creative spa￿s.
We now take a more active approach to communicating about the gender inclusivity of
our spaces. This was also important in acknowledging gender divetsily within the team
and learning and educating ourselves on this topic.
Secondly, by recognising the complexity of the work with young people and offering clinical
supervision for team members to reflect and talk about the impact of the work.
Thirdly, by slrenglhening our organisational culture lo ensure we take wellbeing seriousty and
offer'slow down and wellbeing time (as described above), offer a free employee assistance
programme, take a supportive approach lo issues arising and encourage team accountability in
way that builds team connections.
Fourthly, we increased our staff pay by 50/0 lo account for the increases in the cosl of living. We
thank the funders who gave us grant uplifts in the face of the cost of living crisis and helped lo
make this possible.
We reviewed and updated our EDI policy in 2023. including aspiTational statements about how
we will foster an inclusive organisational culture in line with our values, such as..
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REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 Doc&mber 2023
Trustee'5 Rgport
Open Communication.. We will cullivale an environment of open and respectful
communication, where individuals feel comfortab5e expressing their ideas, concerns, and
perspectives. We encourage active listening, empathy, and constructive feedback to
create a safe space for diaS0gue and collaboration.
Power-sharing and coll8boralion.. We will actively involve all individuals within our
organisation in decision-making processes wherever possible, seeking diverse input and
perspectives. We will encourage as many decisions as possible to be made at a team
level by those in the teams and in partnership with young people. We believe that
inclusive decision-making leads to better outcomes and a stronger sense of ownership
and commitment among our team members.
Continuous Learning, Development and Growth.. We will provide ongoing opportunities
for personal and professional development, including learning spaces. training
opportunities, workshops, and resource5 that address unconscious biases, cultural
competency, racial literacy and other relevant topics. This commitment to continuous
learning ensures that our organisation remains adaptive, informed, and responsive lo
the evolving needs of our diverse communf(y.
Inclusive Policies and Practices.. We will regularly review our policies, procedures, and
practices to identify and eliminate any barriers or biases and with an anti-oppression
lens.
Organisationally. we also understand the importance of providing meaningful and paid
employment opportunitie5 for marginalised young people. A key pillar of our workforce strategy
is to build our homegrown workforce by employing young people on specific projects, so they
can learn, shadow and give back to their comrnunity in a 'safe' organisation.
Consequently, in 2023. we employed nine young people in part lime {paid at London Living
Wage) 'Peer Leaders, and with two of our older participants becoming full time employed as
Trainee Youth Workers. All of these young people are huge assets to AAK, to their community
and are quickly becoming the next generation of leaders in Barnet as they lake up more
opportunities and platforms.
Learnlng & Challenges
As a leadership team, we continue lo learn about how best we listen to OUT Staff about our
organisational culture and ensure we are nurturing and supporting their development. 11 is difficult to
manage the inleracling and multiple needs and requests of the staff team, balancing the needs of
individuals with the whole team and with the needs of young people, when we have such limited
resources.
We know the depth of the emotion81 work involved in supporting young people along with the
complexity of both young people and the teams, lives in the extremely challenging contextual
conditions we are currently facing, including 2 'cost of living, crisis, ongoing 'hoslile environment,,
political leaders who are emboldening racists, sexists and increasing hale crimes, violence attacks on
innocent civilians, most notably in Gaza. but in many parts of the world. As mentioned above, this
context adds so much strain to the everyday lives of the team and young people, il is difficult to
counterbalance this with the small aGts we can offer as an organisation.
The challenges of running a small Gharrty is the uncertainty and short term nature of a lot of funding
which translates into short term contracts for staff, passing the uncertainty along to them. It also makes
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REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Trustee's Report
it difficult to offer Gompetilive salaries compared to. for example, local authorities and obviously this
does have an impact on staff recruitment and retention which played out in 2023.
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 Dgcember 2023
Trust8è's Report
STRATEGIC OBJECTIVE FOUR
Build a robust & sustainable charlty, with the structure, governance & resources to
deliver our mission & embody our value5.
Whatwe did In 2023...
We worked towards this strategic objective in 2023 with a number of key developments in our
organisalional development and building our organisational resilience.
Firstly, we have tested out new governan¢e meetings.. a 'People & Resources, group, led by our
Head of People & Operations, and a 'Stralegy & Direction, group, led by our Head of Quality &
Innovation, who went full time 81 the beginning of 2023. The aims of each group were to monitor how
we were doing against the four strategic objectives. The Strategy & Direction group monitoredlworked
lowards the first two strategic objectives and the People & Resouices group monitoredlworked toward5
the se¢ond strategic objectives.
Secondly, we tested out other new ways of working and meeting to improve efficiency. We started
having brief daily check in meetings as a whole team to work through the ever dynamic delivery,
operations, safeguarding & staffing matters, with an aim of reducing emai15, improving team
communication and collective decision making. With the team still wtsrking within a hybrid model of
remote and in person working, we wanted lo allow for people to 'touch base, and check in with each
other. These meetings proved to be really helpful and remained in place for the whole year.
Thirdly, towards the end of 2023, our Chair, Anna Hamilos. stepped down from the role however
remains a Trustee. AAK is so grateful to Anna for her huge commitment and support of AAK to date.
She really understands the sector and how AAK is positioned and has been a champion of our
strategic direction. Happily, Trustee Alton Brown (also a previous AAK employee) stepped into the
Chair role. Having worked al AAK, and in various Senior roles across the arts and sport sectors, he is
really well placed lo understand the work. be an incredible ambassador and support the org8nisation.
Alton set key focus areas for the next 12 months, including..
Ensuring AAK remains fil for purpose and clear about our purpose and direction by supporting
delivery of a well run and efficient board with strong engagement, improved understanding of
the trustee role whilst maximising the skills and lived experience present.
Supporting connectivity and informed decision making by facilitating opportunities foi trustees
and staff to engage in more meaningful ways through our programmes and wider activities.
Ensuring the amplification of AAK'S impact, through improved communication pathways,
capitslising on the networks held by trustees as well as engagement acfoss the arts. culture and
education sectors.
Another area of work has been on organisalional resilience and sustainability led by our CEO, Sally, in
partnership with Alton on a Pro Bono consultancy project with the Cranfield Trust. The project started at
the end of 2023 and aims to review and consider our organisational Gore lo prog￿mMe costs.
Assessing how AAK sits in the sector, the 'non-negotiables' of the model and our long term
sustainability. This will create a series of recommendations from an experienced consultant in 2024
regarding what, if anything, might need addressing over the longer term to ensure our sustainability
and lo build our organisalional resilience.
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Griffin Stone Ni)scrop & Co
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Do¢us¥Jn Envelopè ID.. 603FAB26_A4174451.8D38-92F3A8A99ABO
ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 D8cember 2023
Trustee's Report
Impact & Evaluation Updates
As part of our ongoing work as a learning organisalion and to ensure we Gan demonstrate effectively
the impact and the 'value for money, la sad necessilyl of our work land thus our sustainability), we
reviewed our evaluation and impact management systems in 2023. We completed two phases of this
process..
Phase 1.. We completed and produced a beautiful impact booklet called 'A 81ueprint for Change, that
captures the last 10 years of AAK'S impact and outlines the successful ingredients of the model. With a
mixture of images from the last ten years. case studies and stories of change this booklet is a really
special celebration of 811 the young people, the team 2nd supporters, fLJnders and partners from the18St
decade of our existence. It is downloadable from our website HERE.
Phase 2. We conducted an in-depth analysis of our data to Ljnderstand the impact we've had over the
past 2 years12022-2023). We've used this data to reflect on what's working well and what's not. This
analysis has informed our largel setting for 2024 and strengthened our reporting and application to
funders.
These phases have informed the next phases that we wlll work towards in 2024:
Phase 3. We will review and update our theory of Change, taking into aceount up to date risk and needs
of young people, the insights of young people we work with,
Phase 4- We will review our data collection systems, including exploring moving to a new database
system as our current one has significant limitations. Review our data collection tools, streamlining our
methods, consider how we empower young people in the process and develop creative methods.
FUNDRAISING
Thanks to the generosity of our community of supporters and funders, in 2023 we generated income of
£767,832, representing an increase of 32Q/o on the previous financial year. Following a challenging
period during and after the Covid pandemic12021 20221 where we drew down on Our reserves, this
has enabled us to strengthen our financial position, with more proactive and strategic organisational
and workforce planning aligned to our Ihree-year plan. This is critical for sustaining service provision for
the young people in need in our community, who face increasingly complex risks and vulnerabilities. In
terms of our costs, we have also been able lo support annual pay increases in line wrth the NJC
payscale and inflation and covered the operational costs of our move to new premises. Overall, there
has been a renewed focus acr05S the organisation on supporting fundraising activities and
slrenglhening AAK'S case for support, including how we measure and evaluate our impact. That said,
we continue lo face challenges around generating income in a severely constrained funding
environment, and with cost-of-living increases.
The majorty of our income continues to be generated from grant fvnding from charitable trusts,
foundations and public funders. In 2023 we saw a promising conversion rate from bids, the majority of
successful applications from referrals or repeat funders, reinforcing oui strategy around relationship
fundraising and building long-term, strategic partnerships. Aligned to AAK'S thre&year strategy, we
also continue to develop our income diversification plan to grow new income streams. We aim lo recruit
more individual donors and corporate supporters, and will explore models to generate earned income
through AAK'S trading arm, in support of our ambitions to secure the organisation's longer-lerm
sustainability. In line with this we are grateful to Emperor Design Agency who created and donated our
newest art print collection for AAK'S online art gallery.. 26 prints of each letter of the alphabet & 10
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Trustee's Rgport
prints {0-91 of each number- in their own artistry and Greative take. Prints are £25 e8ch and available
to buy from our online gallery now. All money from the sales goes directly back into the charity. The
colSection was made possible thanks to support from our partners Emperor Design Agency and
partners Fedrigoni and Twist Print.
We are extremely grateful to have received grants from several funders, through both new and existing
relationship5. These included two new major partnership grants- one wth John Lyons Charity lo fund
AAK'S collaboration project with St Mary & Sl Joseph School and Terapia (bespoke mental health
services}, and the second with Propel through their Develop & Deliver programme, partnering with
Barnel Carers to increase support for at-risk young carers in the Borough. Other new sources of
income came through successful applications to the B&Q Foundation and the National Lottery
Community 'Cost of Living, Fund.
We continued our relationships with several funders, including the NHS Inequalities Fund with an
ongoing commitment lo address the mental health inequalities of young Black men in Barnel (feeding
into wider system5 change workl. We sustained relationships and engagement with a range of other
key funders and supporters, including the Hadley Trust, Garfield Weston, John Lyons Charity, GUCCI,
National Lottery Reaching Communities, City Bridge Foundation. Youth Music, D'oyly Carte Charrtable
Trust and the Young Barnet Foundation. We also recognise the significant contributions from our
individual donors and supporteTS.
In early 2023, a friend of AAK, Helen McGinn, chose AAK as her charity partner as she bravely
appeared on CelebT((y Mastermind. Helen is celebrity wine expert who regularly appears on ITV'S This
Morning and BBC'S Saturday Kitchen, an international wine judge and an author of novels. She
came to meet some of the team and young people to help us make a video about her passion for our
ause and promote AAK on her social media platforms (@knackeredmother)- Helen interviewed two
young people and Rickardo Stewart (AAK Specialist Youth Violence Advisor & Head of Qualty &
Innovationl.11 was fantastic lo have Helen visrt and we're so grateful for the donation that came from
her participation in Celebrity Mastermind, thank you lo Helen and all involvedl
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
FOT the Yèai Ended 31 Dècèmber 2023
Trustee's Report
Helen McGinn with AAK team members and young people look out over the Dollis Valley estate in
Barnet.
MGGIN
WIIIE
Helen with AAK'S Rickardo Stewart. Head of Quality & Innovation & Serious Youth Violence Specialist.
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Dow%iqn Envdope ID." 603FAB2&A4174451.8D38_92F3A8A99ABD
ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Trustee's Report
Learnlng & Challenges
Measuring impact remains a challenge as we do our best to demonstrate the complexity and
effectiveness of the AAK inteTvention when there are so many different Ways young people draw on our
support and opportunities. The flexibility, responsiveness and agility of our work means there is 'no one
size fits all, intervention., with young people coming in and out of contact, having different levels of
mentoring support according to their changing needs and many other variables along the w8y. This
'real world, and adaptive support makes it difficult lo measure impact in traditional ways leg measuring
impact 'before and after, a specific, time-limited inteNentionl. Measuring 'prevention' is also always
challenging because we can never know 'whal might have been, rf we hadn't been supporting a young
person. For this reason, we continue to develop creative, youth-led and participatory methods of
¢onside¥ing our impact, as well as the 'snapshol' survey we asked young people to complete in 2023.
Our feedback and learning from young people is constant and this helps us ensure we are always
trying lo improve in real lime in line with their feedback. One area of work that has taken more time that
we would like is building our Youth Board., an area we started working on in 2023 led by a young
person but is still to come into fruition.
In terms of fundraising, we want lo develop our income diversification plans, for example, building sales
from our online art gallery, considering how we can use the new premises to generate ineome and
turning our nail bars into a social enterprise. Bul we know we need to raise the funds to do some initial
business modelling and feasibillty work around these ideas and this is difficult to fvndraise for. We will
keep trying for this in 2024.
THANK YOUS.-
We'd like to acknowledge and give huge thanks for the pro bono support from $0 many people who
made it possible for us lo move into our new premises.
Firstly, a huge thank you lo our legal team, especially Harry, at Eversheds & Sutherland. for all their
work on supporting us with lease negotiations.11 was no small undertaking.
We'd also like to give huge thanks to Tom Peronnel from Universal Music Group and his team who
also offered us support with lease negotiations, donated furniture and gave us guidance al every
stage (thanks to our Trustee James Pole for this connection),. Norman Watts & team from BW.
Brendan Grimes & team from Moyne London, Paul Smith & team from Ansador who so generously
supported their time and expertise so we could move in safely and confidently.
Thanks tg Graffiti Artist Nekah for the generous and genius painting of our premises, shutters (see
photo above).
A HUGE thanks for the pro bono support from the amazing Creative Design Agencies.. Emperor and
Wildish and Co.
Finally to our volunteers Liz Beardsall and Jadesola Kloss- we are so grateful foT all your work and
support of our event and gallery.
We are truly grateful to all our funders, partners and supporters who allow us to do this work,
thank you.
SL
Griffin St￿e Moscrop & Co
lE￿ED￿Ct￿1￿Th&￿￿GtsTERIDA￿nfj￿s

Docusign Envdope ID.. 603FAB28.A4174451_8038-92F3A8A99ABD
ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 De¢•mbèr 2023
Trustee's Report
GOVERNANCE, STRUCTURE AND MANAGEMENT
STATEMENT OF TRUSTEES RESPONSIBILITY
Company law requires the Trustees lo prepare financial statements for each financial year which give a
true and fair view of the slate of affairs of the charitable company as al the b8lance sheet date and of
its incoming resources and application of resources, including income and expenditure, for the financial
year. In preparing those financial statements, the Trustees are required lo..
Select suf(able accounting policies and then apply them consistently.
Make judgements and estimates that are reasonable and prudent., and
Prepare the financial statements on the going concern basis unless il is not appropriate lo
assume that the company will continue on that basis.
The Trustees are responsible for maintaining proper accounting records which disclose with
reasonable accuracy al any time the financial position of the charrtable company and to enable them to
ensure that the financial statement5 comply with the Companies Act 2006. The Trustees are also
responsible for safeguarding the assets of the charff(able company and hence for taking reasonable
steps for the prevention and detection of fraud and other irregularities.
This report has been prepared in accordance with the special provisions relating lo small companies
within Part 15 of the Companies Act 2006.
APPOINTMENT OF TRUSTEES
Newly appointed Trustees must be approved by directors. The directors may refuse an application for
membership if, acting reasonably and properly, they consider il to be in the best interests of the charity
to refuse the application. The directors must consider any written representations the applicant may
make about the decision. The directo¢s decision following any written representations must be notified
to the applicant in writing but shall be final.
GOVERNING DOCUMENT
The organisation is a charitable company limited by guarantee, incorporated on 7 December
2010 and registered as a charity on 22 March 2011. The company was established under a
Memorandum of Association which established the objeGls and powers of the charitable company and
is governed under its Articles of Association. In the event of the company closing members are
requiied lo contribute an amount not exceeding £3.
RISK POLICY
The Trustees continue lo undertake a review of the major risks to which the charity is exposed froT
which contribute lo our organisational risk register.
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Tru$tee's Report
THE BOARD OF TRUSTEES
ALTON BROWN ICHAIRI.. Alton is a values-driven leader with 17 years of experience in the charity
sector, driving impactful engagement programmès for leading UK sports & cultural organisations,
where he enables organisations to drive positive social impact with & for communities. As the fotmer
Head of Youth Programmes & Policy for the Birmingham 2022 Commonwealth Games, Alton led the
team that delivered the mulli-award-recognised youth programme for the largest multi-sport and
cultural event in England since the London 2012 Olympic Games. In his current role, Alton works for
the Active Partnerships National Organisalion, a nationwide network of 43 sport and physical adivity
organisations working to create the conditions for an active nation.
ANNA HAMILOS.. Anna is 8 passionate, empathic individual with 8n ability to lead agile innovation
programmes that result in positive social impact. She is currently Head of Engagement with the Centre
for Youth Impact and a Senior Associate with Collaborate CIG. Relationship and partnership building
has been at the heart of her career. from her work al the GLA, London 2012, CABE and Nesta. Anna
was selected for the prestigious Clore Experienced Leadership course, and received 360 Feedback,
where she received lop marks as an Empowering Enabler (someone who prioritises organisation and
team visibility over personal gain and profile), a Courageous Changemaker {someone whg injects
sense of urgency when necessary) and a Focused Strategist Icommended for her ability to stay
abreast of, and adapt to, social, political and economic Irendsl.
JACK JOSLIN.. Jack has spent the last 10 years working in the voluntary sector fof organisations such
as BBC Children in Need, Greenwich Action for Voluntary Seryice, City Bridge Trust and is currently
the Head of Central Grants Unil at the City of London Corporation. Jack has an in-depth knowledge of
the youth sector and biings skills in Safeguarding, Governance, Sustainability and Fundraising. He is
one of Art Against Knives longest standing volunteers having worked wrth the charity for over 8 years
and became a Trustee in 2016. Jack resigned from AAK in January 2023.
ALICE MILLEST-. Alice is an Investment Director at Finance Earth leading their work with the Blue
Impact Fund. Alice has worked in the impact investing sector Sin￿ 2014 and has experience advising
funds and foundations on their investment activity as well as direct support of enterprises and charities
on business development and investment raising. Alice has held roles at Social Finance and the
European Venture Philanthropy Association, as well ' as working independently as a consultant. Prior
to joining the impact sector, Alice worked for Ares Fund Management and Inve5tec Bank, slrueturing
debt instruments for small and medium private equty owned businesses in the UK. Alice is also a
Trustee at the Creative Land Trust. Alice resigned from AAK in October 2023.
JAMES POLE ITREASURERI: James Pole is an ACA qualified chartered accountant who is a Finance
Director al Univers81 Music. Since qualifying in 2013 he has worked in various financial roles across the
music industry both in the UK and abroad and specialises in bridging the gap between creative and
financial communities. This is James, first trustee and Ireasuref role. He has gained charity sector
experience working in a consultancy role for intemational development organisalion IDinsight. IDinsight
work in impact evaluation for government bodies such as DFID, CDC & UNICEF, as well as large
philanthropic organisalions such as The Bill & Melinda Gales Foundation and The Hewlell Foundation.
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REPORT AND FINANCIAL STATEMENTS
For the Yèar Ended 31 December 2023
Trustee's Report
LIZ NorriNGHAM: Liz is RIGA London's Executive HR Director. responsible for developing,
implementing, and leading the people strategy for all RIGA'S offi￿$ outside of the US and APAC. Liz 15
well-respecled thought leader in the industry, having collaborated with the Institute of Practitioners in
Advertising for many years. as well as being a regular conlributoi to industry publications such as The
Huffinglon Post and The Financial Times. She is the face behind the highly popular 'Ask Liz. feature on
the IPA'S blog and has also co-written a chapter in 'Mindfulness in the Workplace'12016) on keeping
mindfulness in a media world. Liz resigned from AAK in January 2023.
LUKE SOLON.. Luke is a qualified medical doctor who works at Piescienl Healthcare Group where he
leads teams supporting clients in the lrfe sciences industry to address their key strategic challenges.
Before this, he worked in industry with Aslrazeneea, Pwc, and McKinsey & Company where he started
his consulting career. Prior to this he was a surgical trainee in the NHS. He has always had a strong
interest in the arts and the Voluntary sector and has worked with several charities to support both
strategy development and impact assessment of the interventions they delwer.
ROBINA BRENNAN: Growing up in a lower block, with a family of documentary filmmakers, Robina
was always acutely aware of issues of injustice and inequalty. Following her law degree completed
whilst working weekends, she decided to move from her background in museum management to
another charity to focus on partnerships, events, editorial and styling. As a former fashion magazine
editor, Robina is passionate about crealNiity and the arts as a vehicle for, and documenler of, social
change. Working closely with youth organisations and young people daily, she is passionate about
empowering young people al the margins of our society.
BINDI MCPARTLAND: Bindi McPartland has spent the last 22 years working within the advertising and
marketing sector, with a primary focus on digital marketing. Her roles have varied from Head of
Delivery, Programme Director to freelance consultant, working with agencies to develop commercial
capabilities, operational processes and governance to ensure optimal performance. Her interest in
charity work began when she first volunteered with Vietim Support as a support officer, visiting people
al home to empower them to overcome emotional, psychological and practical effects of crime.
JAMIE HSLTON: Jamie has worked in post-disaster contexts in Peru and Haiti, delivering interventions
spanning all age groups., and in community leadership roles in Colombia and South Africa. He has also
worked as a surveyor fo>r Deloitte,. in youth & outreach roles at the Prince's Trust, particularly arts &
sports engagement," and as lead for Save the Children's work in the southeast. Jamie has since held
consultancy and director Toles at Beyond the Page, supporting trafficked women in Margate.. and at
Fulham Good Neighbours - a charity dating back 100 year5- where he is Ihe current CEO.
NATHAN WHITE: Nathan currently works as a Skills Strategy Advisor at the Department for Education.
Prior to this, he completed the Unlocked Graduates programme where he supported and safeguarded
some of our society's most vulnerable and challenging young people in HMYOI Feltham., drafted
group policy paper focusod on improving remand prisoners, Irealfnent,. and was a member of
Unlocked's inaugural DNersily and Inclusion Advisory group. With a particular interest in tackling
inequalities in criminal justice and education, Nathan has also held a range of advisory roles at Various
charities and initiatives. This includes being 3 member of the Career's and Enterprise Company's
'effective transitions fund, steering group, an ambassador trustee at Unlocked Graduates and a
governor of a loGal primary school.
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 Dgcember 2023
Trusteè's Report
SHEREE PROSPERE.. Sheree has worked within the voluntary sector since 2011. within various
frontline positions across think-tanks and charitable organi5ations including St Giles Trust and Leap
Confronting Conflict where she currently works as a Senior Programme Officer and Tr21ner. During her
career, Sheree has spent time working within local communities in North and South London. leading on
youth-led projects within campaigning, journalism, social enterprise and frontline work with young
people who have experienced violence, county lines and trauma to currently project managing delivery
programmes across London. Realising throughout her profession, that creativity and the arts have
alway5 been at the forefront of her work, to showcase the passion and lalenl of young people and lo
provide a platform for conscious change.
JULIANA RUSEVA: Juliana is a qualrfied commercial and corporate lawyer who has worked with
FTSE100 clients both in private practice and in-house. She will be pursuing an MBA al London
Business School from the summer of 2022 and is a recognised female leader as a Laidlaw Scholar and
Forte Fellow. She has over 10 years of experience in volunteering on the frontlines and in leadershlp
positions for London based and international NGOS, the NHS, the London Fire Brigade, and other
youth education and mentoring-focused Charities. Her expertise lies in building youth mentoring
programmes. supporting strategy development, reslrucluring corporate social responsibility and ESG
programmes, and creating youth employment initiatives particularly in the art and lech sectors.
FFiANKLYN ADDO: Franklyn is a multidisciplinary artist and community advoGate. Growing up in
Hackney when it was infamou5 for poverty and crime, literature and music helped him to make sense
of his social context. Today, Franklyn writes about issues like police brutality in platforms like The
Guardian and The Independent, in addition to publishing his own similarly themed songs, poetry and
photography. His non-fiction debut A Quick Ting on Grime is forthcoming on Jacaranda Books in spring
2023, while his latest single 'Ghetto Angels, for example addresse5 genlrffication and economic
inequality.
Franklyn embraces creativity as a therapeutic tool and is an advocate of freedom of expression for
young peop5e. He is now one of the expert witnesses working to challenge the misuse of music as
evidence in criminal proceedings, and the blanket mischaracterisation of defendants as gang members.
Before this, he Spent years in various frontline contexts, managing programmes supporting some of the
most disadvantaged and vulnerable young people, most Tecently helping to socially rehabilitate
survivors of violence in hospitals and lo¢al communities.
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DO￿81gn Envelop? ID.. 803FAB26-A41744514D38.92F3A8A99ABD
ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Trustee's Report
FINANCIAL REVIEW
RESULTS FOR THE PERIOD
These accounls represent the results of the Gharity for the period from the start of the financial yeai on
1st January to 31 sl December 2023. During the period the charity had total income of £767,832 and
total expenditure of £653,399 resulting in a nel surplus for the year of £114.433.
RESERVES POLICY
The Trustees feel il is appropriate to have free reserves equivalent to six months of unrestricted
expenditure to enable the charity lo be managed efficiently to provide a buffer against unexpected
shortfalls and termination costs. A strategy lo achieve this level of reserves has been implemented and
is reviewed by the Trustees on a quarterly basis. The charity also holds reserves in a number of
reslricted funds that are set aside for a particular purpose.
TRUSTEES. RESPONSIBILITY IN RELATION TO THE FINANCIAL STATEMENTS
Company law requires the Trustees to prepare financial 5t2tements for each financial year which give
true and fair view of the state of affairs of the charitable company as at the balance sheet date and of
its incoming resources and application of iesources, including income and expenditure, for the financial
year. This report has been prepared in accordance with the special provisions relating lo small
companies within Part 15 of the Cgmpanies Act 2006.
For the financial year ended 31 December 2023, the company was entitled to exemption from audit
under section 477 Companies Act 2006. No member of the company has deposited a notice, pursuant
to section 476, requiring an audit of these financial statements under the requirement of the Companies
Act 2006
23/912024
Approved by the board of trustees on
and signed on their behatf by
Alton Brown
Chair of Trustees
ART AGAINST KNIVES IA company limifed by gL¢arantee)
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For th& Year Ended 31 December 2023
Independent èxaminer's rèport to the Truste
INDEPENDENT EXAMINER'S REPORT TO THE TRUSTEES
Independent examlner's report to the Trustees of Art Against Knives (the 'charity'}
I report to the charity Trustees on my examination of the accounts of the tharity for the period ended 31
December 2023.
This report is made solely to the charills Trustees, as a body, in accordance with Part 4 of the
Charities
(Accounts and Reports) Regulation$ 2008. My work has been undertaken so that I might slate to the
charity's Trustees those matters l am required to slate to them in an independent examiner's report and
for no other purpose. To the fullest extent permitted by law, I do not accept or assume responsibility lo
anyone other than the charity and the charity's Trustees as a body, for my work or for this report.
Responsibilltles and basls of report
As the Trustees of the charty land also its directors for the purposes of company law) you are
responsible for the preparation of the accounts in accordance with the ￿qUirements of Ihe Companies
Act 2006 {'the 2006 Art).
Having satisfied myself that the accounts of the company are not required to be audited under Part 16
of the 2006 Act and are eligible for independent examination, I report in respect of my examination of
the company's aGcounts as caTried out under section 145 of the Charities Act 20111'lhe 2011 Act'l. In
carrying out my examination I have followed all the applicable Directions given by the Charity
Commission under section 14515llbl of the 2011 Act.
Independent examiner's statement
Since the company's gross income exceeded £250,000 your examiner mLJSt be a member of a body
listed in section 145 of the 2011 Act. I confirm that l am qualffied lo undertake the examination because
l am a member of the ICAEW, which is one of the listed bodies.
Your attention is drawn to Ihe fact that the charity has prepared the accoun15 in accordance with
Accounting and Reporting by Charities.. Statement of Recommended Practice applicable to charities
preparing their accounts accordance with the Financial Reporting Standard applicable in the UK and
Republic of Ireland IFRS 1021 in preference to the Accounting and Reporbng by Charities.. Statement of
Recommended Practice issued on 1 April 2005 which is referred lo in the extant regulations but has
been withdrawn.
l understand that this has been done in order for the accounts to provide a true and fair view in
acctsrdan￿ with the Generalty Accepted Accounting Practice effective for Teporting periods beginning
on or after 1 January 2015.
I have completed my examination. I can confirm that no matters have come to my attention in connection
with the examination giving me cause to believe that in any tnaterial respect..
7. accounting records were not kept in respect of the company as required by section 386 of the 2006
Act., or
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ART AGAINST KNIVES
REPORT ANO FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Independ•nt examin9r's report to th8 Trustees
2. the aGcounts do not accord with those record5', or
3. the accounts do not comply with the applicable requirements of section 396 of the 2006 Act rjther
than any requirement that the aecounts give a 'true and fair view which is not a matter considered as
part of an independent examination.. or
4. the accDunls have not been prepared in accordance with the methods and principles of the
statement of Recommended Prartice for accounting and reporting by charities lapplieable lo charities
preparing their accounts in accordall￿ with the Financial Reporting Standard applicable in the UK and
Republic of Ireland {FRS 10211.
I have no concerns and have come across no other matters in connection with the examination to which
attention should be drawn in this report in order to enable 8 proper understanding of the accounts to be
reached.
Signed..
Dated..
51?
Robert Smith ACA
Griffin Stone Moscrop & Co
Chartered Accountants
21-27 Lamb's Conduit street
London WC1N 3GS
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 Decembtrr 2023
Statement of Financial AGtivity ISOFAI
Note Unr•strlcted
Funds
Restrlcted
Funds
Total Funds
2023
Totsl Fund
2022
Income & Endowm¢nts
Donations & Legaryes
Irwe$lm8nt lrttsme
Training projects
44.61e
254
91,860
44,61e
254
722,962
32.306
93
551,338
631.102
Total Incom&
136,730
631,102
767,832
583.737
Expendiiure 011:
Costs of raisiTrJ fvnds
TrainiNJ and projects
56,674
31,752
56.674
57,936
557,645
564,973
596.725
Totsl Exp•ndlturg
88,426
564.973
653,399
815,581
Net hcomellExpeTrliturel fortrp year
48,304
66.129
114,433
131.8441
N&tmovem•nt In fund5
48,304
66,129
114,433
131,8441
BalarrRs broLuht forward at 1st jar￿￿ry 2023
BaL￿r￿S carried forward at 31 $1 D8e•mber 2023
32,507
136,265
168.772
200,618
80.811
202,394
283.205
168,772
All discbswes re￿t8 ontyto Continuing actiw?ty'95. All gains and k)sses inlhg yèar are inclLMled above.
All inwrne inthè prior ye8rwas wre5tricted exceptforTraipiro and Proiècts iKome of £551.338.
All exp¢nditure in the prioryearwas Un￿StriCted 8xceptforTrairNng and Projects costs 01£528,023.
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 310ecembeT 2023
Balance Sheet
Note
2023
2022
Fix•d Assets
Investmènts
Tangible Fixed Assets
13
14
1,159
1,920
1,160
1.921
CurrentAssots
Debtors
Cash at bank and in hand
83,426
230,046
6,575
191.759
313.472
198,334
Creditors- arnounts failirrfJ
due within one year
31,427
31.483
Net current )ssets
282,045
166,851
Total net as¥•ts
283.205
188,772
Fund8
RestriGled
Unrestricted- General
15
15
202.394
80,611
136,265
32,507
283,205
168,772
Tha financial ststements have been p￿Pared in acCordar￿ with provisions applicab￿ to ￿MPanIeS sthjectto the
small Companies regime.
The Trustees consider that the company is 8nti￿ed to exomplion from the requiremèntto have an audit underthe
proirisions of section 477 of the Companies Act 2006 Ithe'Acl'l 8nd members have not required the company lo
obtain an audit for the year in question in accordance with section 478 of Act.
The Tnistees 8cknowbdgo their responsibilities for Complying with the requirements of Ihe Companies A¢1 2006 with
respect lo accounlirKJ records ar￿ the preparation of financial statements.
2319/2024
The financial statements were approved and auth0ri5ed for issue bythe Trustees on.............
on their behaw, by..
and signed
Alton Brown
Chair ol Trustees
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ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Not&s to the Flnancial Statem8nts
1. Accounting policies
Charity Infomiation
Art Against Knives is a registered charily. The principal address is 21-27 Lambs Conduit Street. London
WC1N 3GS.
Basis of preparation
The financial statements have been prepared in accordance wi(h Accounting and Reporting by Gharilies..
Statement ol Recommended Practi￿ applicable to charities preparing their accounts in accordance with
Ihe Financial Report standard applicable in the UK and Republic of Ireland (FRS 102- effective 1 January
2019}- ICharf(ies SORP FRS 1021.
Art against Knives meets the definition of a public benefit entity under FRS 102. Assets and liabilrties are
inib'ally recognised at historical cost or transaction value unless otherwise stated in the relevant accounting
policy or note.
Going eoncern
The Trustees consider that there are no material ullcertainties about the charff(y's ability lo continue as a
going COn￿rn.
Grants
Grants are recognised as income when the entitlement to the grant is certain. Grants made towards the
costs of specific activities and services are classified as restricted income. Where ServI￿S are not fully
delivered in the period the restricted income was received, the balance of the grant is held in restricted
funds. Grants towards the cost of acquiring assets are classified as restricted income when received. A
transfer is then made from restricted funds lo unrestricted fL¢nds to reflect the purchase of capital items.
Grants that provide core funding or a general contribution to the charity are included in voluntary income.
Voluntary Income
Voluntary income includes donations from individuals, trusts and companies. unrestricted grants and
legacies.
Donatlons
Donations are recognised in the accounting period in which they are received. Donated goods, fa¢ilities or
services are recognised when the charity has control over them, any conditions associated with the
donated item have been mel, the re￿ipt of economic benefit from the use by the charity of the item is
probable and that economic benefit can be measured reliably. On receipt, donated services or facilities are
recognised on the basis of the value of the gift to the charity which is the amount the charity would have
been willing to pay to obtain services or facilities of equivalent economic benefit on the open market., a
correspDnding amount is then recognised in expenditure in the period of receipt.
Investment income
Investment income is included gross or at the amounts receivable plus the attTibulable tax credit.
Fees and sales
Fees for the supply of services are recognised when earned. Income received in advan￿ for seNices to
be delivered in the following year is treated as deferred income and included in creditors.
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Griffin Stone Moscrop & Co

Docu%i4D Envelope ID.. e03FA826-A4174451-8038-92F3AW9ABD
ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Not¢s to the Financial Statements
1. Accounting policies (continued)
Fund a¢Gountlng
Restricted funds are subject to restrictions imposed by the donor or by the specific terms of the charity
appeal. These are accounted for separately from unrestricted funds. Detai15 of restricted funds are shown
at Note 14 Unrestricted funds are those which are not subject lo restrictions. Any surpluses are available
for use at the discretion of the trustees in furtherance of the objectives of the charity.
Expendlture
Costs apportioned to activities include costs of staff time spent on each area of activity, costs direGIIy
incurred in order to deliver the activity, and support costs apportioned according to the ratio of staff lime on
the area of activity to total staff time.
Penslon costs
The charity operates a group personal pension scheme. The 8ssets of the scheme are held separately
from those of the charty in independently administered funds. Payments in respect of current service
contributions are charged in the accounts as they fall due.
Flxed assets
Tangible fixed assets costing more than £500 are capf(alised and depreciated over their useful lives and
shown in the balance sheet al cost less accumulated depreciation. Depreciation is provided at the
following rate.. Computers and other equipment- 25Q/o per annum.
Cash and ca$h equlvalents
Cash at bank and cash in hand includes cash and short term highly liquid investments with a short matUTty
of three months or less from the date of acquisition or opening of the deposf( or similar account.
Financial Instruments
The charity only has financial assets and financial liabilities of a kind that qualify as basic financial
instruments. Basic financial instruments are initially recognised at transaction value and subsequently
measured at their settlement Value.
VAT
Expenditure includes VAT which cannol be fully recovered from HM Revenue and Customs.
Liabllltles
The accruals concept is applied. Liabilities are recognised as soon as a legal or constructive obligation
arises.
Tax status
The company is a registered charity and is not liable to Corporation Tax on its CUTrent activities.
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Grlffin Stone M05crop & Co

D¢cu5yn Envelope10.' 603FAB26-A41744514D3&92F3A8A99ABO
ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Notes to the FinanGial Statements
1. Accounting policies Icontlnued)
Critical estlmates and judgements
In the application of the charity's a¢Gounting policies, the truslees are required to make judgements.
estimates and assumptions about the carrying amount of assets and liabilities that are not readily apparent
from other sources. The estimates and associated assumptions are based on historical experience and
other factors that are considered to be relevant. Actual results may differ from these estimates. The
eslimales and underlying assumptions are reviewed on an ongoing basis. Revisions to aecounting
estimates are recognised in the period in which the estimate is revised where the revision affects only that
period, or in the period of the revision and future periods where the revision affects both current and future
periods.
Measurement of linancSal assets and financlal Ilabilities
Basic financial assets, which include debtors and cash and bank balances. are initially measured al
transaction price including transaction costs and are subsequently carried at amortised cost using the
effective interest method unless the arrangement conslitules a financing transaction, where the transaction
is measured at the present value of the future receipts discounted al a market rate of interest. Financial
assets classified as receivable within one year are not amortised.
Basic financial liabilities. including creditors and bank loans are initially recognised at transaction price
unless the arrangement constitutes a financing transaction, where the debt instrument is measured al the
present value of the future payments discounted at a market rate of interest. Financial liabilities classified
as payable within one year are not amortised.
Debt instruments are subsequently carried at amortised cost, using the effective interest rale method.
Trade creditors are obligations to pay for goods or services Ihal have been acquired In the ordinary course
of operations from suppliers. Amounts payable are classified as current liabilities if payment is due wl(hin
one year or less. If not. they are presented as non-current liabilities. Trade creditors are recognised initially
at transaction price and subsequently measured at amortised cost using the effective interest method.
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Griffin Stone M05crop & Co

Drtusign Envelope IO.. 803FMB26.A4174451-803&92F3A8A99ABO
ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Yèar Ended 31 December 2023
Notes to the Financial Statements
2 Donatlons & Legacr88
Unrestricted
Restricted
2023
2022
Grants aThJ donatior
44,616
44.616
32,31
44,616
44,818
32,306
3 Investment Income
Urrestricted
Flestri¢ted
2023
2022
knte￿$t ￿QMe
254
254
93
254
254
4 Yralnlng and projècts
UNestrict8d
Restrictsd
2023
2022
Art Against Knives
Hands
Creative Collaboralior
8arrEt Carers
Trusted relation8hips
91.860
195,112
163,760
160,867
111,363
286,972
183,760
160,867
111,363
176,465
166,737
176,622
31.514
91,860
631,102
722.962
551.338
5 Cost of ralslng funds
Unrestricted
Restricted
2023
2022
Stsff costs
Fundraisiw cost
SLPPOrt Costs
10.093
38.731
7,850
10.093
38,731
7.850
16,631
30,003
11,302
56,674
58.674
57.938
6 Indepelldentemamination fees
cluded ￿7th1n govemance cost is £2,92012022'. £2.6401 relating to 1￿epe￿e￿t e￿MInatiOnfee5.
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Griffin Stone Moscrop & Co

Dowsign Envelcpe ID. 603FAB26-A41744514D38-92F3A8A99ABD
ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Notes to the FinanGial Statements
7 Tralning and proJects
Direct costs
un￿strICted Restricted
Supportcosts
UrKestricted Restricted
2023
2022
Art Against Knives
Haryls
Creative Spaces
Trus18d Relationsh'ps
Barnet Caters
102,010
111,470
139.099
1.137
1,499
1,375
88.453
45,820
27,446
191.eoo
158,589
167,920
206.638
141.647
156,093
31,941
50.875
744
51,619
403,454
4.755
181,519
569.728
536,319
Admin ar￿ SLPPOrt
Go%emaw cost
11,570
11.570
7,109
15,427
15,427
14.217
15,427
403,4S4
16.325
161,519
596.725
557.645
8 Analysls ofsupport eosts
2023
2022
staff
Prof85sional services
knsurar
Offi¢e expefKlitL*e
Travel
Bank chaTges
storage
rr Expenses
Depreuation
50.392
17,704
1,258
15,765
445
49
3,591
102
285
26,503
9,311
661
8.291
234
26
1,889
16.212
5.696
405
5.072
143
16
1,155
33
92
419
147
10
131
93.526
32.858
2,334
29,259
826
91
6,665
190
529
123.517
49,784
4.376
13.184
828
5,625
9.321
258
30
150
89,591
47.119
28.824
744
1S6,278
207,456
Support costs have been apporboned using ratio oftime spent for each empbyee
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Griffin Stone Moscrop & Co

Dotrtslgn Envdope ID". 803FAB26.A4174451_8D3&92F3A8A99ABD
ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Endèd 31 December 2023
Notes to the Financial Statements
9 Staff costs
2023
2022
Vvages and salaries
Nation81 Insura￿8
Pension costs
377.776
35,245
9,449
332.543
35,3
8,239
422,470
376,082
Allocated 8s followA."
Fu￿raisir9
Trainiry arKI projects
Admiristrats"onaré support
10,093
381.985
50,392
16,631
290.092
89.359
422,470
376,082
2023
15
2022
Average number ofemployees aThl average numb&r offill time eqUiva￿￿ternp1oy8es
No employee ￿￿1Ved emolunents inexcess of£60,000 per arM.
10 Board of Trustee exp8n58S
No eypens&s were paid to Truste85. No Femuneratyonwa8 Paid to anyTiustee.
11 Debtors
2023
2022
Trade debtors
Accru8d income aTrY prepayrnè
Ott)erdebtor5
11,414
55.362
16,650
1,500
5.075
83.426
6,575
All debtois are reco￿rats￿ one year.
12 ¢redltors- amowts f811ing due vilh'none year
2023
2022
Trade creditors
Taxation and social security
Accr￿15
e,503
12,056
12.868
3,745
11,031
16,707
31,427
31.483
47
Griffin Stone Moscrop & Co
(HARlENED￿(￿j￿T￿￿T5&F£GISrERE￿A￿T￿L5

E)owsrgn Envelope ID.. 603FA826.A417.44514D38_92F148A99ABO
ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Notes to the Financial Statèments
13 Fixed Asset Investments
2023
2022
Inv85tmenls
Value at 1 January 2023
Additions
reaselldecreasel in mafketvalue
Vath at 310ècember2023
Art Against Knives a subsidiary ￿ertakiry caled Art Against Kni￿ Trading Ltd (registered in Eryknd ard Waks wth
company m. 077858061
Th8 5Lb5idlary. Art Against Kniv85 Trading Ltd. is controlled by Art Against Kniv8s1lh8 ￿ld1￿ companyl, by of being its
sole member, ar¥J the power to appoirtdirectors to tre board ofthe subsidiary.
The loss oftre sthsidiarywas £012022.. £018nd [￿t assets amounted to £012022." £0) as al 3108C8mber 2023.
14 Tanglble Flxgd A8Sèt
2023
Equlpmont
Cost
Al 1 January 2023
Additions
3,045
At 31 December2023
3.045
Dapreelatlon
At 1 January 2023
Charge forthe year
1.125
761
Al 31 Decemb8r2023
1,88e
Netbookvalue
At 1 Jarwary 2023
At31 December 2023
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Griffin Stckne Moscrop & Co

Oowsvjn Envelope ID.. 603FAB2&A4174451.8038-92F3A8AggABD
ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 De¢ember 2023
Notès to the Financlal Statements
1S Surnmary of fvnds
Movement in Re$ouTCeS
Balance
1$tJan Incomlng Outgorng Trangfef
2023
Balance
31st Dee
2023
Re$trlcted
Art Againsl Knives
h ol￿ Hards
Creative Spaces
Bametcarers
22.688
54,424
59,153
1e6,113
163.760
169.867
111,363
190,463
157,090
166.545
50.876
18.338
61,094
62,475
60,487
136,265
831,103
564.974
202.394
Unre$trl¢ted
un￿StrICted fu￿$
32.507 136,729
88,425
80,811
32.507 136.729
88,425
80.811
Prior
Balanc¢
1st Jan Incomlng Outgoln9 Transfer
2022
Balance
31st Dec
2022
Restrlcted
Art Against Kni*s
Our Hands
Creatsve Spa¢Ès
Tru$t¢d ReLation$twps
51.050
26.516
35,383
176,415
166,787
176.623
31.513
204,777
138.880
fj52.853
31.513
22.688
54,424
59,153
112,949
551.338
528,023
136.265
Unre$trlctsd
Unrtstricled
87,667
82,399
87.559
32,507
87.667
82.399
87,559
32.507
Art agairtst Krive$.' oL￿defiVeryftlndlry albw& us to ￿sPOnd ffle￿btyto young people'5 req￿sts br creative acti*itie5.
h Ow Harfs. Our IN OUR HANOS programme delivers free community Nail Bars foryoury wrnen aged 12-30 in LondoTh We
prowde tr*m th8 opportunity lo ￿ar￿ n&w skills, get their naiL% painted for free. soclalise in a safe pla￿. develop Mtsl
person81 skills arKI Collectiv6￿take action that addresses Violence Against Women & Gir15. We c￿r￿ntlY hos1 ttwee wee￿Y po
up community nail bais with a wide ranging pr￿raMme ofacliwties.
Creative Sp8ces Program. THE LAB weekty M￿41C stL*Jio with l￿L￿ty4ta￿ard trainirKJ and access to M￿1c-m9k1W,
prod[￿1￿, recordiru, video, digit81 giaphic skills trainirvJ. THE STUDD Hosts podcast project One Mic Re81 Talk. The
podcast is created by your¥J people bringing forwdrd the topics, experiertes 8Th1 discus510rB that matter to trETn. VIRTUAL
CREATIVE cURR￿ULUm a programme ol onlirE workshops engagiry Mth creative professlonaLq. a￿￿$1b1e to you
people from across OLI programmes ar￿ ttr¥)5e are Unab￿ to access spaces in person.
Bamet Carers. This ftmding and partfftrslip aims to support tre r8ferial ofappro%mately 30'at4isk' yowg carer5 from Barret
ca￿rs. mentorirvJ prDgr8mme 8ach yearto our programme$ for knryer le￿n 5UPPOrt mentonrYJ.
49
Griffin Stone Moscrop & Co
CH*RT[PED￿￿￿.￿-.￿￿T5lpE[J5TEllEDA￿lYI01s

DocL6lgn Envelope ID.. 603FA826-M17-44514D38-92F3A8A99ABD
ART AGAINST KNIVES
REPORT AND FINANCIAL STATEMENTS
For the Year Ended 31 December 2023
Note$ to the Financial Statements
16 Anatysl$ ol net charity assets between fund8
UnrgBtrlct8d Restrlcted
funds
funds
Total
funds
2023
TarvJibk fix&d assets
Current assets
Current liabilities
1,160
104,067
124,4161
80,811
1.160
209,405
313,472
17.0111 131,4271
202,394
283,205
Total ￿t assets
Unrestricted Restrlcted
funds
funds
Total
funds
2022
TarYJibte fixed assets
Curterrt assets
Cwr¢rt1iabilities
1.921
54,S48
123.9621
1.921
143.787
198.335
17.5221 131.4841
32.507 136.265
168,772
17 Related party transa¢tlons
ArtAgsinsl KAves o%w6 1ry)% tslthe shares ofArtAgainst Ktmves Tradiro Limited. Al ts end of eath financial year, Art
Agairst Knive$ Tr8dito Limited coveronts ils profitsto ArtAgain5t Kni¥ps. Owr¥J the yearto 31 D¥Rmber2023. ts charity
ceived £2,000 (2022-£0I from Company.
total donations of£24012022- £3.4221 b*re received from tru$ieas in the year.
18 Operatlng lease ¢ommltments
At tre repotbry end date the compary had the f01b%￿r￿ fUl￿e mirvmLTh ￿ase payments Lnder rK)rKancellabk operatiry
35es lall forpropetyl ithich fall due as follows.
2023
2022
L855 than one year
OrE to five years
32.500
107.295
139795
The operalry lease abo￿ relaks to ts Propefty at 162 High Road, Lorylon N29AS. Tr payable amothtls £32,500 per
anmm. TIE lease term 15 10 years wlh a break dause after S years arKI Comme￿e￿ on 19105123.
50
Griffin Stone Moscrop & Co
(FLIR￿REDAcCC￿￿1[￿75&fiErIsTE￿&o.O