Charity registration number 1129984
Company registration number 05807318 (England and Wales)
DANTE OR DIE THEATRE LIMITED
ANNUAL REPORT AND UNAUDITED FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2024
DANTE OR DIE THEATRE LIMITED
LEGAL AND ADMINISTRATIVE INFORMATION
Trustees
Miss Ranjit Atwal Ms Vijaya Fatimathas (Chair) Ms Helen Hughes Dr Lisa Woynarski
(Appointed 15 June 2023) (Appointed 7 December 2023)
Charity number 1129984 Company number 05807318 Registered office 136 Shaftsbury Avenue London W1D 5EZ
Independent examiner
Tom Wilcox Counterculture LLP Bank Chambers Main Street Hawes North Yorkshire DL8 3QL
DANTE OR DIE THEATRE LIMITED
CONTENTS
| Page | |
|---|---|
| Trustees' report | 1 - 6 |
| Independent examiner's report | 7 |
| Statement of financial activities | 8 - 9 |
| Statement of financial position | 10 |
| Notes to the financial statements | 11 - 20 |
DANTE OR DIE THEATRE LIMITED
TRUSTEES' REPORT (INCLUDING DIRECTOR'S REPORT) FOR THE YEAR ENDED 31 MARCH 2024
Dante or Die Theatre Limited Registered number: 05807318 Trustees Report
The directors present their report and accounts for the year ended 31 March 2024.
Principal activities
The company's principal activity during the year continued to be artistic theatre.
Objectives and activities
To advance education for the public benefit by the promotion of the arts, in particular but not exclusively the art of drama.
About DOD Theatre
Founded in 2006 by Co-Artistic Directors Terry O’Donovan and Daphna Attias, DOD (DOD) is a nationally recognised theatre company making intimate site-specific performances that interrogate contemporary stories and celebrate the human condition. Our work is characterised by humorous and poignant storytelling in everyday locations, encouraging audiences to reframe how they see local spaces. Our productions tour nationally, working in collaboration with community partners. Participation and training are woven into all our projects creating inspiring opportunities for local people - who are often engaging for the first time - to develop skills in performance and producing, and ensuring DOD is supporting emerging professional creatives and producers. To date, we’ve transformed hotel rooms, swimming pools and cafes; Handle with Care explored attachment to personal objects and was performed in self-storage units, and I Do followed 12 cast members in neighbouring hotel rooms as they prepared for a hastily arranged wedding ceremony. Over recent years the company has experimented with digital performance including an award-winning video podcast, interactive narrative film and a documentary.
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We present high-quality, accessible performances in familiar spaces
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We target areas of low provision and those who may not regularly engage with the arts
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We encourage audiences and participants to engage with current social issues
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We build participation projects that foster community cohesion and ownership of contemporary issues
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We lead inclusive and in-depth community engagement as part of the creation and delivery of our productions
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We collaborate with on-the-ground partners to embed authenticity and legacy into our projects
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We build academic research into our methodology to enhance the creative process, authenticate our stories and help share the learning
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We create paid professional development opportunities for emerging artists and producers
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We make all our work accessible to Deaf communities
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We explore how technology can engage new audiences and support insightful artistic collaboration
By humanising everyday spaces with stories and emotions, we open up imaginations as audiences and participants see beyond the norm of their increasingly homogenised society; spaces become their own characters and audiences are immediately part of the action – as observer and often as participant. We draw communities into our creative processes alongside involving those with lived experience, academic expertise and community leadership who bring a wide spectrum of knowledge and understanding to the creative process.
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DANTE OR DIE THEATRE LIMITED
TRUSTEES' REPORT (INCLUDING DIRECTOR'S REPORT) (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2024
DIRECTOR'S REPORT - OVERVIEW
This year has seen us return to live performance, explore new outreach opportunities and continue to develop our digital strand.
HIGHLIGHTS OF THE YEAR
Kiss Marry Kill
In June 2023 following successful fundraising, activity began on bringing Kiss Marry Kill to fruition. Project development was supported by two outreach strands that took place across September to December: a workshop series with prisoners at HMP Swaleside, and a training programme for ex-prisoners in Approaches to Theatre Making.
Integral to the production was our desire to have an ensemble formed of those with lived experience of prison. All participants of the training programme were encouraged to audition and project partners Synergy, Clean Break and Geese Theatre also promoted the opportunity. We were thrilled to cast our ensemble: one member came from the training programme and two had been involved in a previous R&D for the production through Synergy Theatre Project.
Lady Lykez also returned to the project, having been involved in an earlier R&D and wrote lyrics for five new songs for the piece. In addition, as the script developed it became clear there was a role that Lykez could play, adding an additional dimension to the piece by integrating live singing and rapping from Lykez.
Rehearsals started in late January 2024 with a week at the National Theatre where the first 3 scenes were explored
and movement was integrated by Movement Director Ayse Tashkiran.
The production premiered at The Dockyard Church on the Isle of Sheppey in March 2024 where it was performed to sell out audiences and received standing ovations.
“I am very grateful that this show was performed in Sheerness, my expectations were truly excelled, the whole cast were very talented and the musical element of the show was brilliant. Great use of set and space making the show very immersive.” Kent audience member
Darren Henley, CEO of Arts Council England, attended a performance in Kent and tweeted the next day stating “Powerful new drama by Dante or Die”. and the Director, Tracy Brunt, of our Kent partner (Ideas Test) commented “It will have an impact [on the community] for years to come”.
ENGAGEMENT and PARTICIPATION
Kiss Marry Kill:
- In partnership with HMP Swaleside we delivered 8 workshops (2 taster workshops and a 6 week workshop series) that had 72 participants. These workshops explored the themes of the production (Kiss Marry Kill) & supported the attendees in developing creative skill sets, such as script writing. Feedback from participants includes: “it's made me more confident to try new things” and “thank you for being here, without this workshop I could have spiralled, this creative outlet is largely appreciated”.
The response from participants has encouraged us to consider developing the project and rolling it out to other prisons, if we do this we will certainly consider expanding the number of sessions and incorporating some form of presentation and/or formal achievement.
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DANTE OR DIE THEATRE LIMITED
TRUSTEES' REPORT (INCLUDING DIRECTOR'S REPORT) (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2024
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A ten week training programme for ex-prisoners in Approaches to Theatre Making. Each week this course looked at a different aspect involved in creating a theatre production including: acting & auditions, script writing, devising, lighting design, lyrics and vocal, movement, monologues and auditions, CVs and headshots.This course aimed to provide those interested in a career in the arts an opportunity to understand and try the different elements involved and to learn how they all work together to create the final piece. The majority of sessions were delivered by practitioners working on Kiss Marry Kill.
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This outreach strand was supported by Synergy Theatre project, and across the ten weeks we had an average attendance of 12 out of 15, this is above average and a high retention rate. One of the participants went on to be employed for five months as a member of the KMK cast. Other participants have worked with DOD as technical crew members and all were invited to attend the performance. Another participant will work with DOD as a facilitator in the coming year.
Odds On with Gordon Moody:
This project was an opportunity to explore how our interactive film, Odds On, could support people in recovery from gambling harm. DOD practitioners delivered twelve workshops (24 sessions) in four Gordon Moody recovery centres using the film as an instigator for conversations and creative activities to support recovery.
Through this project we worked with over 170 people in recovery. Participants commented on how the film considerately depicts what gambling is like and many wanted to share it with their affected others as a tool to support them in understanding their experience. In addition many participants also expressed how they felt more people need to see the film to raise more awareness of gambling harm and potentially use it as a preventative tool.
Through the creative sessions our facilitators gathered numerous creative outputs: drawings, poetry, short stories… around the lived experience of the participants. These were then used to create a short animated film: Finding the Words.
An online screening of the film was held in January 2024 and project participants and partners were invited to attend. It was received positively with feedback such as:
‘I’ve already shared [with my] friends & family as an insight into ‘me’’ Angela Middleton (Participant)
“Really captured journey of a gambler, looking forward to sharing with an affected other as it really depicts the journey in a way I can’t express” Paul (Participant)
The film has currently been viewed over 200 times on YouTube.
Higher Education:
DOD continued to work with universities to provide in-depth knowledge and practice development opportunities to theatre students across the country. This incorporates both delivering workshops and also the provision of placements for students on projects. This year we had 2 applied theatre placement students (one supporting Odds On with Gordon Moody and one supporting Approaches to Theatre Making for Kiss Marry Kill), Kiss Marry Kill also provided placements for students on the following courses: Set Design, Creative Producing and Stage Management.
Mentoring and Consultancy:
Throughout April to July 2023, our Co-Artistic Director Terry spent time in Ireland as a Director Consultant on a production called Connie. He is supporting the company to create a new site-specific production that would be presented in an old cinema in Limerick in 2025.
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DANTE OR DIE THEATRE LIMITED
TRUSTEES' REPORT (INCLUDING DIRECTOR'S REPORT) (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2024
FINANCIAL REVIEW
DOD continued to manage all bookkeeping for FY 23/24 and Counterculture continue as our accountants and will, again, also act as the charity's independent examiner for the year. The company are comfortable with Counterculture providing both services as both services as they are provided by different departments and independence is retained by having not been involved in any financial management or bookkeeping activities, and they have no other association with the organisation.
The result for the year ended 31 March 2024 was a surplus of £75,481 as set out in the Statement of Financial Activities, this was anticipated and is due to brought forward funds being spent on projects during the year. This leaves a healthy balance of £147,363 in funds to carry forward, this includes restricted funds for project expenses in 2024/25.
DOD’s principal source of revenue remains grant funding. DOD received £269,291 in grant funding including £157,791 from Arts Council England.
Fundraising activities for Kiss Marry Kill started in 2020 with successful applications to PRS, Cockayne Foundation and Awards for All before the project was put on hold. These funders kindly agreed to honour their grants and for us to hold them as restricted funds until the project could be relaunched. Last calendar year we had more fundraising success for the project with a large Arts Council England Touring Grant and this year we secured more funding from The International Music and Art Foundation (£20,000) and the Ian McKellen, Sean Mathias and ATG Productions Producer Fund (£25,000).
As identified in previous financial years, DOD has been working to diversify its income streams. In 2022-23 we expanded our consultation work and we have continued to forge new relationships in this area bringing in over £5,500 this year. In addition, our relationship with John Ellerman Foundation continued into the second year of our three-year grant towards core funding,
DOD’s expenditure is primarily related to the costs of creating, producing, and touring its live performances, digital work and delivering outreach projects. Expenditure on charitable activities in 2023-24 has increased from 2022-23 as we returned to presenting live theatre for the first time since the pandemic. The core team’s salaries, accounted for within governance costs, were primarily allocated to current and future projects rather than ongoing company or organisational management; with 80% of core team time spent on charitable activities.
GOING CONCERN
The trustees recognise that the charity is facing an increasingly challenging funding environment and is dependent upon securing grant funding to support its planned activities and to contribute to core costs in the coming year. This dependence indicates the presence of a material uncertainty that casts doubt on the charity’s ability to continue as a going concern. The trustees are confident that the charity’s current funding bids and confirmed income are sufficient to meet its liabilities as they fall due and that it is therefore appropriate to prepare the financial statements on a going concern basis. The company is also working to diversify income streams including promoting its membership scheme, consultation work, workshops, international touring and cultivating relationships with new Trusts and Foundations through the employment of a Freelance Fundraiser.
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DANTE OR DIE THEATRE LIMITED
TRUSTEES' REPORT (INCLUDING DIRECTOR'S REPORT) (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2024
Principal risks and uncertainties
The principal risk for DOD is insufficient financial stability, which hinders the charity's capability to confidently build and pursue long-term plans. The company is primarily dependent on project funding and performance fee income, and these revenue streams do not produce enough surplus to enable long-term growth. Securing core funding is a key priority for DOD. We also intend to further diversify our funding portfolio, to reduce reliance on government support.
Financial and risk management objectives and policies
The board of Trustees is responsible for the management of the risks faced by the charity.
The charity has a formal risk management process through which management identifies the major risks to which the organisation may be exposed and ranks these by likelihood and impact, culminating in a risk control document that is updated annually. These risks are reviewed at board meetings throughout the year as appropriate to make sure they are still up to date. The charity's activities are largely project-based, and systems are in place to ensure that the charity's exposure is kept more or less in line with secured project funding. The Trustees are satisfied that systems have been developed and are in place to mitigate identified risks to an acceptable level.
Safeguarding
Lisa Woynarski was the Safeguarding Officer for the company in 2023-24. Lisa is an Associate Professor at Reading University and therefore understands Safeguarding regulations and best practice. She will receive updated training in 24/25.
STRUCTURE, GOVERNANCE AND MANAGEMENT
Governing document
The charity is controlled by its governing document, the Memorandum and Articles of Association, and constitutes a limited company, limited by guarantee, as defined by the Companies Act 2006.
Organisational structure
Established as a private limited company by guarantee and registered as a charity in June 2009.
Governance and Management
In 2022-2023 DOD was managed by:
Miss Rebecca Atkinson-Lord Mr Gareth James Miss Gemma Cook Miss Ranjit Atwal Ms Vijaya Fatimathas (Chair) Ms Arti Prashar Ms Helen Hughes Dr Lisa Woynarski
(Resigned 7 December 2023) (Resigned 31 January 2024) (Resigned 15 June 2023)
(Resigned 7 December 2023) (Appointed 15 June 2023) (Appointed 7 December 2023)
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DANTE OR DIE THEATRE LIMITED
TRUSTEES' REPORT (INCLUDING DIRECTOR'S REPORT) (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2024
This year saw large changes to our Board, many of these were due to existing Trustees reaching the end of their terms. Key changes include:
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Gemma Cook resigned from the Board in June 2023 having served 5 years on our Board supporting us with our fundraising activities. Helen Hughes, Head of Grants for the ENO, was appointed to our Board in June 2023 and will take over supporting us with our fundraising efforts.
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After 5 years Rebecca Attkinson-Lord resigned as Chair of our Board in December 2023. Vijaya Fathimas, existing Board member with over 20 years experience in financial and risk management, was appointed Chair having served as Vice Chair of our Board for one and a half years.
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Also in December 2023 Arti Prashar resigned from the Board to go travelling. Dr Lisa Woynaski,was appointed to the Board in December 2023. She is a Senior lecturer at Reading University and researcher. Her areas of interest include socially engaged and applied performance, and site-based practice which align well with the company’s practice.
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In January 2024 we were informed of the sad passing of long standing board member and champion of the company Gareth James. Gareth was a HR expert who supported us with recruitment, contracts and other HR related matters.
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We are currently recruiting for a new Board Member with HR experience. In the interim our membership with ITC has proved invaluable with their support with any HR queries we have had.
Welcoming new members to our Board has provided a renewed energy and the opportunity to further broaden our contacts and potential opportunities.
In 2023 - 24 DOD was managed by:
Terry O’Donovan (Co-Artistic Director, Executive Director, Part time) Daphna Attias (Co-Artistic Director, Executive Director, Part time) Katherine Webb (Producer, Full time)
Lucy Dear (Participation Producer, moved from Freelance part-time to PAYE part-time) Caitlin Evans (Assistant Producer, Freelance part-time) Fiona Watson (Associate Artist & Bookkeeper, Freelance)
DOD worked with forty two freelance artists on different projects throughout this year including performers, designers, animators, writers, stage managers, web developers and workshop facilitators. The team is highly skilled in successfully managing the logistics of such a large and diverse group of artists. We are proud that many artists are long-term collaborators.
The trustees' report was approved by the Board of Trustees.
..............................
Ms Vijaya Fatimathas (Chair)
Trustee
19/12/24 Date: .............................................
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DANTE OR DIE THEATRE LIMITED
INDEPENDENT EXAMINER'S REPORT
TO THE TRUSTEES OF DANTE OR DIE THEATRE LIMITED
I report to the trustees on my examination of the financial statements of Dante or Die Theatre Limited (the charity) for the year ended 31 March 2024.
Responsibilities and basis of report
As the trustees of the charity (and also its directors for the purposes of company law) you are responsible for the preparation of the financial statements in accordance with the requirements of the Companies Act 2006 (the 2006 Act).
Having satisfied myself that the financial statements of the charity are not required to be audited under Part 16 of the 2006 Act and are eligible for independent examination, I report in respect of my examination of the charity’s financial statements carried out under section 145 of the Charities Act 2011 (the 2011 Act). In carrying out my examination I have followed all the applicable Directions given by the Charity Commission under section 145(5)(b) of the 2011 Act.
Independent examiner's statement
Since the charity’s gross income exceeded £250,000 your examiner must be a member of a body listed in section 145 of the 2011 Act. I confirm that I am qualified to undertake the examination because I am a member of the Institute of Chartered Accountants in England and Wales, which is one of the listed bodies.
I have completed my examination. I confirm that no matters have come to my attention in connection with the examination giving me cause to believe that in any material respect:
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1 accounting records were not kept in respect of the charity as required by section 386 of the 2006 Act; or
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2 the financial statements do not accord with those records; or
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3 the financial statements do not comply with the accounting requirements of section 396 of the 2006 Act other than any requirement that the accounts give a true and fair view which is not a matter considered as part of an independent examination; or
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4 the financial statements have not been prepared in accordance with the methods and principles of the Statement of Recommended Practice for accounting and reporting by charities applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102).
I have no concerns and have come across no other matters in connection with the examination to which attention should be drawn in this report in order to enable a proper understanding of the financial statements to be reached.
Tom Wilcox Counterculture LLP Bank Chambers Main Street Hawes North Yorkshire DL8 3QL
19 December 2024 Dated: .........................
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DANTE OR DIE THEATRE LIMITED
STATEMENT OF FINANCIAL ACTIVITIES INCLUDING INCOME AND EXPENDITURE ACCOUNT
FOR THE YEAR ENDED 31 MARCH 2024
| Current financial year Unrestricted Unrestricted Restricted funds funds funds general Designated 2024 2024 2024 Notes £ £ £ Income from: Donations and legacies 3 3,114 - Grants, including capital grants 3 35,000 234,291 Charitable activities 4 74,112 - - Investments 5 443 - - Total income 112,669 - 234,291 Expenditure on: Charitable activities 6 104,488 - 166,990 Total expenditure 104,488 - 166,990 Net income/(expenditure) 8,181 - 67,301 Transfers between funds (21,746) 57,134 (35,388) Net movement in funds (13,565) 57,134 31,913 Reconciliation of funds: Fund balances at 1 April 2023 28,565 - 43,317 Fund balances at 31 March 2024 15,000 57,134 75,230 |
Total 2024 £ 3,114 269,291 74,112 443 346,960 271,478 271,478 75,482 - 75,482 71,882 147,364 |
Total 2023 £ 1,085 80,896 37,888 104 119,973 200,607 200,607 (80,634) - (80,634) 152,516 71,882 |
|---|---|---|
The statement of financial activities includes all gains and losses recognised in the year. All income and expenditure derive from continuing activities.
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DANTE OR DIE THEATRE LIMITED
STATEMENT OF FINANCIAL ACTIVITIES (CONTINUED) INCLUDING INCOME AND EXPENDITURE ACCOUNT
FOR THE YEAR ENDED 31 MARCH 2024
| Prior financial year Unrestricted Restricted funds funds 2023 2023 Notes £ £ Income from: Donations and legacies 3 16,085 65,896 Charitable activities 4 37,888 - Investments 5 104 - Total income 54,077 65,896 Expenditure on: Charitable activities 6 123,981 76,626 Total expenditure 123,981 76,626 Net income (69,904) (10,730) Transfers between funds (54,047) 54,047 Net movement in funds (123,951) 43,317 Reconciliation of funds: Fund balances at 1 April 2022 152,516 - Fund balances at 31 March 2023 28,565 43,317 |
Total 2023 £ 81,981 37,888 104 119,973 200,607 200,607 (80,634) - (80,634) 152,516 71,882 |
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DANTE OR DIE THEATRE LIMITED
STATEMENT OF FINANCIAL POSITION
AS AT 31 MARCH 2024
| Notes Current assets Debtors 11 Cash at bank and in hand Creditors: amounts falling due within one year 12 Net current assets Net assets excluding pension liability The funds of the charity Restricted income funds 14 Unrestricted funds - general Unrestricted funds - Designated 15 |
2024 £ 18,349 133,153 151,502 (4,138) |
£ 147,364 147,364 75,230 15,000 57,134 147,364 |
2023 £ 8,932 89,755 98,687 (26,805) |
£ 71,882 |
|---|---|---|---|---|
| 71,882 | ||||
| 43,317 28,565 - |
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| 71,882 |
The company is entitled to the exemption from the audit requirement contained in section 477 of the Companies Act 2006, for the year ended 31 March 2024.
The director acknowledges her responsibilities for complying with the requirements of the Companies Act 2006 with respect to accounting records and the preparation of financial statements.
The members have not required the company to obtain an audit of its financial statements for the year in question in accordance with section 476.
These financial statements have been prepared in accordance with the provisions applicable to companies subject to the small companies regime.
19 December 2024
The financial statements were approved by the trustees on .........................
..............................
Ms Vijaya Fatimathas (Chair)
Trustee
Company registration number 05807318 (England and Wales)
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DANTE OR DIE THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2024
1 Accounting policies
Charity information
DOD is a private company limited by guarantee incorporated in England and Wales. The registered office is 136 Shaftsbury Avenue, London, W1D 5EZ.
1.1 Accounting convention
The financial statements have been prepared in accordance with the charity's Memorandum of Association, the Companies Act 2006, FRS 102 “The Financial Reporting Standard applicable in the UK and Republic of Ireland” (“FRS 102”) and the Charities SORP "Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102)" (effective 1 January 2019). The charity is a Public Benefit Entity as defined by FRS 102.
The charity has taken advantage of the provisions in the SORP for charities not to prepare a Statement of Cash Flows.
The financial statements are prepared in sterling, which is the functional currency of the charity. Monetary amounts in these financial statements are rounded to the nearest pound.
The financial statements have been prepared under the historical cost convention. The principal accounting policies adopted are set out below.
1.2 Going concern
At the time of approving the financial statements, the trustees have a reasonable expectation that the charity has adequate resources to continue in operational existence for the foreseeable future. Thus the trustees continue to adopt the going concern basis of accounting in preparing the financial statements.
1.3 Charitable funds
Unrestricted funds are available for use at the discretion of the trustees in furtherance of their charitable objectives.
Restricted funds are subject to specific conditions by donors or grantors as to how they may be used. The purposes and uses of the restricted funds are set out in the notes to the financial statements.
Endowment funds are subject to specific conditions by donors that the capital must be maintained by the charity.
1.4 Income
Income is recognised when the charity is legally entitled to it after any performance conditions have been met, the amounts can be measured reliably, and it is probable that income will be received.
Cash donations are recognised on receipt. Other donations are recognised once the charity has been notified of the donation, unless performance conditions require deferral of the amount. Income tax recoverable in relation to donations received under Gift Aid or deeds of covenant is recognised at the time of the donation.
Legacies are recognised on receipt or otherwise if the charity has been notified of an impending distribution, the amount is known, and receipt is expected. If the amount is not known, the legacy is treated as a contingent asset.
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DANTE OR DIE THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2024
1 Accounting policies
(Continued)
1.5 Expenditure
Expenditure is recognised once there is a legal or constructive obligation to transfer economic benefit to a third party, it is probable that a transfer of economic benefits will be required in settlement, and the amount of the obligation can be measured reliably.
Expenditure is classified by activity. The costs of each activity are made up of the total of direct costs and shared costs, including support costs involved in undertaking each activity. Direct costs attributable to a single activity are allocated directly to that activity. Shared costs which contribute to more than one activity and support costs which are not attributable to a single activity are apportioned between those activities on a basis consistent with the use of resources. Central staff costs are allocated on the basis of time spent, and depreciation charges are allocated on the portion of the asset’s use.
1.6 Tangible fixed assets
Tangible fixed assets are initially measured at cost and subsequently measured at cost or valuation, net of depreciation and any impairment losses.
Depreciation is recognised so as to write off the cost or valuation of assets less their residual values over their useful lives on the following bases:
Plant and machinery depreciated over 2 years
The gain or loss arising on the disposal of an asset is determined as the difference between the sale proceeds and the carrying value of the asset, and is recognised in the statement of financial activities.
1.7 Cash and cash equivalents
Cash and cash equivalents include cash in hand, deposits held at call with banks, other short-term liquid investments with original maturities of three months or less, and bank overdrafts. Bank overdrafts are shown within borrowings in current liabilities.
1.8 Financial instruments
The charity has elected to apply the provisions of Section 11 ‘Basic Financial Instruments’ and Section 12 ‘Other Financial Instruments Issues’ of FRS 102 to all of its financial instruments.
Financial instruments are recognised in the charity's balance sheet when the charity becomes party to the contractual provisions of the instrument.
Financial assets and liabilities are offset, with the net amounts presented in the financial statements, when there is a legally enforceable right to set off the recognised amounts and there is an intention to settle on a net basis or to realise the asset and settle the liability simultaneously.
Basic financial assets
Basic financial assets, which include debtors and cash and bank balances, are initially measured at transaction price including transaction costs and are subsequently carried at amortised cost using the effective interest method unless the arrangement constitutes a financing transaction, where the transaction is measured at the present value of the future receipts discounted at a market rate of interest. Financial assets classified as receivable within one year are not amortised.
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DANTE OR DIE THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2024
1 Accounting policies
(Continued)
Basic financial liabilities
Basic financial liabilities, including creditors and bank loans are initially recognised at transaction price unless the arrangement constitutes a financing transaction, where the debt instrument is measured at the present value of the future payments discounted at a market rate of interest. Financial liabilities classified as payable within one year are not amortised.
Debt instruments are subsequently carried at amortised cost, using the effective interest rate method.
Trade creditors are obligations to pay for goods or services that have been acquired in the ordinary course of operations from suppliers. Amounts payable are classified as current liabilities if payment is due within one year or less. If not, they are presented as non-current liabilities. Trade creditors are recognised initially at transaction price and subsequently measured at amortised cost using the effective interest method.
Derecognition of financial liabilities
Financial liabilities are derecognised when the charity’s contractual obligations expire or are discharged or cancelled.
1.9 Employee benefits
The cost of any unused holiday entitlement is recognised in the period in which the employee’s services are received.
Termination benefits are recognised immediately as an expense when the charity is demonstrably committed to terminate the employment of an employee or to provide termination benefits.
1.10 Retirement benefits
Payments to defined contribution retirement benefit schemes are charged as an expense as they fall due.
2 Critical accounting estimates and judgements
In the application of the charity’s accounting policies, the trustees are required to make judgements, estimates and assumptions about the carrying amount of assets and liabilities that are not readily apparent from other sources. The estimates and associated assumptions are based on historical experience and other factors that are considered to be relevant. Actual results may differ from these estimates.
The estimates and underlying assumptions are reviewed on an ongoing basis. Revisions to accounting estimates are recognised in the period in which the estimate is revised where the revision affects only that period, or in the period of the revision and future periods where the revision affects both current and future periods.
3 Income from donations and legacies
| Unrestricted Restricted funds funds 2024 2024 £ £ Donations and gifts 3,114 - Government grants 35,000 234,291 38,114 234,291 |
Total Unrestricted Restricted funds funds 2024 2023 2023 £ £ £ 3,114 1,085 - 269,291 15,000 65,896 272,405 16,085 65,896 |
Total 2023 £ 1,085 80,896 |
|---|---|---|
| 81,981 |
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DANTE OR DIE THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2024
| 3 Income from donations and legacies Unrestricted Restricted funds funds 2024 2024 £ £ Donations and gifts Donations from individuals 1,905 - Friends Scheme income 1,209 - 3,114 - |
Total Unrestricted Restricted Total funds funds 2024 2023 2023 2023 £ £ £ £ (Continued) 1,905 1,085 - 1,085 1,209 - - - 3,114 1,085 - 1,085 |
Total Unrestricted Restricted Total funds funds 2024 2023 2023 2023 £ £ £ £ (Continued) 1,905 1,085 - 1,085 1,209 - - - 3,114 1,085 - 1,085 |
|---|---|---|
| 1,085 |
4 Income from charitable activities
| Charitable | Charitable | |
|---|---|---|
| activities | activities | |
| 2024 | 2023 | |
| £ | £ | |
| Performance fees | 10,000 | 9,400 |
| Commission fees | 15,949 | 15,397 |
| Workshop fees | 2,980 | 11,629 |
| Box office fees | 739 | 1,187 |
| Sales | 294 | 275 |
| Other fees | 1,486 | - |
| Theatre Tax Relief | 42,664 | - |
| 74,112 | 37,888 | |
| Analysis by fund | ||
| Unrestricted funds - general | 74,112 | 37,888 |
5 Income from investments
| Unrestricted | Unrestricted | |
|---|---|---|
| funds | funds | |
| 2024 | 2023 | |
| £ | £ | |
| Interest receivable on bank deposits | 443 | 104 |
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DANTE OR DIE THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2024
6 Analysis of governance and support costs
| Unrestricted funds Restricted funds 2024 2024 £ £ Salaries and social security costs 10,336 - Pension contributions 1,788 - Travel and subsistence 30 - Entertaining and hospitality 1,230 - Sundry office costs 1,598 - Subscriptions 881 600 Bank charges 76 5 Insurance 1,496 - Software 949 - Accountancy fee 2,432 2,990 Advertising and PR 436 38 Consultancy fees 3,350 2,091 Printing and postage - - Storage costs 1,248 - 25,850 5,724 Share of governance costs (see note ) 1,638 - 27,488 5,724 Expenditure on charitable activities Unrestricted funds Restricted funds 2024 2024 £ £ Direct costs 77,000 161,266 Support costs 27,488 5,724 104,488 166,990 |
Total 2024 2024 £ 10,336 1,788 30 1,230 1,598 1,481 81 1,496 949 5,422 474 5,441 - 1,248 31,574 1,638 33,212 Total 2024 2024 £ 238,266 33,212 271,478 |
Total 2024 2023 £ 62,811 1,598 639 1,690 1,408 1,159 87 1,451 381 492 315 350 122 567 |
|---|---|---|
| 73,070 1,560 |
||
| 74,630 | ||
| Total 2024 2023 £ 125,977 74,630 |
||
| 200,607 |
Governance costs includes independent examiner fees of £1,638 (2023- £1,560).
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DANTE OR DIE THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2024
7 Note to Governance and support costs
-
Salaries & Social Security Costs: The charity apportions staff salaries between Direct Costs and Support Costs therefore this figure will fluctuate between categories each year dependent upon the level of Charitable Activity. The significant difference in this line item between FY 22-23 & FY23-24 is due to a notable increase in Charitable Activity this financial year.
-
Accountancy Fees: The increase between this financial year and FY 22-23 is due to the receipt of multiple of £50k awards from Arts Council which require final project budget sign off from accountants and submission of multiple Tax Relief claims which also incur accountants fees.
-
Consultancy Fees: This category now includes freelance costs associated with Our Participation producer, Fundraiser and Bookkeeper which explains the significant rise in this line item.
-
Storage: The increase in storage costs is due to our sister company, Peut-Être Theatre, previously covering this cost. However, as The Company's finances have stabilised we have agreed to now share this cost.
8 Trustees
None of the trustees (or any persons connected with them) received any remuneration or benefits from the charity during the year.
9 Employees
The average monthly number of employees during the year was:
| 2024 | 2023 | |
|---|---|---|
| Number | Number | |
| 2 | 2 | |
| Employment costs | 2024 | 2023 |
| £ | £ | |
| Wages and salaries | 41,803 | 60,878 |
| Social security costs | 2,453 | 1,933 |
| Other pension costs | 1,788 | 1,598 |
| 46,044 | 64,409 |
There were no employees whose annual remuneration was more than £60,000.
10 Taxation
The charity is exempt from taxation on its activities because all its income is applied for charitable purposes.
11 Debtors
| Debtors | ||
|---|---|---|
| 2024 | 2023 | |
| Amounts falling due within one year: | £ | £ |
| Trade debtors | 18,349 | 8,932 |
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DANTE OR DIE THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2024
12 Creditors: amounts falling due within one year
| Other taxation and social security Trade creditors Other creditors Accruals and deferred income 13 Retirement benefit schemes Defined contribution schemes Charge to profit or loss in respect of defined contribution schemes |
2024 £ - 2,131 369 1,638 4,138 2024 £ 1,788 |
2023 £ 1,815 1,337 347 23,306 |
|---|---|---|
| 26,805 | ||
| 2023 £ 1,598 |
The charity operates a defined contribution pension scheme for all qualifying employees. The assets of the scheme are held separately from those of the charity in an independently administered fund.
14 Restricted funds
The restricted funds of the charity comprise the unexpended balances of donations and grants held on trust subject to specific conditions by donors as to how they may be used.
| At 1 April | Incoming | Resources | Transfers | At 31 March | |
|---|---|---|---|---|---|
| 2023 | resources | expended | 2024 | ||
| £ | £ | £ | £ | £ | |
| Arts Council England: Odds On | |||||
| full creation & Tour) | - | 4,350 | (401) | (3,949) | - |
| Arts Council England, | |||||
| Cockayne, PRS and Big | |||||
| Lottery:Kiss Marry Kill | 9,000 | 189,766 | (127,256) | 3,720 | 75,230 |
| Arts Council England Project | |||||
| Grant: Digital Sites | 4,820 | - | - | (4,820) | - |
| Awards For All and Arts Council | |||||
| England:Odds On with Gordon | |||||
| Moody | 29,497 | 40,175 | (39,333) | (30,339) | - |
| 43,317 | 234,291 | (166,990) | (35,388) | - |
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DANTE OR DIE THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2024
| 14 | Restricted funds | (Continued) | ||||
|---|---|---|---|---|---|---|
| Previous year: | At 1 April | Incoming | Resources | Transfers | At 31 March | |
| 2022 | resources | expended | 2023 | |||
| £ | £ | £ | £ | £ | ||
| Arts Council England: Odds On | ||||||
| full creation & Tour) | - | 17,400 | (71,447) | 54,047 | - | |
| Big Lottery: Kiss Marry Kill | - | 10,000 | (1,000) | - | 9,000 | |
| Arts Council England Project | ||||||
| Grant: Digital Sites | - | 4,820 | - | - | 4,820 | |
| Awards For All: Odds On with | ||||||
| Gordon Moody | - | 33,676 | (4,179) | - | 29,497 | |
| - | 65,896 | (76,626) | 54,047 | 43,317 |
Arts Council England - Odds On:
Odds On is an interactive film that explored the impact of gambling harm. The piece was created in association with a group of participants who had lived experience of gambling harm. The film was produced and digitally toured in the Autumn of 2022. The piece received critical acclaim and specialists, including NHS National Problem Gambling Clinic are now using it as a tool to support recovery.
FY 23 - 24 saw us receive our final instalment of our grant from ACE - this money had already been spent to settle final project invoices.
Awards For All & Arts Council England - Odds On with Gordon Moody:
Odds On with Gordon Moody was an opportunity for us to take our interactive film Odds On into recovery settings and explore how it could assist people in recovery from gambling harm. The project was run in partnership with Gordon Moody (a company that specialise in gambling harm recovery).
Arts Council England, Cockayne, PRS and Big Lottery - Kiss Marry Kill:
Kiss Marry Kill is The Company's latest production that is inspired by the true story of the first same-sex marriage to take place in a UK prison - which was between two men both serving life sentence for homophobic murders. The piece premiered in March 2024, at The Dockyard Church on the Isle of Sheppey, before then touring to London, Reading, Manchester and Norwich.
Arts Council England - Digital Sites:
Digital Sites was a year long programme of activity that saw DOD diversify their output and expand their digital remit, developing technologies that broke the fourth wall. This work spanned three projects including the development of Odds On, the filming of Skin Hunger and the production of a five episode podcast series.
FY 23 - 24 saw us receive our final instalment of our grant from ACE - this money had already been spent to settle final project invoices.
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DANTE OR DIE THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2024
15 Unrestricted funds - Designated
Designated Funds represent key strands of the organisations activities and the Board have approved the allocation of unrestricted funds in the amounts outlined below to the specified areas.
| At | 1 April | Transfers | At | 31 March | |
|---|---|---|---|---|---|
| 2023 | 2024 | ||||
| £ | £ | £ | |||
| Strategic Artist Development | - | 10,000 | 10,000 | ||
| Research & Development | - | 10,745 | 10,745 | ||
| Community & Education | - | 10,745 | 10,745 | ||
| Reserves for 12 weeks running costs | - | 25,644 | 25,644 | ||
| - | 57,134 | 57,134 |
16 Unrestricted funds
The unrestricted funds of the charity comprise the unexpended balances of donations and grants which are not subject to specific conditions by donors and grantors as to how they may be used. These include designated funds which have been set aside out of unrestricted funds by the trustees for specific purposes.
General Funds represents an allocation of funds for cashflow contingency.
| At | 1 April | Incoming | Resources | Transfers | At 31 March | At 31 March | |
|---|---|---|---|---|---|---|---|
| 2023 | resources | expended | 2024 | ||||
| £ | £ | £ | £ | £ | |||
| General funds | 28,565 | 112,669 | (104,488) | (21,746) | 15,000 | ||
| Previous year: | At | 1 April | Incoming | Resources | Transfers | At 31 March | |
| 2022 | resources | expended | 2023 | ||||
| £ | £ | £ | £ | £ | |||
| General funds | 152,516 | 54,077 | (123,981) | (54,047) | 28,565 | ||
| Analysis of net assets between | funds | ||||||
| Unrestricted | Unrestricted | Restricted | Total | ||||
| funds | funds | funds | |||||
| general | Designated | ||||||
| 2024 | 2024 | 2024 | 2024 | ||||
| £ | £ | £ | £ | ||||
| At 31 March 2024: | |||||||
| Current assets/(liabilities) | 15,000 | 57,134 | 75,230 | 147,364 | |||
| 15,000 | 57,134 | 75,230 | 147,364 |
17 Analysis of net assets between funds
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DANTE OR DIE THEATRE LIMITED
NOTES TO THE FINANCIAL STATEMENTS (CONTINUED) FOR THE YEAR ENDED 31 MARCH 2024
17 Analysis of net assets between funds
| Analysis of net assets between funds | (Continued) | |||
|---|---|---|---|---|
| Unrestricted | Unrestricted | Restricted | Total | |
| funds | funds | funds | ||
| general | Designated | |||
| 2023 | 2023 | 2023 | 2023 | |
| £ | £ | £ | £ | |
| At 31 March 2023: | ||||
| Current assets/(liabilities) | 28,565 | - | 43,317 | 71,882 |
| 28,565 | - | 43,317 | 71,882 |
18 Related party transactions
There were no transactions with related parties during the year.
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