BARBICAN ARTS GROUP TRUST (A Company Limited by Guarantee) REPORT ACCOUNTS FOR THE YEAR EI¥IDED 24TII DECEMBER 2024 Regislered Charity Number., 1120918 Coxttpany Number: 6355408 Pagt I BARBICAN ARTS CROUP TRUST REPORT A]YD ACCOUNTS FOR THI YEAR ENDED 24TH DECEMBER 2024 Contents Page Report of the, DTrefjtors and Truste¢s Independent Examiner's Report Statement of Fiiiancial Autivities. Balance Sheet 10 Notes to th¢ Accoiin 14 AnrLULI Report detailing. aGhicvemeill'S and objectives Page 10 BARBICAN ARTS GROUPTRUST NOTES TO THE ACCOUNTS TJI FOR THE YEAR ENDED 24 DECkMBlI R 2024 ACCOUNTINC POLICIES a) Tlie financial stateinents have been prepared in aecordanoe with Accounting and Reporting by Charities.. Statement of Recommended Practice (SORP) applicable to chariti¢s prepaTing thcir accouiits iii accordanc¢ with the Firtanci￿ Reporting Standard applitable iii the Uk and Republic of Ireland (FRS 102) (effective I Sanuary 2015) - (Charities SORP (fRS I02)),. witli FRS 102 and with the requir¢mcnts of the COMp￿]IeS Act 2006,. Barbican Arts Groiip 'I"rust meet5 the definitioll of & piiblic benefit entity under the FRSI 02. Assets and liabilities are initiakly recognised at historical cost or transactjon value unlcss otherwise stated in the relevant accounting polity note(s), b) The Trustees consid¢r thai th¢re are no material uncertainties about thc Charity's abiIity to continue as a going ooiicern. ) Incomc from donations and oth2r trading activities is brought In as the incoille arises. dj Incomc from investments repr¢s¢nts rental incorne receivable. e) Advantage has becn taken within the provisions of the Statement of Recominending Practice to show 011 the sfaternent of Financial Activities expenditUT¢ classificatÈons appropriate to I'hc Charity. O Lea5¢hold Improvements initially rEcognised at historioal cost and are being wrilten ofl. over the period of the lease (20 years), g) Tr(Ide eind otheT debtors are recognised at thc settleTnent amoutrt due after any trade disooLllIt offered. Prcpaym¢nt5 are valued at tlie amount prepaid net of any discoiints due. h) Cash at bank and cash in hand only includcs ush arld the charity do iiot hold any other short-tertnlhighly liquid investments. i) Creditor5 and provision5 are recognised whcr¢ the ¢harity has a present obligation resulting from a past event that will probably result in tlie transfer of funds to a third party and the aiiiount diie to settle the obligatioii can be ￿easured or egtiinated reliably. Cr¢ditors and provisions are normally rocognised at their settlement tullount after allowing for any trade disGOilllts due. j) No rash now statement has been prepared ag the Charity falls within the exetnption provisioiis of FRS 102 -statement of cash flow" INCOMK FROM OTHER TRADING ACTIvrrtFS 2024 2023 Arlisls, fees receivod r% Liiidraising 4,179 167 6,807 1.130 Iricome from Artists. fees in boiii the current and prcvigus years relate to unrestricted funds. Incoine froiD Fundraising in the current, year relating to restrtcted fijnds was £0 (2023: £0). P>gell BIUiBICAN ARTS GROUP TRUST NOTES TO THEACCOUNTS contgd FOR THE YEAR ENDED 24" Dll CEMBER2024 INYEsfMENT llYCOME 2024 2023 kental nicoin6 131.568 134,365 All investmeiit income in both the cutrent and previous years Telates to unrestricted fuhd&, ANALYSIS OF EXPENDITURE 2024 2023 charitable Activitie5: Studio renL rates and insuranc ArtiStg fees and inaterials "rtust Developmenl R¢pairs alld maintenance Proillolioiial Aclivit5es Cleaning Legal Fees Sundry Expenses including travel D¢preciation 135,748 6.726 5,133 2.218 347 2,286 40 1.535 3.435 137,307 4,762 4,717 465 95 2,895 5,466 1,532 3,435 l57,468 160.674 Goverttance cost: Tiidepeiident examiiiers feo 2,045 1,950 £159,513 £162,624 FIXED ASSETS Lease1￿Id I￿prove￿llent& Ctsst At 25151 December 2023 68,693 At 24 ' December 2024 £68,693 Depr¢ci8tion Al 25 ' Deccmber 2023 Cliarge For year J,435 At 24" Decernber 2024 £59,253 Net Book Value At 24Qi Deceinber 2024 £9.440 At2411i December 2023 112,875 Page 12 BARBICAN ARTS GkOUP TRUST NOTES TO THE ACCOUNTS Cont>d FOR THF YEAR ENDED 24 DECEMBER 2024 TH DEBTORS 2024 2023 SILidio Deposit8 Prepayments 11,000 21250 I 1,000 £32.250 £32.250 CREDITORS= amounts falling duewithin orte year 2024 2023 Studio Deposits held Trade Creditors and Accruals 29,201 52,927 29,201 44,816 £82,128 £74,017 FUND ACCOUNTINC The Charity maintaiiis various types of funds as folIows: al Restrlcted Funds These are amourrts which have been put aside at the disor2tion of the Trustrcs, "fhis Fund i illaiiilained for the sp¢fjific purpose of improving the public appreciatioii of art by way of. for exairJpl¢, thc sponsoring of exhibitions in sGhools aiid otliBr romJ]uiiity facilities. It is built up by way of tlio net proceeds rdised from the annual 'Silettt Auotions" and at 24 Deoeinber2024 had a balance of £12,081 (2023-. £12,081). b) Unrestricted Fund This fuiid is expendable at the discretioii of the Trustees in the furtheranoc of tlic objects of the Charity, sucli a fund being held in order also to finance both working capital and capital inve%tilleiil' requircments, It is built up by the excess of inytstsnent incoJne over general adininistrative expenses and by way of transf¢rs to or frotn t'he restricted funds. At 24 Dccember 2024. the fund hiid a bal￿]ce of £319,909 (2023: £321.288)- Page 13 BARBICAN ARTS CROUP TRUST NOTEI S TO THE ACCOUNTS Collt'd VOR THE YEAR ENDED 24 DECEMBER 2024 TII ANALYSIS OF NET ASSETS HETWEEN FUNDS Restricted Fund UDrestricted Fund Leasebithl Iinpvovements Debtors Cash at Bank Creditors,. amounts lalling dLie within one yeaT 9,44a 32,250 360J47 9,44.0 32,250 372,428 (82,128) (82,128) £12,081 £319.909 £331,990 IQ. TRUSTEES REMUNEI RATION AND EXPENSES None of the TrLlStees reoeived any reinuneration or ¢xp#nses in tlie year [2023: NIL], 11. OTHEM INFORMATION Barbicaii Arts Group Trusi is a private rorripaiiy limited by Guarantee and incoTporated in England. Its rcgistered office is; 32a. Hertford Road, London. Nl 5SI4. P¥Eo2 BARBICAN ARTS CROUP TRUST REPORT OF THE DIRECTORS AND TRUSTKES TH FOR THE YEAR ENDED 24 DECKIIffjER 2024 Tlie following people were Director51Trustees of the Charity on the date of approval of the Report. DIRECTORsifRUSTEES DATE ELECTED J.riLA FtASFIAM (Chair) 6￿ January 2020 DOMO BAAL 24th December 201ti RUPERT MAUDE 1211i March 2020 DANIEL KENNEDY DAVIES,. 15di July 2021 DEBBIE CARSLAW 7" February 2Q24 Page 3 BARBICAN ARTS GROUP TRUST REPORT OF THE DIRECTORS AND TRUSTII ES Cont'd FOR THE YKARENDED 24 DECEMBER2024 TH Th¢ Truslees {wlu) are also the Directors for the purpose of Company Law) have pleasure ill presenting their Annual Report and the Financial Statetnents for the year ended 24th Deoeinber 2024, The finanoial stateinents liave beell prepared in accordance with Accounting and Reporting by Charities: Statement of Reeommended Practic¢ (SORP) applicable to charities preparing their accounts in aoaordance with the Financial Reporting Standard applicable in tlie Uti and Republic or Ireland (fRS 102) (effectiva l Janu£iry 2015), wirh FRS 102 and wlth the rèqulremcnts of Ihe CompaJ]ies Act 2006. REFII RENCE AND ADM]NISTRATIVE DETAJLS Charity Namc: Barbican Arts fji'oup Trust Charrty Registration., 1120918 Company kegistratlon: 6355408 Registered Office: 324 Hertford Road, London, Nl SSH. Company Secretary: Mr_ IVI, Wainwright ankers: HSBC Bank Plc, 74 LToswell Road. London FCI V 7DA llldcpendeut Examiners Soutliwell, Tyrrell & Co., Chartered Accountants. 15 Lower Ground Floor, 65 London Wall, Ltyndoii, EC2M STU, OBJECTIVES AND ACTIVITIES The purposes orth¢ charity ar¢.. (a) the proinotion and advanoern¢nt pf the visual arts in all their aspeets for the publlc beneFIt and tlie furtherance of public knowledge, understanding and appreriation of the visual arts including arrattging and holding exliibitioiis of artists work, and (b) the assistance of artists lll necessitous circumstances particularly by the provisioii of aocominodation, and (c) sucll other exolusivcly charitable objects and purposes (which without prejudic& to the generality of the foregoing terms shall includ¢ any charitable trusts institutions foundations or other organisations) in the Unit¢d KinEdoth or in other part of the word as the trL15tees shall iii their discretion think fit. Pxge 4 BARBICAN ARTS GROUP TRUST REPORT OF THE DIRECTOIiS AND TRusfEES Cont'd FOR TIIE YEAR Ff4DED 24 DECEMBER 2024 OBJECTfvES AND ACTIVITIES {Cont'd) The tnain activities undertakcn during the year were: d) Projects for thc y¢ar totalled 27 in number enfjompassing artistg. residencies, open studios, sololgroup shows. b) Blackhorse Lane Studios held Opcn Studios and the Art Works ProjeLt Spacc, within studios, hosted ethibitions and development opportunities for the studio artists. c) Heriford Road Studios continued its exhibition programrne which extended to both studio artists arlist8 Ilot associated with Barbican Arts GroupTrust, d) The vast majority of the expenses of the Charity Telate to tlie rent, rates and InsUr[￿Ce ot"tlie. two studio buildings in Blackhorse Lane E17 and Hertford Road Nl. ACHIEVEMFNTS AND PEIiFORMANCE A detailcd description of the activities gf the Trust are given in the Annual Repori which sEafts after page 13 of thesc aooounts. Investment Activitley The Cliarity does not currently hold any investm¢iits. FIN¢￿e[AL REVIEW Financial Positio Incoming resources iii tlie year were £158,134 (2023: £152.033), Of tliis £0 (2023.- £0) relaled to projpct restricted activities. A deficit of £1,379 (2023: D¢ficit£lO,591) w&s made in th¢ yeai. At 24, December 2024, total rescrve5 were £331,990 (2Q23: £333,369) of which £12,081 (2023. £12,081) represented restrict¢d fyiids. ReseYve8 Policy Barbican Arts Group Trust is required to ensure that free monies are &vailablc in each fLlldllciBI year to meet any r¢asonablc tore8e¥dble contingency. Funds in Dcfirit No fullds were in deficit at the Bdlance Sheetdate. Page 5 BARBICAN ARTS CROUP TRUST IiEPORT OF THE DIRECTORS AND TRUSTEES Cont'd FOR THE YEAR ENDED 24 DECEMBER 2024 TII STRUCTURk, COVLRNANCE AND I￿NAGEMENr Governing Document Barbicdn Arts Group Tri￿1 is a registered charity and a Compaiiy Lirnit¢d by GLiarantee. The. maxiinLiin liability of each Ixeillber is liinited to one puuiid. At 24 ' Decembei. 2024 the Company had 5 (2023 5) Members, Barbicaii Arts GroLiP Trust is governed by its Memorandum and Art'icles of Assaciation. Barbican Arts Group Trust was inGorporal'ed as a CoiT)pany limited by Guarantee on 29rli Aligust 2007. The charity coinmenced operations on 29th Au¥ust 2007 at which date I'he assct5 and liabilitles of the uniiicorporated Barbican Arts Group Trust were acqLiircd. RecruitJnent, Appointment olTrustees The I'rustees are Directors of the Company. Tlie main procedure for the appointment of Trustees is described in the Memoranduin of A550Giation. as is th¢ procedLLre for the clection OF the Chair. Drganisational Structure The Charity has no full or part-tim¢ #imployees, any administration work being pcrfonned by volunteers, All of the Trustees are iinpaid. Major Riskq The Trustces recDgnis£ thal aiiy major rÈsks to which the Charity 15 exposed need to be reviewed and systems put in place to initigatc those risks. To that end Barbican Arts LTroup Trust is fjontinually monitoring and inanaglng its risk aiid ¢nsiiring actioii plans are iii place to Initigate its key risks. Tlie Ti'ustces are aware Df tlie need to seciirc long-term accorninod*ion for the artists it IS sisting are confidorrt that matters will be clari licd in tli¢ ncar future. I'age 6 BARBICAN ARTS GROUP TRUST REPORT OF THE DIRECTORS AND TRUSTEES Cont'd FOR YEAR ENDED 24 DECEMBER 2024 'rH DIRECTORS? RFSPONSIBILrrtES Company Law and Charily Law r¢quire the Directors to prepare financial statements for each fin31]cial year, which givc a true and fair view of the state of aff¢iifs of Barbican AAS Group 'Frust and the surplus or deFicit for that p¢riod. tn preparing thow financial statements, the Dir¢ctors are required to,, (a) select suitable accounting poliGies and then apply them consistent,ly' (b) Imake judgements and estimate5 that are reasonable and prudent, (c) state whether applicable accounting standards have been followed, subjert to any materia5 departures disclosed and explained in the financial stateinejits, and. (d) preP￿e the financiaI statemeiils oil the going conceni basis unless il is inappropi-itile I'o presume that the Company will continue in operation. rFte Directors are also responsible for keeping proper accounting records which disclus2 WÈth reasonable accurdcy at any time tlie fin¢incial position of Barbican Arts Group Trust and to enable tlicm to ensure th 27 Projects
88.9% Completed
3.7% In progress
3.7% Cancelled
3.7% Posponed
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## **BAGT Projects 2024** **4** ## **Timothy Hyman RA 17 April 1946 - 7 September 2024** The trustees and studio artists of Blackhorse Lane and Hertford Road Studios bid a fond adieu to Timothy Hyman RA. Tim (as he was know to all connected with BAGT) had been at BAGT studios since it’s formative days in 1972 at Sycamore Street EC1. He later worked in both Blackhorse Lane and Hertford Road Studios. He was know internationally as a renound figrative paintier, teacher and writer. **5** _Acheivements_ ## **Aspirations for the year.** - Schedule new shows for Atrium Space. Moving forward, the Board’s collective capability continues to grow, and now includes two trustees with legal expertise. - Appoint new Trustee. - Challenge rateable value of Hertford Rd Studios. - Form proposal to purchase Hertford Road studio building. - Negotiate extension to lease on Blackhorse Lane Studios. ## **Atrium Space Programme** In 2024 BAGT achieved it’s target of five exhibitions , delivering five exhibitions in contrast to two in, three more than the previous year. Three were curated by BAGT and two by resident studio artists. With 17 studios at Hertford Road and a rich mix of practices across painting, sculpture, printmaking, film and digital media, the Atrium programme is designed to help artists evaluate their work publicly, drive direct sales, and foreground BAGT’s aims and values. The aspiration for 2025 is to maintain five exhibitions, increase the proportion of studio-led shows to at least 60%, and refine the evaluation framework covering footfall, sales, audience feedback and artist reflections. ## **Board & Governance** BAGT continued its drive to broaden the skills and perspectives on its Board with the appointment of **Debbie Carslaw,** former director of Rose Madder Gallery and city lawyer. As a former real-estate finance partner at Denton Wilde Sapte before moving to Sidley Austin, London her legal expertise is an invaluable asset to the Board. Daniel Kennedy Davies is a London-based solicitor with 20+ years’ experience. He currently works in-house at The Bank of New York Mellon, a company specilising in asset management and investment services. Daniel brings governance and legal expertise from the financial-services sector to BAGT’s board. **Rupert Maude** is a Fellow of the Royal Institution of Chartered Surveyors with vast experience. He served as a Partner at Cluttons LLP and as a RICS Registered Valuer, reviewing and signing off complex valuations. **Leila Hasham** is Chair of BAGT’s Board. She is a senior exhibitions leader with two decades’ experience commissioning, producing and touring contemporary art. Currently, Director of Exhibitions at Whitechapel Gallery (London), she has previously held programme leadership roles at the ICA and Forma Arts, and was a curator/producer at the Barbican Art Gallery on major international projects. Leila brings deep expertise in artist development, production, and audience engagement, alongside a strong track record in partnership-building and fundraising. As Chair, she leads the Board’s governance, strategy and risk oversight, and champions equity and access across BAGT’s programmes. **Domo Baa** l is a London-based gallerist and the founder/director of DOMOBAAL, a contemporary art gallery established in 2000. Domo brings vital sector knowledge to BAGT— spanning gallery operations, commissioning, artist development and audience engagement. She is active in public discourse and education around contemporary practice. **6** _Achievements_ ## **Hertford Road Studios - rateable value.** There are possible discrepancies in the measured dimensions of the Hertford Road Studios site. These could affect the Rateable Value (RV) used to calculate the business rates. BAGT is considering appointing a rating specialist to report and advise on action. ## **Puchase of Hertford Road Building** In June, the BAGT Board to agreed to formally express it’s interest in purchasing the freehold of Hertford Road Studios which currently serves as one of it’s key studio buildings. Rudy Loewe and Phoebe Collings-James - Selectors ArtWorks Open Prize Show The Board’s intention is to work in a collaborative and constructive way, with a view to achieving a mutually beneficial outcome. As a registered charity and long-standing advocate for affordable artist studios in London, BAGT is committed to securing long-term, sustainable studio spaces. Ownership of this building would allow BAGT to safeguard the future of the artists it supports, invest in essential upgrades, and ensure continuity of cultural activity in the area. ## **Blackhorse Lane Studios - lease** As the lease approaches its end, BAGT requested the landlord to open formal discussions to negotiate a new lease agreement. Blackhorse Lane Studios is a vital creative hub for BAGT’s community of artists, and securing a long-term future for this site is a key priority for the Board. Biogal - Prizewinner - ArtWorks Open The landlord has declined a meeting until a later date. V-A-L-U-E - ArtWorks Project Space 7 _Acheivements Blackhorse Lane_ ## **ArtWorks Project Space** ## **Keep It Simple, Sexy - Slade FAM** Anna Howard ● Fan Bangyu ● Xiong Wei ● Shona Waldron ● Jiyoon Hong ● Danny Pagarani @danny_pagarani ● Joe Moss@ joemoss1 ● Liangqi Yao ● Wanci Xie ● Ziyi Wang ● Qibing Yang ● Shiyue Li ● Bowen Zhang ● Xiya Wang ● Raquel Yago Boj ● Freddie Sanders ● Victoria Grenier ● Roman Sheppard Dawson ● Steph Lim K*I*S*S* brought together Slade postgrad Fine Art Media students for a final group exhibition before their degree show in June. The show opened on Friday 15th and continued through the weekend, with an additional reading/ seminar at Blackhorse Workshop. Taking inspiration from the workshop location and it’s diverse skills the students considered their art-making and lives in relation to the full sense of the phrase “ _a jack of all trades is master of none, but oftentimes better than a master of one_ ”. Drawing on the tensions between different contexts, locations and skills across the physical and digital realms the talk explored amateur proficiency. **8** ## _Achievements_ ## **ArtWorks Project Space** ## **Dearly Impossible - Unu Sohn** Unu Sohn (b. 1994) was an ArtWorks Open 2023 prizewinner, selected by Turner Prize Winner Jasleen Kaur and artist Rudy Loewe. Unu graduated from The Royal College of Art in 2022. In her first solo show in London, Unu explores the relationship between the materiality of studio pottery techniques and abstract forms, resulting in a synergy of the corporeal and qualitative. In 2024 Unu Sohn was shorlisted for the Charlotte Fraser Ceramics & Glass Prize at the Holt Festival. 9 _Acheivements Blackhorse Lane_ ## **ArtWorks Project Space** ## **Double Dose 2 - Nichola Counsell and Amanda Whittle** Amanda Whittle Nichola Counsell and Amanda Whittle continue to explore their respective practices through experimenting with a variety of media. Both have exhibited locally, nationally and internationally Whittle often incorporates found and discarded materials such as wax, glass, soil, sand, photograhic negatives, thread, paper, Letraset, and light into her mixed-media works. She emphasizes tactility, respectful use of materials, and the evocative associations created through their layering and assembly Nichola Counsell’s creative process is manifested in paintings emerging through layered experimentation, where poured paint and evolving imagery evoke both chaos and harmony, abstraction and figuration. Nichola Counsell 10 ## _Achievements_ ## **ArtWorks Project Space** ## **Blackhorse Lane Open Studios** Rebecca Munday Blackhorse Lane Studios’ annual Open Studios provided visitors with behind-the-scenes access to how studio artists make their work. The studios provide a working enviroment for a diverse range of artists, including emerging and underrepresented ones in a freindly setting outside traditional gallery gatekeeping. There was fun for all with artist Barry Sykes providing entertainment with his Laughter Yoga and a specially devised Kids Quizz. Kally Laurence 11 _Acheivements Blackhorse Lane_ ## **ArtWorks Project Space** ## **V-A-L-U-E E17 Local Artists** An exhibition of painting, prints sculpture and drawing curated by Neil Irons & Mark Wainwright. Dominique Golden - “Charity Shop Chair” watercolour The exhibition, held in conjuction with Walthamstow’s twentieth year of the E17 Art Trail Festival, featured local artists with commiment to making fine art who produce work without the benefit of permanant studios. The show offered an eclectic snapshot of local practice under the lens of “value”. Benjamin Parker - “Westerner” clay wood and metal Tom Stallard - “Cherry, Lyme, Highrise” oil on canvas 12 _Achievements_ ## **ArtWorks Project Space** ## **GOLD! Blackhorse Lane Studio Artists** Sandie M Sutton - “Ground Hornbull” iron GOLD! was curated by Daniela Rizzi, a London-based artist (painting, printmaking, photography) and long-time BAGT studio member. The show was conceived as the headline show for the annual Blackhorse Lane Open Studios, exploring “gold” in material, metaphor and colour—ranging from shimmering surfaces to critical takes on value and desire. Elizabeth de Monchaux - “Pavillion 05/24” aluminium Helen Maurer - “Ayakashi (Ultraviolet)” giclee print 13 ## _Acheivements Blackhorse Lane_ ## **ArtWorks Project Space** ## **BAGT Editions** Diane Chappaley - “ Lychee” edition of 20 BAGT Editions, a limited-edition print project run by BAGT. Each edition offers high-quality giclée reproductions of original paintings or drawings by artists who work in the trust’s studios. Proceeds are split 65 % to the artist and 35 % to fund BAGT’s free public programme of exhibitions and community projects. YiMiao Shih - “ Lanscape” edition of 20 This exhibition saw the launch of BAGT Editions #2 which added 10 new works to the series. The atists selected for the series were, Diane Chappaley, Noga Shatz, Rebecca Munday, Franki Austin, J J Morgan, Keira Bennett, YiMiao Shih, Neil Irons, Kally Laurence, William Stok Rebecca Munday - “ Red Mist” edition of 20 14 ## _Achievements_ ## **ArtWorks Project Space** ## **Nimo Shafiani ArtWorks Open Residency** Nimo Shafiani won a 6-week residency prize in the 2023 ArtWorks Open Prize Exhibition Show, selected by artists Jasleen Kaur (Turner Prize Winner 2024).and Rudy Lowe. Nimo ended his residency with a show of 18 paintings made during the residency. A London-born painter (b. 1995), Shafiani works in energetic serial bursts—groups of 18, 28, 34 works at a time—using felt-tip, house-paint and charcoal to build dense, cellular networks of line and colour that oscillate between diagram and diary. His practice often grows out of conversations and improvised group activities, so exhibiting a whole “batch” at once becomes part of the a performance. 15 _Acheivements Blackhorse Lane_ ## **ArtWorks Project Space** ## **Words Matter - Eight Women Print** Kathy Hinde, Lindsay Ohrn, Fiona O’Neil, Mry O’Connor, Clare Smith, Sara Desmarias, Katerina Hutton, Michele O’Brien The exhibition “Words Matter” by the collective, Eight Women Print, is a collaborative print show featuring work that address vital conversations about women, concerning their rights, struggles, anxieties, invisibility, power, and resilience. The exhibition aimed to stimulate dialogue on how words influence perception and reality, in raltion to women’s experiences, through a dynamic display of print artworks by eight women “Words Matter” is Eight Women Print’s 4th print show since 2022. The show was curated by Lorena Herrero, who has been a resident studio artists at BAGT’s Hertford Road Studios since 2021. 16 ## _Achievements_ ## **ArtWorks Project Space** ## **A Red Sky At Night Zachary and Daniel Talbot-Mason** ‘A Red Sky at Night’, a collaborative exhibition by the artist-brothers Zachary Talbot-Mason and Daniel Talbot-Mason. One can characterise their familial practices as having a devil-maycare confidence in the usage of colour. A joyous, even childlike marveling, appreciation and championing of natural imagery. Some examples of their subject matter include fallen leaves, rolling hills and eerie sunsets far-away in the background: randomly vindicating the group portraits of fictitious peoples, cheery wildlife moving in the scenery, and lonely compunctious self-portraits. The artist- brothers present to their viewers an unclear vision of the world, each suffering their tendency for unconscious thought and macro narrative to implode, inviting a new figuration to emerge. Ultimately, we are left with a rude dual portrait for an exhibition that leaves us like how a sun must: with that certain self-certain air for the inevitability and finality of everything. 17 _Acheivements Blackhorse Lane_ ## **ArtWorks Project Space** ## **ArtWorks Open Prize Show** This year’s ArtWorks Open was selected by artists Rudy Loewe and Phoebe CollingsJames, reaffirming BAGT’s commitment to practitioner-led selection of a rigorously contemporary programme. Engagement rose meaningfully year-on-year: 154 artists submitted 275 works (up from 137 artists / 233 works), equating to +12.4% more artists and +18.0% more works. The average works per artist also increased from 1.70 → 1.79 (+4.9%), signalling deeper participation per entrant. The PV and awards were well attended, underscoring the Open’s role as a flagship audience moment. For the first time in the Open’s 18-year run, one selector was unable to stay to present awards; BAGT will review briefing and event-day protocols in response. ## Awards & development opportunities • Main Prizes: Yezan Al Laham and Tanaka Mazivanhanga — £1,000 each plus a solo exhibition at the venue. • Residencies (6-week): the artist known as Biogal and Martin Barrall; following Barrall’s withdrawal, the residency was reallocated to Richard Zeiss to ensure delivery. • Materials Prize: BAGT Materials Prize awarded to local artist Nichola Morrision. With increased submissions, strong public turnout, and tangible artist development pathways (cash awards, solo shows, and residencies), ArtWorks Open continues to be a cornerstone platform for early- and mid-career practice—broadening BAGT’s pipeline while elevating voices reflective of today’s cultural discourse. Richard Zeiss “No. 302 (Prayer Wheel)” burnt and varnished woods, metal rods 18 _Achievements_ **ArtWorks Project Space** ## **ArtWorks Open Prize Show** Artworks Open – Unsettling Things Although each year the Artworks Open exhibition carries no set theme, for Phoebe and I there were visible threads amongst the works we selected. We saw these weaving a web, bridging connections between artistic practices. Artists submit their work to the exhibition without written context (other than the title) and so these threads are entirely based on our own impressions. A question that lingers in my thoughts from the previous year’s exhibition is what does it mean to be an artist making work during an era of seemingly unending crises? At this moment of deep grief when it would be easy to fall into despair, I look at the ways these artists offer tools, curiosity, and spaciousness in their practices. be tensions. But this confronts an important question for where we now find ourselves: how do we hold a space for complexity, acknowledging these unsettling feelings? In the exhibition the threads attempt to hold a need for quiet solitude, community, sexiness, messiness, formlessness, fantasy, and spirit. The exhibition does not attempt to settle what cannot feel settled, instead holding this as is, whilst offering a space for peace, prayers, and a moment before entering back into the storm outside. Rudy Loewe, November 2024 Xinyi Yu’s artwork provides prayer and in Christopher Harris’ ‘Duppy Dance’ painting, duppies (ghosts or spirits) dance around a soundsytem. Several of the artists bring us back to spirit. There is a thread of artists in the exhibition who are connected through their work with nature. These are works that speak to cycles, ephemerality, temporality, and the need to ‘simply rest and quietly take in the world’ Naomi Ellis takes paper pulp, Sumi ink and powder dye to create ‘Water Drawing VII (7)’ and Tanaka Mazivanhanga uses Mokulito, a Japanese printmaking technique for the ‘(Untitled III) Landscape Series’. The title of Qinyang Li’s painting, ‘Unsettled Things’, reminds me of moments such as these, when there are so many unsettling things— unsurmountable levels of grief and violence in the world—it is easy to feel that art is futile. Or, it might feel only possible to recreate the images of pain and suffering that we are now seeing on a daily basis. And as important as art can be in consciousness building (raising awareness and actively engaging people), art can also offer a moment of needed pause, rest, and imagination. Biogal - “ Pronoun Circle” pencil on canvas Between these threads in the exhibition there might 19 ## _Acheivements Blackhorse Lane_ ## **ArtWorks Project Space** ## **Fragments of a Long Night - Mohosen Zare** “This exhibition is shaped by the confrontation with countless faces of death. In a world where darkness envelops everything, I have sought refuge in memories and old photographs from Baghdad, Beirut, Shiraz, Istanbul, and Tehran - moments that evoke light and fervor”. The work in the exhibition includes portraits of women and family photographs displayed without a specific order. These portraits form the starting point of a collection. They refer to the events that occurred ten years ago in Isfahan, when the faces of women became targets of acid attacks—an event that deeply impacted the artist and became the foundation for the portraits. All the works in this exhibition are created on printed circuit boards (PCBs) and etched with acid—a process that illustrates the connection between creation and destruction. “Ultimately, each work is an attempt to celebrate life in a time of disintegration and a journey into the past, when love and beauty flowed freely, and God was still a lover of lovers”. 20 _Acheivements_ **Atrium Space** ## **William Stok - My Life My Leaf** William Stok is an Italian artist, represented mainly by European galleries. In the UK he has graphic work in the Tate Gallery, the collections of the Victoria & Albert Museum and King Charles. He has amassed 50 personal exhibitions in museums that have included The Arnolfini in Bristol and a career retrospective at the European Academy in London. Since the Corona Virus William Stok began an ambious series of works on paper depicticting leaves echoing the shape of the female reproductive organ - an “affirmation of life”, highlighting the balance of nature and echological awarness. The large works in the exhibition form part of an ongoing series of paintings. 21 _Acheivements_ ## **Atrium Space** ## **In Circles - Valerie Large** Valerie Large is an artist living in Leytonstone and working at Barbican Arts Group Trust’s Blackhorse Lane Studios, Walthamstow, London. Her recent work uses fabric, mostly canvas, focussing again on her interest in organic like shapes. These began with a series of small wall sculptures in 2022-3, where layers of tissue paper were stitched into a 3D relief shape. This led to the canvas pieces which formed relief shapes in the opposite way – building up smaller pieces by stitching them together and in the process creating a relief form as one shape was twisted to join the next. “I wanted to use an amorphous type of shape which didn’t represent anything in particular but was like a cell or bacteria which also has connotations of growth. It is some years since I last used colours, other than natural tones and black and white, and it was exciting to mix colours and use paint again.” Valerie joined BAGT in 1974 and has had studios at Sycamore Street EC1, Hertford Road N1 and currently Blackhorse Lane E17. 22 _Acheivements_ ## **Atrium Space** ## **Double Takes - Curated by David Leister** ## Mark Sowden Double Takes” a group show curated by David Leister of photographic works and collage exploring layered images, mis-registration and optical “double takes”. David Leister is a London-based filmmaker/ artist working with 16mm, photograms, archive & performance. Active in London’s film community since the ’80s, David has been a resident studio artist at BAGT’s Hertford Road site since 2016. Jason Shulman is best known for “Photographs of Films”, which compress an entire movie into a single long-exposure image He lives/works in London and also makes sculpture. Lucy Harris is a London artist-filmmaker & editor. She works with 16mm, postcards and archives to explore landscape, architecture and memory. Lucy is winner of Rita Harris Studio Award alum at Acme. Bea Haut works primarily with expanded 16mm film (installations, performances, projections); co-founded artist-run B/W 16mm processing in the UK and runs analogue screening projects. Mark Sowden’s work looks at objects and their placement in landscapes. His practice extends into clay and Thames mudlarking. Theo Nidorest Theo Niderost achieved early recognition at The Photographers’ Gallery’s Fresh Faced + Wild Eyed (2008). 23 _Acheivements_ ## **Atrium Space** ## **On The Wall - Curated by Lesley Dalton** “On The Wall” is an exhibition by BAGT artists curated by Lesley Dalton. Lesley Dalton is a British artist, born in Singapore. She later settled with her family in Leicester and attended Loughborough School of Art followed by De Montfort University. Following her graduation she moved to London and worked as a colourist for Marvell Comics. Lesley joined BAGT in 1986. She currently has a studio at BAGT Hertford Road Studios. Lucile Montague’s earlier work looked at people and city life. In recent years she has shifted her attention to landscape. Her paintings derive from regular walks in the green areas of North London. Her subjects are a mixture of fantasy and reality set within the calming effects of nature. Lucile’s work has featured in many exhibitions that have included the Royal Academy Summer Show and the Whitechapel Art Gallery. Her work is to be found in numerous public and private collections which include Coventry Museum and Art Gallery, Coopers & Lybrand and the Bankers Trust Company. She studied at Plymouth College of Arts and Byam Shaw School of Art, joining BAGT in 1977 and currently has a studio at BAGT Blackhorse Lane Studios. Franki Austin studied painting and glass at the Central School of Art and Design in London, and gained an MPhil in fine art from the University of Plymouth for research relating to the international artists working at Dartington Hall in Devon during the 1930s. She later pursued the subject of this research, working and travelling in India. “The trees in my paintings are those found in ancient Scottish woodland. The stories I weave around them come from all parts of the world. Trees play major roles in our constantly changing climate but I paint only those trees bound into my personal history”. Franki joined BAGT studios in 2005. Currently, she has a studio at BAGT’s Balckhorse Lane Studios. She has worked with poets, installing participatory exhibitions in the UK using folk tales common to peoples across the world. In 2007 her work began to include references to climate change. She first learnt about trees from her Scottish grandfather. 24 _Acheivements_ ## **Atrium Space** ## **Wintering Out - Curated by Mark Wainwright** Sarah Medway “Wintering Out” curated by Mark Wainwright at atrium Space 2024 is a contemporary art exhibition taking place in BAGT’s Atrium Space — a unique venue known for showcasing experimental and interdisciplinary works. The exhibition title, “Wintering Out,” alludes to Seamus Heaney’s 1972 poetry collection, invoking ideas of seasonal transition, endurance and cultural excavation, The exhibition explores the idea of waiting, dormancy, and transformation — both ecological and personal. It reflects on how artists navigate inbetween states: of language, land, identity, and time. “Wintering Out” features a range of local and international artists. The show evokes a sense of quiet tension, introspection, and subtle change — mirroring the natural stillness of winter and the potential that lies beneath it. Eva Bosch 25 _Objectives_ - Appoint a Rating Surveyor to advise on the valuation and rating of Hertford Road Studios - Purchase Hertford Road Studios - Reinstate Open Studios at Herford Road Studios - Invite new selectors for ArtWorks Open - Update and renew BAGT Policies - Martin Barrall “Bradley’s Tea Hut, Epping Forest >pny J ArtWorks Open ArtWorks Open ArtWorks Open Peter Sutton “Into The Woods” Wintering Out - Atrium Space Christopher Harris “Duppy Dance” ArtWorks Open 26 ## ## ## |**2024**|**Total Time worked 1210**|**Total days/Year 172.9**
**Value**|**£24,200.00**| |---|---|---|---| |**400**
**Double Dose 2 - Amanda Whittle,**||**Total hours donated to project**|**43.5**| |Nickie Counsell|Planning / prep||7| |Nickie Counsell|Planning / prep|install exhibition|5| |Nickie Counsell|Planning / prep|de-rig exhibition|3.5| |Nickie Counsell|Visitor experience|invigilation|6| |Amanda Whittle|Planning / prep||6| |Amanda Whittle|Planning / prep|de-rig exhibition|4.75| |Amanda Whittle|Planning / prep|poster|2| |Amanda Whittle|Planning / prep|publicity|2.25| |Amanda Whittle|Visitor experience|invigilation|7| |**405**
**Dearly Impossible. Unu Sohn**||**Total hours donated to project**|**47**| |Unu Sohn|Visitor experience|invigilation|27| |Unu Sohn|Planning / prep||7| |Unu Sohn|Publicity|poster|2| |Unu Sohn|Planning / prep|install exhibition|8| |Unu Sohn|Planning / prep|de-rig exhibition|3| |**407**
**Fragments of A Long Night**||**Total hours donated to project**|**89**| |Mohsen Zare|Planning / prep|install exhibition|4| |Mohsen Zare|Planning / prep|de-rig exhibition|2| |Mohsen Zare|Visitor experience|invigilation|78| |Mohsen Zare|Planning / prep|publicity|4| |Mohsen Zare|Planning / prep|poster|1| |**408**
**ArtWorks Open 2024**||**Total hours donated to project**|**23**| |Lesley Dalton|Visitor experience|invigilation|23| |**409**
**Keep It Simple Sexy - Slade**||**Total hours donated to project**|**103.75**| |Danny Freevine|Planning / prep|exhibition participant|2| |Raquel Yago Boj|Planning / prep|exhibition participant|2| 30/09/2025 1 Roman Sheppard Shona Waldron Xiong Wei Fan Bangyu Anna Howard Jiyoon Hong Liangqi Yao Wanci Xie Qibing Yang Shiyue Li Bowen Zhang Xiya Wang Freddie Sanders Victoria Grenier Steph Lim Ziyi Wang Roman Sheppard Danny Freevine Raquel Yago Boj Raquel Yago Boj Roman Sheppard Roman Sheppard Danny Freevine Shona Waldron Jiyoon Hong Bowen Zhang Wanci Xie Xiong Wei Roman Sheppard Qibing Yang ## ## ## |**Task Main**|**Task Sub**|**Time worked**
|| |---|---|---| |Planning / prep|exhibition participant|2| |Planning / prep|exhibition participant|2| |Planning / prep|exhibition participant|2| |Planning / prep|exhibition participant|2| |Planning / prep|exhibition participant|2| |Planning / prep|exhibition participant|2| |Planning / prep|exhibition participant|2| |Planning / prep|exhibition participant|2| |Planning / prep|exhibition participant|2| |Planning / prep|exhibition participant|| |Planning / prep|exhibition participant|2| |Planning / prep|exhibition participant|2| |Planning / prep|exhibition participant|2| |Planning / prep|exhibition participant|2| |Planning / prep|exhibition participant|2| |Planning / prep|exhibition participant|2| |Planning / prep|install exhibition|7| |Planning / prep|install exhibition|7| |Planning / prep|install exhibition|6| |Planning / prep|Curation|5| |Planning / prep|Curation|8.5| |Planning / prep|de-rig exhibition|4| |Planning / prep|de-rig exhibition|3| |Planning / prep|poster|1.5| |Publicity||3| |Planning / prep|publicity|2.25| |Visitor experience|invigilation|4| |Visitor experience|invigilation|4| |Visitor experience|invigilation|5| |Visitor experience|invigilation|4| 30/09/2025 2 ## ## ## ## |**Contributor**|**Task Main**|**Task Sub**
**Time worked**|**Time worked**
|| |---|---|---|---| |Bowen Zhang|Visitor experience|invigilation|3| |Ziyi Wang|Visitor experience||2.5| |**411**
**BHL Open Studios**||**Total hours donated to project**|**348.25**| |Franki Austin|Planning / prep|publicity|2| |Lucile Montague|Planning / prep|publicity|1| |Neil Irons|General help||6| |YiMiao Shih|Publicity|poster|1.5| |YiMiao Shih|Studios Committee||3| |Pauline Evans|Studios Committee||3| |Charlotte Gerrard|Studios Committee||1| |Kally Laurence|Studios Committee||4| |Valerie Large|General help||2.75| |Franki Austin|Visitor experience|open studios|12| |Jonet Harley-Peters|Visitor experience|open studios|12| |Lucile Montague|Visitor experience|open studios|12| |William Stok|Visitor experience|open studios|12| |Valerie Large|Visitor experience|open studios|12| |Tam Joseph|Visitor experience|open studios|12| |Elizabeth de Monchaux|Visitor experience|open studios|12| |Emma Talbot|Visitor experience|open studios|12| |Neil Irons|Visitor experience|open studios|12| |Matthew Krishanu|Visitor experience|open studios|12| |Julie Caves|Visitor experience|open studios|12| |Pauline Evans|Visitor experience|open studios|12| |Daniela Rizzi|Visitor experience|open studios|12| |Charlotte Gerrard|Visitor experience|open studios|12| |Alessandro Graziani|Visitor experience|open studios|12| |Helen Maurer|Visitor experience|open studios|12| |Anja Borowicz|Visitor experience|open studios|12| |Barry Sykes|Visitor experience|open studios|12| |||30/09/2025|| 3 ## ## ## ## Nickie Counsell Noga Shatz Kally Laurence Diane Chappalley Luigi Rizzo YiMiao Shih Rebecca Munday Katie Deith Lauren Little Emma Talbot Rudy Loewe |Nickie Counsell|||| |---|---|---|---| |Nickie Counsell|Visitor experience|open studios|12| |Noga Shatz|Visitor experience|open studios|12| |Kally Laurence|Visitor experience|open studios|12| |Diane Chappalley|Visitor experience|open studios|12| |Luigi Rizzo|Visitor experience|open studios|12| |YiMiao Shih|Visitor experience|open studios|12| |Rebecca Munday|Visitor experience|open studios|12| |Katie Deith|Visitor experience|open studios|12| |Lauren Little|Visitor experience|open studios|12| |Emma Talbot|Did not participate||0| |Rudy Loewe|Did not participate||0| |**412**
**V-A-L-U-E / E17 Art Trail**||**Total hours donated to project**|**86**| |Neil Irons|Planning / prep|install exhibition|7| |Neil Irons|Planning / prep|de-rig exhibition|3| |Benjamin Parker|Visitor experience|work exhibited one|5| |Mark Evans|Visitor experience|work exhibited one|5| |Miguel Casarrubios|Visitor experience|work exhibited one|5| |Michael Coppelov|Visitor experience|work exhibited one|5| |Dominique Golden|Visitor experience|work exhibited one|5| |Isobel Atacus|Visitor experience|work exhibited one|5| |Stephen Keane|Visitor experience|work exhibited one|5| |Helen Waites|Visitor experience|work exhibited one|5| |Tom Stallard|Visitor experience|work exhibited one|5| |Esther Hardie|Visitor experience|work exhibited one|5| |Agota Szuly|Visitor experience|work exhibited one|5| |Xuan Hoang|Visitor experience|work exhibited one|5| |Helen Chambers|Visitor experience|work exhibited one|5| |Nicola Morrison|Visitor experience|work exhibited one|5| |Neil Irons|Planning / prep|Curation|6| 30/09/2025 4 ## **413 GOLD!- BHL studio show** |**GOLD!- BHL studio show**|**Total hours donated to project**|**36.25**| |---|---|---| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Did not participate||0| |Visitor experience|work exhibited one|0.25| |Did not participate||0| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Did not participate||0| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Visitor experience|work exhibited one|0.25| |Planning / prep|de-rig exhibition|3| |Planning / prep|install exhibition|5| |Planning / prep|install exhibition|5| |Planning / prep|install exhibition|3| Franki Austin Jonet Harley-Peters Lucile Montague William Stok Valerie Large Tam Joseph Elizabeth de Monchaux Emma Talbot Neil Irons Matthew Krishanu Julie Caves Pauline Evans Daniela Rizzi Charlotte Gerrard Alessandro Graziani Helen Maurer Anja Borowicz Barry Sykes Noga Shatz Kally Laurence Diane Chappalley YiMiao Shih Rebecca Munday Katie Deith Lauren Little Neil Irons Pauline Evans Daniela Rizzi Kally Laurence 30/09/2025 5 ## ## ## ## |**Contributor**|**Task Main**|**Task Sub**
**Time worked**|**Time worked**
|| |---|---|---|---| |Daniela Rizzi|Planning / prep|Curation|14| |Amanda Whittle|Visitor experience|work exhibited one|0.25| |Sandie M Sutton|Visitor experience|work exhibited one|0.25| |Emma Shankland|Visitor experience|work exhibited one|0.25| |Edgar Ameti|Visitor experience|work exhibited one|0.25| |Luigi Rizzo|Did not participate||0| |**414**
**BAGT Editions #1 & #2**||**Total hours donated to project**|**28.5**| |Neil Irons|Planning / prep|install exhibition|4| |Neil Irons|Planning / prep|de-rig exhibition|3| |Kally Laurence|Visitor experience|invigilation|5| |Pauline Evans|Visitor experience|invigilation|5| |Rebecca Munday|Visitor experience||5| |Neil Irons|Planning / prep|install exhibition|3.5| |Neil Irons|Planning / prep|de-rig exhibition|3| |**417**
**My Life My Leaf - William Stok**||**Total hours donated to project**|**26**| |William Stok|Planning / prep|exhibition planning|8| |William Stok|Planning / prep|install exhibition|6| |Valerie Large|Planning / prep|install exhibition|6| |Valerie Large|Planning / prep|press release|2| |William Stok|General help|de-rig exhibition|4| |**423**
**Dainiel & Zachary Talbot-Mason**||**Total hours donated to project**|**65.5**| |Dainiel Talbot-Mason|Planning / prep|Curation|3| |Dainiel Talbot-Mason|Planning / prep|install exhibition|5| |Dainiel Talbot-Mason|Planning / prep|de-rig exhibition|2| |Dainiel Talbot-Mason|Planning / prep|publicity|2| |Dainiel Talbot-Mason|Visitor experience|invigilation|24| |Zachary Talbot-Mason|Visitor experience|invigilation|24| |Zachary Talbot-Mason|Planning / prep|install exhibition|4| |Zachary Talbot-Mason|Planning / prep|poster|1.5| 30/09/2025 6 ## ## ## ## |**426**
**Words Matter - Eight Women Print**|**426**
**Words Matter - Eight Women Print**|**Total hours donated to project**|**37.25**| |---|---|---|---| |Clare Smith|Planning / prep|Curation|4| |Clare Smith|Visitor experience|invigilation|6| |Clare Smith|Planning / prep|install exhibition|4| |Clare Smith|Planning / prep|de-rig exhibition|3| |Lorena Herrero|Planning / prep|Curation|4| |Lorena Herrero|Planning / prep|install exhibition|4.75| |Lorena Herrero|Planning / prep|de-rig exhibition|2| |Lorena Herrero|Planning / prep|publicity|2.5| |Lorena Herrero|Planning / prep|poster|1| |Lorena Herrero|Visitor experience|invigilation|6| |**427**
**Double Takes**||**Total hours donated to project**|**156**| |David Leister|Planning / prep|Curation|12| |David Leister|Planning / prep|install exhibition|12| |David Leister|Planning / prep|de-rig exhibition|12| |David Leister|Planning / prep|poster|12| |David Leister|Visitor experience|invigilation|12| |Jason Shulman|Visitor experience|invigilation|12| |Lucy Harris|Visitor experience|invigilation|12| |Bea Haut|Visitor experience|invigilation|12| |Mark Sowden|Visitor experience|invigilation|12| |Theo Nidorest|Visitor experience|invigilation|12| |Mark Sowden|Planning / prep|publicity|12| |Mark Sowden|Planning / prep|de-rig exhibition|12| |Theo Nidorest|Planning / prep|de-rig exhibition|12| |**428**
**On The Wall - Dalton, Montague,**|**On The Wall - Dalton, Montague,**|**Total hours donated to project**|**42**| |Lesley Dalton|Visitor experience|invigilation|6| |Lesley Dalton|Planning / prep|install exhibition|7| |Lesley Dalton|Planning / prep|de-rig exhibition|2| 30/09/2025 7 ## Lesley Dalton Franki Austin Franki Austin Lucile Montague Lucile Montague Mark Wainwright Mark Wainwright **429 Wintering Out** John Bischoff Lesley Dalton Lesley Dalton Lesley Dalton Mark Wainwright Mark Wainwright Harri Harrison J J Morgan Emily Frances Barrett Lorena Herrero Amy Petra Woodward ## ## ## Planning / prep Planning / prep Visitor experience Planning / prep Visitor experience Planning / prep Planning / prep **----- Start of picture text -----**
|||| |---|---|---| |Planning / prep|poster|2.5| |Planning / prep|publicity|1| |Visitor experience|invigilation|8| |Planning / prep|publicity|1.5| |Visitor experience|invigilation|6| |Planning / prep|install exhibition|7| |Planning / prep|de-rig exhibition|1| |Total hours donated to project|78| |Visitor experience|invigilation|4| |Planning / prep|install exhibition|7| |Visitor experience|invigilation|8| |Visitor experience|invigilation|2| |Planning / prep|install exhibition|7| |Visitor experience|invigilation|24| |Visitor experience|invigilation|2| |Visitor experience|invigilation|2| |Visitor experience|invigilation|16| |Visitor experience|invigilation|2| |Visitor experience|invigilation|4| **----- End of picture text -----**
30/09/2025 8 ## **Project** ## **AUDIENCE** |**Artist**||**AUDIENCE**|**AUDIENCE**|**AUDIENCE**||©| |---|---|---|---|---|---|---| |**Project Category**
**Status**|**Artists**
**Actual**|**Artists Talk**
**Actual**|**Attending**
**Actual**|**Audience Total**|**Artists’ time in kind**
**Hours**
**Value**|| ||**Expected**|**Expected**|**Expected**||**Days**|| |**Totals actual**|**175**|**35**|**2197**|**2232**|**172.9**|**£24,200.0**| |**Totals expected**|**181**|**50**|**2100**|**2150**||| ## **2024** ## **Cancelled** **AOW22 Residency** Shivani Khoshia ~~Ld~~ **Cancelled** ## **Completed** **ArtWorks Open 2024** Mark Wainwright 34 230 23.0 35 200 3.3 £460.0 ~~_~~ **Completed** ~~|~~ 97.1% 115.0% Po ~~ee es~~ **AWO Residency - NIMA Shafiani** NIMA Shafiani 1 n/a 1 n/a ~~_~~ **Completed** 100.0% ? Po ~~ee es~~ **BAGT Editions #1 & #2** Mark Wainwright 20 175 26.0 20 200 3.7 £520.0 ~~Li~~ **Completed** 100.0% 87.5% Po ~~a[ee]~~ **Barry Birthday Party** Barry Sykes ~~_~~ **Completed** ~~|~~ Po ~~ee es~~ **BHL Open Studios** 450 343.3 ~~|~~ 350 Po 49.0 £6,865.0 **Completed** 128.6% ~~es~~ ## **Project** ## **AUDIENCE** |**Artist**|||**AUDIENCE**|**AUDIENCE**|**AUDIENCE**|||©|©| |---|---|---|---|---|---|---|---|---|---| |**Project Category**
**Status**||**Artists**
**Actual**|**Artists Talk**
**Actual**|**Attending**
**Actual**|**Audience Total**|||**Artists’ time in kind**
**Hours**
**Value**|| |||**Expected**|**Expected**|**Expected**||||**Days**|| |**Birthday Party**|||||||||| |Barry Sykes|||||||||| |**Completed**
~~_ |~~
~~Ld~~||||||Po|||| |**Dainiel & Zachary Talbot-Mason**|||||||||| |Dainiel Talbot-Mason|||||||||| |**Completed**
~~_~~
~~|~~||2
2
100.0%||70
130
53.8%||Po||62.3
8.9|£1,245.0| |**Dearly Impossible. Unu Sohn**|**Dearly Impossible. Unu Sohn**||||||||| |Unu Sohn|||||||||| |**Completed**
~~|~~
~~|~~||1
1
100.0%||69
50
138.0%||Po||45.0
6.4|£900.0| |**Double Dose 2 - Amanda Whittle, Nicola**|||**Double Dose 2 - Amanda Whittle, Nicola**||||||| |Nickie Counsell|||||||||| |**Completed**
~~_|~~
~~Ld~~||2
2
100.0%||68
50
136.0%||Po||38.5
5.5|£770.0| |**Double Takes**|||||||||| |David Leister|||||||||| |~~|~~||6
6||65
70||Po||156.0
22.3|£3,120.0| |**Completed**
~~|~~||100.0%||92.9%|||||| |**Fragments of A Long Night**||**Fragments of A Long Night**|||||||| |Mohsen Zare|||||||||| |**Completed**
~~|_|~~
~~|~~||1
1
100.0%||80
130
61.5%||Po||88.0
12.6|£1,760.0| |**GOLD!- BHL studio show**|||||||||| |**Completed**
~~_~~
~~|~~
~~Ld~~||27
30
90.0%||290
350
82.9%||Po||32.3
4.6|£645.0| ## **Project** ## **AUDIENCE** |**Artist**|||**AUDIENCE**|**AUDIENCE**|**AUDIENCE**|||©|©| |---|---|---|---|---|---|---|---|---|---| |**Project Category**
**Status**||**Artists**
**Actual**|**Artists Talk**
**Actual**|**Attending**
**Actual**|**Audience Total**|||**Artists’ time in kind**
**Hours**
**Value**|| |||**Expected**|**Expected**|**Expected**||||**Days**|| |**In Circles**|||||||||| |Valerie Large|||||||||| |**Completed**
~~_ |~~
~~Ld~~||1
1
100.0%||70
70
100.0%||Po||31.0
4.4|£620.0| |**Isoble Atacus booking**|||||||||| |Isobel Atacus|||||||||| |**Completed**
~~_~~
~~|~~||||||Po|||| |**Keep It Simple Sexy **||**- Slade Postgraduate**|||||||| |Danny Freevine|||||||||| |**Completed**
~~|~~
~~|~~||18
18
100.0%|35
50
70.0%|92
70
131.4%||Po||101.8
14.5|£2,035.0| |**My Life My Leaf - William Stok**|||||||||| |William Stok|||||||||| |**Completed**
~~_|~~
~~Ld~~||1
1
100.0%||96
70
137.1%||Po||23.5
3.4|£470.0| |**On The Wall - Dalton, Montague, Austin**|||||||||| |Lesley Dalton|||||||||| |~~|~~||3
3||54
85||Po||42.0
6.0|£840.0| |**Completed**
~~|~~||100.0%||63.5%|||||| |**Professional Development**|||||||||| |Matthew Krishanu|||||||||| |**Completed**
~~|_|~~
~~|~~||||||Po|||| |**Professional Development**|||||||||| |YiMiao Shih|||||||||| |**Completed**
~~_~~
~~|~~
~~Ld~~||||||Po|||| ## **Project** ## **AUDIENCE** ||**Artist**|||**AUDIENCE**|**AUDIENCE**|**AUDIENCE**||©|©|©| |---|---|---|---|---|---|---|---|---|---|---| ||**Project Category**
**Status**||**Artists**
**Actual**|**Artists Talk**
**Actual**|**Attending**
**Actual**|**Audience Total**||**Artists’ time in kind**
**Hours**
**Value**||| ||||**Expected**|**Expected**|**Expected**|||**Days**||| |**Rudy Loewe - Professional Development**||||||||||| ||Rudy Loewe|||||||||| |**Completed**
~~|~~
~~a~~|||||||Po|||| |**Studio Residency Development**||||||||||| ||Mark Wainwright|||||||||| |**Completed**
~~_|~~
~~a~~|||||||Po|||| |**V-A-L-U-E / E17 Art Trail**||**V-A-L-U-E / E17 Art Trail**||||||||| ||Neil Irons|||||||||| |**Completed**
~~_|~~
~~a~~|||15
15
100.0%||220
100
220.0%||83.0
11.9
Po|||£1,660.0| |**Wintering Out**||||||||||| ||Mark Wainwright|||||||||| |**Completed**
~~__|~~
~~a~~|||23
25
92.0%||140
150
93.3%||78.0
11.1
Po|||£1,560.0| |**Words Matter - Eight Women Print**|||**Words Matter - Eight Women Print**|||||||| ||Lorena Herrero|||||||||| |**Completed**
~~_|~~
~~a~~|||8
8
100.0%||28
25
112.0%||36.5
5.2
Po|||£730.0| |**Work Experience**||||||||||| ||Mark Wainwright|||||||||| |**Completed**
~~_|~~
~~a~~|||||||Po|||| |**In Progress**||||||||||| |**BAGT Editions #2**||||||||||| ||Mark Wainwright|||||||||| |~~|~~|||12
12||||Po|||| |**In Progress**
~~a~~|||100.0%||||||||