BARBICAN ARTS GROUP TRUST (A Con)pAny Limited by Guarantee) REPORT ACCOUNTS FOR THE YEAR ENDED 24- DECEMBER 2022 Registered Charity Nllmber: 1120918 Company Number: 6355408 Page I BARBICAN ARTS GROUP TRUST REPORT AND ACCOUNTS R THE YEAR ENDED 24" DECEMBER 2022 Contents Page Report of the Directors and Trustees Independent ExaTniner's Report Statement of Financial Activities Balance Sheet io Notes to the Accounts 14 Annual Report detailing achievements and obj¢ctiv¢s Page 2 BARBICAN ARTS GROUP TRUST REPORT OF THF. DIRECTORS AND TRUSTEES FOR THE YEAR ENDED 24TH DECEMBER 2022 The following people We￿ Directorsrfrustees of the Charity on th¢ date oFapproval of the Report. DIRECTORsifRUSTEE DATE ELECTED DANIEL DAHL 29" August 2007 DOMO BAAL 23 August 2017 LIELA HASHAM 6 January 2020 RUPERT MAUDE 12 March 2020 Page 3 BARBICAN ARTS GROUP TRUST REPORT OF THF. DIRECTORS AND TRUSTEEI S CoDt'd FOR THW, YF,AR F,NDED 24" DECEMBER 2022 The Tru8tee8 (who are also th¢ Directors for the purpose of Company Ldw) have pleasure in presenting their Annual Report and the Financial Statements for the year ended 24th December 2022. The financial stat¢m¢nls have been prepai'ed in accordance with Accoiinting and Reporting by Charities.. Statement of Recommended Praclice (SORP) applicabl¢ to charities preparing tlicir accounts in accordance with the Financial Rcporting Staiidard applicable in the UK and Republic of Ireland (FRS 102) (effective l January 2015), with FRS 102 and with the rquircm¢nts of the Companies A¢t 2006. REFERENCE AYJ D ADMLYISTRATIVE DETAILS Charity Name: Barbican Arts Group Trust Charity Registration: 1120918 Company Registration: 6355408 Registered 0￿]ee. 32a, Hertford Road. London, Nl 5SFI. Company Secretary: Mr. M. Wainwright Bankers: HSBC Bank Plc, 74 Goswell Road, London ECIV 7DA IDdependent Examiners Soiiil)well, Tyrrell & Co., Chartered Accounlants. 15 Lower Ground Floor, 65 Londoii Wall, London. EC2M STU. OBJECTIVES AND ACTIVITIES The purposes of the charity are.. (a) tlie promotion and advancemcnt of the visual arts in all their aspects for the public benefit and the furtlierance of public knowledbye. undei'standing and appreciation of the visual arts including arranging and holding exhibitions ofartists ivork, and (b} the asSlSt&iic¢ of artists in iieccssitous circumstan¢es particiilarly by the provision of accommodation, and (c} 511cli oilier exclusively charitable objects and purposes (which withoiit prcjudiee to th¢ generality of the (oregoiiig tcrms sliall include any ehai'itable triist5 institutions foundalions or other organisations) in the United Kingdom or in any other part of the word as the trustee5 shall in th¢ii' discretioii think fit. Page 4 BARBICAN ARTS GROUP TRUST REPORT OF THF. DTRF.CTORS AND TRUSTEES Cont'd FOR THE YEAR ENDED 24" DF.CEMBER 2022 OBJECTIVES AND ACTIVITIES (Cont'd) The main activities undertaken during the year were.. a) Projects for th¢ year en¢omphss¢d artists. residencies, open studios. 501o/group shows. b) Blackhorse Lane Studios did not undertake Open Siudios this year whilst thc Proj¢c( Spa¢¢ within studios hosted a number of exhibitions and development opportunities for the studio artists. c) Hertford Road Studios continued its exhibition programme which extended to both studio artists and nrtisls not I1S50ciatcd with Barbican Arts GroupTrusl. d) The vast majority of the expenses ofthe Charity relate to the rent. rates and insurance of the two studio building5 in Blackhorse Lane El 7 and Hertford Road N l. ACHIEVEMENTS AND PERFORMANCE A detailed d¢￿rIptIon of the activities of the Trust are 8iv¢n in th¢ Annual Report which starts after page 13 of these accounts. Invc8tmeD¢ Activities The Charily do¢5 not currently hold any investsnents. FINANCIAL REVIEW Financill Position lrtcoming resources in the year were £149,652 (2021: £168.275). Of this £0 (2021: £220) related to project restricted a¢livities. A surplus of £14,105 (2021: £36,066) was made in the ycar. At 241h December 2022, total reserves were £343,960 (2021.. £329.855) of wl)ich £12,081 (2021.. £12,081) rcprcscnlcd restricted funds. Re5erve5 Poliey Barbicnn Arts Group Trust is required io ensure that free monies are available in each financial year to meet any reasonable foreseeable contingency. Funds in DefJ¢il No funds were in deficit at ihe Balance Sheet date. Page 5 BARBICAN ARTS GROUP TRUST REPORT OF TIIE DIRECTORS AND TRU8TF.F.S Cont'd FOR THE YEAR ENDED 24TS1 DECLMBER 2022 STRUCTURE. GOVERNANCE AND MANAGEMENr Governing Document Barbican Arts Group Trust is a registered charity and a Company Limited by Guarantee. The Tnaximum liability of each member 15 limited to one pound. At 24 December 2022 the Company had 4 (2021 4) Mcmbcrs. Barbican Art5 Group Trust is governed by its Memorandum and Articles of Association. Barbican Arts Group Trust was incorporated a5 a Company Itmited by Guarantee on 29 August 2007. The Charity eommeneed operations on 29 August 2007 at which date the assets and liabilities of the iinincorporated Barbican Arts Group Trust were acquired. Recruitment. Appointment of Trug¢ees 'rhe 'fruslees are Direciors of ihe Company. The main procedure for the appointmenl of Trustees is described in the Memorandum of Associalion, as is the procedure for ii)e el¢Lliun of the Chair. Org4nisatlonal Structure The Charity has no full or part-time employees, any administration ivork being perfornied by voliinteers. All of the Trustees are unpaid. Major Risks The Trusiees recognise that any major risks to which ihe Charity is exposLd necd to be reviewed and systems put in place to mitigate those risks. To that end Barbican Arts Group Trust is continually moniloring and manabTrin8 its risk and ¢nsurin8 aclion plans are in pld¢¢ to mitigate its key risks. The Trustees are aware of the need io sccure long-lemi accommodation for the artisls it 15 assisting and are confident that matters will be clarified in the near fuft]re. Page 6 BARBICAIY ARTS GROUP TRUST REPORT OF THE DIRECTORS AND TRLrSTEES CoDt'd I'H FOR THE YEAR ENDED 24 DECEMBER 2022 DIREcfoRS' RESPONStBILITtES Company Law and Charity Law require the Directors w prepare financial staiements for each financial year. which give a trne and fair view of the siaie of affairs of Barbican Arts Group Trust and the surplus or deficit for that period. In preparing those financial sialements-, thc Directors are required to.. (a) select suitable accounling policies and then apply them consistetitly. (b) make judgements and estimales that are reasonable and prudent. (c) state whdher applicable accounting standards have been folloived. subject to any material departures disclosed and explained in the financial slaleinent5. and. (d) prepare the financial statements on ihe going concem basi5 unless it is inappropriaie to presume that the Company will continue in operation. The Director5 are also ￿spOnsible for keeping proper a￿ounting records wl)i¢h di5clos¢ with reasonable accuracy at any time the finan¢ial position of Barbican Arts Group Trust and to enable them to ¢n5ure ihat ihe financial s¢atem¢nts comply wilh the Companies Act 2006. The Direciors are responsible for ensuring that the Company mainlains an adeqliale system or internal corttrol designed io provide reasonable assurance thai asscis are %afcguarded against material Ioss or unauthorised use and io prevenl and delect fraud and otlici. irregulai'ilies. This Report has been prepared in accordance with ihe Stalcmcnl of Recommended Practice Accounting and Reporting by Charities and in accordance witli Ilie provisions of P￿1 I S of the Companies Act ?006 applicable to companies subject to the small companies regime. Company S￿retAry - M. Wainwright Director D. Baal Approved on behalf of the Board of Truslee5 on: 14 September 2023 Page 7 BARBIC.4N ARTS CROUP TRUST INDEPENDErfr F.XAMINER'S REPORT TO THE TRUSTEES OF TH FOR THE YEAR ENDED 24 DECEMBER 2022 I r¢port to thc charity trLlStees on my examination of the accounts of the Charity for the year ended 24 Decembcr 2022 which are set out on page5 8 to 13. RESPONSIBILITIES AND BASIS OF REPORT As the charity trustees of the company (and also its directors for th¢ purp05¢5 of compaiiy law) you are responsible for the preparation of die accoullts in a￿ordanCe with the requirements of tlie Companies Aci 2006 {'th¢ 2006 Acl.). Having satisfied myself that the accounts of the company are not required to be audited under Part 16 of the 2006 Act and are eligible for independent examinatioii. I rcwrt in respect of my examination or your company's a¢¢ounts as Carried out under section 145 of the Charilies Act 2011 {'the 2011 Act,). In Carrying our my examination I have followed the Directions given by the Charity Coinmissioii und¢r s¢clinn 145(5Xb) olthe 201 l Act. INDEPENDENT EXAMINER'S STATEMENT I have compl¢ted mv examination. I confirn) that no matters havc coiyje lo my attention in coiinection with th¢ examinalion giving mc cause lo believe (hal in any malerial respecl.. acLountin8 records were not kept in rcspe¢l of the company as required by section 386 of the 2006 Act; or the accounts do not accord with those records. or thc accounts do not comply ivith the accounting requirements of 5e¢lion 396 of (he 2006 Acl other than any requirement Ihat the accounts give a 'lrue and fair view. which is nol a matter considered a5 part of an independent examination. or the accounts have not been prepared in a¢cordance wilh the methods wid prin¢iplLS of Ilie Stlllcmeni of Recommcnded Practice for accounlin8 and reporting by charities [applicftbl¢ lo charilies preparing their accoiints in accordance ivith the financial Reporiin8 Siandard applicdble in the UK and Republic of Ireland {FRS 102)]. I have no concerns and have come across no other matters in connecliort with the examination to which att¢nlion should be drawn in this report in order to eiiable a proper understandiiig of the &c¢ount5 to be r¢ached S. R. Clark Bsc ACA Southwell, Tyrrell & Co.. Chartcred Accountants, 15 Lower Ground Floor, 65 London Wall, London, EC2M STU. Date: 14th September 2023 Page 8 BARBICAN ARTS GROUP TRUST STATEMENT OF FINANCLiL ACTIVITIES R THE YEAR ENDED 24TII DECEMBER 2022 UNRESTIUCTED RESTRICTED TOTAL FUNDS FUNDS FUNDS 2022 TOTAL FUNDS 2021 NOTE Jncome: Donations Other trading activities Investm¢nt in¢om¢ 44.312 855 104.485 44,312 855 104.485 68.703 3,799 95.773 TotAI ineome £149,652 £149.652 £168,275 Expenditure: Charitable activities Governanee cost 133,687 1,860 133,687 1.860 130.391 1,818 Total Lxpenditure £135,547 £135,547 £132.209 Nct Incomel (expcnditiire) for the year 14,105 14,105 36,066 Transfer betsveen flinds N¢t movement in Funds 14.105 14,105 36,066 Fun(1 BalanLes at 251h December 2021 317.774 12.081 329,855 293,789 rund Balance5 at 24 December 2022 £331.879 £12,081 £343,960 £329,855 Page 9 BARBICAN ARTS GROUP TRUST BALANCF. SHF.F.T AS AT 24TII DKCEMBER 2022 2021 Notes FIXED ASSETS Le￿ebO]d Improvements 16.310 19.745 CURRENT ASSETS Debtors Cash at baJ)k and in hand I 1,000 347,711 11.000 327,674 358,711 338,674 CRfi,DYTORS: amounts fallin% due within one year 7 (31.061) (28.564) Y4ET CURRENT ASSETS 327.650 310,110 TOTAL A5iSETS LESS CURRENT LIABILITIES £343,960 £329.855 TOTAL NET ASSETS £343,960 £329.855 RESTRICTED FUND 12,081 12.081 UNRESTRICTED FUND 331.879 317,774 TOTAL FUIYDS £343,960 £329,855 The Directors are satl5fied that th¢ Company is ¢ntitled io exemption from th¢ requir¢m¢nt to obtsin An audit under Section 477 of thc Companies Act 2006 and that the Members have iiot required the Company to obtain an audit in accordance with Section 476 of the Act. The Director5 acknowledge their responsibilitie5 for complying with the requirement5 of the Compllnies Act 2006 with respect to accounting records and the preparation of Accounts. The Ac¢ounts have been prepared in accordance with the provisions in Part 15 of the Companies Act 2006 applicable to companies subject to the small companies regime. Approved on behalf of the Board of Trustees: D. Ba81- Trustee Dated: 14 September 2023 Pag¢ 10 BARBICAN ARTS GROUP TRUST NOTF,.8 TO THF. ACCOUNTS FOR THE YEAR ENDED 24TII DECEMBER 2022 ACCOUNTING POLICtEs a) The financial sialements have been prepared in accordance with Accounring and Reporting by CharitlC5-. Siatemcnt of Rccommcndcd Practice (SORP) applicablc to charitie5 prcparing their accounts in accordance with the Financial Reporting Standard applicable iii the UK and Republic of Ireland (FRS 102) (effectivc l January 2015) - (Charities SOtiP (FRS 102)). with FRS 102 and with ilie requirements of the Companies Aci 2006. Barbican Arts Group Trust mcets the d¢finition of a public benefit entity under the FRS 102. Assets and li8bilities are initiolly re¢ognis¢d ai hislori¢al cost or transaclion value uiiless otherwise stated in the ￿l￿an1 a¢¢ounling policy not¢(s). b) The Trustees consider th81 there ar¢ no material unc¢rtainli¢s about the Charity's ability to ¢ontinue as 4 80ing con¢crn. c) Income from doiiations and other trading activities is brought in as the income arises. d) Income from investments represents rental income receivable. ¢) Advantage hlls bcen taken witliin ihe provisions of Ilie Statement of Rccommending Practice to show on the Statcment of Financial Aclivities expendityrc classifications appropriate to thc Cliarily. Leasehold Improvements initially recognised at historical cost and are being written off over the period of the lease (20 years). g) Tradc and other debtors arc recognised at the settlcmcnt amount due aftcr any trade cliscount offered. Prepayments. iTrre valued at the amount prepaid net of any discounls due. h) Cash ai bank and cash in hand only includes cash and the charity do not hold any otlier short-temilhighl), liquid investments. i) Creditors and provisioiis are recogi?ised ivhere the charity has a present obligati0i1 resulting from a post ¢v¢nt th&l will probably resiilt in the transfer of fui)ds to a tliird Pdlty aiid tlie omount diie to scttle the obligation can be mea5urcd or estimated reliablv. Creditor5 and pr()visions are noThally r￿08n]Sed at their settlement amount after allowing for any trade. dis¢oiints due. j) No cash flow slateinent has been prepared as the Charity fa115 Wlthin the exeinption provisions of FRS 102 "Ststernent of cash flow" INCOME FROM OTHER TRADING ACTivrrIES 2022 2021 Artists. fees received Fundr<2ising 3.279 520 855 Income from Artists. fees tn both the current and Previous years relate to unrestricl¢d funds. Incom¢ from Fundraising in the current year relating to restrtcted funds was £0 (2021: £220). Pagell BARBICAN ARTS GROUP TRUST NOTES TO THE ACCOUNTS cont'd FOR THE YEAR ENDED 24TII DECEMBER 2022 INVESTMENf INCOME 2022 2021 Rental income 104,485 95.773 All investment income in IKJth the current and previous years relates to unrestricted funds. ANALYSIS OF EXPENDITURE 2022 2021 Charilable Activitie5: Studio rent, rates and insurance Anisls fees and Inaierials Trust Development Repairs and maintenance Promotional Activities Cleaning Legal Fees Sundry Expcnses including travel Dcpreciation 113.342 4,763 4.966 3,136 113 2,173 53 1.706 3.435 111,951 2,598 4.323 1.048 171 4.941 53 1,871 3.435 133.687 130,391 Governance co8t: Ind¢p¢ndent examin¢r8 fee 1.860 1,818 £135.547 £132.209 FIXED ASSETS L¢Asehold Improvements CDst At 25 December 2021 68,693 At 24, Deccmber 2022 £68,693 Depr￿jation Ai 2<1h December 2021 Chllroe for year 48,948 3.435 At 24 December 2022 £52.383 Net Book Value At 24th D¢¢emb¢r 20fj2 £16.310 At 24, December 2021 £19,745 Page 12 BARBICAN ARTS GROUP TRUST NOTES TO THE ACCOUNTS Cont'd FOR THE YEAR ENDED 24 DECEMBER 2022 DEBTORS 2022 2021 Siudio Deposits Trade 11.000 11.000 £1 1.000 £1 1,000 CREDITORS: amounts falling duewithiD one yegr 2022 2021 Studio Deposits held Trade Creditors and Accruals 29.201 1,860 26.000 2.564 £31.061 £28,564 FUND ACcOu￿r￿G The Charity maintains various types of funds as follows: a) Restri¢ted Fund These are amoiinls ivhich have been pul aside at the discretion of the Trustees. This fund 1$ maintained for the specific purpose of improving the public appreciaiion of art by way or, for example, the sponsoring of cxhibitions in schools and other community faciliti￿. li is bLiiIt up by way of the net proceeds raised from the annual 'Silent Auclions" and 21 241h December 2022 had a balance of £12,081 (2021: £12,081). b) Unrestri¢ted Fun This fund is expendable at the discretion of the Trustees in the furtherance of the objects of the Cliarity. such a fund being held in order a150 to finance both working capital and capital investment requirements. It is buili up by the excess of invcsimenl income over general administrativc expen5e5 and by way of transfers to or from th¢ restricted funds. At 24 December 2022, the fund had a balance of £331.879 (2021: £317.774). Page 13 BARBICAN ARTS GROUP TRUST r4oTES TO THE ACCOUNTS Conl'd FOR THE YEAR ENDED 24" DECEiVIBER 2022 ANALYSIS OF NET ASSETS BETWEEN FUNDS Reslricted Fuod Unrestrieted Fund Total Leasehold Improvemcnts Debtors Cash at Bank Creditor5- amounts falling due within one year 16,310 11.000 335.850 16,310 11.000 347,7 5 1 12.081 (31.061) (31.061) £12.081 £331,879 £343,960 10. TRUSTEES REMUNERATION AND F.XPENSES None ol. Ilie Trusle¢s r¢¢¢iv¢d any reniuiieration or expenses in the year [2021.. NILI. 11. OTHER INFORMATION Barbican Arts Groiip Trust is a private company limtied by Gu8raniLe and incorporated in England. It5 registered office is: 32a. Flertford Road. London, Nl 5SFI. ## **BARBICAN ARTS GROUP TRUST** ## **Annual Report - 2022** Reg Charity 1120918 / Company No 06355408 Report Cycle 4 - Phase 4 ## **Achievements** **----- Start of picture text -----**
3000
2500
2000
1500
1000
500
0
2021 2022
**----- End of picture text -----**
ArtWorks Open PV **----- Start of picture text -----**
AUDIENCE
**----- End of picture text -----**
**----- Start of picture text -----**
25 2021
Postponed 1 (6%)
Cancelled 3 (18%)
Pending 0 (0%)
20 Completed 12 (70%)
In progress 1 (6%)
TOTAL 17 (100%)
15
2022
Postponed 1 (4%)
Cancelled 2 (8%)
10
Pending 0 (0%)
Completed 22 (88%)
In progress 0 (0%)
TOTAL 25 (100%)
5
0
2022 2021 2022 2021 2022 2021 2022 2021 2022 2021
Posponed Cancelled Pending Completed In Progress
**----- End of picture text -----**
**----- Start of picture text -----**
PROJECTS 2022
**----- End of picture text -----**
## **Structure** ## **Executive Director** 1 Studio(s) Committee 1.1 Small maintenance 1.2 Cleaning supervision 1.3 Internal decoration 1.4 Internal studio allocation 1.5 Open Studios 1.5.1 Silent auction sales 1.5.2 Publicity 1.5.3 Promotion 1.5.3.1 PV card 1.5.3.2 Mail-out 1.5.4 Artists voluntary time 1.5.5 Door & bar rota 1.6 Studio applications 1.7 Heath & Safety 1.8 Studio Rules 1.9 Fire Risk 1.10 Personal Risk 1.11 Artists voluntary time 2 Studios 2.1 Insurance 2.1.1 Public Liability Julian King “Untitled”, The Numbering, Atrium Space 2.1.2 Building Insurance 2.2 Open Studios 2.2.1 Budgets 2.3 Lets 2.3.1 Studio applications (with committee) 2.3.2 Rents and other charges 2.4 Household 2.4.1 Cleaning 2.4.1.1 Budgets 2.5 Buildings 2.5.1 Personal Risk 2.5.2 Heath & Safety 2.5.3 Fire Risk 2.5.4 Maintenance 2.5.4.1 External 2.5.4.1.1 Roof 2.5.4.1.2 Windows 2.5.4.1.3 Entrances 2.5.4.2 Internal 2.5.4.2.1 Windows 2.5.4.2.2 Utilities 2.5.4.2.3 Doors 2.5.4.2.4 Plumbing 3 BAGT Administration 3.1 Appointments 3.2 Reports 3.3 Finances 3.4 Office 3.5 Subscriptions 3.6 Friends 4 Development: ArtWorks Public Programme 4.1 Outreach 4.1.1 Residencies 4.1.1.1 Business 4.1.1.2 Educational establishments 4.1.1.3 Studio 4.1.2 Studio exchange 4.1.2.1 National 4.1.2.2 International 4.1.3 Workshops 4.2 ArtWorks Project Space 4.2.1 Workshops 4.2.1.1 Film editing 4.2.1.2 Life class 4.2.1.3 Animation 4.2.1.4 Sculpture 4.2.2 Talks 4.2.3 Hire 4.2.4 Exhibitions 4.2.4.1 ArtWorks Open Exhibition 4.2.4.2 Curated Exhibitions 4.2.4.3 BAGT artists 4.2.4.4 Other artists 4.2.4.5 Student Exhibitions 4.3 Professional Development 4.3.1 BAGT artists 4.3.2 BAGT Staff & Trustees 4.3.3 Non BAGT artists ## **Governance** A Christening and a Funeral in Slavery, PV ## **Achievements** Sasan Sahafi - Artist In Residence Exhibitions taking place at Atrium Space, Hertford Road, increased by 200%, averaging one show every 2 months. All of these were spearheaded by Hertford Road Studio artists. Artists at Blackhorse Lane Studios, whilst not able to host Open Studios, launched an on line exhibition (“Virtually Collectable”) that included completed work from the on-line Open Studios of last year. In all, across the two studio buildings and project spaces, there was an increase of 108% completed projects; totalling 25 in number. Artists contributed 113 days of voluntary time to these activities, at a value of £15,820. Negotiations concerning the 5-year rent review commenced in July of the year. No agreement had been reached by December, by which time negotiating surveyors had been commissioned. Negotiations will continue in January 2023. Jayne-Anita Smith, “A Fragile State” ArtWorks Project Space Peter Sutton “Threshold”, Four Corners, Atrium Space Polam Chan,”Contained Circulation” ArtWorks Open ## **Objectives** ## **- Revive and extend Atrium Space exhibition programme.** - **Negotiate favourable Rent Review for Blackhorse Lane Studios** - **Reinstate Blackhorse Lane Open Studios to visiting public.** “Judd”, Artworks Project Space, Slade MA/MFA Students ## **Achievements** ## A Christening and a Funeral in Slavery Christopher Harris **ArtWorks Project Space** Christopher Harris lives and works in the parish of St Catherine, Jamaica. His father's side of the family were Maroons, descendants of escaped slaves who set up independent communities in the mountainous, inaccessible regions of Jamaica. His work is concerned with the contradictions of present-day Jamaican society. It examines how slavery, colonialism and neo-colonialism feed into what he sees and experiences around him. 'In this country, the brutality of slavery is interwoven with the spiritual customs and beliefs carried down from our forefathers.' 'I am blessed in sensing and seeing my ancestors, including my beloved father in my daily life, especially when I produce my work. My art is guided by them.' ## **Achievements** ## Sasan Sahafi - Artists in Residence **ArtWorks Project Space** Sasan Sahafi is a London-based artist. Following a 20-year career as an Architectural Designer, Sasan changed his journey in 2021 to focus on art. “The Void: Collision” is an abstract artefact of such an observation. Movement does not only exist within isolated individual voids, but intersects, impacts, collides and works together, giving opportunity for unique possibilities. In the pipeline of life, individual experiences intersect and become shared. The collision always changes the individual. Our paths are not unique without the contributions of others… ## **Achievements** ## JUDD - Slade MFA Fine Art Media **ArtWorks Project Space** JUDD, an exhibition of work by final year MA/MFA media students from the Slade School of Art. ## Participating : Gillies Adamson Simple, Samuel Atkins, Maggie Barrett, Zhuoran Chen, James Patrick Cox, Líadáin Éire, Songwon Han, Yu Han, Ed Haslam, Yifan He, Elora Kadir, Marie Larsen, Gal Leshem, Jo McGarry, Louis Blue Newby, Max Norton, Eva Popović, Zhongyao Su, Ngo Chun Tse, Yanan Zhu, Yirou Zhou ## **Achievements** ## World Famous Babylon Jake Hasapopoulos Lucia Farrow Mila Rowyszyn Arlette **ArtWorks Project Space** We have found Solitude and purgatory within a dark lit post-juvenile roadside resurrection of the final years of freedom, a time that some may call the origin of the future. Through calling upon the industrial framework that bred designer teens, we have provided an altar to our coming of age manifesto, written from a birds eye view. We were Birthed in nature, bred in a lab and educated to the highest level we could reach. Re-born Virgins who speak in tongues streaming to the masses. Growing information out of the linoleum flooring, letting fungi tower over us. Sacredly and neurotically holding onto the past in an attempt to re-live the melancholia we all wish to feel, time and time again. ## **Achievements** A Fragile State - Jayne-Anita Smith **ArtWorks Project Space** These paintings are from an ongoing series of works, Monuments and Echoes, made in response to both personal and collective loss over the past couple of years. Despite the global pandemic, global warming and imminent threat of war, we are intent on getting everything 'back to normal', although seeming still to be set on a path of self destruction. Jayne-Anita’s processes are informed by an investigation into the conflict between the spiritual and physical, in a society where the contemporary focus is very much on materiality and where the eternal pursuit of the sublime is often lost ## **Achievements** ## FEED - Simon Leahy-Clark **ArtWorks Project Space** In his solo exhibition FEED, Simon LeahyClark presents large scale newspaper collages made over the last 4 years, including two new works made specifically for the Artworks Project Space. These black collage works explore painterly language and mark-making through the editing, dislocating and the eventual re-coalescing of photographs from daily newspapers. Various gradients of dark tones, with occasional disturbances of highlights, lines and objects, are collaged onto a canvas surface, creating what appears to be an action or monochrome painting. The static images are re-animated into a new frozen moment of making. Aside from the lines on the surface, the shape of the cuttings play an important part in the work. Being all square or rectangle they lend the work a pixelated aesthetic, albeit in a glitchy, post-digital manner. The accumulation of hundreds of these truncated pictures replicates our modern ways of swiping or flicking through the vast amount of imagery we now consume in the high-speed digital world - a feed of fleeting form and content. The installation will incorporate artist-made seating to complement the work. ## **Achievements** ## Particles Of Uncertainty - Mark Bell **ArtWorks Project Space** Particles of Uncertainty’ is a new cycle of five large-format paintings by London based artist Mark Bell. The cycle focuses on figurative work and continues with an existentialist tone that is often evident in the artist’s work. Over arching themes of the cycle are violence, Nature, kinship, and the cosmos, which are seen here as fundamental particles of existence in all their uncertainty. The work is not deliberately dystopian, but comments on an understanding of reality. Characteristic of the five works is the use of sheet aluminium, one of Bell’s signature materials for its contemporary quality that is both seductive and aesthetically satisfying, yet with a sense of neutral cold permanence. Bell’s previous works on aluminium span over figurative, textual, and mixed media work. ## **Achievements** ## Bad Language Katrina Blannin - Caterina Lewis - Neil Zakiewicz **Atrium Space** As written language can be reduced to letters and punctuation, these works strip down everything bar the essential. The processes usedare laid bare and to an extent dictate the visual proposition of the works. The apparent directness at first glance suggests clear, perhaps even logical meanings but this logic often loops back on itself. Repetition, masking and the artists hand result in chance and the incidental. These very human instances create a deep ambiguity. As if a sentence is begun and veers off into a quite different one. ## **Achievements** ## Four Corners Charlotte C Mortensson Peter Sutton Mark Wainwright Neil Irons **Atrium Space** The works in the exhibition were not selected as such, each artist merely asked to bring what they chose to the table. It was important to include artists with a connection to Barbican Arts Group Trust. They share the values of community and camaraderie that so characterised the practice and life of the Artists that set BAGT up in the nineteen seventies. Neil has curated a number of shows at ArtWorks Project Space. His help and encouragement has great benefited those he has worked with. Charlotte has frequently helped organising exhibitions at Artworks Project Space and Atrium Space. Peter, in his capacity as Production Manager for the Barbican Art Gallery, initiated the recycling of materials for the development of the exhibition spaces and the studios at both buildings. ## **Achievements** ## Recollect Georgina Griffiths . Emily Bellhouse . Tansy Hargan **Atrium Space** Recollect brings together a diverse collection of works on glass, textiles and paper by three different artists. Although their approaches are highly distinctive, common themes are clear to see. The accumulation and reconfiguration of found materials - from discarded textiles and window glass to obsolete technology – is prevalent in many pieces. The reuse of unwanted materials reflects a strong connection with the past and a curiosity about how memories may be perceived within objects and distorted or reinvented over time. Landscapes – whether real or imagined – are a recurrent subject; the processes of layering and destruction that form them are often reflected and echoed by the artists in the innovative techniques they use to create their work. ## **Achievements** ## A Fragile State - Jayne-Anita Smith **Atrium Space** My name is Majik and I make collage and paper art. My art is self taught and spontaneous. My aesthetic is bold colours, symmetry and shapes, patterns and symbols. I'm interested in exploring community and identity; modern expressions of African art and culture; the intersection of spirituality with psychedelia; and queer and punk cultures. This exhibition showcases the art I've been making prolifically over the past two years. It began as a response to my feelings of isolation during the pandemic lock down. I covered my walls with colourful cheerful faces and disembodied mouths, to keep me company. I minimised my demons by making them art and putting them where I could confront them. Through my work I attempt to explore an ongoing conversation around representations myself, my community and my heritage as a queer person of African descent. ## **Achievements** The Numbering - Christmas Print Show **Atrium Space** The Numbering, Christmas Print show featured BAGT print Edition #1 prints, together with those of Hertford Road studio artists and their guests. ## **Aspirations** **- Increase scope of Atrium Space Exhibitions** **- Reinstate Blackhorse Lane Open Studios** **- Settle Blackhorse Lane Studios Rent Review** |**Project**
**Artist**
**Project Category**
**Status**|**Artists**
**Actual**
**Expected**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists’ time in kind**
**Hours**
**Days**
**Value**| |---|---|---|---|---|---| |||**Artists Talk**
**Actual**
**Expected**|**Attending**
**Actual**
**Expected**||| |**Totals actual**|**98**|**78**|**1192**|**1270**|**113.0**
**£15,820.0**| |**Totals expected**|**105**|**55**|**1005**|**1060**|| |**Professional development**
Julika Gittner
**Artist**
**Development**
**Completed**|||||| ||||||| |**Professional Development**
Helen Maurer
**Artist**
**Development**
**Completed**|||||| ||||||| |**JUDD- Slade Student Show**
21
21
100.0%
**BAGT Project**
**Completed**|||70
50
140.0%||64.5
9.2
£1,290.0| ||||||| |**Professional Development**
Elizabeth de Monchaux
**Completed**|||||| ||||||| |**Bad Language**
3
3
100.0%
Caterina Lewis
**Completed**|||75
50
150.0%||45.3
6.5
£905.0| ||||||| |**Artist in Residence - Sasan**
1
1
100.0%
Sasan Sahafi
**BAGT Project**
**Completed**|||40
50
80.0%||24.5
3.5
£490.0| ||||||| |**Project**
**Artist**
**Project Category**
**Status**|**Artists**
**Actual**
**Expected**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists’ time in kind**
**Hours**
**Days**
**Value**| |---|---|---|---|---|---| |||**Artists Talk**
**Actual**
**Expected**|**Attending**
**Actual**
**Expected**||| |**Particles of Uncertainty - Mark Bell**
1
1
100.0%
8
10
80.0%
Mark Bell
**Completed**|||70
50
140.0%||48.5
6.9
£970.0| ||||||| |**recollect - Georgina Griffiths**
3
3
100.0%
Georgina Griffiths
**Completed**|||48
50
96.0%||46.8
6.7
£935.0| ||||||| |**Christopher Harris - Solo Show**
1
1
100.0%
Charlotte C. Mortensson
**BAGT Project**
**Completed**|||95
50
190.0%||96.5
13.8
£1,930.0| ||||||| |**WORLD FAMOUS BABYLON - Central St**
4
4
100.0%
35
20
175.0%
Jake Hasapopoulos
**BAGT Project**
**Completed**|||112
50
224.0%||90.0
12.9
£1,800.0| ||||||| |**Due Show - Daniek & Zachary Talbot-Mason**
Dainiel Talbot-Mason
**Cancelled**|||||| ||||||| |**Atrium Show**
Richard Liley
**Cancelled**|||||| ||||||| |**Jayne-Anita Smith - A Fragile State**
1
1
100.0%
Jayne Anita Smith
**BAGT Project**
**Completed**|||42
50
84.0%||36.0
5.1
£720.0| ||||||| |**Project**
**Artist**
**Project Category**
**Status**|**Artists**
**Actual**
**Expected**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists’ time in kind**
**Hours**
**Days**
**Value**| |---|---|---|---|---|---| |||**Artists Talk**
**Actual**
**Expected**|**Attending**
**Actual**
**Expected**||| |**Majik - Friends & Demons**
1
1
100.0%
Majik
**Completed**|||51
50
102.0%||38.8
5.5
£775.0| ||||||| |**Professional Development**
Franki Austin
**Completed**|||||| ||||||| |**ArtWorks Open Residency - Katya Granova**
1
1
100.0%
34
25
136.0%
Katya Granova
**Completed**|||34
25
136.0%||40.0
5.7
£800.0| ||||||| |**Photoshoot - Tam Joseph**
Tam Joseph
**Completed**|||||| ||||||| |**Four Corners**
4
4
100.0%
Mark Wainwright
**Completed**|||200
130
153.8%||136.0
19.4
£2,720.0| ||||||| |**Simon Leahy-Clark - FEED**
1
1
100.0%
1
?
Simon Leahy-Clark
**Completed**|||65
50
130.0%||49.0
7.0
£980.0| ||||||| |**ArtWorks Open 2022**
34
35
97.1%
Mark Wainwright
**Completed**|||270
300
90.0%||25.0
3.6
£500.0| ||||||| |**Project**
**Artist**
**Project Category**
**Status**|**Artists**
**Actual**
**Expected**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists’ time in kind**
**Hours**
**Days**
**Value**| |---|---|---|---|---|---| |||**Artists Talk**
**Actual**
**Expected**|**Attending**
**Actual**
**Expected**||| |**Hertford Road Print Show**
22
28
78.6%
Mark Wainwright
**Completed**|||20
50
40.0%||50.3
7.2
£1,005.0| ||||||| |**Atrium Show**
Amanda Lwin
**Postspond**|||||| ||||||| |**Professinal Developement**
Emma Talbot
**Completed**|||||| ||||||| |**Barry Birthday Party**
Barry Sykes
**Completed**|||||| ||||||| |**Professional development**
Alessandro Graziani
**Completed**|||||| ||||||| ## ## ## |**2022**
**Total**|**Time worked 791**|**Total days/Year 113**
**Value**|**£15,820.00**| |---|---|---|---| |**342**
**Particles of Uncertainty - Mark Bell**||**Total hours donated to project**|**48.5**| |Mark Bell|Planning / prep||7| |Mark Bell|Planning / prep|install exhibition|3.5| |Mark Bell|Planning / prep|publicity|4| |Mark Bell|Planning / prep|poster|1.5| |Mark Bell|Visitor experience|invigilation|30| |Mark Bell|Visitor experience|Artist Talk|2.5| |**353**
**Christopher Harris - Solo Show**||**Total hours donated to project**|**96.5**| |Charlotte C. Mortensson|Planning / prep||21| |Charlotte C. Mortensson|Planning / prep|install exhibition|5| |Charlotte C. Mortensson|Planning / prep|press release|0.5| |Charlotte C. Mortensson|Visitor experience|invigilation|30| |Christopher Harris|Planning / prep|install exhibition|5| |Christopher Harris|Visitor experience|invigilation|30| |Mark Wainwright|Planning / prep|install exhibition|5| |**354**
**Artist in Residence - Sasan**||**Total hours donated to project**|**24.5**| |Sasan Sahafi|Planning / prep||4| |Sasan Sahafi|Planning / prep|install exhibition|3.5| |Sasan Sahafi|Planning / prep|poster|1| |Sasan Sahafi|Planning / prep|publicity|2| |Sasan Sahafi|Visitor experience|invigilation|14| |**355**
**Bad Language**||**Total hours donated to project**|**45.25**| |Caterina Lewis|Planning / prep||7| |Neil Zakiewicz|Planning / prep||2| |Katrina Blannin|Planning / prep||2| |Katrina Blannin|Planning / prep|install exhibition|3.5| |Neil Zakiewicz|Planning / prep|install exhibition|2| |Caterina Lewis|Planning / prep|install exhibition|3.25| |Caterina Lewis|Planning / prep|publicity|2| |Katrina Blannin|Planning / prep|poster|3.5| |Caterina Lewis|Visitor experience|invigilation|10| |Katrina Blannin|Visitor experience|invigilation|6| |Neil Zakiewicz|Visitor experience|invigilation|4| |**356**
**JUDD- Slade Student Show**||**Total hours donated to project**|**64.5**| |Yirou Zhou|Planning / prep|exhibition participant|1.5| |Gillies Adamson Simple|Planning / prep|exhibition participant|1.5| |Samuel Atkins|Planning / prep|exhibition participant|1.5| |Maggie Barrett|Planning / prep|exhibition participant|1.5| |Zhuoran Chen|Planning / prep|exhibition participant|1.5| |James Patrick Cox|Planning / prep|exhibition participant|1.5| |Líadáin Éire|Planning / prep|exhibition participant|1.5| |Songwon Han|Planning / prep|exhibition participant|1.5| 23/10/2023 1 ## ## ## ## |**Con**|**Tas**|**Task**
|**Time**| |---|---|---|---| |Yu Han|Planning / prep|exhibition participant|1.5| |Ed Haslam|Planning / prep|exhibition participant|1.5| |Yifan He|Planning / prep|exhibition participant|1.5| |Elora Kadir|Planning / prep|exhibition participant|1.5| |Marie Larsen|Planning / prep|exhibition participant|1.5| |Gal Leshem|Planning / prep|exhibition participant|1.5| |Jo McGarry|Planning / prep|exhibition participant|1.5| |Louis Blue Newby|Planning / prep|exhibition participant|1.5| |Eva Popović|Planning / prep|exhibition participant|1.5| |Zhongyao Su|Planning / prep|exhibition participant|1.5| |Ngo Chun Tse|Planning / prep|exhibition participant|1.5| |Yanan Zhu|Planning / prep|exhibition participant|1.5| |Yirou Zhou|Planning / prep|exhibition participant|1.5| |Max Norton|Planning / prep|exhibition participant|1.5| |Marie Larsen|Planning / prep|exhibition planning|7| |Maggie Barrett|Planning / prep|exhibition planning|7| |Líadáin Éire|Visitor experience|install exhibition|4| |Gillies Adamson Simple|Visitor experience|install exhibition|4| |Gillies Adamson Simple|Visitor experience|install exhibition|2| |Eva Popović|Publicity|exhibition participant|3| |Jo McGarry|Publicity|invite|1.5| |Samuel Atkins|General help||3| |**358**
**recollect - Georgina Griffiths**||**Total hours donated to project**|**46.75**| |Georgina Griffiths|Planning / prep||6| |Georgina Griffiths|Planning / prep|install exhibition|4| |Georgina Griffiths|Planning / prep|publicity|1.25| |Georgina Griffiths|Planning / prep|poster|2| |Georgina Griffiths|Visitor experience|invigilation|12| |Emily Bellhouse|Planning / prep||2| |Emily Bellhouse|Visitor experience|exhibition planning|2| |Emily Bellhouse|Planning / prep|install exhibition|3| |Emily Bellhouse|Visitor experience|invigilation|5| |Tansy Hargan|Planning / prep||1.75| |Tansy Hargan|Planning / prep|install exhibition|2.75| |Tansy Hargan|Visitor experience|invigilation|5| |**360**
**Four Corners**||**Total hours donated to project**|**136**| |Charlotte C. Mortensson|Planning / prep|Curation|3| |Mark Wainwright|Planning / prep|Curation|3| |Mark Wainwright|Planning / prep||1| ||Planning / prep||1| |Neil Irons|Planning / prep||1| |Charlotte C. Mortensson|Planning / prep||1| |Mark Wainwright|Publicity|Catalogue|1.5| |Charlotte C. Mortensson|Planning / prep|Catalogue|1| 23/10/2023 2 ## ## ## |**Con**|**Tas**|**Task**
|**Time**| |---|---|---|---| |Mark Wainwright|Planning / prep||1| |Neil Irons|Planning / prep||2| |Mark Wainwright|Planning / prep|Catalogue|21| |Charlotte C. Mortensson|Planning / prep|Catalogue|3| |Charlotte C. Mortensson|Planning / prep|Catalogue|6| ||Planning / prep|install exhibition|8| |Mark Wainwright|Planning / prep|install exhibition|8| |Neil Irons|Planning / prep|install exhibition|5| |Charlotte C. Mortensson|Planning / prep|install exhibition|8| |Charlotte C. Mortensson|Planning / prep|signage|5| |Mark Wainwright|Planning / prep|poster|1.5| |Neil Irons|Planning / prep||7| |Charlotte C. Mortensson|Planning / prep||2| |Mark Wainwright|Planning / prep||2| ||Planning / prep||2| |Neil Irons|Planning / prep||2| ||Visitor experience|invigilation|5| ||Visitor experience|invigilation|5| |Neil Irons|Visitor experience|invigilation|5| |Neil Irons|Visitor experience|invigilation|5| |Neil Irons|Visitor experience|invigilation|5| |Charlotte C. Mortensson|Visitor experience|invigilation|5| |Charlotte C. Mortensson|Visitor experience|invigilation|5| |Charlotte C. Mortensson|Visitor experience|invigilation|5| |**365**
**Majik - Friends & Demons**||**Total hours donated to project**|**38.75**| |Majik|Planning / prep||6| |Majik|Planning / prep|install exhibition|6.5| |Majik|Publicity|press release|1| |Majik|Publicity|poster|1.25| |Majik|Visitor experience|invigilation|24| |**366**
**WORLD FAMOUS BABYLON -**||**Total hours donated to project**|**90**| |ARLETTE|Planning / prep||2| |Lucia Farrow|Planning / prep||2.5| |Jake Hasapopoulos|Planning / prep||7| |Mila Rowyszyn|Planning / prep||3| |Mila Rowyszyn|Planning / prep|install exhibition|4| |Jake Hasapopoulos|Planning / prep|install exhibition|5| |ARLETTE|Planning / prep|install exhibition|2| |Lucia Farrow|Planning / prep|install exhibition|4| |Jake Hasapopoulos|Publicity|poster|2| |Jake Hasapopoulos|Publicity|press release|1| |Mila Rowyszyn|Publicity|press release|2| |ARLETTE|Publicity|press release|0.5| |Lucia Farrow|Planning / prep|invite|1| 23/10/2023 3 |**Contributor**|**Task Main**|**Task Sub**|**Time worked**| |---|---|---|---| |Jake Hasapopoulos|Visitor experience|invigilation|14| |Lucia Farrow|Visitor experience|invigilation|14| |Mila Rowyszyn|Visitor experience|invigilation|12| |ARLETTE|Visitor experience|invigilation|14| |**367**
**Jayne-Anita Smith - A Fragile State**||**Total hours donated to project**|**36**| |Jayne Anita Smith|Planning / prep|install exhibition|7| |Jayne Anita Smith|General help|de-rig exhibition|3| |Jayne Anita Smith|Visitor experience|invigilation|6| |Mark Wainwright|Visitor experience|invigilation|20| |**368**
**ArtWorks Open 2022**||**Total hours donated to project**|**25**| |Neil Irons|Planning / prep|install exhibition|5| |Louise Ashcroft|Planning / prep|selector|6| |Louise Ashcroft|Prize Awards||4| |JASLEEN KAUR|Planning / prep|selector|6| |JASLEEN KAUR|Prize Awards||4| |**369**
**ArtWorks Open Residency - Katya**||**Total hours donated to project**|**40**| |Katya Granova|Planning / prep||2| |Katya Granova|Planning / prep|install exhibition|1.5| |Katya Granova|Visitor experience|invigilation|36| |Katya Granova|Planning / prep|poster|0.5| |**370**
**Simon Leahy-Clark - FEED**||**Total hours donated to project**|**49**| |Simon Leahy-Clark|Planning / prep||5| |Simon Leahy-Clark|Visitor experience||| |Simon Leahy-Clark|Visitor experience|invigilation|36| |Simon Leahy-Clark|Publicity|invite|1.5| |Simon Leahy-Clark|Visitor experience|install exhibition|4.5| |Simon Leahy-Clark|General help|de-rig exhibition|2| |**?**
**Hertford Road Print Show**||**Total hours donated to project**|**50.25**| |Franki Austin|Visitor experience|work exhibited one|0.25| |Franki Austin|Visitor experience|exhibition participant|1| |Timothy Hyman RA|Visitor experience|work exhibited one|0.25| |Timothy Hyman RA|Visitor experience|exhibition participant|1| |John Bischoff|Visitor experience|work exhibited one|0.25| |John Bischoff|Visitor experience|exhibition participant|1| |Lesley Dalton|Visitor experience|work exhibited one|0.25| |Lesley Dalton|Visitor experience|exhibition participant|1| |Lucile Montague|Visitor experience|work exhibited one|0.25| |Lucile Montague|Visitor experience|exhibition participant|1| |Mark Wainwright|Visitor experience|work exhibited one|0.25| |Mark Wainwright|Visitor experience|exhibition participant|1| |Mark Wainwright|Planning / prep||6| |Mark Wainwright|Planning / prep|install exhibition|4| |Mark Wainwright|Visitor experience|invigilation|12| 23/10/2023 4 ## Valerie Large Valerie Large Mark Bell Mark Bell Tam Joseph Tam Joseph Neil Irons Neil Irons Matthew Krishanu Matthew Krishanu Pauline Evans Pauline Evans Simon Leahy-Clark Simon Leahy-Clark Alessandro Graziani Alessandro Graziani Nickie Counsell Nickie Counsell Caterina Lewis Caterina Lewis Hayley Harrison Hayley Harrison David Leister David Leister David Leister Amanda Lwin Amanda Lwin Lorena Herrero Lorena Herrero Tom Woolner Tom Woolner Julian King Julian King ## Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience Visitor experience ## |**Task Sub**|**Time wor**| |---|---| |work exhibited one|0.25| |exhibition participant|1| |work exhibited one|0.25| |exhibition participant|1| |work exhibited one|0.25| |exhibition participant|1| |work exhibited one|0.25| |work exhibited one|1| |work exhibited one|0.25| |exhibition participant|1| |work exhibited one|0.25| |exhibition participant|1| |work exhibited one|0.25| |exhibition participant|1| |work exhibited one|0.25| |exhibition participant|1| |work exhibited one|0.25| |exhibition participant|1| |work exhibited one|0.25| |exhibition participant|1| |work exhibited one|0.25| |exhibition participant|1| |work exhibited one|0.25| |work exhibited one|0.25| |exhibition participant|1| |works exhibited three|0.75| |exhibition participant|1| |work exhibited one|0.25| |exhibition participant|1| |work exhibited one|0.25| |exhibition participant|1| |work exhibited one|0.25| |exhibition participant|1| 23/10/2023 5