## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ## ||UNRf,STRICTED
NOTE
FUNDS|UNRf,STRICTED
NOTE
FUNDS|RESTRICTED
F[]NDS|TOTAL
FUNDS|TOTAL
FUNDS| |---|---|---|---|---|---| |||||2021|2020| |||L|t||| |Illcome:|||||| |Donations||68,703||68,103|38,666| |Othertradingactivities|2|3,5'.79|220|3,',799|6,226| |Investrnentincome|3|95,',7',73||95,'773|107,383| |Totalincome||t168,055|e220|t168,275|r.1s2,27s| |Eipenditur€:|||||| |Charitableactivities||130,391||130,391|126,39'l| |Govemancecost||1,818||1,818|1,776| |Totalexpenditure||32,209||t\32,209|9,128,1'73| |Netincome/|||||| |(expetrditure)fortheyerr||35,846|220|36,066|24,102| |Transfer between Funds|||||| |Netmovement in Funds||3s,846|220|36,066|24,102| |Fund Balancesat25nDecember2020||281,928|11,861|293,789|269,687| |Fund Balancesat246December 2021||1317,174|r12,081|f329,855|f293,789| ## |ASA|T24TIIDICEMBE|R2021||| |---|---|---|---|---| |||2021||2020| ||Notes|||| |X'IXEDASSETS||||| |LeaseholdImprovements||19,',74s||23,180| |CURRf,NTASSETS||||| |Debtors|11,000||12,883|| |Cashatbrnkandinhand|327,614||301,786|| ||338,674||314,669|| |CREDITORS:amountsfalling||||| |duewithinoneyear|(28,s64)||(44,060)|| |NfTCI'RRENTASSETS||310,1l0||270,609| |TOTALASSETSLESS||||| |CURRENTLIABILITIES||f329,855||t293,789| |TOTALNETASSETS||i329,855||t293,789| |RESTRICTDDFUNI)|8-9|12,08r||I1,861| |UNRESTRICTED FUND|8-9|3t7,7',74||2a1,928| |TOTALF'UNDS||,329,qss||t293,789| ## ## |INCOME FROM OTEERTRADING AC|TIVITIES|| |---|---|---| ||2021|2020| |||L| |Artists'feesreceived
Fundraising|3,279
520|6,211
15| ## ## |INVESTMENTINCOME||| |---|---|---| ||2021
t|2020
t| |Rental income|95,773|107,381| ## |ANALYSISOFEXPEN'DITI'RE||| |---|---|---| ||2021|2020| |Chatabl€Activities:||| |Studiorent, rates andinsunnce|It 1,951|109,683| |Artistsfees andmaterials|2,598|2,810| |Trust Dcvelopment|4,323|4,288| |Repairand maintenance|1,048|2,841| |PromotionalActivities|\'71|89| |Cleaning|4,941|2,180| |LegalF€€s|53|| |Sundry Expensesincludingtravel|1,871|471| |Depreciation|3,435|3,43s| ||l3o39r|t$n| |Governa[cecost:||| |Independent examinersfee|1,818|t,'t76| ||t132,209|r.:.],l,173| |FTXEDASSETS||| |Cost|LeaseholdImprov€ments
t|| |At25sDecember 2020|68,693|| |At24sDecember 2021|"Y_|| |Depreciation||| |At25DDecember2020|45,513|| |Chargeforyea.
At246 December 2021|3,435
*y:|| |Net BookValue||| |At24sDecember 2021|"t:|| |At24d December2020|t23,t9O|| ## ## |Df,BTORS||| |---|---|---| ||2021
2|2020t| |Studio Deposits|11,000|12,883| |Trade||| ||,11.000|r12.883| |CREDITORS:rmounts fallingduewithitron€yerr|2021|2020| |||{,| |StudioDepositsheld|26,Ooo|15,003| |TradeCrcditorsandAccruals|2,564|3,057| |RentAdvances||26,000| ||t28,564|i.44,060| ## ## ## ## ## ## |AI\ALYSISOTNETASSETSBET|WEENFUNDS||| |---|---|---|---| ||Restricted|Unrestricted|| ||Fund|Fund|Total| |Leasehold Improvements
Debtors
Cash atBank|f,
-
12,081|t,
19,745
I1,000
315,593|t,
19,745
11,000
327,674| |Creditors:amountsfalling
duewithinoneyear|-|(28,564)|(28,564)| ||f.tz,ou|f3l7J74|fr329,855| ## ## ## **BARBICAN ARTS GROUP TRUST** ## **Annual Report - 2021** Reg Charity 1120918 / Company No. 06355408 Report Cycle 4 - Phase 3 ## **Structure** ## **Executive Director** 1 Studio(s) Committee 1.1 Small maintenance 1.2 Cleaning supervision 1.3 Internal decoration 1.4 Internal studio allocation 1.5 Open Studios 1.5.1 Silent auction sales 1.5.2 Publicity 1.5.3 Promotion 1.5.3.1 PV card 1.5.3.2 Mail-out 1.5.4 Artists voluntary time 1.5.5 Door & bar rota 1.6 Studio applications 1.7 Heath & Safety 1.8 Studio Rules 1.9 Fire Risk 1.10 Personal Risk 1.11 Artists voluntary time 2 Studios 2.1 Insurance 2.1.1 Public Liability 2.1.2 Building Insurance 2.2 Open Studios 2.2.1 Budgets 2.3 Lets 2.3.1 Studio applications (with committee) 2.3.2 Rents and other charges 2.4 Household 2.4.1 Cleaning 2.4.1.1 Budgets 2.5 Buildings 2.5.1 Personal Risk 2.5.2 Heath & Safety 2.5.3 Fire Risk 2.5.4 Maintenance 2.5.4.1 External 2.5.4.1.1 Roof 2.5.4.1.2 Windows 2.5.4.1.3 Entrances 2.5.4.2 Internal 2.5.4.2.1 Windows 2.5.4.2.2 Utilities 2.5.4.2.3 Doors 2.5.4.2.4 Plumbing 3 BAGT Administration 3.1 Appointments 3.2 Reports 3.3 Finances 3.4 Office 3.5 Subscriptions 3.6 Friends **Death, In Bloom - ArtWorks Project Space** 4 Development: ArtWorks Public Programme 4.1 Outreach 4.1.1 Residencies 4.1.1.1 Business 4.1.1.2 Educational establishments 4.1.1.3 Studio 4.1.2 Studio exchange 4.1.2.1 National 4.1.2.2 International 4.1.3 Workshops 4.2 ArtWorks Project Space 4.2.1 Workshops 4.2.1.1 Film editing 4.2.1.2 Life class 4.2.1.3 Animation 4.2.1.4 Sculpture 4.2.2 Talks 4.2.3 Hire 4.2.4 Exhibitions 4.2.4.1 ArtWorks Open Exhibition 4.2.4.2 Curated Exhibitions 4.2.4.3 BAGT artists 4.2.4.4 Other artists 4.2.4.5 Student Exhibitions 4.3 Professional Development 4.3.1 BAGT artists 4.3.2 BAGT Staff & Trustees 4.3.3 Non BAGT artists Governance BA GT Artll.'ork5 C)i)eiJ .4rtllorks 1)ri)jeit Spaie ¢Ch￿S￿l TAnoN Gov8rnan rd ofTrustes s￿th0 Arb ## **Acheivements** The year saw an encouraging return to a fuller schedule whilst the influence of covid-19 prevailed. Projects and activities increased in number by 50%. Three exhibitions that were postponed in 2020 were included in the total of 12 completed projects. Regrettably, an ArtWorks Open solo show was cancelled, the first in its 15-year history. A promising talks programme also had to be cancelled due to funding issues. Whilst the year saw an increase in project activity there was an overall decrease in audience attendance of 42%. However, this represented an actual 0.2% decrease on expected attendance. Artists contributed a total of 70 hours time in kind to projects at a value of £8,293, a 39% less than the previous year. Funds raised directly from projects were reduced by 29%. Of these, BAGT Print Editions, a new project, generated 11.8% of funds raised. In July, Daniel Kennedy Davies joined the board of trustees. Daniel is a solicitor specializing in Banking, Financial Services and Information Technology. **Sasan Sahafi - Artist in Residence** **Andrew Omoding - Artist in Residence** **Abigail Jones - ArtWorks Open Prizewinner** **Michelle Williams Gamaker and Louise Ashcroft ArtWorks Open Selectors** ## **Acheivements** **----- Start of picture text -----**
3000
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2000
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1000
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0
2020 2021
**----- End of picture text -----**
**Audience** **Mark Bell - Hertford Road Christmas Show** **Lesley Dalton - Hertford Road Christmas Show** **----- Start of picture text -----**
12
10
8
6
4
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0
Projects
2021 2020
Postponed Cancelled Pending Completed In Progress Postponed Cancelled Pending Completed In Progress
**----- End of picture text -----**
## **Acheivements** ## _**ArtWorks Project Space**_ **Julika Gittner - Professional Development** Blackhorse Lane studio artist Julika Gittner used the space to prepare documentary installation shots in preparation for the Mark Tanner Sculpture Award. Julika was shortlisted for the award. ## **Acheivements** ## bind them. ## _**ArtWorks Project Space**_ **Abigail Jones - Anguish of The Fifty-Foot Woman** Through biographical fiction, gruesomely gory folk tales, ‘Fifties B-Movie homages, installations, illustrations, costumes and a few incredibly serendipitous references to US sitcom Married with Children, Abigail Jacqueline Jones’ solo debut Anguish of the Fifty-Foot Woman takes a deep dive into Western cultural portrayals of female giants. Taking its name from the iconic 1958 Allied Artists cult classic, Attack of the Fifty-Foot Woman - which features Allison Hayes as its titular monster, Nancy Archer, who attempts to take revenge upon a world that stigmatised her neurodivergence and a husband who mistreated her, as she is enlarged to superhuman scale following an encounter with an alien spaceship - Anguish follows a trio of female giants attempting to eschew the shackles of a system of gendered norms that demand smallness and weakness from women, embrace their inherently gender-subversive bodies, and transform themselves into ‘monsters on their own terms’ - fighting for the liberation of ‘abnormal’ bodies and souls from the systems of oppression that Dripping with Americana, set amongst secretive laboratories and military testing grounds in the Sierra Nevada, the first of these narratives analyses the supernaturally sized giantess as pornographic puppet of patriarchy, whose destructive power is determined solely by the imagination of the men who fetishise her, and the role of the pharmaceutical industry in pathologising female largeness in the second half of the twentieth century, enforcing gender-normative smallness through prescriptions of oestrogens to stunt growth. The exhibition’s titular performance follows one scientist’s goal to bring down NO-MA’AM - the ‘National Organisation of Medics Against Amazonian Masterhood,’ a fictitious company infamous for preying on tall young girls’ insecurities, and selling them a ‘cure’ in the form of shrinking serums - and the unexpected consequences of her methods of doing so: her accidental transformation into a skyscraper-sized giant, who despite possessing the strength to demolish whole cities in mere moments, has rather less ability than appearances suggest to demand the societal change she seeks. Fictionalised stories centring two historical female giants constitute the remainder of the show. Drawn from tales of abuse and dehumanisation suffered by performing freaks in centuries past, and by the continued objectification of adolescent girls of extreme height today, A Monster on her Own Terms is a piece of performative storytelling inspired by Trijntje Keever, a seventeenth-century Dutch girl and life-long travelling freak-show attraction who stood eight feet, four inches tall at the time of her death at the age of seventeen. A further collection of costume, set and prop experiments for a future piece of film work, inspired by the life of nineteenth-century giant and former human exhibit at P.T. Barnum’s American Museum, Anna Swan, round out the exhibition. Abagail Jones was an ArtWorks Open solo show prizewinner. ## **Acheivements** ## _**ArtWorks Project Space**_ **Zara Ramsey - By the fruits of their labours shall you know them** Exploded domesticity - Dr SE Barnet Zara Ramsay’s sculptures exist as daftly confident domestic monuments, or minuments as Ramsay suggests. In direct opposition to heroic minimalism/ modernism, the lived experience of these objects are set free to run riot. The works come from a laser-like attention to everyday items such as window blinds and pebble-dashed walls. Here, details become enlarged in a serious wonderland of scale - where physical weight is undermined through a conflation of rough with soft and heavy with light. The outcome builds with an incongruity of materials, colors and forms, resulting in a kind of humanist minimalism. These are minuments to something fleeting within our everyday existence. Something ineffable that exists amidst the design and craft we live with in our homes. In that the titles of these works often point to early modernist artists, women that have sparked Ramsay’s imagination such as Hilma af Klint and Emma Kunz, allusions to energy fields and spiritual matters, ecological concerns and folkculture, are integral to the creations. It is possible that a philosophy of spirituality and mindfulness is at the heart of this intersection between ourselves and the things that surround us. Perhaps the unseen labor focused on emotional and mental well-being, most often performed by women, is situated within these forms and Ramsay has tapped into existent intentions lying within otherwise dormant articles. This suggests the continuation of an ongoing conversation with the works of these women artists, and others as well; Ilona Kesarü, Eva Hesse, Louise Bourgeois, Judy Chicago. References to the Willow Tea Room and the Zia sun symbol sit easily alongside Judd-like influences, but the overarching feature is Ramsay’s obvious pleasure in the materials she works with. From hat-net mesh to clay to pipe cleaners, these sculptures suggest an expanded domicile, sitting just alongside the places we currently inhabit. Dr SE Barnet is an artist and educator whose practice employs anecdote and language towards a consideration of personal histories sited within political discourse. She is Senior Lecturer and Course Leader for Fine Art at the University of Suffolk. ## **Acheivements** ## _**ArtWorks Project Space**_ **Andrew Omoding - Artist in Residence** Andrew Omoding was awarded the 6-week resident by ArtWorks Open 2020 selectors Alex Schady and Michelle Williams Gammaker. Andrew was supported by Action Space Artist Facilitator Lisa Brown, who has worked closely with Andrew for over 10 years. Andrew worked tirelessly through his six week residency. Many of the sculptures he created enveloped story telling and performance, incorporating music and both written and spoken language. All the component parts were the gathered and recycled from the local environs. The works comprised of weaving, sowing and assemblage techniques. Towards the completion of the residence Andrew was invited to take part in the Exploreres Conference: Art, Rights and Representation, a two day event about neurodiversity, art and the politics of inclusion. ## **Acheivements** ## _**ArtWorks Project Space**_ **Jose Pindian - Artist in Residence** Jose Pindian, ArtWorks Open Residency prizewinner awarded by artists Alex Schady and Michelle Williams Gamaker who selected the show. The residency ran for 6 weeks culminating with an exhibition which was open for 6 days, 6:6! The artist met with members of the public showing and discussing his work and methods. Jose was born in Kerala, India. After training in fine art he began a career in advertising. He moved to the UK in 2003 to study fine art at the University of Bolton. In 2012 Jose completed an MA in Fine Art at the University of the Creative Arts, Surrey. Since graduating he has exhibited widely in museums and galleries. Jose runs art workshops for children and adults across the UK. ## **Acheivements** ## _**ArtWorks Project Space**_ **Neil Irons / Tam Joseph - The Teddy Bears’ Picnic** At a time when the demand for new woods and trees is escalating, our existing woods and trees are under great pressure. They remain affected by past loss and damage while being subject to new and emerging threats. The astonishing array of benefits which people stand to gain from more wooded landscapes across the UK will only be achieved when we can stop these threats and bring back wildlife on a large scale. Native woods and trees provide one of the best ways to simultaneously tackle both the climate and nature crises. A really good understanding of their current state, how we got here and what we can do about it, will enable us all to better realise their vital role in reducing climate change impacts, improving our health and well-being, and recovering nature. ## **Acheivements** ## _**ArtWorks Project Space**_ **Barry Sykes - Missing You Already** Missing You Already! brings together recent sculpture, drawing and performance by Barry Sykes that are all about the paradoxes of tangible absence and awkward pleasure. Featuring wall-sized drawing, cameraless photography, laughter workshops, an exercise class, research tables, a picnic bench and activity sheets, the exhibition combines elements from several current bodies of work, including a residency at a naturist club, content for an Activity (& Inactivity) Book, and the practice of Laughter Yoga. As Artist in Residence at Oakwood Naturist Club in Essex, Barry studied this secretive suburban community via a number of inventive tactics – including life drawing, questionnaires and sunography, now using this material to develop informal filing systems and structures that have the casual clumsiness of human bodies. Barry’s ongoing Activity (& Inactivity) Book started as a collection of puzzles, drawings and questions and has developed into a study of absence, stillness and negation. This now also incorporates his Laughter Yoga teaching, his Sauna Reading Group, stationary exercise routines and a growing collection of magic wands and zero birthday candles. These works all involve gestures towards some kind of unreachable catharsis or epiphany, but in acknowledging their inevitable shortfall, find contentment. Whilst many of these projects have been developing for years, much of it has been completed during the recent lockdowns. Although not directly about the pandemic, it was already work concerned with the compromised ways we interact, self-reflect or navigate our surroundings. In bringing these works together for the first time we will see what insight these various approaches might offer us. ## **Acheivements** ## _**ArtWorks Project Space**_ **Diane Chappalle / James Jessiman - Death, in Bloom** Diane Chappalley is a Swiss artist living and working in London. She studied at Bern University of the Arts Switzerland. Having moved to London she graguated from City & Guilds of London Art School. James Jessiman graduated from the Royal College of Art in 2017 have completed an MA in Printmaking. Often varied in output, James’ work attempts to display and mesh together a number of references. Using an archive of collected printed matter, he strips away context and language to focus on themes of the future and ask where our world might be going. An important beginning to the work, whether sculpture or collage, is drawing. His drawings represent fictive spaces that lie between the gallery and the domestic, as well as workings out for sculptural works. Hopes and intentions from movements in contemporary culture, Modernist architecture, early European rave movements, Science Fiction, and a personal collection of spiritual and religious leaflets all inform his practice. Each have their own positive vision for the future and shared optimism to build towards a New World. If each sets their sight on a new world, where does this new world go upon every movements failure? ## **Acheivements** ## _**ArtWorks Project Space**_ **ArtWorks Open** Artists in the Wake… The beautiful thing about Artworks Open is the space offered to artists in need of being recognised. It does so by giving them a platform, in the wake of all sorts of life circumstances that affect artists, both early on in their careers and for those with more experience. This might be the time which unfolds post-degree; that seemingly inescapable phase of wondering what next? Or, someone returning to making after a hiatus, or perhaps someone eager to share where their work is or their enthusiasm for the material. Whatever the reason for applying, I think the decision to enter Artworks Open relates to having your work witnessed. Once selected, a temporary community forms, shifting the private dialogue you have with your work. Here, your piece can co-exist and be part of a broader conversation. When Alex Schady passed the baton onto me to join as an artist selector, we did so online. The pandemic’s grip was more keenly felt, meaning the chance to celebrate the artists and the show could not be experienced together. This year, I had the pleasure of working alongside my fellow selector Louise Ashcroft, and we both can’t wait to see the works installed and to celebrate the exhibition with the artists and the public. How we exist as artists is more precarious within a pandemic. Artists are no strangers to precarity, but our resilience and capacity to continue making against the odds should not go unnoticed. I want to thank all the artists who submitted works this year. We could see your ambition, your dreams and your speculative inventions. Louise and I did not have an agenda when we began our selection, but we spoke a great deal about each work. As we became familiar with the submissions, the ones that reached out to us from the screen were the ones that seemed to connect to other works – a snowballing selection, which gathered momentum helped form this show. The works in this exhibition were somehow already conversing or vibrating melodiously; we just noticed their frequency. The combined chemistry of our selection included: Green things that brought the landscape in, Furred creatures contained and unfurling. A sliver of organ, an inflated torso and a deflated bronze toad, Chickens dancing alongside vampiric giant squid. Mirrored tigers. Mum and Nietzsche discussing Crypto on a Sarcophagus Bed, A languid lover lounging alongside a starry eyed raver. A cherry gloss coated egg box found in the desolation of a post-Brexit supermarket, Bacchanalian skeletons barbecuing, while making small talk with a Tin Woman. Hard concrete meets the fuzzy glow of a theatre’s Intermission, Lost objects and found ones, A christening as memorial. Pencil and biro splendour, Exquisitely handled newspaper, Undulations in text and metal. Mesmeric, spiralling portholes, The wilderness meets The Order of Things. ## **Acheivements** ## _**ArtWorks Project Space**_ ## **ArtWorks Open** A life-cycle as shield. I am not sure what this says about you, us or the world we find ourselves in, but in the wake of the past 21-months and since the last Artworks Open, we felt joy and hope emanating from your artworks, so, a heartfelt thank you. Finally, a H-U-G-e thank you to Alex Schady, who asked me to be part of this wonderful process last year. To Louise Ashcroft for joining me this year. Also, to Mark Wainwright for overseeing the whole process with his care, diligence and professional calm, which I now understand, is his default mode. I really appreciate BAGT’s support of all the artists who applied and its consideration of the needs and wellbeing for the artists selected this year. Michelle Williams Gamaker November 2021 **Katya Granova - Residency winner** **Jayne Anita Smith - Solo Show and £1,000 winner** **Christopher Harris - Solo Show and £1,000 winner** **Sasan Sahafi - Residency winner** ## **Acheivements** ## _**Atrium Space**_ **artist - project** This group exhibition shows the individual and collective artistic practices of Albert Barbu (AB), Dylan Henry Price (DHP), and Yambe Tam (YT) - three UK-based creatives who often collaborate together while also retaining their own individual practices. Their collaborative works, which include VR videogames and immersive sound and sculpture installations, have been exhibited with Lewisham Arthouse (YT+AB+DHP, 2021), TBA-21 Academy (DHP+YT, 2020), FACT Liverpool (YT+AB, 2021), and Attenborough Arts Centre (YT+DHP, 2021). Modular Practice offers a glimpse into the group’s R&D process alongside individual and collaborative works made in different combinations across the trio. Many were made in remote collaboration during the 2020 pandemic lockdown, and include an ambient sound meditation videogame (YT+DHP), visuals for the EP ‘Sleeper’ (DHP+AB), concept drawings and prototypes for XR projects. ## **Acheivements** ## _**Atrium Space**_ ## **Hertford Road Studios Christmas Show** Seasonal exhibition by Hertord Road Studios artists and guests artists. • **Chalk** • Mark Bell • John Bischoff • Lesley Dalton • Emily Frances Barrett • Georgina Griffiths • **Kirsty Harris** • Hayley Harrison • Lorena Herrero • Timothy Hyman RA • David Leister • Caterina Lewis • Richard Liley • **Vincent Lloyd** • Amanda Lwin • J J Morgan • **Charlotte C. Mortensson** - Miho Sato • **Will Smith** • **Peter Sutton** • **Anne Teahan** - **Claude Temin-Vergez** • Mark Wainwright • Alan Warburton **Anne Teahan - guest artist** **Caterina Lewis - studio artist** **Miho Sato - studio artist** ## **Acheivements** ## _**ON Line**_ **Virtually Collectable - Blackhorse Lane Artists** Blackhorse Lane studio artists span a wide range of practices. Many have international reputations whilst others are emerging with great promise. Lucile Montague is widely collected by private collectors in the UK and Europe. She has exhibited in many national shows that include The Royal Academy Summer Show, the Whitechapel Gallery, and the Pastel Society. Valerie Large is well known for her work “Space Cut”. It is one of eight printed works in the limited edition “Tetrad Pamphlets Vol.II”. Tetrad Pamphlets consists of eight fold-out paper pamphlets in a grey cardboard box. The pamphlets occupy the middle ground between artist’s book and free-standing print work. The box also includes work by Ian Tyson, Jerome Rothenberg, Richard Johnny John, Ian Breakwell, Tom Phillips, Richard Pinkney, Donato Cinicolo and Christian Wolff. Julie Caves has made astonishing leaps in the development of her painting and exhibits constantly. Her current exhibition is “Lost in The Woods” , Stone Space Gallery, London. Sandie M Sutton works predominately as a sculptor of recycled materials. “Instead of thinking of the natural world dying around us – think about how much you would like to be surrounded by birds, fruits and flowers, clean oceans full of fish and marine life, living forests and woodlands.” Adam Henessey holds regular shows at New Art Projects, London. Matthew Krishanu is widely exhibited and fast gaining a highly repeated reputation. his shows in 2021 include “Mixing It Up: Painting Today, Hayward Gallery, London; “Drawing Biennial”, The Drawing Room, London and “John Moores Painting Prize’, Walker Art Gallery, Liverpoool. Elizabeth de Monchaux has been a practising sculptor and photographer for over 25 years making work for commissions and exhibitions. Elizabeth is a member of The Royal Society Sculptors. **Julie Caves** ## **Acheivements** ## _**ON Line**_ **Virtually Collectable - Blackhorse Lane Artists** **Valerie Large** **William Stok** **Daniela Rizzi** **Adam Hennessey** ## **Acheivements** ## **BAGT** _**Editions #1**_ **Just Arrived (Carrying London to the Sea) - Timothy Hyman RA** BAGT Editions #1 is the first in a projected series of limited edition giclée prints. Editions #1 comprises of two editions by artists from both og BAGT’s studios. There is an edition of 10 signed prints 50.8 cm x 40.6cm, and an edition of 20 smailller prints 30.5 x 25.4 cm. Both print editions are availbale for BAGT’s web site. **The Wedding Dress - Matthew Krishanu** **Soft Words - William Stok** ## **Objectives** **Sasan Sahafi - Artist in Residence** Revive and extend exhibition programme at Atrium Space Negotiate Rent Review on Blackhorse Lane Studios Reinstate Blackhorse Lane Open Studios to visiting public ||**Project**
**Artist**
**Project Category**
**Status**|**Artists**
**Actual**
**Expected**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists’ time in kind**
**Hours**
**Days**
**Value**| |---|---|---|---|---|---|---| ||||**Artists Talk**
**Actual**
**Expected**|**Attending**
**Actual**
**Expected**||| ||**Totals actual**|**104**|**70**|**1632**|**1702**|**69.7**
**£8,291.8**| ||**Totals expected**|**99**|**100**|**1605**|**1705**|| ||**Cancelled**|||||| ||**Rithika Pandey - Solo Show**
Rithika Pandey
**Cancelled**|||||| |||||||| ||**Professional Development**
Julika Gittner
**Cancelled**|||||| |||||||| ||**Talks Programme Noga Shatz**
Noga Shatz
**Cancelled**|||||| |||||||| ||**Completed**|||||| ||**Abigail Jones - Anguish of The Fifty-Foot**
1
1
100.0%
35
50
70.0%
Abigail Jones
**Exhibition**
**Completed**|||49
50
98.0%||26.5
3.8
£450.5| |||||||| ||**Zara Ramsay - By the fruits of their labours**
1
1
100.0%
Zara Ramsay
**Exhibition**
**Completed**|||48
50
96.0%||59.0
8.4
£1,003.0| |||||||| ||**Artist in Residence - Andrew Omoding**
1
1
100.0%
Andrew Omoding
**Completed**|||245
50
490.0%||134.0
19.1
£2,278.0| |||||||| |**Project**
**Artist**
**Project Category**
**Status**|**Artists**
**Actual**
**Expected**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists’ time in kind**
**Hours**
**Days**
**Value**| |---|---|---|---|---|---| |||**Artists Talk**
**Actual**
**Expected**|**Attending**
**Actual**
**Expected**||| |**Artist in Residence - Jose Pindian**
10
1
1000.0%
Jose Pindian
**Completed**|||75
50
150.0%||10.5
1.5
£178.5| ||||||| |**ArtWorks Open 2021**
35
32
109.4%
Mark Wainwright
**BAGT Project**
**Completed**|||195
150
130.0%||13.0
1.9
£221.0| ||||||| |**The Teddy Bears Picnic**
2
2
100.0%
Tam Joseph
**Completed**||15
25
60.0%|45
50
90.0%||67.5
9.6
£1,147.5| ||||||| |**BHL - Virtually Collectable Art Auction**
17
30
56.7%
Mark Wainwright
**Completed**|||800
1000
80.0%||32.3
4.6
£548.3| ||||||| |**'Death, In Bloom!’**
2
2
100.0%
Diane Chappalley
**Completed**|||30
50
60.0%||35.0
5.0
£595.0| ||||||| |**Missing You Already**
1
1
100.0%
20
25
80.0%
Barry Sykes
**Completed**|||39
50
78.0%||66.0
9.4
£1,122.0| ||||||| |**Modular Practice**
3
3
100.0%
Yambe Tam
**Completed**|||8
30
26.7%||22.0
3.1
£374.0| ||||||| |**Project**
**Artist**
**Project Category**
**Status**|**Artists**
**Actual**
**Expected**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists Talk**
**Actual**
**Expected**
**Attending**
**Actual**
**Expected**
**Audience Total**
**AUDIENCE**|**Artists’ time in kind**
**Hours**
**Days**
**Value**| |---|---|---|---|---|---| |||**Artists Talk**
**Actual**
**Expected**|**Attending**
**Actual**
**Expected**||| |**Professional Development**
1
1
100.0%
Julika Gittner
**Completed**|||||| ||||||| |**HR Christmas Show**
23
17
135.3%
Mark Wainwright
**Completed**|||98
75
130.7%||22.0
3.1
£374.0| ||||||| ## **In Progress** |**In Progress**|| |---|---| |**Giclée print editions (1st Edition)**|| |Mark Wainwright|| |7
7
100.0%
**BAGT Project**
**In Progress**|| ||| ## **Posponed** **Tom Kaniok - Solo Show** Tom Kaniok **Posponed** ## ## |**2021**|**Total Time worked 487.75**|**Total days/Year 70**|**Value**|**£8,291.75**| |---|---|---|---|---| |**330**
**Abigail Jones - Anguish of The Fifty-**||**Total hours donated to**|**project**|**26.5**| |Abigail Jones|Planning / prep|||5| |Abigail Jones|Planning / prep|install exhibition||6| |Abigail Jones|Visitor experience|performance||12| |Abigail Jones|Planning / prep|poster||1.5| |Abigail Jones|Planning / prep|publicity||2| |**331**
**Zara Ramsay - By the fruits of their**||**Total hours donated to**|**project**|**59**| |Zara Ramsay|Visitor experience|invigilation||48| |Zara Ramsay|Visitor experience|install exhibition||7| |Zara Ramsay|Planning / prep|||2| |Zara Ramsay|Publicity|||2| |**332**
**Artist in Residence - Andrew**||**Total hours donated to**|**project**|**134**| |Andrew Omoding|Visitor experience|Artist Talk||4| |Sheryll Cato|General help|invigilation||10| |Lisa Brown|General help|Artist support worker||120| |**333**
**Artist in Residence - Jose Pindian**||**Total hours donated to**|**project**|**10.5**| |Jose Pindian|Planning / prep|publicity||3| |Jose Pindian|Publicity|invite||1.5| |Jose Pindian|Visitor experience|invigilation||6| |**336**
**ArtWorks Open 2021**||**Total hours donated to**|**project**|**13**| |Neil Irons|Visitor experience|install exhibition||5| |Mark Wainwright|Visitor experience|invigilation||8| |**337**
**The Teddy Bears Picnic**||**Total hours donated to**|**project**|**67.5**| |Tam Joseph|Planning / prep|||2| |Tam Joseph|Publicity|poster||1| |Tam Joseph|Planning / prep|install exhibition||4| |Tam Joseph|Visitor experience|invigilation||24| |Tam Joseph|Visitor experience|Artist Talk||2| |Neil Irons|Planning / prep|||2| |Neil Irons|Planning / prep|install exhibition||4.5| |Neil Irons|Planning / prep|publicity||2| |Neil Irons|Visitor experience|invigilation||24| |Neil Irons|Visitor experience|Artist Talk||2| |**340**
**BHL - Virtually Collectable Art**||**Total hours donated to**|**project**|**32.25**| |Mark Wainwright|Visitor experience|photography||3| |Mark Wainwright|Visitor experience|invite||1| |Mark Wainwright|Visitor experience|web site||7| |Daniela Rizzi|Visitor experience|work exhibited one||0.25| |Daniela Rizzi|Visitor experience|exhibition participant||1| |Lucile Montague|Visitor experience|exhibition participant||1| |Lucile Montague|Visitor experience|work exhibited one||0.25| |Sandie M Sutton|Visitor experience|exhibition participant||1| 20/10/2022 1 ## ## ## Sandie M Sutton Julie Caves Julie Caves Franki Austin Franki Austin Valerie Large Valerie Large Neil Irons Neil Irons Elizabeth de Monchaux Elizabeth de Monchaux Tam Joseph Tam Joseph William Stok William Stok Charlotte Gerrard Charlotte Gerrard Diane Chappalley Diane Chappalley Pauline Evans Pauline Evans Adam Hennessey Adam Hennessey Wendy D'Souza-Daniels Wendy D'Souza-Daniels Matthew Krishanu Matthew Krishanu Barry Sykes Barry Sykes Noga Shatz Luigi Rizzo Julika Gittner Kally Laurence Cara Nahaul Nickie Counsell Jean-Pierre Mas Anja Borowicz Helen Maurer Emma Talbot Jonet Harley-Peters **345 'Death, In Bloom!’** Diane Chappalley Diane Chappalley Diane Chappalley Visitor experience work exhibited one 0.25 Visitor experience exhibition participant 1 Visitor experience work exhibited one 0.25 Visitor experience work exhibited one 0.25 Visitor experience exhibition participant 1 Visitor experience exhibition participant 1 Visitor experience work exhibited one 0.25 Visitor experience exhibition participant 1 Visitor experience work exhibited one 0.25 Visitor experience exhibition participant 1 Visitor experience work exhibited one 0.25 Visitor experience work exhibited one 0.25 Visitor experience exhibition participant 1 Visitor experience exhibition participant 1 Visitor experience work exhibited one 0.25 Visitor experience work exhibited one 0.25 Visitor experience exhibition participant 1 Visitor experience exhibition participant 1 Visitor experience work exhibited one 0.25 Visitor experience exhibition participant 1 Visitor experience work exhibited one 0.25 Visitor experience exhibition participant 1 Visitor experience work exhibited one 0.25 Visitor experience exhibition participant 1 Visitor experience work exhibited one 0.25 Visitor experience exhibition participant 1 Visitor experience work exhibited one 0.25 Visitor experience exhibition participant 1 Visitor experience work exhibited one 0.25 Did not participate 0 Did not participate 0 Did not participate 0 Did not participate 0 Did not participate 0 Did not participate 0 Did not participate 0 Did not participate 0 Did not participate 0 Did not participate 0 Did not participate 0 **Total hours donated to project 35** Planning / prep 2 Planning / prep install exhibition 3 Planning / prep publicity 3 20/10/2022 2 |**Contributor**|**Task Main**|**Task Sub**|**Time worked**| |---|---|---|---| |Diane Chappalley|Visitor experience|invigilation|9| |Diane Chappalley|General help|de-rig exhibition|2| |James Jessiman|Planning / prep||1.5| |James Jessiman|Planning / prep|install exhibition|3| |James Jessiman|Visitor experience|invigilation|9| |James Jessiman|General help|de-rig exhibition|2.5| |**346**
**Missing You Already**||**Total hours donated to project**|**66**| |Barry Sykes|Planning / prep||3| |Barry Sykes|Visitor experience|invigilation|36| |Barry Sykes|Planning / prep|install exhibition|4| |Barry Sykes|Visitor experience|invigilation|18| |Barry Sykes|Visitor experience|Artist Talk|2| |Barry Sykes|General help|de-rig exhibition|3| |**347**
**Modular Practice**||**Total hours donated to project**|**22**| |Yambe Tam|Planning / prep||2| |Yambe Tam|Planning / prep|install exhibition|4| |Yambe Tam|Visitor experience|invigilation|6| |Yambe Tam|General help|de-rig exhibition|1.5| |Mark Wainwright|Publicity||5| |Dylan Henry-Price|Planning / prep|install exhibition|2| |Albert Barbu|Planning / prep|install exhibition|1.5| |**350**
**HR Christmas Show**||**Total hours donated to project**|**22**| |Timothy Hyman RA|Visitor experience|exhibition participant|1| |John Bischoff|Visitor experience|exhibition participant|1| |Lesley Dalton|Visitor experience|exhibition participant|1| |Mark Wainwright|Visitor experience|exhibition participant|1| |Mark Bell|Visitor experience|exhibition participant|1| |Georgina Griffiths|Visitor experience|exhibition participant|1| |Hayley Harrison|Visitor experience|exhibition participant|1| |David Leister|Visitor experience|exhibition participant|1| |Amanda Lwin|Visitor experience|exhibition participant|1| |J J Morgan|Visitor experience|exhibition participant|1| |Yambe Tam|Did not participate||0| |Emily Frances Barrett|Visitor experience|exhibition participant|1| |Lorena Herrero|Visitor experience|exhibition participant|1| |Alan Warburton|Visitor experience|exhibition participant|1| |Claude Temin-Vergez|Visitor experience|exhibition participant|1| |Charlotte C. Mortensson|Visitor experience|exhibition participant|1| |Charlotte C. Mortensson|Visitor experience|works exhibited two|0.5| |Anne Teahan|Visitor experience|exhibition participant|1| |Anne Teahan|Visitor experience|works exhibited three|0.75| |Peter Sutton|Visitor experience|exhibition participant|1| |Peter Sutton|Visitor experience|work exhibited one|0.25| |Will Smith|Visitor experience|exhibition participant|1| 20/10/2022 3 |**Contributo**|**Task Main**| |---|---| |Will Smith|Visitor experience| |Kirsty Harris|Visitor experience| |Kirsty Harris|Visitor experience| ## works exhibited two 0.5 exhibition participant 1 work exhibited one 1 20/10/2022 4