Docusw Ènvebpe IL).. 04954bAI-OO&b482J4lOE-06L&frT)44E53
UK MUSIC MASTERS LTD.
(A COMPANY LIMITED BY GUARANTEE)
Company Reglstratlon No: 06226749 (England and Wales)
Registered Charlty No: 1119372
UK MUSIC MASTERS LTD
(A COMPANY LIMITED BY GUARANTEE)
TRUSTEES, REPORT AND FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 AUGUST 2023

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UK MUSIC MASTERS LTD.
(A COMPANY LIMITED BY GUARANTEE)
CONTENTS
PAGE
Legal and Administrative Information
Chairman's Report
Trustees Report
Auditors, Report
19
Statement of Financial Activities
23
Balance Sheet
25
Statement of Cash Flows
26
Note5 to the Financial Statements
27

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UK MUSIC MASTERS LTD.
IA COMPANY LIMITED BY GUARANTEE)
LEGAL AND ADMINISTrATIVE INFORMATION
Trustees
The trustees are also the statutory directors of the company for the purposes of company law. The trustees
who seNed durin8 the perlod were:
S Freakley- Chairman
V S H Robey OBE- Founder Director
A Carrin8ton IResigned 01.03.20231
J Nickson IResigned 01.03.20231
P Keller IResi8ned 24.01.20241
T Hull
P Thomas
S Buntin8
J Joseph
M Kofokasumu- Treasurer
S Berryman
G Kanneh
S Mason
C Swannell
E Chandra (Appolnted 24.01.20241
Key mana8ement
R De Vile-chief Executive Officer
A Fleming-Finance Director
T Cook- Head of Fundraising IAppolnted 27. 10.20221
K Dami80s - Head of Teacher Training Programmes and Musicians of
Change Course Leader
D Evans- Head of Schools and Creatlve Programmes
N Stringer- Head of Marketin8
Charity number
1119372
com￿nY number
06226749
Re8lstered offtce
125 Kennington Road
London SEII 6SF
Audltor
Azets Audit Servlces
First Floor
River House
l Maidstone Road
Sldcup
Kent, DA14 5RH
Bankers
CAF Bank
25 Kings Hlll Avenue
Kings Hill
West Mallin8
Kent MEI 4JQ

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UK MUSIC MASTERS LTD.
IA COMPANY LIMITED BY GUARANTEEI
CHAIRMAN'S REPORT
FOR THE YEAR ENDED 31 AUGUST 2023
The question 'how have I not heard of Music Masters before?, has been posed many times since the charity
launched in 2008. It isn't surprising. Just five years ago we were still officially recognised as a 'small charity,
working on a local scale to bring musit to under-resourced London school communities with an unwavering
fotus on quality, inclusivity, and creativity. These values remain at our core, yet today they support and inspire
a wider and ever-growing range of programmes and initiatives that we believe have the potential to transform
music education on a national scale. In another five years, we aim for Music Masters to be known as a voice
of influence and solution provider not only in the music and music education sectors, but within social change
more broadly.
This is a core aim within our current strategic plan. launched in September 2022. It means that alongside
demonstrating best practice 'on the ground, including within the models of musit education we deliver day-
in, day-out with our London school communities, we ale committed to finding ways to improve access to
musical learning and opportunity on a national scale. To support this, we'll empower music teachers around
the UK to be inspiring, skilled role-models for their pupils, and influence increased diversity, inclusion and
equitable atcess right across the music industry. This strategic period sees us explore and evaluate different
approaches to growing our work, helping us to understand how we can achieve maximum impact.
In 2022-23. despite facing rising costs and increased competition for financial support, we have made strong
progress towards our strateEiC priorities. As part of a brilliant year in our five London Flagship Schools we
successfully piloted a new, paid workforce development route for individuals who may otherwise face barriers
into work as music educators and are thrilled that this programme- Emerging Educators- will expand in 2023-
24. Our young musicians performed in venues from Wigmore Hall to the National Gallery with inspiring artists
including Sheku Kanneh-mason MBE, Jordan Bak and Love Ssega, and all four 11-year old Eraduates of our
Pathways programme Iwhich specifically supports committed young musicians from backgrounds
underrepresented in classical music) secured full scholarships to continue their musical learning at the Junior
department of the Roy31 College of Music. As we seek to understand how we can support school music
education on a wider scale we launched a pilot project in partnership with Voices Foundation and The Kemnal
Academies Trust, a multi-aeademy trust of schools in the east and south-east of England, which has the
potential to improve access to and the quality of music education for 10,000 primary school children. Our
Impact and Evaluation framework, developed this year and piloted in various settings in England 2nd Wales,
is already starting to reveal the impact of our year-long Musicians of Change IPGCEil te3cher training
programme on the participants, pupils and wider school communities. and a new partnership with the Welsh
National Music Service has seen us leading training for huridreds of Welsh music teachers to support the
delivery of Wales, new National Plan for Music Education. These are just a few highliEhts from a busy and
productive year of activity that I feel effectively illustrate Masters, ambition to reach and improve many
thousands of live5 through music.
I would like to take the opportunity to sincerely thank our dedicated administrative team, teachers, and
advisors, and of course our partners both long-established as well as those newer to us. I'd like to extend mv
sincere gratitude to Music Masters, board of trustees for their dedication, guidance and support. A particular
thank you goes to our five Flagship School communities,. the long-term commitment of their staff teams and
governing bodies to our partnership, and of families with whom we work. is so greatly appreciated.
D362236DA8FII8É
Simon Freakley
Chairman, UK Music Masters Ltd.

DoGuSw tnvdope IL). 04954bA1-IK)k6-482J-810È4>bLÈPD44k53P
UK MUSIC MASTERS LTD.
IACOMPANY LIMITED BY GUARANTEEI
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 AUGUST 2023
The trustees, who are also the directors for the purposes of company law. present their report and the audited
financial statements for the year ended 31 August 2023. The trustees have adopted the provisions of the
Statement of Recommended Practice ISORPI "Accounting and Reporting by Charities" IFRS 1021 in preparing
the annual report and financial statements of the charity.
The financial statements have been prepared in accordance with the accounting policies set out in notes to
the actounts and comply with the charity's governing document, the Companies Act 2006, the Charities Act
2022 in force at the time of preparing these accounts and Accounting and ReportinB by Charities.. Statement
of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial
Reporting Standard applicable in the UK and Republic of Ireland (effective l January 20191.
Obiertlves and activities
Our objertives
On 27, June 2023 a Special Resolution was passed by the Board in their role as both trustees and directors,
and subsequently filed with the Charity Commission, to change Music Masters, Charitable Objects to better
reflect the charity'5 aims and activities. The Objects are now as follows..
For the public benefit to advance education in and through music in all its forms to improve the 16ves of
children and young people In the UK, in particular but not exclusively by:
11 Increasing equitable access to and opportunity through a high quality music education for children in
stste prirnary ￿h0o1$, With a focus on under-served communltles
21 Ralsln8 the standard irf musit education, in particular school-based group teaching* through championing
and developing rnusi¢ educators
31 Championing and drlvln8 the creation of a more open, diverse and inclusive music sector, and pathways
Into It.
In planning the activities of the charity, the trustees have given due regard to the Charity Commission's
guidance on public benefit and, in particular, the specific guidance for fee charging charities. As mentioned
above, the trustees believe that the activities of the charity in the year confirm its ability to provide current
and on-going benefit to the public.
Our activities
Our work is focussed on long-term interventions that create systemic change, particularly focusing on
addressing at their root the key issues which could prevent a child from thriving through music. Through all
that we do, we aim to transform children's initial musical spark5 into flames which burn brightly throughout
their lives, wherever they go, and whatever they do. We do this throush..
Working with Schools: Our work begins with state primary schools, because working at 3 school level
is the clearest way to reach children of all backgrounds. Through our strong School partnerships and
highly trained teaching team we learn and model whèt high quality. inclusive and inspiring music
education can look like. Through our Flagship Schools Programme we p13ce ourselves at the heart of
state primary schools in underserved communities of Lambeth, Westminster and IslinEton
our
Flagship Schools - to deliver inspiring instrumental and musicianship teaching, creative le3rning and
performance opportunities for all children. We work with a collective of inspiring artists and a range of
Creative Partners to enrich the children's experiences.

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UK MUSIC MASTERS LTD.
IA COMPANY LIMITED BY GUARANTEE}
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 AUGUST 2023 Icontinuedl
We listen to and learn from the children, their families and school staff with whom we work to
understand the important and multi-faceted role that music can play to improve lives and communitie5.
With this learning, we explore and create new opportunities, programmes and resources to improve
music education in schools on a national level.
Training and Empowerlng Teachers: Our pioneering year-long Musicians of Change IPGCEil programme
focusses on excellence in inclusive group music teaching, having been inspired by the impact of our
outstanding, highly trained teaching team on Londor) school communities since 2008. Our thriving
academic partnership with Birmingham City University provides participants with the latest
developments in research and practice, powerfully combined with access to and engagement with
Music Masters, Flagship Schools Programme and teaching team to support their learning. Alongside
Musicians of Change. Music Masters provides training and development opportunities for individuals
and organisations around the UK. particularly focussing on enabling access to the workforte for those
who may otherwise face barriers to training or career development.
• Creating an open muslc sector: At Music Masters, we advocate powerfully for the rights of children
and young people from all backgrounds to have a creative voice, and drive for greater inclusion, diversity
and equality in the music sector for the futures of young musicians. We actively commission and create
new music for and with our younE musicians to represent the diveisity of modern Britain, from our
Mony Voices series which showcases the creative voices and approaches of a diverse range of renowned
composers and creators, to the compositions written by our pupils, for our pupi15. We work with a
collective of inspiring Ambassadors whose diverslty brings something unique and brilliant to our school
communities, alongside their united belief in the importance of music in young people's lives. Through
I'M IN Ilnclusive Music Index). our organisational equity, diversity and inclusion self-assessment tool,
we have so far supported over 130 organisations working in and with music to better understand their
areas of inequity, resulting in action that is already creating a more diverse. inclusive and inspirational
music sector.
Objective5 for FY 2022-23
In September 2022 we launched our new four-year organisational strategy. Its aim is to have widened access
to high-quality music education from early years to young adulthood, focussing on UK communities facing
systemic inequèlity or disadvantage. In addition, we anticipate being able to demonstrate how Music Masters
tan best support and drive change in different settings and on a national scale, with a tried. tested and data-
informed model for future growth.
Our reputation for inclusive excellence positions us as an effective force for change across the music and music
education sectors.
Our goals focus on..
IncreasinE inclusive musical excellence in UK state schools
Championing and empowering music educators
Improving opportunity in music through a more diverse and inclusive music sector
Building our voice and influence to drive societal change

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UK MUSIC MASTERS LTD.
IA COMPANY LIMITED BY GUARANTEE)
TRUSTEES. REPORT
FOR THE YEAR ENDED 31 AUGUST2023 Icontinuedl
In full, our goals are as follows:
SCHOOLS: Grow our work wlth state schools on a national scale to reach more children and model hi
ualit
inclusive in5
and sustainable music education
We will develop more state school partnerships through which to disseminate and apply our successful
approaches to school-based music education. We will champion inclusive group teaching ihat widens
pathways and possibility for young people. We will establish leading practice for transltion from primary to
secondary schools- a known musical drop-off point for young learners. We are committed to more effectively
measuring and 5harin8 the impact of high-quality music education. In all of this, we will build on our long-term
experience of working in communities facing disadvantage.
EDUCATORS: Cham
chan
e in socie
ion develo
and connect music educators activatin
their
otentlal to make
osltlve
Outstanding education needs outstanding educators. Our highly practical Musicians of Change IPGCEil
programme with Birmingham City University develops and empowers gold-standard music educators to
improve sub-standard group instrumental teaching in UK state schools. Alongside expanding this programme,
we will make available more paid teaching opportunities in our Flagship Schools, grow the impact of teacher5
working in underseryed areas, enhance support for our ever-growing graduate network, and increase
opportunities for performing musicians to develop artistry in working with children and tommunities.
OPPORTUNITY: Su
music indust
ort and advocate for increased diversi
inclu51on and e
uitable access acr055 the
We will continue to drive systemic change to diversify the music sector on-stage and beyond, including
audiences, production, backstage, and community support. We will evolve our Inclusive Music Index (I'M INI
tool to amplify the organisational change it drives. We will irnprove pathways into music for children from
backgrounds underrepresented in classical music. and partner with more world-class artists as active student
mentors. We will increase diverslty in nationally available learner repertoire, help diversify the music
education workforce, and bring music into the lives of new audiences in communities across the UK.
INFLUENCE: Become known as a
reater voice of influence and a solution
music music education and social chan
e sectors.
rovider drlvln
chan
e wlthin
Our beneficiaries are our most influential voices for change, and we will empower them as role models and
advocates. We are developing our evidence base and smarter approaches to a55es5ing the impact of music
education in our schools, enabling us to campaign for a stronger focus on music and the arts in ihe curriculum.
We are committed to better showcasing our work both in person and online, and are adopting a new
"external" focus to widen our impact, including building more strategic partnerships and creating resources
and training for music organisations and practitioners UK-wide.

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TRUSTEES, REPORT
FOR THE YEAR ENDED 31 AUGUST 2023 (continued)
Strate
IcRe
ort
Achievements and Performance against our strategic goals
SCHOOLS: Grow our work wlth state schools on a national scale to reach more children and model hi
alit
inclusive ins
irin
and sustainable music education
In 2022-23 we-
delivered our Schools Programme in our five Flagship Schools in under-resourced London
communities to over 1,000 pupils across all year groups, Wlth our 30-strong teaching team delivering
group and individual lessons two or three times a week to beneficiaries, alongside creative workshops
and performance opportunities ir)£luding at the National Gallery. Wigmore Hall, Plaisterer's Hall, the
Royal Academy of Music and St john's Smith Square.
enjoyed engagement with world-class artists and role models including Music Masters Ambassadors
Sheku Kanneh-M3son, Nadine Benjamin. Plinio Fernandez and Tom Poster, and worked in partnership
with YCAT (the Young Classical ArtlSts Trust) to bring jordan Bak, our jointly appointed 'Robey Artist,
into all of our schools to inspire and collaborate with our young participants throughout the year.
began a review of our Schools Programme, including consultation and exploration around how we can
further improve oui teaching structure, the experience and needs of our pupils, and our support of
school staff and parents. This has prompted a fuller and deeper review that will take place in 2023-24.
also exploring how our tuition models and organisational expertise can inform resources and support
for schoo15 across the UK.
launched a pilot partnership with fellow charity Voices Foundation which sees us pooling our expertise
to develop a musit curriculum framework with and foi 29 primary schools lover 10.000 children and
voung people) within The Kemnal Academies TrLtst- a Multi-Academy Trust which spans the east and
south-east of England. This IS just one way in which we are exploring building our support to benefit
state-funded schools beyond our five Flagship Schools.
completed a trial of our 'Music CW project with our Year 6 pupils in one of our Flagship Schools, Prior
Weston Primary School, as part of an approach we are developing to better support young musicians
with primary-secondary school transition. Ovei a series of workshops, children worked with their
musit teachers to develop a self-curated record of their musical tastes and accomplishments that
could help to inform their secondary schools and new music teachers of where they are in their
musical journey, and how to help them continue to thrive. Thi5 work continues in 2023-24, with
exploration beginning into how thi5 resource could extend beyond our Flagship School pupils.
engaged with our Champions in a number of ways, notably through sign-up as our House Band for our
festive fundraising concert and work experience opportunities.
brought our Graduate Ambassadors closer to our work, benefitting from their support with a range of
projects and events, includinE our 15, Anniversary Fundraising Gala in which they played a core role
not only on the night but in planning the event, leading rehearsals, arranging repertoire. and
supporting their younger peers.

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UK MUSIC MASTERS LTD.
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TRUSTEES. REPORT
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Feedback from parents I carers of Year 6 Schools Programrne leaver5:
'Music Master5 hos been one of the highlights of the past six years. [SheJ (nome ononymised) hos ljodso mony
incredible opportunities from playing in the most omozing venues to meeting incredible ambassadors.
Opportunities that wefeel so fortunate that she hos had- and will neverforget. However, the most omazing
thing obout Music M05ters ore the teachers. Rosonne, Matt ond Rochel hove been the most amazing influence
on her. introducing her to fun. exciting woy5 to leorn music. Engogin9 Wlth us os porents and basicolly goino
above ond beyond with their dedicotion and enthusi05m. We ct7nnot thank them cnd you enough I,
'He has done so many performonces in School ond outside and hos help his confidence ond his obility to ploy
the violin. It gove him the opportunity to write und read o poem infront of so mony people. Music Masters has
helped him a lot and he will olways be gmtefulfor this lifetime opportunity.,
eochers are extremely dedicated ond the music progrumme is omazing os the kids ut some stages have the
possibility of composing. So extra pointsfor not only allowing kids to play but olso letting them try to go a little
fvrther.,
'Leorning the violin ond hoving thot continuous encouragement has mode [her} Inome ononymised) believe In
herself. This confidence has been applied when approaching Maths ond English. These subjects may be hord
ot time5, but like the violin. with proctice she con get better..
Feedback from Fla8shlp Schools:
The work that you do is essential at this time. This is so much more than provision of enrichmentfor children
who might Othe￿15e miss Out on acce55 and opportunity. B y taking thi5 form of music and these types of
instruments into mony spaces. you ond your tutors ore preserving heritoge for fvture generotions...You ore
right to note that schools ore under pressure ond budgets ore creoking due to the lock of support from the
central government among otherfactor5. Despite these challenges we understand whot Music Masters 15 ond
remain committed to muintuining our portnership which isfirmly welded into our schools identity... Thonk you
on beholf of our school and communityfor oll you do..
Feedback from Otsted lin Ashmole Primary School'5 Ofsted report of June 2023):
'Allpupils leom to ploy musical instrumentsfrom G young age. Many go on to play these to o highly competent
level...The school s exemplary music programme helps pupils build confidence, resilience cnd o sense olpride.,
EDUCATORS: Cham
Chan
e in societ
ion develo
and connert music educators artivatin
their
otential to make
ositive
In 2022-23 we..
delivered our year-long postgraduate teacher training course, Musicians of Change IPGCEil, to 17
participants, with 2 deferrals due to personal circumstances. Our cohort hailed from a wide range of
areas of the UK including Wales, Scotland. West Midlands, Yorkshire, Leeds and Newcastle as well as
London. We remained responsive to the mixed needs of the cohort by providing a 50150 approach to
online and in person delivery in a mix of location5 Such as Manchester, Birmingham and Leeds.

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FOR THE YEAR ENDED 31 AUGUST 2023 Icontlnuedl
thanks to multi-year funding secured from the Paul Hamlyn Foundation, developed and trialled a new
Impact Evaluation Framework with support from a newly recruited Impact & Evaluation Manager. This
aims to help us better understand the impact of Musicians of Change participants, learning through
the course on their pupils and the wider school communities in which they work.
delivered a range of events and workshops for Musicians of Change Braduates including with jazz
violinist and educator Christian Howes 2nd Cuban jazz violinist Omar Puente, as well as providing
workshop leading opportunities for graduates, enabling them to apply their learning on the course 'on
the ground,.
announced a new training programme to upskill educators as Musicians of Change mentors, with a
particular aim to engage graduates of Musicians of Change as mentors to build the number and quality
of mentors at a regional level.
achieved 3 40% increase in applicants for our 2023-24 Musicians of Change cohort, and a doubling of
our partnerships to attract under-￿pre5ented groups within the teaching workforce.
launched a partnership with the National Music Service of Wales through which we delivered training
in Aberystwyth and Bangor to over 100 music teachers, resulting from feedback from teachers
including 'one of those days which confirm that you are in the job you have been called to dol, This
work supports the delivery of the Welsh National Plan for Music Education120221 and in particular its
'First Experiences, programme that sees large group instrumental teaching being rolled out across
primary schools in the countrv.
commenced a Research and Development project as commissioned by the Welsh Local Government
Association to explore long-term teacher training needs in Wales.
Katrlna Damigos, our Head of Teacher Tralnln& on Muslclans of Change 2022-23:
Thi5 year, we hove leornt u huge amount about the teaching contexts t7nd working conditions of our students,
with mony juggling extremelyfull schedule5 t7nd heovy workload5 - 05 an exomple, one of our student s works
acro55 17 different schoolsl With ever increosin9 finoncial pressures ond over-stretched teaching condition5,
the course teom hos become increosingly owore ol the impoct on the students, wellbeing, their capocity for
learning und challenge thon perhop5 ever before. We ore focussed on providAng opportunities to nurture
community ond creJtivity through in person doys, soci015 ond work5hop5 a5 well as offering more one to one
support ond flexibility to accommodote students with 055ignments and course requirements. It's important
thot our course remoins o taring ond supportive spoce to sustoin the resilience of the Music Educotion
workforce as much as It improve5 the quality of group teaching.,
Feedback from Musiclans of Change 2022-23 partlcipants:
'It is o life chonging experience, chollengin9 my beliefs in o sofe environment. it is moking me spin on my oxis
and reflect on my practice, views, myself. At the scme time, l am learning a craft, 05 a teocher.. it 15 a deep
and broud experience. An odventure.,

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UK MUSIC MASTERS LTD.
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TRUSTEES, REPORT
FOR THE YEAR ENDED 31 AUGUST2023 Icontinuedl
I reolly love the breadth ond depth of thinking that is behind it. I love that it osks the bi9 questions ond reolly
Aocilitates o lifelong learning journey, not just a prescriptlve year. I love that itfeels very current and in step
with our ever-changing worldl It provides a way to really grapple with the big questions and issues alongside
community of learning. Itfeels veryforward-looking ond gives the opportunity to really explore and
experience innovative und pioneering ways of working. It helps to shape one s world view- not only in terms
of music educotion but in terms of the role of music in sotlety. I love the elements of sociol change/justice
thot ore incorporated into the course.
'Thoroughly orgonised. Hugely interesting ond var￿d sessions. Sense of community spirit and o heolthy
learnlng environment.
'It's challenging,. It chollenges you os an individual, und is modern in its views of music education, and having
on oworeness of an evolving social landscope os afoundotionfor developin9 proctice.. lit hosj Inclusive
practice ot the core, designedfor people with experience who wont to develop ond evolve their teaching
proctice,
'Ifeel invested in ondfeel real improvement in myself as a proctitioner. I'm more present ot work and have
lots of ideos to try out and reflect on.
'Hugely informotive, excellent resources, communication, honds-on, proactive course leaders,
'Ifound the sessions about gender equity ond disabilitiesfant05tic. Ifelt they were stretching me and
chollenging me, in o Safe environment that really supported posltive change ond evolution in my thinking ond
perceptions,
hi5 course has mode mefeel invested in and invigorated my practice. It ho5 Shown me th¢7t what I do really
does matter, where05 before it W05 sometimes e05y to slip into disillu5ionment due to lock of interestfrom
mono9ers and schools. It hos reassured me tht7t my bosic instincts ond teaching techniques ore good, but
shown me so many more ways thot I can expondfrom here.,
Feedback from Musicians of Change's External Examiner (Duncan Madrrill, University of Sussexl:
'With o course that recruits its students from ocr0s5 the country (7nd where they continue to work os
instrumental teachers, it is o real chollen9e to creote o feeling of course identity, Particularly where students
have very limited teaching face to face and who seldom meet together. However, the course leoders hove
achieved this sense of identity ond community. This was supported by comments in my meeting with students
where it Wos said.. 'Whot an incredibly supportive and helpful community has been created through the course.
[The course leaders] ond oll the session providers hove beenfontastic oll yeor., It Isfurther exemplified through
alumnifrom the course in previous year5 now becoming mentors them5elvesfor current Student5.
I have been privileged to be the External Exafninerfor this coursefrom its start and a5 Wlth ony new course it
tokes time5 to see whot works well ond identify refinements. This 15 made more complex wherj it 15 Q
Colltsborative Provision course which is mainly delivered over a hundred miles owoy, and/or virtuolly with
Studentsfrom ocross the country. Coupled with thot wos the impact of Covid ond lockdowns in itsfirst yeor but
the team coped well with this ond adopted ossignments ond requirement5 to SUPPOrt students in their
ochievement. The teoms both ot Music M05ters ond BCU ore to be congrt7tuloted.

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Looking bock of the 4 yet7rs of my tenure os Externol Exominer, the team have been responsive. reflective ond
collegiate, taking on a considerable number of developments to make this course even better. My
recommendations eoch year have frequently been accepted in total, acted upon und implemented in a timely
wuy ond it is t7 real success Story, os evidenced by the students themselves, some of whom are now mentors
for the new cohort of students and encouraging others to opply.
My meeting with o somple of students eoch year hos reinforced the view that students really volue this course
ond the assignments within it...I see this course os a very good example of Colloborative Provision at its best
t7nd l am confident thot it will continue to develop ond attrt7ct even more students in the comin9 years.,
OPPORTUNITY: Su
music indust
ort and athiocate for Increas
iversi
in
nde
uitable acce55 across the
In 2022-23 we..
piloted our Emerging Educator programme, which offers paid teaching and training opportunities to
provide passionate and diverse musicians Wlth access routes into a rewarding career in music
education, supported by inspiring teachers and a nurturing environment. In its pilot year, three
educators identifying as'emerging, took on these roles. including Tristan Ramjohn, who himself learnt
the violin with Music Masters from the a8e of 4-11.
5UPPOrted 17 pupils from across our Flagship Schools to develop their musical learning and
experiences through Pathways, an accelerated tuition route within our Schools Programme that
specifically fosters the next generation of gifted young String players aged 7-11 whose backgrounds
are underrepresented in the classical music sertor.
celebrated the success of our Year 6 Pathways pupils, all four of whom, upon leaving primary school,
will continue their musical journey at the Royal College of Music having been offered places on it5
'Associate' junior programme at no cost to pupils, families.
delivered a range of learning and performance opportunities for Pathways pupils, including a solo
recital at the Royal Academy of Music, world premieres from our Many Voices.. Ensemble antholoBy
(see next pointl at Wigmore Hall, and a performance of new pop songs which they composed with
musician and performance artist Love Ssega as part of their role as Musicians in Residen￿ at the
National Gallery.
completed the workshop and writing period for Many Voices.. Ensemble, our brand-new anthology of
flexible ensemble works co-created by almost 200 of our Schools Programme pupils and ten of today's
leading composer5. In March 2023 the world premiere of all ten pieces took place at Wigmore Hall
performed by Music Masters pupils, teachers, Graduate Ambassadors and the incredible Kaleidoscope
Chamber Collective, who also recorded the works for release on NMC Recordings later in 2023.
secured 26 sign-ups to I'M IN, our Inclusive Music Index tool, proving its ongoing popularity as 3
change-making intervention for the sector including with music charities, publishers, festivals,
national youth orchestras. universities, music service5 and councils.
io

Oocuswn Envdope ID.. 049546A1-OOEb4d28-tIlOE-Q6LEFD44E53F
UK MUSIC MASTERS LTD.
(A COMPANY LIMITED BY GUARANTEE)
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 AUGUST 2023 (continued)
Feedback from Many Voice5 composers:
"Working with young musicians on new music hos olwuys been o priorityfor me. It h05 been fascinating to be
involved in this ongoing project with Music Mosters which is one of the most exciting ond imuginotive I've
observed in action sofar." Sir James Macmillan CBE
'Being o part of this projert really hos been something special. When I was working with the children on this
piece, you couldjust See how delighted they were to be thinking creotively, working colloborotively and hoving
their ideos heord. It just shows how important music is in providing a well-rounded education. The workshop
was honestly such a blost. To quote one of the kids, -1 wish we could do this every doyl", Aileen Sweeney
'f anything, this project hos tought me that young people ure not burdened byfeor of breoking
convention
insteod, led by genuine curiosity and imagination, they might venture into most
unexpected areos in music and performonce. I wa5 trying tofollow that guidonce to my best, and I
continue to do so even after the project is over., Ruta Vitkauskaité
'It s been an enormous privilege to work with these young performers, ond to see the eogerness they have to
try unusual musical ideos. This projert hos Stretched me much further than l Grnticipoted os o composer. ond
the creative reword5 have been greater as (J re5uIt.' Blasio Kavuma
Feedback from I'M IN organisational participants:
'I'M IN (the Inclusive Music Index) has been key to our strotegic work to improve diversity ond inclusion.
Riverfront Theatre & Arts Centre
'[We] hove been working through the Music Masters I'M INproce5s over thepost8 months. Thefullstaff team,
plus our ED&1 Leadon the Boardof Trustees ond One of our consultonts hove met online to discuss the questions
for each topic and the conversation5 have been really rich ond exciting. It has taken u5 0 long time to complete
the process not only because of other pressures on our time, but olso becouse eoch topic unearthed so many
thoughts and ideos. It wos evident oftereoch topic we discussed however thot individual team members were
considering the discussion and maklng changes to our approoch to our work. It wos also evident thot the
questions we discussed were providing u5 Wlth opportunities to get to know eoch other ond build a stronger
tet7m outlook ond consensu5 on ED&I. We completed the lost topic- procurement- os we storted 2023 ond
are now looking to reflect on oll the topics agoin and create o planfor what else we will do- whot other octions
we will take- this year., Music Mark- 3 UK Association for Music Education.
INFLUENCE: Become known as
reater voice of Influence and a solutlon
music music education and 5(Kial chan
e 5ertor5.
rovider drivin
chan
e within
Much of our progress within this goal sits within the design, delivery and reach of activity falling under the
previously mentioned three goals, for example through creating new partnerships that help to increase our
impact, or through better promotion of programmes such as I'M IN that establish Music Masters as an 'expert
in the room,. However specific interventions that have supported progress under this goal include..
Refining and re-launching Music Masters, core proposition, messaging and brand persona to grow
our appeal and bring consistency to our work.
Developing our public communications, including delivering and analysing the performance of digital
marketing campaigns, which has resulted in a significant growth in user engagement. Year on year
figures measured in June 2023 show a 50.51% growth in users112.453 vs 82741, a 52.97% growth in
new u5er5112,381 vs 80941 and a 26.36% growth in the nijmber of page views131,831 vs 25,1901.
li

Oocusign Envek>pe IU.. 04954bA1-O0￿64￿12J411￿k-Qt•L￿Fo44ksJF
UK MUSIC MASTERS LTD.
IA COMPANY LIMITED BY GUARANTEE)
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 AUGUST 2023 Icontinuedl
Developing our audience engagement and stewardship plan to ensure our message and offers are
reaching and bringing the right people closer to our work.
Launching a website rebuild project with the aim to re-create our website in a way that better
supports user experience and understanding of our work.
Media coverage in the education press including artitles and interviews about Musicians of Change
(Music Teacher Magazine), I'M IN (Ensemble Magazine) and sector responsibility in building up
music education (Classical Music Magazine).
Flnanclal Revlew
The results for the year are set out on page 23 of these finantial statements. The surplus for the year (before
unrealised gain on revaluation of £1.1231 was £57,44612022.. deficit of £12,6821, as set out in the financial
statement5. The entirety of this surplus arose from unrestricted funding12022- deficit of £840 arising from
unrestricted funding and a deficit of £11,842 from restricted funding attivities which was funded from
restricted funding brought forward from the previous financial yearl. There were no further restritted funds
held at the end of the year. Total intome increased by c16% to £1.320,266 12022.. £1,141,6721 and total
expenditure increased by c9% to £1,262,82012022.. £1,154,354). The overall spend on our charitable activity
increased by c12% to £1,025,69112022: £914,449).
The overall increase in income includes a t19% increase in fundraised income and we are, as ever, incredibly
grateful to all of our donors and supporters who make our work possible.
Reserwes
Music Masters, reserves policy is a5 follows..
The policy of the trustees is to maintain a level of reserves that will provide a stable base from which
to fund the charity's future activity whilst ensuring that excessive funds are not accumulated.
Specifically, the trustees have set a target range for general reserves of £315,000 to £335,00012022..
£230.000-£250,0001, which the trustees estimate is sufficient to meet the charity's legal commitments
should it be required to shut down due to lack of available funds. The range is also reviewed in the
context of the following year's running costs.
General reserves at 31 August 2023 totalled.. £315,000 12022: £245,560). Having considered the
financial stability of the organisation, the trustees consider the level of reserves to be adequate.
Designated Funds
The trustees recognise that the effectivenes5 of the Schools Programrne is heavily reliant on uninterrupted
music tuition and therefore view it to be prudent to maintain a designated fund the Learning Continuity
Fund - to mitigate any fluctuations in funding. At 31 August 2023 the balance of this fund was £106,38212022
£113,729) and it is expected that this fund will be spent in the year to 31 August 2024.
The Fixed Asset Fund represents the value of reserves invested in both tangible and intangible fixed assets
and programme related investments Imusical instruments). These assets are required for the use of the
charity and its beneficiaries and these reserve5 are therefore not available for other purposes. At 31, August
2023 the balance of this fund was f 207,48012022.. £211,003), and this reflects the net book value of tangible
and intangible assets as well as the value of the Social Investments- the musical instruments used by our
students every day to learn and practice.
12

Docusign knvelOPÈ ID." 04954I>AI-OOk648zJ-111UÈ-OtsL￿PD44￿sj
UK MUSIC MASTER5 LTD.
{A COMPANY LIMITED BYGUARANTEEI
TRUSTEE5' REPORT
FOR THE YEAR ENDED 31 AUGUST 2023 Itontinuedl
Funds held as Custodian Trustee on behalf of others..
There are no such funds held12022- nill.
Permanent endowment invested on a total return basis..
There are no such investments12022- nil).
Plans for Future Periods, under our four strategic goal headings
SCHOOLS: Grow our work wlth state schools on a national s
ualit
inclusive ins
and sustainable music education
let
reach more children and model hi
2023-24 plans include:
delivering our Schools Programme in our five Flagship Schools to over 1,000 pupils across all year
groups, with several new additions to the programme as developed through our internal Schools
Programme review in 2022-23. including..
Fresher's Week- a week-long event at the start of the autumn term, focussing on parent and
carer engagement and ensuring a high-quality start to the year.
Creative Week- a week of activity in spring 2024 to streamline and enhance creative
opportunity for our pupils and for external stakeholders. including to raise awareness of and
build Interest in our programmes including Musicians of Change and Emerging Educators, and to
support fundraising.
Family Ambassadors programme- building on the suctes5 of the Graduate Ambassadors
programme, this new scheme develops additional support and communication channels
between Music Masters and our schools and beneficiaries.
conducting a deep, externally-led review of our Flagship Schools Programme that informs
development of both our Flagship Schools (for the benefit of our pupils) and the programmes. support
and resources we seek to develop to improve the musical learning experiences of young people in
schools around the UK.
developing our 'Music CV, Iprimary-secondary school transition project), growing its pilot from Prior
Weston Primary School in 2022-23 to all five of our Flagship Schools in 2023-24. During the year we
aim to establish possibilities around a wider pilot outside of Music Masters to help address the
systemic issue of musical drop-off in the transition between primary and secondary school.
moving into Phase 2 of our curriculum design project with Voices Foundation and The Kemnal
Academies Trust ITKATI which sees the draft curriculum framework become integrated into the wider
Trust's turriculurn. During this year we will continue to reflect on the feasibility and fit of this type of
project as an approach for Music Masters to offer to schools and trusts more widelv.
inviting our Champions Ischools Programme graduatesl to be involved with projerts that help the
charity to fundraise, informed by consLTrltation undertaken with Champions in 2022-23. Plans for 2023-
24 focus on empowering Champion5 to meaningfully engage in two events each year that support our
fundraising campaigns. alongside ongoing music-making opportunities, mentoring and work
experience that enhance their experience.
13

L)ocuSwn Ènvelope IL).. 049546A1-OOÈb482J4110k-06CkPL)44È53
UK MUSIC MASTERS LTD.
{A COMPANY LIMITED B Y GUARANTEEI
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 AUGUST 2023 {continuedl
developing our work with Graduate Ambassadors as important advocates of Mm's work and positive
role models for our pupils, whilst supporting their ongoing career development.
bringing our new Robey Artist, cellist Sterling Elliott, into all five Flagship Sthools to deliver inspiring
performances and workshops whilst supporting his own development in working with children and
young people.
EDUCATORS.. Cham ion develo
chan
e in soci
and connecl music educators artivatin
thelr
tential to make
Ositive
2023-24 plans include:
delivering our Musicians of Change IPGCEil teachertraining programme with 23 participants, including
a Welsh 'sub-cohort' tomprising nine teachers working in Wales with whom we will pilot additional
traininB sessions focu5sing on the Welsh National Curriculum and Additional Learning Needs in Wales.
related to the above. continuing our research and development into the neetls and abilities of
instrumental teachers in Wales for the National Music Service of Wales.
finalising our approach to measuring and evaluating impact, following the pilot of our new impact and
evaluation framework in 2022-23, helping us to understand the immediate impact and impact l+ years
post-course on communities in which our Musicians of Change graduates are working.
further developing our Musicians of Change mentoring programme, aiming to increase training
opportunity for course graduate5 and increase the number of individuals trained as mentors for this
course that can be called upon as regional mentors in the future.
delivering a brand-new event or 'unconference' which brings together educators and young people
from within and outside of our networks to engage in creative problem solving to address key access
and progression issues in music education. Through this event we aim to widen our audiences,
create additional engagement and networking opportunities for our existing stakeholders, grow our
profile as a solution-provider I change-maker, and raise awareness of our programmes such as
Musicians of Change and EmerEinE Educators.
OPPORTUNITY: Su
music inilust
ort and advocate for increased diver5
inclusion and e
uitable acce55 across the
2023-24 plans include:
growing our Emerging Educators programme, increasing the number of roles from 3 to 4 and
introducing additional engagement and development opportunities for individuals who identify as
'aspiring' or'emerging, educators.
Supporting an increased number of Pathways pupils laiming for a 25Yo increase in participant
numbersl to build more peer groups acr055 our Flagship Schools Programme. identified as a key
factor in how motivated and supported Pathways participants feel during their time on the
programme.
14

ocusign Ènv81ope ID." u49546A1-UOk(}4823￿7u￿-UtsUePlWES3
UK MUSIC MASTERS LTD.
IA COMPANY LIMITED BY GUARANTEE)
TRUSTEES. REPORT
FOR THE YEAR ENDED 31 AUGUST 2023 Icontinuedl
Further developinE partnership opportunities to provide additional creative and performance
opportunities for Pathways pupils. and build profile for the programme and charity.
Continuing to drive conversations with conservatoires and ensembles on a national scale to improve
and encourage better access and opportunity for diverse young musicians.
Developing partnerships and awareness through marketing to increase I'M IN'S visibility and Use
across the sector.
Launching Many Voices.- Ensemble a5 a printed and recorded anthology and promoting the collection
to encourage downloads and performantes of these works, particularly with groups involving young
learners for which the resource is free.
DesigninE and making digitally and freely available guidance from our Mony Voices.- Ensemble
project evaluation to encourage and support musicians to connect with their communities through
collaborative music making.
INFLUENCE.. Become known as a
reater ¥olce of influence and a solution
music music education and social chan
e 5ertors.
rovider drivin
chan
e within
As With 2022-23, progress within thi5 goal is channelled through the design, delivery and reach of activity
falling under the previously mentioned three goals. In particular, readers will note the increase of externally-
facing events and opportunities for music educator5 to engage with and an increasing range of programmes
being purposefully developed with an eye on their potential for national support and influence. In addition to
this, specific marketing and communications planas include continuing our website rebuild and redesign with
focus on increasing options for vi51tors to interact with us through the site.
STRucfuRE, GOVERNANCE AND MANAGEMENT
Structure
UK Musit Masters Ltd is a company limited by guarantee not having a share capital which is Boverned by its
Memorandum and Articles of Association. It is a registered company nurnber 6226749 and is also a registered
charity in England and Wales, number 1119372.
The charity was incorporated on 25 April 2LX)7 as The London International Violin Competition. The Members
resolved by special resolution dated 15 January 2008 to change the name of the charity to London Music
Masters and this was effected on 21 January 2008. The Memorandum and Articles of Association were further
amended by special resolution on 21 May 2012, primarily in order to bring them up-to-date with current
legislation and to raise the maximum number of trustees. The Members resolved by special resolution dated
13 August 2020 to change the name of the charity to UK Music Masters Ltd and this took effect from I
September 2020.
Governance
The work of the organisation is overseen by the trustees who meet at regular intervals to provide strategic
direction and to monitor and review the work of UK Music Masters. Potential trustees are considered by the
Chairman and proposed to the other trustees before being elected by a simple majority of all the trustees
entitled to attend and vote at any meeting of the trustees. New trustees are given an induction by way of a
15

Oocusrgn Envelope ID. 049541iA1-OOE64t12J-810t-06CEFD44E5JF
UK MUSIC MASTERS LTD.
(A COMPANY LIMITED BY GUARANTEEI
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 AUGUST 2023 Itontinuedl
one-to-one meeting with the Chief Executive and members of the senior leadership team accompanied by a
pack of information, including the most recent set of accounts, trustee meeting notes, development
committee notes and other relevant supplementary documents describing the charity's recent activities.
Fundraisin8
Music Masters generates income from fundraising to support its work. It broadly focuses on three areas-
Individual giving.. this includes giving schemes that comply with Gift Alé regulations as set out by
HMRC.
Trusts and Foundations: Music Masters makes a range of applications to trusts and foundations in the
UK and abroad, for both core lunrestrictedl and project Irestrictedl funding.
Corporate sponsorship.. Music Masters engages with a number of corporate partners, whose funding
supports a range of initiatives across the organisation.
The Trustees review fundraising activity at each Board meeting. Music Masters is registered with the
Fundraising Regulator, and is bound by the Code of Fundraising Practice. The Code sets out the key principles
of behaviour expected of all charitable fundraising organisations in the UK. More information about the
regulator, and their role in monitoring fundraising standards, are available on their website..
www.fvndraisingregulator.org.uk.
The charity did not receive any fundraising complaints in the year.
Fundraising complaint5 should, in the first instance, be directed to the Chief Executive of Music Masters, Roz
De Vile, either by letter Imusic Masters, 125 Kennington Road, London SEII 6SFI or by email
Icontart@musicmasters.org.ukl. All complaints will be atknowledged within five working days, with a full reply
within 21 days.
If this does not resolve the issue, then the complaint can be escalated to the Fundraising Regulator for further
artion. Music Masters is committed to ensuring that its fundraising activities protect the public, including any
vulnerable people it works with, from unreasonably intrusive fundraising approaches. It will never apply Undue
pressure to donate. Where an individual ha5 requested not to receive fundraising communications, this will
be honoured, in line with the spirit of all relevant data protection legislation.
Music Masters will also comply with any requests from the Fundraising Preference Service for the removal of
data subjects from its database.
Management
The day-to-day management of the charity is delegated to the Chief Executive Officer who is SUPPOrted by
senior leader5 on the staff team.
The trustees are responsible for making strategic decisions relating to the scope and aims of the charity's work.
They are also responsible for agreeing the annu31 bud8et, which is then overseen by the Chief Executive Officer
with quarterly management account5 being presented to the Trustees. Any material overspends must be
authorised by the trustees.
The charity also has a Development Committee, which does not have delegated governance power5 but meets
in an advisory capacity to discuss and refine the charity's fundraisinE Strategy and progre5S.
In 2018119 an Advisory Council was established with the aim of further strengthening the charity's network
and providing additional perspectives to the management team. Additionally in 2019/20 a PGCEI specific
16

Docusw Ènvèlope IU" D4Y546A1-00È￿4U2J4l7o￿-o￿L￿￿￿44￿SJ
UK MUSIC MASTERS LTD.
IA COMPANY LIMITED BY GUARANTEEI
TRUSTEE5' REPORT
FOR THE YEAR ENDED 31 AUGUST 2023 Icontlnuedl
Advisory Group and a Wales Advisory Group were established to SUPPOrt the management team with further
developinB these areas of our work.
Pay policy for senlor stsff
Senior staff in the year comprised the Chief Executive Officer,. the Finance Director, the Head of Fundraising.
the Head of Marketing. the Head of Schools & Creative Programmes,. and the Head of Teacher Training
Programmes & Musicians of Change Course Leader.
The pay of senior staff is reviewed annually and normally increased in accordance with inflation and average
earnings for the sector.
Mo trustee received remuneration in the year. Details of trustees, expenses and related party transactions are
disclosed in note 16 to the accounts.
Risk Management
The trustees recognise their responsibility for the management of the risks faced by the charity. A risk register
is updated quarterly and where there are material changes lo perceived risks, reports are presented to the
board and discussed in order to ensure that the trustees are made aware of any major risks the charity faces
and review the adequacy of controls. Together with the executive the trustees consider risk in the following
areas.. finance, human resource, reputation, legal, safeguarding, disaster planning and strategically Significant
projects. Trustees provide a critical challenge to the Chief Exetutive Officer on all these areas of risk, advising
on mitigation strategies as appropriale.
One of the key risks identified is the risk of not achieving the ambitious fundraising target which is necessary
to deliver the work of the charity each year. Whilst the management team aim to identify project5 which could
be scaled back or paused in the event of lower than required income levels. much of the expenditure supports
long term ongoing work such as our Schools Programme. The management team report to the Board at every
Board meeting on the income secured compared to the target and both the Development Committee and the
Board monitor fundraising strateEies and approaches and the inherent risks. There 15 a focus on securing multi
year funding to mitigate the risk in year as well as a diverse range of income streams and there are reserves
in place to support the organisation should fundraised income fall short in the year.
Golng Concern
The trustees recognise their responsibilities for assessing the charity's ability to continue as a going concern
and have reviewed budgets, future plans and have taken into consideration confirmed future funding.
Contingency plans have also been drawn up in the event of lower than expected income. The trustees have
concluded that the charity is a goinE concern and there are no material uncertainties relating to its going
concern status.
17

Oocusign Envelope 10. 04954IiA1￿0e6.41I23.61o￿-05C￿Fu44eS3F
UK MUSIC MASTERS LTD.
{A COMPANY LIMITED BY GUARANTEEI
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 AUGUST 2023 {continuedl
STATEMENT OF TRUSTEES. RESPONSIBILITIES
The trustees (who are also directors of UK Music Masters Ltd for the purposes of company lawl are responsible
for preparing the Trustees. Annual Report lincluding the Strategic Reportl and the financial statements in
accordance with applicable law and United Kingdom Accounting Stèndards (United Kingdom Generally
Accepted Accounting Practicel.
Charity law requires the trustees to prepare financial statements for each financial year which give a true and
fair view of the state of affairs of the charitable company and of the surplus or deficit of the charity for that
period. In preparing those financial statements, the trLSStees are required to:
select suitable accounting polities and then apply them consistentlv,.
observe the meihod5 and principles in the Charities SORP,.
make judgments and estimates that are reasonable and prudent-
state whether applicable UK Accounting Standard5 have been followed, subject to any
material departures disclosed and explained in the financial statementS,'
prepare the financial statements on the going concern bas15 unless It is inappropriate to
presume that the charity will continue in operation.
The trustees are responsible for keeping proper accounting records, which disclose with reasonable accuracy
at any time the financial position of the charitable company and enable them to ensure that the financial
statements comply with the Companies Act 2006. They are also responsible for safeguarding the assets of the
charitable company and hence for taking reasonable steps for the prevention and detection of fraud and
irregularities.
Statement as to Disclosure of Informatlon to Auditors
So far as the trustees are aware, there is no relevant audit information of which the charitable company's
auditors are unaware, and each trustee has taken all the steps that he or she ought to have taken as a trustee
to make himself or herself aware of any relevant audit information and to establish that the tharity's auditors
ale aware of that information.
y order of the trustees
Do(U￿9nedty.
D362238DA8P746E
Simon Freakley
Chairman
Date 24 January 2024
18

DoGuSign Envèlop? IL). 049546Al￿E6482J4IlOt-0tsL￿Pl)44￿SjF
UK MUSIC MASTERS LTD.
IA COMPANY LIMITED BY GUARANTEE)
INDEPENOENT AUDITORS. REPORTTO THE TRUSTEES
FOR THE YEAR ENDED 31 AUGUST 2023
Oplnlon
We have audited the financial statements of UK Music Masters Ltd (the 'charitable comp2ny'l for the year
ended 31 August 2023 which comprise the Statement of Financial Activitie5, the Balance Sheet, the Cash
Flow Statement and noted to the accounts, including significant accounting policies. The financial reporting
framework that has been applied in their preparation is applicable law and United Kingdom Accounting
Standards, including FRS 102 The Financial Reporting Standard applicable in the UK and Republic of Ireland
Iunited Kingdom Generally Accepted Accounting Practice).
In our opinion the financial statements:
give a true and fair view of the state of the charitable company's affairs as at 31 August 2023 and
of its incoming resources and application of resources, for the year then ended;
have been properly prepared in accordance with United Kingdom Generally Accepted Accounting
Practice,. and
have been prepared in accordance with the requirements of the Companies Act 2(K)6.
Basis for opinion
We conducted our audit in accordance with International Standards on Auditing IUKI IISAS IUKII and applicable
law. Our responsibilities under those standards are further described in the Auditor's responsibilities for the
audit of the financial statements section of our report. We are independent of the charitable company in
accordance with the ethical requirements that are relevant to our audit of the financial statements in the UK,
incl¥Jding the FRC'S Ethical Standard, and we have fulfilled our other ethical responsibilities in accordance with
these requirements. We believe that the audit evidence we have obtained is sufficient and appropriate to
provide a basis for our opinion.
Conclusions relating to going concern
In auditing the financial statements. we have concluded that the trustees, use of the going concern basis of
accounting in the preparation of the financial statements is appropriate.
Based on the work we have performed, we have not ider)tified any material uncertainties relating to event5
or conditions that, individually or collectively, may cast significant doubt on the charitable company's ability
to continue as a going concern for a period of at least twelve months from when the financial statements are
authorised for issue.
Our responsibilities and the responsibilities of the tr¥Jstees with respect to going concern are described in the
relevant sections of this report.
Other information
The other information comprises the information included in the annual report other than the financial
Statements and our auditor's report thereon. The trustees are responsible for the other information contained
within the annual report. Our opinion on the financial statements does not cover the other information and,
except to the extent otherwise explicitly stated in our report, we do not express any form of assurance
conclusion thereon. Our responsibility is to read the other information and, in doing so, consider whether the
other information is materially inconsistent with the financial statements or our knowledge obtained in the
course of the audit, or otherwise appears to be materially misstated. If we identify suth material
inconsistencies or apparent material misstatements, we are required to determine whether thi5 gives rise to
a material mi55tatement in the financial statements themselves. If, based on the work we have performed, we
conclude that there is a material misstatement of this other information, we are required to report that fact.
19

DooJ5ign knvelope ID.. 04954bAI.OOEb.482J410E.0SLEFL)44E5JF
UK MUSIC MASTERS LTD.
IA COMPANY LIMITED BY GUARANTEE)
INDEPENDENT AUDITORS. REPORTTO THE TRusfEES
FOR THE YEAR ENDED 31 AUGUST 2023 {continuedl
We have nothing to report in this regard.
Opinions on other matters prescribed by the Companies Act 2006
In our opinion, based on the work undertaken in the course of the audit..
the information given in the trustees, report, which includes the directors, report prepared for the
purposes of tompany law. for the financial year for which the financial statements are prepared is
consistent with the financial statements,. and
the directors, report included within the trustees, report has been prepared in accordance with
applicable legal requirements.
Matters on which we are required to report by exception
In the light of the knowledge and understanding of the charitable company and its environment obtsined in
the course of the audit, we have not identified material misstatements in the directors, report included within
the trustees. report.
We have nothing to report in respect of the following matters in relation to which the Companies Act 2006
requires us to report to you if, in our opinion..
adequate accounting records have not been kept. or returns adequate for our audit have not been
received from branches not visited by us: or
the financial statements are not in agreement with the accounting records and returns,. or
certain disc105ures of trustees, remuneration specified by law are not made,. or
we have not received all the information and explanations we require for our audit- or
the trustees were not entitled to prepare the finantial statements in accordance with the small
companies regime and take advantage of the small companies, exemptions in preparing the trustees,
report and from the requirement to prepare a strategic report.
Responsibilities of trustees
As explained more fully in the trustees, responsibilities statement, the trustees (who are also the directors of
the charitable company for the purpose5 of company lawl are responsible for the preparation of the financial
statement5 and for being satisfied that they give a true and fair view, and for such internal control as the
trustees determine is necessary to enable the preparation of financial statements that are free from material
misstatement, whether due to fraud or error.
In preparing the financial statements, the trustees are responsible for assessing the charitable companws
bility to continue as a Eoing concern, disclosing, as applicable, matters related to going concern and using the
going concern basis of accounting unless the trustees either intend to liquidate the charitable company or to
cease operations, or have no realistic alternative but to do so.
Auditorfs responslblllties for the audit of the financial statements
Our objective5 are to obtain reasonable assurance about whether the financial statements as a whole are free
from material misstatement. whether due to fraud or error, and to Issue an aLsditor's report that include5 our
opinion. Reasonable assurance is a high level of assurance but is not a guarantee that an audit conducted in
accordance with ISA5 IUKI will alway5 detect a material misstatement when it exists. Misstatements can arise
from fraud or error and are considered
20

Docu5yn Envelo￿ IL). 04Y54tsA1.00È64828-810E41(SCkPD44&5JF
UK MUSIC MASTERS LTD.
(A COMPANY LIMITED BY GUARANTEEI
INDEPENDENT AUDITORS, REPORT TO THE TRUSTEES
FOR THE YEAR ENDED 31 AUGUST 2023 Icontinuedl
material if, individually or in the aggregate, they could reasonably be expected to influence the economic
decisions of users taken on the basis of these financialstatements.
A further description of our responsibilities for the audit of the financial statements is located on the Financial
Reporting Council's website at www.frc.org.uk/auditorsresponsibilities. This description forms part of our
auditor's report.
Extent to which the audit was considered capable of detecting irregularities, including fraud
Irregularities, including fraud, are instances of non-compliance with laws and regulations. We design
procedures in line with our responsibilities, outlined above and on the Financial Reporting Council's website.
to detect material misstatements in respect of irreg¥J13rities, including fraud.
We obtain and update our understanding of the entity, its activities, its control environment, and likely future
developments, including in relation to the legal and regulatory framework applicable and how the entity is
complying with that framework. Based on this understanding, we identify and assess the risks of material
misstatement of the financial statements, whether due to fraud or error, design and perform audit procedures
responsive to those risks, and obtain audit evidence that is sufficient and appropriate to provide a basis for
our opinion. This includes consideration of the risk of acts by the entity that were contrary to applicable laws
and regulations. including fraud.
In response to the risk of irregularities and non-compliance with laws and regulations, including fraud, we
designed procedures which included:
Enquiry of management and those charged with governance around actual and potential litigation ènd
claims as well as actual, suspected and alleged fraud,.
Reviewing minutes of meetings of those charged with governance,.
Assessing the extent of compliance with the laws and regulations considered to have a direct material
effect on the financial statements or the operations of the charitable company through enquiry and
inspection-
Reviewing financial statement disclosures and testing to supporting documentation to asse55
compliance with applicable law5 and regulations;
Performing audit work over the risk of management bias and override of controls, including testing of
journal entries and other adjLtstments for appropriateness, evaluating the business rationale of
significant transactions outside the normal course of business and reviewing accounting estimates for
indicator5 of potential bias.
Because of the inherent limitations of an audit, there 15 a risk that we will not detect all irregularities, including
those leading to a material misstatement in the financial statement5 or non-compliBnce with regulation. This
risk increases the more that compliance with a law or regulation 15 removed from the events and transactions
reflected in the financial statements, as we will be less likely to become aware of instances of non-
compliance. The risk of not detecting a material misstatement resulting from fraud is hiBher than for one
resulting from error, as fraud may involve collusion, forgery, intentional omissions, misrepresentations, or the
override of internal control.
21

tlocusign Envelope ID,. O49s48A1￿0E64u2WlcE-o6CÈP￿44￿S3￿
UK MUSIC MASTERS LTD.
(A COMPANY LIMITED BY GUARANTEE)
INDEPENDENT AUDITORS, REPORTTO THE TRUSTEE5
FOR THE YEAR ENDED 31 AUGUST 2023 (contlnued)
Use of our report
This report is made solely to the charitable company's members, as a body, in accordance with Chapter 3 of
Part 16 of the Companles Act 2006. Our audit work has been undertaken so that we might state to the
charitable ¢ompany's membèrs those matters we are required to state to them in an auditor's report and for
no other purpose. To the fullest extent permitted by law, we do not accept or assume responsibility to anyone
other than the charitable company and the charitable company's members as a body, for our audit work. for
this report, or for the opinions we have formed.
Michelle Wilkes (Senior Statutory Auditor)
For and on behalf of Azets Audit Services
Statutory Audltor
First Floor
River House
l Maidstone Road
Sidcup
Kent
DA14 5RH
Date: 15 May 2024
22

LlocuSi9n ￿nvelope10.. 049546A14JOE64823410￿4l6L￿￿044Es3F
UK MUSIC MASTERS ITD
{A COMPANY IIMITED BY GUARANTEE)
STATEMENT OF FINANCIAL ACTIVITIES (including Income and Expenditure Account)
FOR THE YEAR ENDED 31 AUGUST 2023
Unrestricted
funds
Restricted
fund5
Total
2023
Total
2022
Notes
Income from:
Donations and legacies
Charitable activities
829,299
217,939
266.723
1,096,022
217,939
921,550
219,883
Investments
6.305
6,305
239
Total income
1,053,543
266.723
1,320,266
1,141,672
Expenditure on:
Raising funds
Charitable activities
237,IZ9
758.968
237,129
1,025,691
239,905
914.449
266,723
Total expendlture
996,097
266,723
1,262,820
1,154,354
Net Incomel{Expendlturel
57,446
57.446
112,6821
Gain on revaluation of
Programme Related
Investments
1,123
1,123
23,139
Net movement in funds
Total funds brought forward
I September 2022
Total funds carried
forward 31 August 2023
58.569
58,569
10,457
570.292
570,292
559,835
628,861
628,861
570,292
The statement of financial activities includes all gains and105ses recognised in the year.
All income and expenditure derive from continuing activities.
23

Docusw Envok)P610." 04954tsA1-OOkts482J4lOk-ObLEF044E53P
UK MUSIC MASTERS LTD.
(A COMPANY LIMITED 8Y GUARANTEEI
STATEMENT OF FINANCIAL ACTIVITIES (In¢ludlng Income and Expenditure Account)
FOR THE YEAR ENDED 31 AUGUST 2023 Icontlnued}
Comparatlve Informatlon for the Statement of Flnan¢lal Artlvltles for year ended 31 August 2022
Notes
Unrestrlcted
funds
Restrtcted
funds
Total
2022
Income:
Donations and legacies
Charitable activities
691.760
219,883
229,790
921.550
219,883
Inve5tment5
239
239
Total Income
911,882
229.790
1,141,672
Expendlture on".
Raising funds
Charitable activities
239.905
672.817
239,905
914,449
241,632
Total expendlture
912,722
241.632
1,154,354
Gain on Revaluation of
Programme Related
Investments
23,139
23,139
Net m¢ivement In funds
Total funds brought forward I
September 2021
22,299
111,8421
10.457
547,993
11,842
559,835
Total funds ¢arrled
forward 31 Au8USt 2022
570,292
570.292
24

Qocusgn En￿lope10.. U49Y6AI.WE6482J410EthObLEFD44E53
UK MUSIC MASTERS LTD.
IA COMPANY LIMITED BY GUARANTEE)
BALANCE SHEEr
AS AT 31 AUGUST 2023
2023
2022
Note5
F*xed assets
Soclal investments
Tangible assets
Intangible assets
202,902
4,578
208,371
2,210
422
211,003
207,480
Current a$5ets
Debtors
Cash at bank and In hand
66,838
475,558
121,927
377.775
542,396
499,702
Creditois:
Amounts falling due within
one year
io
121,015
140,413
Net Current assets
421,381
359,289
Total assets
628,861
570,292
Income funds
General unrestricted funds
li
315,000
245,560
Deslgnated funds
Restricted funds
li
313,861
324.732
12
13
628,861
570.292
The notes on pages 27 to 38 form part of these financial statements.
The financial statements were approved by the trustees on 24 January 2024 and signed on their behalf
D¢¢u$Wby'
D3J2ZJJD*4FF41E.
Simon Freakley
Chairman
Company number6226749 (England and Wales)
25

DocLtSyn Ènvdopa ID.. 049546AI-OO&W23410È-06CEFt144E53fr
UK MV51C MASTERS LTD.
IA COMPANY UMITED BY GUARANTEE)
STATEMENT OF CASH FLOWS
FOR THE YEAR ENDED 31 AUGUST 2023
2023
2022
Nots
Cash flow from operatlni actlvltles
16
102,249
1139.4681
Cash flow from Investlng acllvltles
Payments to acquire tangible fixed assets
Payments to acquire social investments
Interest received
15,040)
(5,731)
6,305
16241
111,1831
239
Net ash Ilow trom Inveslln8 a¢tlvltles
(4,466}
111,5681
Net Increaselldecreasel In cash and cash equlvalents
97,783
1151,0361
Cash and cash equlvalents at I September
377,775
528,811
Cash and ca$h equlvalents at 31 August
475,558
377,775
Cash and cash equlvalents consist of:
Cash at bank and in hand
Shortterm deposits
52,928
422,630
94,479
283,296
Cash and cash equlvalents at 31 August
475,558
377,775
26

Oocusign knvdope IL).. 049546A1-OOE64823-11IOE-06LEF044k5J
UK MUSIC MASTERS LTD.
IA COMPANY LIMITED BY GUARANTEEI
NOTESTO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 AUGUST 2023
Accounting policies
Basi5 Of preparation
UK Music Masters Ltd is a company limited by guarantee in the United Kingdom. In the event of the
charitable company being wound up, the liability in respect to the guarantee is limited to £1 per
member of the charitable company. The address of the registered office is given in the charitv
information on page l of these financial statements. The nature of the charitable company's
operations and principal activities are set out on paEes 3 and 4.
The charity constitutes a public benefit entity as defined by FRS 102. The financial statements have
been prepared in accordance with Accounting and Reporting by Charities.. Statement of
Retommended Practice applicable to charities preparing their accounls in accordance with the
Financial Reporting Standard applicable in the UK and Republic of Ireland IFRS 1021, the Financial
Reporting Standard applicable in the United Kingdom and Republic of Ireland IFRS 1021, the Charities
Act 2022 in force at the time of preparing these accounts, the Companies Act 2006 and UK Generally
Accepted Practice.
The financial statements are prepared on a going concern basis under the historical cost convention,
modified to include certain items at fair value. The financial statements are prepared in sterling which
is the functional turrency of the charity.
The significant accounting policies applied in the preparation of these financial statements are set out
below. These policies have been consistently applied to all years presented unless otherwise stated.
Fund5 accounting
Unrestricted general funds these are funds which can be used in accordance with the charitable
objects at the discretion of the trustee5.
Restricted funds- these represent the balance of funds donated for specific purposes whith remain
unspent at the balance sheet date.
Designated funds - these are unrestricted funds which have been set aside by the Trustees for future
purposes.
Incorne reco8nitiOD
All income is included in the Statement of Financial Activities ISOFAI when the charity is legally entitled
to the income after any performance conditions have been met, the amount can be measured reliablv
and it 15 probable that the income will be received.
Voluntary income including donations and gifts is included in full in the SOFA when receivable. Income
from charitable activities is matched to the timing of the activities.
Investment income is retoEnised using the effective interest method.
Expenditure Recognition
All expenditure is accounted for on an accruals basis and has been classified under headings that
aggregate all costs related to the cateBory. Expenditure is reco8nised where there is a legal or
constructive obligation to make payments to third parties. it is probable that the settlement will be
required and the amount of the obligation can be measured reliably. It is categorised under the
following headings..
Costs of raising funds are those costs incurred in attracting voluntary income.
Charitable expenditure comprises those costs incurred by the charity in the delivery of its
activities and seryices for its beneficiaries. It includes both costs allocated directly to such
activities and those costs of an indirect nature necessary to support them
27

Oocusign Envelope ID." 04954tSA1.OOEb.4112J.810È-06CEFL)44ESJP
UK MUSIC MASTERS LTD.
(A COMPANY LIMITED BY GUARANTEEI
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 AUGUST 2023 {continuedl
Programme related investments
Programme related investments are social investments made directly in pursuit of the charity's
charitable purposes. Musical instruments held as part of Music Masters Learning and loaned to pupils
are held at the lower of replacement cost or the charity's own valuation. Their condition is assessed
annually and full provision is made for any repairs or maintenance required.
Tangible fixed assets and depreciation
Tangible fixed assets are stated at cost less depreciation. The cost of minor additions below £500 is
not capitalised. Depreciation is provided at rates calculated to write off the cost less estimated
residual value of each asset over its expected useful life, as follows:
Computer equipment
Fixtures, fittings & equipment
33% straight line
33% straight line
Intangible fixed assets
Intangible fixed assets represent costs for the development database. Amortisation is provided at
rates calculated to write off the cost less estimated residual value over their expected useful lives, as
follows..
Databases
20% straiBht line
Debtor5 and creditors receivable I payable within one year
Debtors and creditors with no stated interest rate and receivable or payable within one year are
recorded at transaction price. Any losses arising from impairment are recognised in expenditure.
Cash at bank and in hand
Cash and bank and in hand include5 cash at hand, fund5 held in current accounts and deposits held at
all with any financial institutions and all other short term liquid investments that are readily
convertible to cash. Bank overdrafts lif any) are shown within current liabilities on the Balance Sheet.
1.10 Taxation
The charity is an exempt charity within the meaning of schedule 3 of the Charities Act 2011 and is
therefore considered to pass the tests set out in Paragraph I Schedule 6 Finance Act 2010 and
therefore it meets the definition of a charitable company for UK corporation tax services.
1.11 Actumulated fund5
Unrestricted funds are donations and other incoming resources receivable for the objects of the
charity without further spetific use and are available as general funds.
Restricted funds are subject to specific conditions by donors as to how they may be used. Expenditure
which meets these criteria is charged to the relevant fund.
1.12 Going concern
The trustees have considered the future viability of the charitable company, the level of funds held
and the expected level of income and expenditure for 12 months from authorisation of these financial
statements. The budgeted income and expenditure is sufficient with the level of resource5 for the
charitable company to be able to continue as a goinE concern. At the time of approving the financial
statements the trustees have a reasonable expectation that the charitable company has adequate
resources to continue in operational existence for the foreseeable future. Thus, the trustees continue
to adopt the going concern basi5 of accounting in preparing the financial statements.
28

Docusign Envelope ID.. 049546AI-ODE6482J.81OE-06CEFD44E53F
UK MUSIC MASTERS LTD.
(A COMPANY LIMITED BY GUARANTEE)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 AUGUST 2023 (contlnuedl
1.13 Jud8ement5 and key source5 of eslimation untertainty
Accounting estimates and judgements are continually evaluated and are based on historical
experience and other factors, includin8 expectations of future events that are believed to be
reasonable under the circumstances.
The following judgements lapart from those involving estimates) have been made in the process of
applying the above accounting policies that have had the most significant effect on amounts
recognised in the financial statements:
Bad debt provision
bad debts are provided for specific debts when required and an estimate of
unrecoverable debts may be made if deemed necessary
Social investments- social investments are included at the lower of replacement cost or valuation.
There are no other key assumptions concerning the future and other key sources of estimation
uncertainty at the reporting date that have a significant risk of causing a material adjustment to the
carrying amounts of assets and liabilities within the next financial year.
Voluntsry Income
Unrestrlcted
Funds
Restrlrted
Funds
Total
2023
Total
2022
Donations and lega¢ies
Gift aid recoverable
794,528
34,771
254,223
12,500
1.048,751
47,271
880,859
40,691
829,299
266,723
1,096,022
921,550
Income from Charitable artlvities
Schools Programme
202,949
202,949
213,878
Musicians of Change
13,565
13,565
I'M IN
1,425
1,425
6,C()5
217,939
217,939
219.883
29

DocuSKJn ￿n¥8￿10.. 049546A1-OOEb482&810E-ObGÈFD44E53F
UK MUSIC MASTERS LTD.
IA COMPANY LIMITED BY GUARANTEEI
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 AUGUST 2023 (contlnuedl
Expenditure
Direct
Costs
Support
Costs
Total
2023
Total
2022
Charitable expenditure
Raising funds
Charitable activities
165.273
778.689
943.962
71.856
247.002
318.858
237,129
1,025,691
1.262.820
239,905
914,449
1,154,354
Direct C05ts- Raising Funds
Advertising & marketing
Event expenses
Fundraising expenses
Fundraising expenses- staff costs
16,785
43,017
4,001
124,002
33,533
16.547
IIS.193
165,273
187.805
Dirert Costs- Charitable Activlties
Project costs
Staff costs
409,923
368,766
414,611
327,972
778.689
742,583
Support Costs
Staff costs
Advertising and Marketing
Rent and rates
Training
Office costs
Insurance
201.364
21,054
23.197
10.322
17,067
3,244
9,062
2,286
I,zoo
1.120
322
2,672
422
11,583
913
11,520
I,sio
318,858
158,095
21,984
4.228
17,944
3,142
2,779
2,891
350
1,291
289
2,185
1,267
12,6501
296
9,040
835
223.966
IT support
Equipment maintenance
Accountancy and payroll services
Travel expenses
Bank charges
Depreciation
Amortisation
IGainl/Loss on sale of social investments
Governance Costs-Legal fees
Governance cost5- Auditors, fee
Governance tost5 - Other
30

L)ocuSign ￿nVe￿pe ILI". u49546AI-ra)È￿482841Qe_vbLEF044￿&j￿
UK MUSIC MASTERS LTD.
(A COMPANY LIMITED BY GUARANTEE)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENOED 31 AUGUST 2023 l¢ontinued)
Employees
Number of employees
The average monthly head count of employees (excluding trustees) during the year was 14.1212022..
12.461 and the average monthly number of full-time equivalent employees lincluding part-time staff)
during the year were as follows..
2023
Number
2022
Number
Music Masters Programmes
Development
Governance and administration
14
12
Total
2023
Total
2022
Staff costs
Wages and salaries
Tax and social security costs
Pension contributions
599,635
51,223
22.220
529,534
49,006
20,634
673,078
599,174
Other staff costs
12.245
10,895
Total staff costs
685,323
610,069
One employee had total remuneration between £f)O,OCK) and £70,OCN) in the year12022'. none).
None of the trustees lor any persons connected with them) received any remuneration or expenses
during the year12022'. none). Pension costs are allocated to activities in proportion to the related
staffing costs incurred.
The charity trustees were not paid nor did they receive any other benefits from employment with the
charity in the year12022: none).
The total rernuneration paid to key management, including employers. national insurance and pension
contributions was £287.82212022'. £250,0991. The charity considers its key management personnel to
omprise those individuals listed on page l.
31

Docusign Envelope ID.. 049546Al￿OEw2J-8lQ&-Q6ckFt}44E53￿
UK MUSIC MASTERS LTD.
IA COMPANY LIMITED BY GUARANTEE)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 AUGUST 20231¢ontlnuedl
So¢lal Investments
The charity loans instruments to pupils as part of Music Masters Learning activities.
Total
2023
Total
2022
Value brought forward at I September 2022
Additions in the year
Dlsposals in the year
Revaluation
208,371
5,731
(12,3231
1.123
177.923
11.183
13,8741
23,139
208,371
Value carried forward at 31 August 2023
202,902
Tan8ible Filed A55et5
Flxtures,
Fittings &
Equipment
Computer
Equlpment
Totsl
As at I September 2022
Additions
At 31 August 2023
4,393
17,178
5,040
22,218
21.571
26.611
Depre¢latlon
As at I September 2022
Charge for year
At 31 August 2023
4.215
178
4,393
15.146
2,494
17,640
19,361
2,672
22,033
Net book va114e
At 31 Au8USt 2025
4,578
4,578
At 31 Au8USt 2022
178
2,032
2,210
32

Docusw en￿￿pel0.. 04954bA1-00&0482J-810kthGEtrD44kSJ
UK MUSIC MASTERS LTD.
(A COMPANY LIMITED BY GUARANTEE)
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 AUGUST 2023 (¢ontlnued)
Intanglble Fixed Assets
Development
database
Cost
As 3t I September 2022
At 31 August 2023
6.334
6,334
Amortlsation
As at I September 2022
Charge for year
At 31 Au8USt 2023
5.912
422
Net book value
At 31 August 2023
At 31 August 2022
422
Debtors
2023
2022
Trade debtors
Other debtors
Prepayments
Accrued income
19,120
56
10,820
36,842
20,531
9.599
91,797
66,838
121.927
io
Credltors
2023
2022
Amounts falllng due within one year:
Trade creditor5
Other creditors
Accruals
Deferred income (note lob)
23,251
19,690
29,457
48,617
21,115
15,318
72,980
31,000
121,015
140,413
lob
D•ferred In¢ome
2023
2022
Deferred Income at I September
Released from previous year5
Amount5 deferred in the year
31,000
131.000)
48,617
48,617
147,500
1147,5001
31,000
31,000
33

Docusign &nvekiw IL).. 049546A1￿￿64d2J4lo￿-06CEfru44E5Jfr
UK MUSIC MASTERS LTD.
(A COMPANY LIMITED BY GUARANTEEI
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 AUGUST 2023 (continued)
li
Unrestrl¢ted Funds
Atl
September
2022
Income Expenditure
Transfers &
Revaluations
At31
Au8USt
2023
General Fund
245,560 1,053,543
996,097
11,994 315,000
Designated funds:
.Learning continuity
-Fixed Asset
113,729
211,003
(7,348} 106,381
(3,5231 207,480
570,292 1.053,543
996,097
1,123
628,861
Uniestri¢ted Funds Comparative P051tion:
Atl
September
2021
Income Expenditure
Transfers &
Revaluations
At31
August
2022
General Fund
245.560 911,882
912,722
840 245,560
Designated funds..
-Learning continuitv
-Fixed Asset
119.050
183,383
15.3211
27,620
113.729
211,003
547,993 911,882
912,722
23,139
570,292
The designated funds are described in further detsil on page 12.

L)0suSign Ènv8iop8 IL).. 04954bAI-0Okt>482&¥1D&-OtiC￿fvLI44￿s￿
UK MUSIC MASTERS LTD.
IA COMPANY LIMITED BY GUARANTEEI
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 AUGUST 2023 (continued}
12
Restricted Funds
Atl
September
2022
Income
Expendlture
Transfeis
At31
August
2023
Fund..
Proerammes
40.000
40,000
Musicians of
Change and
PGCEI
Many Voices
203,433
203,433
23,290
23,290
266,723
266.723
Muslc Masters Programmes
This comprises restrictions to teaching activities in our partner schools; learning performances and
tutor training as well as our Pathways proEramme. Incoming resources to the fund came from the
following donors:
Buffini Chao Foundation,. Mila Charitable Trust- LB Lambeth- Elevate Careers; the John Thaw
Foundation and the Boris Karloff Charitable Trust
Musicians of Change and PGCEI
This includes funding towards the cost of running and developing the PGCEI qualification for teathers
as well as developing our national impact including work in Wales. Incoming resources to this fund
came from the following donors..
Karlsson lativa Charitable Foundation,. the Albert and Eugenie Frost Charitable Trust.. The Linbury
Trust- The Paul Hamlyn Foundation, ABRSM (for work in Walesl and a major donor who wishes to
remain anonymous.
Many Voices
This includes funding from Art5 Council England towards the cost of Many Voices which is our project
tommissioning new musical works from a diverse range of composers who also worked with children
on our Schools Programme as well as developing a toolkit which will be available across the sector.
35

Oof)JSign knv6l0￿ ID. 0411546AI-00&6482J-iIIO&-ObL&PL)44kS3
UK MUSIC MASTERS LTO.
IA COMPANY LIMITED BY GUARAf+lTEEI
NOTES TOTHE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 AUGUST 2023 Icontinuedl
Restricted Funds comparatlve information
Atl
September
2021
Income
Expenditure
Transfers
At31
August
2022
Fund..
Programmes
58,1KJO
58,000
PGCEI
11,842
137,500
149.342
Many Voices
34,290
34,290
11,842
229,790
241,632
Music Masters Programmes
This comprises restrictions to teathing aetivities in our partner schools,. learning performances and
tutor training. Incoming resources to the fund came from the following donors..
Big Give and Buffini Chao Foundation
Musitians of Change: PGCEI
This includes funding towards the cost of running and developing the PGCEI qualification for
teachers. Incoming resources to this fund Came from the following donors:
Karlsson Jativa Charitable Foundation,. The Linbury Trust and a rnajor donor who wishe5 to remain
anonymous.
Manyvolces
This includes funding from Art5 Council England and Scops Art5 Trust towards the cost of Many
Voices which is our project commissioning new musical works from a diverse range of composers
who will also work with children on our Schools Programme as well as developing a toolkit which will
be available across the sector.
13
Anatysi5 of net assets by funds
Unrestricted
Funds
DesiEnated
Funds
Restricted
Funds
Total 2023
Fund balances at 31 August
2023 are represented by..
Sotial investments
Tangible fixed assets
Intangible fixed assets
Current assets
Creditors
202,902
4,578
202.902
4.578
436,015
1121.0151
315,000
106,381
542,396
1121,015}
628,861
313,861
36

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UK MUSIC MASTERS LTD.
(A COMPANY LIMITED BYGUARANTEEI
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 AUGUST 2023 (continued)
Analysls of net assets by funds- comparative information
Unrestricted
Funds
Designated
Funds
Restricted
Funds
Total
2022
Fund balances at 31 August
2022 are represented by..
Social investments
Tangible fixed assets
Intangible fixed assets
Current assets
Creditors
208,371
2,210
422
113,729
208,371
2,210
422
499.702
1140,4131
570,292
385,973
1140,4131
245.560
324,732
14
Operating leases
At 31 August 2023, the charity had annual commitments under non-cancellable leases as follows-
2023
2022
Land and Buildings:
Not later than one year
Later than l year and not later than five years
1.666
20,OCM)
1,666
21,666
1.666
The charity renewed the office lease in September 2023 at a rate of £21,000 per annumwith a one year break
clause.
15
Related party transartions
During the year ended 31 August 2023 the charity received £412,448 12022: £331,363) in donations and
incurred £nil12022.. £nill in costs reimbursed to trustees, tlose members of a trustee's family or organisations
controlled by trustees.
No trustee expenses were reimbursed durinE the year12022.. £nill. No charity trustee received payments for
professional or other Services supplied to the charity12022'. nill.
37

Do¢uSwJn Envdopo ID.. 04954tsA1-00Èts4823-810È-06CÈPt144&53fr
UK MUSIC MASTERS LTD.
IA COMPANY LIMITED BY GUARANTEei
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 AUGUST 2023 (contlnuedl
16 Reconcillation of net Income to net cash Ilow from operatln8 artl¥ltles
2023
2022
Net income/lexpenditurel for the year
Interest receivable
Depreciation and impairment of tangible fixed assets
Amortisation and impairment of intangible fixed assets
Impairments on social investments
Cost of investments disposed of in year
Decreaselllncreasel in debtors
IDecreasel/increase in creditors
57,446
16,3051
2.672
422
112,6821
12391
2,185
1,267
12,323
55,089
119,398)
3,874
139,2571
194,6161
Net cash flow from operating activities
102,249
1139,4681
38