## **CHESTER MUSIC SOCIETY** 

**TRUSTEES' ANNUAL REPORT for the year ended 31 July 2023** Reference & Administrative Details: **Charity Name:** Chester Music Society **Charity Number:** 1099094 **Company Number** 4793760 **Principal address:** c/o Dr D Taylor, 77 Mill Lane, Upton, CH2 1BS **Registered Office:** UHY Hacker Young, St John's Chambers, Love Street, Chester CH1 1QN **Main Banker:** NatWest, PO Box No 8, 33 Eastgate Street, Chester CH1 1XA **Members of the Board of Trustees** , who are also directors, on the date the report was approved or during  the financial year: 

Michael Clarke (Chairman) Penny Clarke (Vice Chairman) Sue Russell (Secretary) David Taylor (Treasurer) Sue Taylor (Assistant Treasurer) John Wishlade (Publicity) Co-opted John Ferrari Jon Penn Berkeley Ranby 

## **Structure, Governance & Management** 

The Charity is a Company Limited by Guarantee, governed by its Memorandum and Articles of Association. It is registered as a Charity with the Charity commission. The Board of Trustees meets at least five times a year; day to day management of the activities is in the hands of three sectional committees and designated sub- committees of the Board. Any funds surplus to requirements are held in interest bearing deposit accounts or recommended investments which are reviewed on a regular basis. 

One third of the trustees who are subject to retirement by rotation are elected annually at the Company’s Annual General Meeting. All Board Members are volunteers and unpaid. There is a simple vetting procedure for new Board Members and they are provided with an information pack about the charity and their responsibilities. 

The Charity is a member of Making Music, the UK’s foremost umbrella group for amateur music. This assists with technical and developmental aspects of the Charity’s activities. 

## **Objectives and Activities** 

The Charity’s objects are to provide, maintain, improve and advance education in the widest sense of the word by furthering public appreciation of music (Memorandum of Association para. 4). The Charity aims to play a significant part in Chester’s on-going cultural life as one of the strategic arts organisations in the city. It provides a varied programme of predominantly classical music that would not otherwise be provided in the city and surrounding region by commercial organisations. It contributes to the cultural richness of the city and to diversifying the social life of the city centre. 

The Charity is organised into three sections: - 

- Showcase Concerts provide a platform for local amateur and semi-professional performers from the Chester and neighbouring areas. Opportunities for performance experience are also given to local schools and colleges. 

- The Choir: provides musical participation for up to 150 adults of all ages and performs high quality concerts using amateur and professional musicians from the Chester area and beyond. 

- Celebrity Concerts bring national and international professional chamber music artists to our Chester audience. 

Promotion and implementation of events outside the remit of the three sections are the responsibility of specific sub-committees of the Board of Trustees. 

- 1 - 



The Charity takes a leading role in the promotion and coordination of musical life in Chester and in cultural initiatives provided by Cheshire West and Chester Council. 

The Trustees have full regard to the Charity Commission’s guidance on public benefit. The Charity’s aims and activities fulfil the public benefit requirement of the Charities Act, 2011. Its charitable purposes are concerned with the advancement of education and the advancement of musical culture. They also contribute to the advancement of citizenship and community development through the opportunities offered to all age groups to hear, participate in, and organise a varied range of musical events. The Charity’s beneficiaries are all those in the Chester region and elsewhere who wish to experience its activities as audiences, performers and members. 

Ticket Prices and Subscriptions are set achieve break even against operating cost and expenses as far as is possible. Discounted tickets and subscriptions are offered to unemployed people, people with disabilities, school children and students. 

The Society takes a robust and systematic approach to assessing and managing risk. The Risk Register identifies possible risks to the Company and is reviewed on a regular basis. Any new risks that have arisen and any ongoing risks already identified are discussed and acted upon where possible at each Board meeting. The main risks that the Society identified in the current period are the failure to recover membership post the pandemic with consequent loss of income and potential ongoing viability of all sections of the society. The Society has identified mitigation plans to deal with these eventualities both now and going forward. 

A comprehensive range of Policies exist for implementation by the Board of Trustees and the wider society membership. These are reviewed on a regular basis and comprise the following topics, 

- GDPR 

- Financial Reserves 

- Investment 

- Safeguarding Children and Vulnerable Adults 

- Health and Safety 

- Equal Opportunities 

New Trustees are usually recruited following a period as members of subcommittees or sections and in some cases are co-opted prior to appointment. This ensures, alongside the induction programme that new trustees are aware of their responsibilities. 

## **Achievement & Performance** 

2022-23 saw the return to a level of activity last seen pre-Covid. 

A successful and enjoyable string workshop was held in July at Abbeygate College. There were 42 participants playing together in various chamber groups with guidance from experienced tutors. 

November saw the return of the Young Musicians Competition with a good level of entries across a wide range of instruments and ages. This was also held at Abbeygate College and was highly successful and a very highs standard of musicianship was witnessed. The venue was considered ideal for this type of event with several rehearsal spaces being available and the advantage of an excellent small theatre for the actual performances. 

The Choir Section looked forward to returning to some sort of normality in Season 22-23. Budgets were prepared on a somewhat pessimistic basis to allow for the fact that audiences would probably not return to full strength for some time. In an attempt to balance the books, the annual membership fees were increased by 75%. This did not appear to affect member numbers which were similar to the previous year at around 140. Wesley Methodist Church remained the Choir’s rehearsal venue throughout the year. Progress was made with the staging during the season - missing and damaged components have been resolved, AAM (the staging contractor) has progressively become more efficient and consequently the cost has reduced to c. £2,400 per concert, AAM now liaise directly with cathedral staff. The Society’s relationship with the Cathedral staff improved over the year, but there were still several issues to negotiate. However, new ways of 

- 2 - 



working were found to accommodate these. The first Choir Concert of the Season was VaughanWilliams Sea Symphony. Ticket sales were better than expected – 364 versus the budgeted 316. An increase of 15% over the previous year's November concert. The next concert was Christmas Crackers. There was a different format this year due to only one night’s availability in the cathedral. Ticket sales were 708 with all seats sold (the last seats being sold on the day which suggests supply equalled demand). Roger McGough had to cancel on the day but fortunately Nick Fry was able to step in at short notice. One upside of this was that Nick’s fee was considerably lower hence increasing income! The one-night format also maximised revenue. The March concert (Brahms) attracted 240 ticket sales which was disappointing for an orchestra concert (budget = 316). The May concert (Requiems) sold 225 tickets which was again disappointing (budget = 316), although for a concert without a full orchestra, the budget was probably overly optimistic. Final costs for the season resulted in a minor surplus. 

Other Choir activities were the annual Singing Day in St Marys Creative Centre in March and a social fund-raising event at Easton Hall last June. These were both very enjoyable and an overwhelming success. This year a Choir Members’ 5 Yearly Survey was undertaken as is normal at the end of the Music Director’s contract of engagement. The opportunity was also taken to ask the choir members for their opinions on various other matters apart from the MD’s performance. Overall, the respondents were in favour of re-appointing Graham Jordan Ellis as Music Director. lIn summary, the 22-23 season was very positive and some major steps to recovery were achieved. 

The Celebrity Concert section put on a series of six concerts starting on the 12[th] October 2022 and concluding on 8[th] March 2023. With continuing audience uncertainty after Covid a cautious approach was again taken with budgeting of artists fees and the number of subscribers was again set at a maximum of around 80. In the event we had a total of 71 subscribers. Individual concert ticket sales were again made available for all concerts with varying results ranging from 9 to 50 additional seats sold per concert. Total audience numbers remain well below the pre covid highs of 130 plus. All of the concerts were of an excellent standard and contained many fine moments of music making. The series welcomed back Martin Roscoe performing solo works for Piano. He provided another wonderful piano recital and was particularly thrilled to be made our new President of the Society this year. 

The Showcase Section held a limited series of 5 live concerts in the 2022-23 season. Schools’ participation which in the past has been a significant part of Showcase series were non-existent due to great reluctance of any school to offer performing groups or soloists. For the first time since Covid Subscription Tickets were offered and 15 members participated. This is down by over 50% based on pre-Covid levels. Average attendance was 55 per concert which is considered a reasonable number based on historic levels. This resulted in a small deficit of around £315 which was easily covered by additional income from members donations from a previous cancelled concert. 

CMS activities enrich the experience of participants and contribute to the Society’s aim of “furthering the public appreciation of music”. 

The Board of Trustees owes its volunteers a large debt of thanks and would like to take this opportunity to pay tribute to the hard work, dedication and enthusiasm of the many people who contribute to the success of the organisation. The BoT are extremely grateful for all the donations and support received during the season across all the Sections, and in particular from many members associated with the Choir Section. 

## **Financial Review.** 

The financial resources held by the Society are sufficient to allow it to pursue its prime objective of furthering education and the public appreciation of music. 

The Statement of Financial Activities for 2022/23 shows that the total available funds at year end stood at £150,986 with a net negative movement in funds of £1,672compared with a net positive movement of £12,403 in 2021/22. Net incoming funds of £633 led to unrestricted funds of £107,583 compared with £106,950 in 2021/22. Net outgoing funds of £2,305 resulted in restricted funds of £43,402 against £45,708 in 2021/22.  The Notes to the Accounts show that within the 

- 3 - 



unrestricted funds two designated Funds, totalling £11,621, remained at year end. Restricted funds have four named Funds, required to be used for specific named purposes. There are no Funds materially in deficit. 

Market uncertainty has resulted in our investments sustaining a loss of £2,268 to £65,239, compared to a loss of £5,121 in 2021/22. Overall, our attitude to investment risk is lower medium and we have a moderate ability to bear an investment loss. The Society does not take into account social, environmental or ethical considerations in its investment policy. The Society’s tangible fixed assets that could be disposed of to potentially provide resources for future activity are Choir staging currently valued at £34,752 and a Steinway piano currently valued at £12,038. 

Our annual income comes from subscriptions, donations, ticket sales, fund raising and investments. Our expenditure is connected with both performing and promoting live concerts and necessary administration. This year the normal activities of the Society were planned with budgets set taking into account the ongoing reducing effects of Covid-19 on audience numbers. These programmes were all successfully completed with no need for any unplanned support from the reserves. 

Throughout this last year regular on-line meetings of the Board of Trustees and sub-committees continued to ensure proper management of the Society and financial matters were regularly monitored and discussed. In particular no restricted funds were used inappropriately. 

Overall, the financial position, including the reserves, of the Society are such that it is able to plan and run a normal season for 2023/24, whilst being aware that the remaining ongoing effects of Covid-19 and the Energy crisis and increasing production costs require careful monitoring and vigilance in order to react where necessary to changing circumstances and remain financially secure. 

## **Policy on Reserves** 

The Society continues to set aside sufficient reserves to enable its programme of concerts and events in order to meet the Charity’s aims. The society aims to hold reserves of about £48,000. 

The society employs no staff, owns no buildings or any ongoing leases and therefore the effect of unplanned closure to beneficiaries is extremely low. 

The following considerations are monitored regularly by the Board of Trustees. 

- Some activities are not income bearing or with low income (Young Musician competition and the schools programme) but contribute significantly to the society’s overall objectives. 

- The age demographic of our audience and membership is on the older side with the potential to see reductions in both audience and membership numbers. 

- We need to ensure that we have sufficient reserves to cover a significant underperformance on planned membership or audience figures. 

- We need to have sufficient reserves to ensure that we are able to manage our cash flow. 

- We need to ensure that we have sufficient reserves to cover any uninsured catastrophic losses in the year. 

- We need to build reserves to replace some of the restricted funds created from a generous gift that the society deploys. This will enable the society to continue those activities for which the funds are designated as they become depleted. 

The ongoing assessment and management of risk, prudent management of resources and planning to ensure sufficient reserves ensures that services are maintained. 

## **Plans and Outcomes for 2022-23** 

Plans for 22/23 season 

- Consolidate existing membership numbers and attract new ones. _**OUTCOME: Membership numbers continue to decline slowly as some older members cease to participate and only a few new younger members come in.**_ 

- 4 - 



- Attract new committee members to protect against likely future retirements. _**OUTCOME: No new committee members were attracted.**_ 

- Work within whatever guidance prevails to ensure our rehearsals and venues are safe. _**OUTCOME: All sections produced and implemented risk assessments and checklists for their activities. Compliance with venue owners’ requirements was maintained throughout.**_ 

- Build back to a full programme of events. _**OUTCOME: This was generally achieved albeit with reduced audience numbers in most cases. Schools remain reluctant to participate in performance and workshops.**_ 

- Ensure appropriate budgeting and marketing through the difficult post Covid period to ensure the Society’s ability to continue through the coming years. 

## _**OUTCOME: Successfully achieved as described in the Financial Report.**_ 

## **Plans for the Future** 

Plans for 23/24 Season 

- Continue to consolidate existing membership numbers and find ways to attract new ones. 

- If possible, find new committee members, especially for the Celebrity Concert and Showcase Sections, Future retirements are inevitable as the age demographic slowly increases. 

- Work within whatever guidance prevails to ensure our rehearsals and venues are safe. 

- Maintain a full programme of events. 

- Encourage more participation from local schools in our workshops and performance opportunities. 

- Maintain appropriate budgeting and marketing to ensure the Society’s ability to continue through the coming years. 

## **Funds held as Custodian Trustees;** 

The Charity does not hold funds on behalf of any other charity. 

## **Responsibilities of Trustees** 

The trustees are responsible for preparing the Trustees Report and financial statements in accordance with applicable law and regulations and in accordance with the UK generally accepted accounting practices. 

Company law requires the trustees to prepare the financial statements for each financial year which give a true and fair view of the state of affairs of the charity at the end of the year and of the incoming and outgoing resources for the year then ended. In preparing those financial statements, the trustees are required to select suitable accounting policies and then apply them consistently, making judgements and estimates that are reasonable and prudent. The trustees must also prepare the financial statements on the going concern basis unless it is inappropriate to presume that the charity will continue its activities. Company law requires that the Trustees must not approve the financial statements unless they are satisfied that they give a true and fair view of the state of affairs of the company and of the profit or loss of the company for that period. 

The trustees are responsible for keeping proper accounting records which disclose with reasonable accuracy at any time the financial position of the charity and to enable them to ensure that the financial statements comply with the Companies Act 2006. The trustees are also responsible for safeguarding the assets of the charity and hence for taking reasonable steps for the prevention and detection of fraud and other irregularities. 

## **Declarations** 

The Trustees declare that they have approved the trustees’ report above. Signed on behalf of the charity’s trustees: 

M_Gke Michael Clarke, Chairman Date: 15/11/23 

- 5 - 



Independent Examiner's Report
We report on the accounts of the Chester Music ScKiety, a Tegistered charity and a company
limited by guarantee for the year ended 31 July 20￿, as attached.
Responsibilities and basi5 of report
The charity's trustees are responsible for the preparation of the accounts. The eharity's
trustees Consider that an audit is not required for this year under section 144 of the ChaTities
Act 2011 and that an independent examination is required.
Having satisfied ourselves that the charity is not subject to audit under eompany law, and is
eligible for independent examinatioTh it is our responsibility to:
Examine the accounts under section 145 of the Charities Act,
Follow aIl applicable directions given by tELe Charities Cornmission under section
14515)(b} of the ChaTities Ac¢ and
To state whether tnatteTS have come to our attention
Basis of Independent Examiners statelnent
Our examination wa5 conducted in accordance with the directions and guidance given by
the Charity Commission. An examination includes a review of the accountin￿ records kept
by the charity and a comparison of the accounts presented with those recoras. It also
incIudes consideration of any unusual items OT dI￿10s￿re$ and seeking explanations Erom
the trustees concerning any such matters. The procedures undertaken do not piovide
evidence that would be required in an audit, and consequently no opinion is givpn as to
whether the accounts present a'true and faif view, and the report is limiied to those matters
set out Rn ttLe statement below.
Independent Examiner's Statement
We have completed our examination. We confirm that no material rnaters have come to our
attention;
Which gives us Teasonable cause to believe that in, any material respect the
requArernents,' to keep accounttng records in accnrdance with section 130 of the
Charities Act,. and to prepare accounts which accord with the accounting records and
comply with the accounting req￿TerneThts of the Charities Act have not been met,. or
To which, in our opinion, attention should be drawn to enable a Proper
understanding of the accounts to be reached.
Ann Lovatt FMAAT
Date; 28 February 2024
Trident Tax and A¢¢ountancy Ltd
Yr Hen Banc Business CÈntre, High Street. CaeTwrle, FIintslure LL12 9EU

## **CHESTER MUSIC SOCIETY STATEMENT OF FINANCIAL ACTIVITIES** 

(including summary income and expenditure account) 

Company Number: 4793760 Registered Charity: 1099094 For the year ended 31 July 2023 

|**Note**<br>**Income**<br>**Income and endowments from:**<br>Donations and legacies<br>Charitable activities<br>Other trading activities<br>Investments<br>Separate material item of income<br>Other<br>Total income<br>**Expenditure**<br>2<br>**Expenditure on:**<br>Raising funds<br>Charitable activities<br>Other<br>Total expenditure<br>**Net income/(expenditure) before tax for**<br>**the reporting period**<br>Tax payable<br>**Net income/(expenditure) after tax**<br>**before investment gains/(losses)**<br>Net gains/(losses) on investments<br>5<br>**Net income/(expenditure)**<br>**Extraordinary items**<br>**Transfers between funds**<br>11<br>**Other recognised** **gains/(losses):**<br>Gains and losses on revaluation of fixed assets<br>for the charity’s own use<br>Other gains/(losses)<br>**_Net movement in funds_**<br>**_Reconciliation of funds:_**<br>Total funds brought forward at 1 August<br>10<br>**_Total funds carried forward at 31 July_**<br>9|**2023**<br>**Unrestricted**<br>**£**<br>38,394<br>38,133<br>13,180<br>390<br>255<br>**90,352**<br>3,385<br>82,254<br>2,562<br>**88,201**<br>2,151<br>0<br>2,151<br>(1,518)<br>633<br>0<br>0<br>**633**<br>106,950<br>**107,583**|**2023**<br>**Restricted**<br>**£**<br>0<br>5<br>0<br>0<br>0<br>**5**<br>0<br>1,560<br>0<br>**1,560**<br>(1,555)<br>0<br>(1,555)<br>(750)<br>(2,305)<br>0<br>0<br>**(2,305)**<br>45,708<br>**43,402**|**2023**<br>**Total**<br>**£**<br>38,394<br>38,138<br>13,180<br>390<br>255<br>**90,357**<br>3,385<br>83,814<br>2,562<br>**89,761**<br>596<br>0<br>596<br>(2,268)<br>(1,672)<br>0<br>0<br>**(1,672)**<br>152,658<br>**150,986**|**2022**<br>**Total**<br>**£**<br>45,723<br>27,495<br>11,278<br>38<br>0|
|---|---|---|---|---|
|||||**84,533**|
|||||1,676<br>63,709<br>1,624|
|||||**67,009**|
|||||17,524<br>0<br>17,524<br>(5,121)<br>12,403<br>0<br>0|
|||||**12,403**|
|||||140,255|
|||||**152,658**|



7 



CHESTER MUSIC SOCIETY
Company Number: 4793760
Registered Charity: 1099094
For the year ended 31 July 2023
STATEMENT OF FINANCIAL posmoN
At 31 Jdy 2023
At 31 July 2022
FIXED ASSETS
Tangible Assets
Invèstments
46.789
65.239
112,028
49.301
67,507
116.808
Total fix&J As$8ts
CURRENT ASSETS
DèbtOTS'. amounts fallir4J due wilhin 1 year
Amounts falling due wrthin more than 1 year
Pr&payments lor next sèason
Cash 8t Bank & in hand
6.257
30
257
40.198
46.742
16
30
913
46,937
47.896
Totsl ¢)Jrr8nl 0898ts
Creditors.. amounts fallin9 due ¥￿thin one year
Amounts fall￿n9 due wthin more than one year
Ac¢ru815
15,1401
16341
16,2721
17,7851
Net ¢urronl as8•Wlliabllili88)
38,957 38,gFI
35,850
35,8SO
TOTAL NET A8SETSIILIABILmESI
THE FUND8 OF THE CHARITY
Rastriet¢d Sn¢ome funds
Revalu8tion restricted - InV￿tmonts
UnreStr￿ted funds..
Rgvalu81ion unreslrictod- Invegtn*nts
42,219
1,183
103.527
4,056
43,775
1,933
101,376
5,574
Tdal FuTrJs
The compony w9$ enlthedto &xempllon from tmdgr$477 ofths Cry8ni8s Act 2(￿6
rèlating to small Gompanbs.
Tho momb•rs h8vg not wuired the company to obt8ln On Jutht in with
476 of the Ctsmpanies AGI 2006.
The dArectors acknowl8dgo t1￿1r r9spon&thliti•s forcrylylng wlth th8 r89t￿nIs
of the Cryaniés A¢t 4wlh Trsp8cl to accounting rocord$ and thg prnporation of accounts.
Thesg accounts have tseen pmp8r&d irt 8¢¢0rf8nce wth Ihe applK8bl& to smaw
Gompanles suty8cI lo Ihe sm811 companies rwine and lrt a¢wd8nGe ￿th FRS102 SORP.
Siqn8d by one crf trusleesloirectors on b8hall of ￿1 Ihe tnjsteesldireclors
Svdnature
Print Name
Dale ol
approval
D. J. TAYLOR
1>Nov-23
IA. CLARKE
1&Nov-23
Signature of directu authenticatir¥J aCCoL￿ts bwro Sent to Compar*s H￿$¥
Si9na¢ure
Pn'nt Name
S. J. RUSSELL

## **CHESTER MUSIC SOCIETY** 

## **NOTES TO THE ACCOUNTS** 

For the year ended 31 July 2023 

## **1.1 Company status** 

The charity is a company limited by guarantee.  In the event of the charity being wound up the liability in respect of the guarrantee is limited to £1 per member of the charity. 

## **1.2 Basis of Accounting** 

These accounts have been prepared under the historical cost convention with items recognised at cost or transaction value unless otherwise stated in the relevant note(s) to these accounts. 

The accounts have been prepared in accordance with the Statement of Recommended Practice: _Accounting and Reporting by Charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland_ (FRS 102) issued on 16 July 2014 and with the Charities Act 2011. 

In preparing the accounts, the trustees have considered whether in applying the accounting policies required by FRS 102 and the Charities SORP FRS 102 the restatement of comparitive items were required. No restatements were required. 

The charity constitutes a public benefit as defined by FRS 102. 

## **1.3 Going concern** 

There are no material uncertainties about the charity's ability to continue and so the going concern basis of accounting has been adopted. 

## **1.4 Change of accounting policy** 

The accounts have been prepared in accordance with FRS 102. 

## **1.5 Income** 

Income is recognised in the Statement of Financial Activities (SOFA) when the charity is entitled to the funds, the receipt is probable and the amount can be measured reliably. Grants and donations are included in the SOFA when the general income recognition criteria are met (5.10 to 5.12 FRS 102 SORP). 

## **1.6 Expenditure** 

Expenditure and creditors are recognised when a present legal and constructive obligation exists at the balance sheet date as a result of a past event, it is probable that a transfer of economic benefit will be required to settle the obligation, and the amount can be measured reliably. Expenditure is measured on an accruals basis. Resources expended are allocated to the particular activity where the cost directly relates to that activity. 

## **1.7 Fund accounting** 

Unrestricted funds are shown separately in the SOFA. They are available for use at the trustee's discretion in furtherance of the general objects of the charity. Restricted funds are those subject to specific conditions imposed by the donors or have been raised for a particular purpose. The cost of raising and administering such funds is charged to the specific fund. The aim and use of each restricted fund is set out in the notes to the financial statement. Designated funds are unrestricted funds earmarked by the trustees for particular purposes.  Investment income and gains are allocated to the appropriate fund. 

## **1.8 Assets and depreciation** 

Tangible fixed assets used for charitable purposes are stated at cost less depreciation and all repairs are written off as incurred. Depreciation is currently charged at 5%. Debtors (including trade debtors and loans receivable) are measured on initial recognition at settlement amount after any trade discounts or amount advanced by the charity. Subsequently, they are measured at the cash or other consideration expected to be received. 

## **1.9 Investments** 

Investments are stated at market value as at the balance sheet date. The SOFA includes the net gains and losses arising in the revaluation and disposals of investments during the year. Investment income is accounted for on an accruals basis. Unrealised gains and losses are calculated by comparing previous balance sheet valuation to the year end valuation. 

9 



## **2 Analysis of expenditure by activity** 

|**Activity**<br>Society general<br>Celebrity Concerts<br>Choir<br>Showcase<br>Total<br>**3**<br>**Fees for examination of accounts**<br>Cost of independent examination<br>**4**<br>**Tangible Fixed Assets**<br>**Cost**<br>on acquisition<br>**NET BOOK VALUE**<br>At 31 July 2022<br>Additions in year<br>Value prior to depreciation charge<br>Depreciation on assets brought fwd<br>Depreciation on additions in year<br>Depreciation for year<br>NET BOOK VALUE at 31 Jul 2023<br>**5**<br>**Investments**<br>Quilter Cheviot Managed Portfolio<br>At 1  August 2022<br>Unrealised gain (loss)<br>At 31 July 2023<br>**6**<br>**Debtors and prepayments**<br>Debtors due within 1 yr<br>IncomeDebtors due more than 1 year<br>Pre-payments -  next season<br>Total<br>**7**<br>**Creditors, accruals & provision**<br>Creditors due within 1 year<br>Creditors due more than 1 year<br>Accruals<br>Old Accruals written off<br>**8**<br>**Cash at bank and in hand**<br>Short term deposits<br>Cash at bank and in hand<br>Total|**Raising**<br>**Funds £**<br>0<br>232<br>3,105<br>48|**Charitable**<br>**Activities £**<br>6,616<br>9,929<br>65,564<br>1,704|**Other**<br>**£**<br>2,512<br>0<br>50<br>0|**Total**<br>**£**<br>9,128<br>10,162<br>68,719<br>1,752|
|---|---|---|---|---|
||3,385|83,814<br>**2022**<br>**£**<br>150<br>**Fixtures**<br>**Fittings &**<br>**Equipment**<br>**£**<br>**PIANO**<br>19,250<br>12,671<br>0<br>12,671<br>634<br>0<br>634<br>12,038<br>**Restricted**<br>**£**<br>21,933<br>(750)<br>21,183<br>**2023**<br>**£**<br>6,257<br>30<br>257<br>6,544<br>**2023**<br>**£**<br>0<br>0<br>7,785<br>7,785<br>634<br>**2023**<br>**£**<br>1,288<br>38,910<br>40,198|2,562<br>**£**<br>**STAGING**<br>37,554<br>36,630<br>0<br>36,630<br>1,878<br>0<br>1,878<br>34,752<br>**Total**<br>**£**<br>67,507<br>(2,268)<br>65,239<br>**2022**<br>**£**<br>16<br>30<br>913<br>959<br>**2022**<br>**£**<br>5,140<br>634<br>6,272<br>12,046<br>**2022**<br>**£**<br>1,283<br>45,654<br>46,937|89,761|
||**2023**<br>**£**<br>720<br>**Unrestricted**<br>**£**<br>45,574<br>(1,518)||||
||44,056||||
||||||



10 



|**9**<br>**Funds in the current reporting period**<br>**Balance**<br>**Brought forward**<br>**£**<br>**Restricted Funds**<br>Choir Trips Fund<br>2,649<br>Celebrity Concerts Baxter Fund<br>28,070<br>Piano Maintenance Fund<br>4,050<br>Young Musicians' Fund<br>9,006<br>43,775<br>Revaluation (Deficit) Gain Investments<br>1,933<br>45,708<br>**Unrestricted Funds**<br>Designated:<br>- Showcase Activities Fund<br>10,391<br>- Hallett Memorial Fund<br>914<br>Other Charitable Funds<br>90,071<br>101,376<br>Revaluation (Deficit) Gain Investments<br>5,574<br>106,950<br>**Total**<br>**152,658**|**9**<br>**Funds in the current reporting period**<br>**Balance**<br>**Brought forward**<br>**£**<br>**Restricted Funds**<br>Choir Trips Fund<br>2,649<br>Celebrity Concerts Baxter Fund<br>28,070<br>Piano Maintenance Fund<br>4,050<br>Young Musicians' Fund<br>9,006<br>43,775<br>Revaluation (Deficit) Gain Investments<br>1,933<br>45,708<br>**Unrestricted Funds**<br>Designated:<br>- Showcase Activities Fund<br>10,391<br>- Hallett Memorial Fund<br>914<br>Other Charitable Funds<br>90,071<br>101,376<br>Revaluation (Deficit) Gain Investments<br>5,574<br>106,950<br>**Total**<br>**152,658**|**Resource**<br>**incoming**<br>**£**<br>0<br>2,068<br>88,284<br>90,352<br>90,352<br>**90,352**|**Resource**<br>**outgoing**<br>**£**<br>55<br>0<br>1,500<br>1,555<br>1,555<br>1,752<br>86,449<br>88,201<br>88,201<br>**89,756**|**Transfers**<br>**between**<br>**funds**<br>**£**<br>0<br>0<br>0<br>0<br>**0**|**Revaluation**<br>**Gain (Loss)**<br>**£**|**Balance**<br>**At end**<br>**£**<br>2,593<br>28,070<br>4,050<br>7,506|
|---|---|---|---|---|---|---|
||43,775<br>1,933||||(750)|42,219<br>1,183|
||45,708||||(750)|43,402|
||10,391<br>914<br>90,071|||||10,707<br>914<br>91,906|
||101,376<br>5,574||||(1,518)|103,527<br>4,056|
||106,950||||(1,518)|107,583|
||**152,658**||||**(2,268)**|**150,986**|



The Choir Trips Fund is restricted to use by the Choir on their concert trips. The restricted Celebrity Concerts Baxter Fund contains donations restricted for use by the Celebrity Concerts section The restricted Piano Maintenance Fund is to help maintain the quality of the piano used in the Celebrity Concerts series The restricted Young Musicians' Fund is to provide bursaries for outstanding young musicians and to facilitate access to live classical music performance for young people. 

The designated Showcase Activities Fund is set aside for the future stability of the Showcase Section. The designated Hallett Memorial Fund is set aside for use in activities in memory of Geoffrey & Lila Hallett 

|**10**<br>**Funds in the previous reporting period**<br>**Balance**<br>**Brought forward**<br>(Funds defined above)<br>**£**<br>**Restricted Funds**<br>Choir Trips Fund<br>2,744<br>Celebrity Concerts Baxter Fund<br>28,070<br>Piano Maintenance Fund<br>4,400<br>Young Musicians' Fund<br>9,006<br>44,220<br>Revaluation (Deficit) Gain Investments<br>3,398<br>47,618<br>**Unrestricted Funds**<br>Designated:<br>- Showcase Activities Fund<br>10,762<br>- 2021 Fund<br>15,000<br>- Hallett Memorial Fund<br>914<br>- Choir Staging Fund<br>38,000<br>Other Charitable Funds<br>18,731<br>83,406<br>Revaluation (Deficit) Gain Investments<br>9,230<br>92,636<br>**Total**<br>**140,255**|**10**<br>**Funds in the previous reporting period**<br>**Balance**<br>**Brought forward**<br>(Funds defined above)<br>**£**<br>**Restricted Funds**<br>Choir Trips Fund<br>2,744<br>Celebrity Concerts Baxter Fund<br>28,070<br>Piano Maintenance Fund<br>4,400<br>Young Musicians' Fund<br>9,006<br>44,220<br>Revaluation (Deficit) Gain Investments<br>3,398<br>47,618<br>**Unrestricted Funds**<br>Designated:<br>- Showcase Activities Fund<br>10,762<br>- 2021 Fund<br>15,000<br>- Hallett Memorial Fund<br>914<br>- Choir Staging Fund<br>38,000<br>Other Charitable Funds<br>18,731<br>83,406<br>Revaluation (Deficit) Gain Investments<br>9,230<br>92,636<br>**Total**<br>**140,255**|**Resource**<br>**incoming**<br>**£**<br>0<br>237<br>17,162<br>67,135<br>84,533<br>84,533<br>**84,533**|**Resource**<br>**outgoing**<br>**£**<br>96<br>350<br>446<br>446<br>607<br>37,554<br>28,402<br>66,563<br>66,563<br>**67,009**|**Transfers**<br>**between**<br>**funds**<br>**£**<br>0<br>0<br>(15,000)<br>(17,608)<br>32,608<br>0<br>**0**|**Revaluation**<br>**Gain (Loss)**<br>**£**|**Balance**<br>**At end**<br>**£**<br>2,649<br>28,070<br>4,050<br>9,006|
|---|---|---|---|---|---|---|
||44,220<br>3,398||||(1,465)|43,775<br>1,933|
||47,618||||(1,465)|45,708|
||10,762<br>15,000<br>914<br>38,000<br>18,731|||||10,391<br>0<br>914<br>0<br>90,071|
||83,406<br>9,230||||(3,656)|101,376<br>5,574|
||92,636||||(3,656)|106,950|
||**140,255**||||**(5,121)**|**152,658**|



The designated 2021 Fund was set up for events associated with the 75th Anniversary celebrations of the Society. These did not take place due to Covid and Fund closed in 2022. 

The designated Choir Staging Fund was set aside for purchase of the tiered choir staging. After purchase of staging, Fund closed in 2022. 

## **11 Transfers between funds** 

Transfers between unrestricted and restricted funds - Interest from bank accounts £ 0 Transfers of funds between unrestricted funds and designated funds £ 0 **Designated funds** The designated Showcase Activities fund is set aside for the future stability of the Showcase Section. Its current value is: £ 10,707 A designated Hallett memorial Fund was set aside for activities in memory of Geoffrey & Lila Hallett. Its current value is £ 914 

## **12 Designated funds** 

**13 Trustee remuneration and benefits** Trustees are not paid for their trustee activities and any reimbursments are not material. David Taylor was paid £0 (0 last year) for professional accompanist charges as allowed by Memorandum Clause 5 (1). 

- **15 Related Party Transactions** 

None 

11 



## **CHESTER MUSIC SOCIETY MANAGEMENT ACCOUNTS** 

## **INCOME & EXPENDITURE OVERALL** 

## **For the year ended 31 July 2023** 

|**2023**<br>**Unrestricted**<br>**£**<br>**INCOME**<br>**Donations and legacies:**<br>Donations<br>1,815<br>Gift aid<br>6,282<br>Grants<br>2,000<br>Subscriptions (donation element)<br>28,297<br>**Charitable activities:**<br>Sales of concert tickets and programmes<br>35,573<br>Educational activities<br>2,560<br>**Other trading activities:**<br>Subscriptions (service element)<br>4,844<br>Sponsorship<br>500<br>Fund raising income<br>7,836<br>**Investments:**<br>Bank interest<br>390<br>**Other**<br>255<br>TOTAL INCOME<br>**90,352**<br>**EXPENDITURE**<br>**Raising funds**<br>3,385<br>**Charitable activities:**<br>Artists/accompanists/conductors<br>37,671<br>Administration<br>471<br>Accountancy fees<br>720<br>Bank charges<br>311<br>Insurance<br>782<br>Adverts/publicity<br>1,540<br>Hall hire<br>28,526<br>Instruments/music<br>2,363<br>Printing programmes/tickets/ticket commission<br>4,980<br>Miscellaneous production costs<br>2,649<br>Educational activities<br>2,242<br>**Other:**<br>Depreciation<br>2,512<br>Other<br>50<br>TOTAL EXPENDITURE<br>**88,201**|**2023**<br>**Restricted**<br>**£**<br>5<br>**5**<br>1,560<br>**1,560**|**2023**<br>**Total**<br>**£**<br>1,815<br>6,282<br>2,000<br>28,297<br>35,573<br>2,565<br>4,844<br>500<br>7,836<br>390<br>255<br>**90,357**<br>3,385<br>37,671<br>471<br>720<br>311<br>782<br>1,540<br>28,526<br>2,363<br>4,980<br>2,649<br>3,802<br>2,512<br>50<br>**89,761**|**2022**<br>**Total**<br>**£**<br>14,953<br>7,067<br>6,000<br>17,703<br>26,569<br>926<br>4,233<br>500<br>6,545<br>38|
|---|---|---|---|
||||**84,533**|
||||1,676<br>32,116<br>449<br>150<br>267<br>562<br>796<br>21,375<br>1,627<br>3,164<br>2,304<br>898<br>1,574<br>50|
||||**67,009**|



12 



## **CHESTER MUSIC SOCIETY** 

## **INCOME AND EXPENDITURE SUMMARY** 

For the year ended 31 July 2023 

|**2023**<br>**£**<br>**Overall summary**<br>(As per schedules attached)<br>Relating to:<br>**Unrestricted**<br>a<br>**The Society**<br>surplus/(deficit)<br>(1,275)<br>b<br>**Celebrity Concerts**<br>surplus/(deficit)<br>1,084<br>c<br>**Choir**<br>surplus/(deficit)<br>2,026<br>**Choir Trips**<br>surplus/(deficit)<br>d<br>**Showcase**<br>surplus/(deficit)<br>316<br>2,151<br>Unrealised investment gain (loss)<br>(1,518)<br>Transfers between funds<br>0<br>**Overall surplus/(deficit) for season**<br>**633**|**2023**<br>**£**<br>**Restricted**<br>(1,500)<br>(55)<br>(1,555)<br>(750)<br>0<br>**(2,305)**|**2023**<br>**2022**<br>**£**<br>**£**<br>**Total**<br>**Total**<br>(2,775)<br>18,012<br>1,084<br>385<br>2,026<br>(407)<br>(55)<br>(96)<br>316<br>(370)<br>596<br>17,524<br>(2,268)<br>(5,121)<br>0<br>0<br>**(1,672)**<br>**12,403**|
|---|---|---|



13 



## **CHESTER MUSIC SOCIETY** 

## **INCOME AND EXPENDITURE ACCOUNT** 

For the year ended 31 July 2023 

|**2023**<br>**2023**<br>**£**<br>**£**<br>a<br>**Re: The Society**<br>**Unrestricted**<br>**Restricted**<br>**Income**<br>Sponsorship/Patrons/Donations<br>100<br>Subscriptions<br>2,363<br>Gift Aid<br>510<br>Grants<br>Bank interest<br>390<br>Bank compensation<br>250<br>Projects: Piano income<br>180<br>Projects: Chamber Music Workshop<br>1,405<br>Projects: Young Musician Competition<br>1,156<br>Fund raising income<br>Miscellaneous<br>`<br>**6,353**<br>**0**<br>**Expenditure**<br>Administration, postage, meetings<br>174<br>Examination of accounts<br>720<br>Insurance<br>782<br>Bank charges<br>311<br>Advertising & Publicity<br>495<br>Training<br>Projects: Piano expenses<br>Projects: Chamber Music Workshop<br>992<br>Projects: Young Musician Competition<br>900<br>1,500<br>Artists - Bursary<br>Educational artists<br>350<br>Equipment<br>393<br>Depreciation<br>2,512<br>Fund raising expenditure<br>Miscellaneous<br>**7,628**<br>**1,500**<br>**Surplus/(deficit)**<br>**(1,275)**<br>**(1,500)**<br>**Restricted Fund values**<br>Young Musicians Fund<br>Piano Maintenance Fund<br>**Designated Fund value**<br>Hallet Memorial Fund<br>£<br>£<br>Cash assets at Y/E<br>914<br>4,050<br>£<br>95<br>Investments & Cash<br>assets<br>7,506<br>Total Unrealised Gains if<br>investments had been sold at Y/E<br>296|**2023**<br>**£**<br>**Total**<br>100<br>2,363<br>510<br>390<br>250<br>180<br>1,405<br>1,156<br>**6,353**<br>174<br>720<br>782<br>311<br>495<br>992<br>2,400<br>350<br>393<br>2,512<br>**9,128**<br>**(2,775)**<br>|**2022**<br>**£**<br>**Total**<br>9,308<br>2,484<br>2,474<br>6,000<br>38<br>360<br>926|
|---|---|---|
|||**21,589**<br>121<br>150<br>562<br>267<br>100<br>802<br>1,574|
|||**3,577**|
|||**18,012**|
||||



14 



## **CHESTER MUSIC SOCIETY** 

## **INCOME AND EXPENDITURE ACCOUNT** 

For the year ended 31 July 2023 

|**2023**<br>**£**<br>b<br>**Re: Celebrity Concerts**<br>**Unrestricted**<br>**Income**<br>Sale of non-season tickets<br>3,477<br>Subscriptions/season tickets<br>4,544<br>Programme income<br>168<br>Sponsorship/patrons/donations<br>1,204<br>Gift Aid<br>447<br>Grants<br>Fund raising income<br>1,407<br>Miscellaneous<br>**11,246**<br>**Expenditure**<br>Artists fees & expenses *<br>7,770<br>Administration<br>30<br>Advertising & publicity<br>92<br>Hire of halls<br>961<br>Hire & maintenance of instruments<br>460<br>Misc inc PRS<br>129<br>Printing programmes & tickets<br>30<br>Ticket commission<br>194<br>Miscellaneous<br>263<br>Fund raising expenditure<br>232<br>**10,162**<br>**Surplus/(deficit)**<br>**1,084**<br>y|**2023**<br>**£**<br>**Restricted**<br>**0**<br>**0**<br>**0**|**2023**<br>**£**<br>**Total**<br>3,477<br>4,544<br>168<br>1,204<br>447<br>1,407<br>**11,246**<br>7,770<br>30<br>92<br>961<br>460<br>129<br>30<br>194<br>263<br>232<br>**10,162**<br>**1,084**|**2022**<br>**£**<br>**Total**<br>510<br>3,763<br>113<br>562<br>303<br>1,157|
|---|---|---|---|
||||**6,408**<br>4,400<br>887<br>400<br>175<br>28<br>24<br>109<br>**6,023**|
||||**385**|



* Artist credit £450 due to write off from Y/E 2016 

**Restricted Fund value** £ £ Total Unrealised Gains if Investments & Cash investments had been sold at assets at Y/E Y/E Celebrity Concerts Baxter Fund 28,070 793 

15 



## **CHESTER MUSIC SOCIETY** 

## **INCOME AND EXPENDITURE ACCOUNT** 

For the year ended 31 July 2023 

|**£**<br>**£**<br>c<br>**Re: Choir**<br>**Income**<br>Sale of tickets<br>30,073<br>Programme income<br>793<br>Sponsorship/patrons/donations<br>1,011<br>Subscriptions<br>25,934<br>Gift Aid<br>5,326<br>Grants<br>2,000<br>Miscellaneous<br>5<br>Members' music hire/purchase<br>1,868<br>Fund raising income<br>3,677<br>**70,686**<br>**Expenditure**<br>Conductors & Accompanist<br>8,389<br>Artists fees & expenses<br>3,770<br>Orchestral fees & expenses<br>16,612<br>Administration<br>267<br>Advertising & publicity<br>936<br>Hire of halls<br>12,221<br>Staging costs<br>14,934<br>Lighting<br>Hire & maintenance of instruments<br>Music<br>1,903<br>Printing programmes & tickets<br>1,154<br>Ticket commission<br>3,588<br>Miscellaneous inc PRS<br>1,730<br>Equipment<br>Charity donation<br>50<br>Members' music hire/purchase<br>1,471<br>Fund raising expenditure<br>1,634<br>**68,659**<br>**Surplus/(deficit)**<br>**2,026**<br>y<br>**TRIPS ACCOUNT**<br>**(RESTRICTED FUNDS)**<br>Surplus on agency payments<br>Cost of administration<br>55<br>**Surplus/(deficit)**<br>**(55)**<br>**2023**|**£**<br>**£**<br>25,035<br>674<br>5,583<br>15,690<br>4,290<br>0<br>984<br>4,044<br>**56,299**<br>6,446<br>8,367<br>12,503<br>328<br>696<br>9,026<br>11,462<br>1,062<br>926<br>2,186<br>2,038<br>50<br>50<br>1,566<br>**56,706**<br>**(407)**<br>96<br>**(96)**<br>**2022**|**£**<br>**£**<br>25,035<br>674<br>5,583<br>15,690<br>4,290<br>0<br>984<br>4,044<br>**56,299**<br>6,446<br>8,367<br>12,503<br>328<br>696<br>9,026<br>11,462<br>1,062<br>926<br>2,186<br>2,038<br>50<br>50<br>1,566<br>**56,706**<br>**(407)**<br>96<br>**(96)**<br>**2022**|
|---|---|---|
||||
|||**(407)**|
|||96|
|||**(96)**|



**Restricted Fund value** £ Cash assets at Y/E Senior Choir Trips Fund 2,593 

16 



## **CHESTER MUSIC SOCIETY** 

## **INCOME AND EXPENDITURE ACCOUNT** 

For the year ended 31 July 2023 

|e<br>**Re: Showcase**<br>**Income**<br>Sale of tickets & programmes<br>Subscriptions<br>Refreshments<br>Sponsorship/Donations<br>Misc<br>Fundraising income*<br>**Expenditure**<br>Artists fees & expenses<br>Administration<br>Advertising & publicity<br>Printing<br>Hire of halls<br>Piano tuning<br>Refreshments<br>Miscellaneous, inc equipment & PRS<br>Fund raising expenditure<br>**Surplus/(deficit)**|**£**<br>**£**<br>1,063<br>300<br>71<br>634<br>**2,068**<br>1,130<br>16<br>16<br>410<br>48<br>133<br>**1,752**<br>**316**<br>**2023**|**£**<br>**£**<br>237<br>**237**<br>400<br>166<br>41<br>**607**<br>**(370)**<br>**2022**|**£**<br>**£**<br>237<br>**237**<br>400<br>166<br>41<br>**607**<br>**(370)**<br>**2022**|
|---|---|---|---|
|||||
||||**(370)**|



*Fund raising credit of £634 due to write off of Gala ticket income from Y/E 2020 

**Designated Fund value** £ Cash assets at Y/E Showcase Activities Fund 10,707 

17 

