D￿SIgn Envelope ID." 98F93209-OE7(P41754D3949553F754FAD
WRITING ON THE WALL
LIMITED
ANNUAL REPORT AND
FINANCIAL STATEMENTS
FOR THE YEAR ENDED
ST
31 MARCH 2025
Company Registration No 04675589
Charity Registration No. 1098868

DoGU5vJn Envelope ID." 98F93209-OE71P4175.8D39.69553F754FAO
WRITING ON THE WALL LIMITED
TRUSTEES, REPORT FOR THE YEAR ENDED 31ST MARCH 2025
The trustees are pleased to present their annual report for the year ended 31 sl March 2025.
The financial statements have been prepared in accordance with the charity's trust deed, the
Charities Act 2011 and Accounting and Reporting by Charities.. Statement of Recommended
Practice applicable to charities preparing their accounts in accordan￿ with the Financial Reporting
Standard applicable in the UK and Republic of Ireland published (FRS 102) effective 1 $1 January
2019.
OBJECTIVES AND ACTIVITIES
Writing on Ihe Wall Limited (Wow) organises and promotes an annual programrne of events that
culminates in a Liverpool-based festival. The annual Writing on the Wall festival features local,
national, and international writers, artists, historians, and musicians who engage local communities
and broader aUdIen￿S to celebrate writing, diversity, lolerance, storytelling and humour through
creativity, controversy, inquiry and debate. Writing on the Wall focuses on writing that empowers,
where storytellers give and receive strength through telling. Writing on the Wall promotes both
individual and collective creativity.
Public Benefit ststement
In considering the objectives and activities, the Trustees have considered the Charity Commission's
guidance on Public Benefit to ensure that the organisation is meeting its Public Benefit requirements.
ACHIEVEMENTS AND PERFORMANCE FOR THE YEAR & PLANS
2024-2025 has been a significant year of growth, delivery and consolidation for Writing on the Wall
(Wow). Building on more than two decades of creative engagement across the Liverpool City
Region, Wow has continued to strengthen its reputation as a leading arts, heritage and community
organisation committed lo amplifying marginalised voices, tackling inequality, and opening access
to creative expression. Our programmes this year- spanning literature, heritage, health, education
and community development- have further demonstrated the power of storytelling to create social
connection, challenge injustice and inspire change.
Across the year, Wow delivered an ambitious and wide-ranging programme. WOWFEST 2024
Fahrenheit 2024 explored urgent national and global themes, from censorship and book banning to
climate Justi￿ and Palestine. Our Creative Heritage work deepened ils impact through major
partnerships, new archival projects and expanded public engagement. Our Write to Work
programme continued to provide transformative opportunities for participants seeking renewed
confidence, skills and pathways into work and learning. Alongside these core strands, new projects
such as What's Your Walton Story? and expanded work under the ReCITE umbrella have
demonstrated Wows continued relevan￿ and responsiveness to the social realities facing our
communities.
This year also saw Wow deepen and diversify its partnerships, expand its publishing output, and
strengthen its role within regional and national cultural networks. Our collaborations with universities,
health instilulions, community organisations and cultural partners have broadened our reach and
created new opportunities for meaningful impact across sectors. We also continued to prioritise
accessibility, participant voice and community representation across all areas of our work.
Aswe approached the end ofthe reporting year, preparations began for WoWFEST2025-marking
the start of a year of celebration and reflection a8 Wow moves into its 25th anniversary year. This
early planning underscored both the momentum of our current programme and the organisation's
continued commitment to ambitious, community-centred work.
Throughout 2024-2025, Writing on the Wall has remained firmly grounded in its core mission.. to
champion creativity, promote inclusion and support the voices, stories and experiences that too
often go unheard.

Envelope ID.. 98F93209-OE70.41754D3M9553F754FAD
WRITING ON THE WALL LIMITED
TRUSTEES, REPORT FOR THE YEAR ENDED 31ST MARCH 2025
The achievements outlined in this report reflect Ihe dedication of our team, trustees, partners,
participants and supporters. Together, we continue lo build spaces where creativity thrives,
communities corinect and stories inspire transformation.
2. The Year at a Glance
2024-2025 was a dynamic and wide-reaching year for Writing on the Wall, chaiaclerised by strong
programme delivery, deepened partnerships, expanded publishing work, and sustained community
impact. Across the year, Wow delivered a diverse range of festivals, projects and creative
opportunities that engaged thousands of people across the Liverpool City Region and beyond.
Key Highlights
36 WOWFEST events featuring 86 writers, artists and performers, attracting over 2,500
attendees.
13 Black History Month events, including walking tours, talks and community partnerships.
Major heritage projects delivered across the city, including the Dorothy Kuya Archive, L8
Law Centre Archive, and Anti-Racist Community Arts Association work.
Expansion ofthe ReCITE programme, including Vvhat's Yourstory? {Toxteth, Kirkby, Bootlel,
Creative Health Exchange, and growing partnerships with health providers.
Continued success of Write to Work, supporting residents seeking pathways into work,
education or volunteering.
Significant public engagement through What's Your Walton Story? delivered in response
to community tensions following the raci8t riots of 2024.
Publishing of multiple new books, reprints of hi9h-demand titles, and strengthening of
Wows distribution network (including Amazon, Waterstones, TikTok Shop, and independent
stockislsl.
Recognition at regional and national levels, including awards, Conferen￿ invitations and
media coverage.
Preparations undemay for WOWFEST 2025, marking the start of Wow's 25th anniversary
year.
3. WOWFEST 2024- Fahrenheit 2024
WOWFEST 2024 marked another impressive chapter in the festival's evolution, drawing diverse
audiences to events tackling urgent global, political and cultural issues. The theme Fahrenheit 2024
ntred on book banning, censorship and the pressures on creative expression, set against wider
conversations about climate, LGBTQ+ rights, Palestine, and the cost-Df-Iiving crisis.
Across 36 events, the festival brought together an extraordinary range of voices including Irvine
Welsh, Joelle Taylor, Jon Ronson, Jackie Kay, Kamila Shamsie and Michael Rosen, alongside
dozens of emerging writers and community participants from across the city. The festival showcased
11 book launches, including Brian Reade's Sick Mick, Pulp Idol Firsts 2024, and several Wow
publications.
Audience feedback reflected the festival's emotional and inlelleclual impact..
"Deeply moving and Ihought-provoking."
'A powerful night in honour of an inspirational man.

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WRITING ON THE WALL LIMITED
TRUSTEES, REPORT FOR THE YEAR ENDED 31ST MARCH 2025
"Amazing, very informative and inspiring.
Themes of justice, identity, memory and resistance threaded through the programme, with standout
sessions addressing global inequalities, histories of struggle, and the need to protect free expression
in a time of increasing censorship.
The festival's mix of literature, performance, activism, film, walking tours and conversations
reaffirmed WOWFEST'S role as a major cultural event in the Liverpool calendar and a nationally
significant festival of socially engaged writing.
4. Black History Month 2024
Wow delivered 13 events during Black Hislory Month 2024, contributing significantly lo Liverpool's
citywide programme coordinated by Culture Liverpool. The programme combined heritage walking
tours, talks, public discussions and creative performances, with highlighls including:
A Woman Like Me with Diane Abbott and Gary Younge
Stories of the Blues
Creative Heritage Walking Tours, including the Dorothy Kuya Tour
Participation in Liverpool Rising, a major event with Love Music Hate Racism
Co-Director Madeline Heneghan represented Wow and LCR Culture Network at the official citywide
BHM launch in St George's Hall. Wowwas also invited to the Citizen of Honour Ceremony for The
Real Thing.
Audience feedback spoke to the power ofthe programme..
"A beautiful ￿lebratIon of Black history and creativily. I left feeling inspired.
BHM 2024 strengthened Wows leadership in heritage, anti-racism and community-focused arts
work.
5. Creative Heritage Programm8
Creative Heritage continued to expand in scale and ambition throughout 2024-2025, with major
developments across multiple archival and community projects.
Key Areas of Work..
Dorothy Kuya Archive
workshops.
L8 Law Centre Archive
acquired, catalogued and used as the basis for community
storytelling and legal-heritage education.
Anti-Racist Community Arts Association Archive- ongoing cataloguing and comrnunity
engagerrent work.
Great War to Race Riots- walking tours, educational sessions and new online resources.
Wow delivered..
continued public engagement, walking tours and heritage
A Creative Heritage Day bringing together researchers, artists and community members.
Walking Tour training to expand the pool of heritage ambassadors in the city.
A presentation at a National Archives impact seminar.

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WRITING ON THE WALL LIMITED
TRUSTEES, REPORT FOR THE YEAR ENDED 31ST MARCH 2025
Delivery of the Eric Scott Lynch Memorial Writing Competition for children, in
collaboration with local trade unions.
The Creative Heritage programme continues to be central to Wows mission of preseNing and
celebrating Liverpool's radical cultural history while empowering communities to tell their own
stories.
6. Write to Work & The Writer's Bloc
Write to Work
The programme, funded through UKSPF, continued to support people who are economically
inactive, offering creative writing skills, confidence-building and routes into employment, education
or volunteering.
Highlights included..
Launch of the Writing for TV course with industry professionals.
Strong participant feedback describing the programme as "life-changing" and "empowering"
Continued success in supporting participants into new opportunities in creative industries.
The Writer's Bloc
A vibrant community of writers meeting regularly in Toxleth Library, offering..
Creative writing sessions
Artist masterclasses
Networking events
Opportunities for publication and performance
Participants commented on the sense of belonging and creative growth fostered within the group.
7. ReCITE Programm
ReCITE, funded by the Arts and Humanities Research Council in partnership with Liverpool School
of Tropical Medicine, expanded significantly this year.
Key Achievements
What's Your Story? workshops delivered in Toxteth, Bootle and Kirkby.
Participants shared testimonies of health inequality, access barriers and lived experience of
the healthcare system.
Work showcased at public events, including a Creative Health Exchange at Liverpool
Lighthouse.
Strengthened collaboration between health professionals, researchers, artists and
community members.
ReCITE reinforced the essential role of creative expression in addressing health inequality and
connecting communities with healthcare institutions.

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WRITING ON THE WALL LIMITED
TRUSTEES, REPORT FOR THE YEAR ENDED 31ST MARCH 2025
8. What's Your Story? {PSS) & What's Your Walton Story?
PSS Partnership
Wow continued its partnership with PSS Liverpool, delivering creative storytelling workshops for
parents of young children.
Participants highlighted.
Increased confidence
Improved wellbeing
Strengthened relationships with their children
What's Your Walton Story.
Commissioned by Culture Liverpool in response to the racist riots following the Southport murders,
this 12-week course provided a positive, community-building space for Walton residents.
Outcomes included..
A published anthology
A public reading celebration
Strong participant feedback praising connection, reflection and belonging
This project demonstrated Wows ability to respond rapidly and meaningfully to community need.
9. Publishing Programme
Wows publishing output continued lo grow, with multiple new titles, reprints and anthologies
published throughout the year.
Key Publi¢ations12024-2025):
Sick Mick by Brian Reade (May 2024, reprinted July 20241
Wally Brown.. A Life (Reprinted July 2024)
From Piti Street to Granby (Reprinted July and October 2024)
Lights Bearing West.. Vol 2 by Tony Wailey (May 2024, reprinted October 2024)
Pulp Idol Firsts 2024 (May 20241
Silent Victims by Gary Millar (February 2025)
Raising Wildflowers- PSS What's Your Story? (February 20251
Distribution Partners
Waterstones
Amazon
Dead Ink
News From Nowhere
TikTok Shop
National Museums Liverpool
Write Blend
Casa Bar

DoCu￿gn Envelope ID. 98Fg3209-OE7N417&8D3W69553F754FAD
WRITING ON THE WALL LIMITED
TRUSTEES, REPORT FOR THE YEAR ENDED 31ST MARCH 2025
Vvows publishing profile continues to grow nationally, expanding access to working-class and
underrepresented writers.
10. Marketing. Social Media & Communications
Marketing activity this year reflected a strategic shift toward diverse plafforms, grassroots promotion
and audience engagement.
Achievements
Continued growth across Inslagram, Facebook and TikTok
strong engagement with WOWFEST and BHM campaigns
National media visibility, including participation in BBC Radio 4's Decolonising the BBC
Archive
Represer)talion al the UK Literary Association conference
Growth of newsletter mailing list and digital content output
Wows communications emphasised community voice, social justice and ac￿$s1b111ty, ensuring that
audiences remained at the heart of the organisation's work.
11. Community Voice & Impact
Feedback gathered across the year demonstrated profound impact on participants, wellbeing,
confidence, crealivily and sense of belonging.
Participant Quotes
"This course gave me the tools and confidence to pursue a career in writing.
"Being part ofthis group has given me a new way to connect with my children."
"Spoken Word Power has given me a new level of confidence..
"The walking tours gave me a new perspective on Liverpool's history..
"This project has given me a new perspective on the Importan￿ of preserving history."
Wows commLJnity-centred approach continues to be a defining feature of its identity and success.
12. Partnerships & Strategic Leadership
Throughout 2024-2025, Wow continued lo play an active leadership role in the region's cultural
and community landscape.
Key Partnerships
Liverpool School of Tropical Medicine
National Museums Liverpool
Universilies of Liverpool and Westminster
Culture Liverpool
Local libraries and community organisations
Health providers and local authorities

D￿5￿9￿ Envelope ID. 98F9320&0E704175-8D39-69553F154FAD
WRITING ON THE WALL LIMITED
TRUSTEES, REPORT FOR THE YEAR ENDED 31ST MARCH 2025
Strategic Representation
Wow contributed to..
Culture Network CIC
Liverpool Visitor Economy Panel {LVEP)
Race Equality Action Group
Expert Funding Panel for Archives Revealed
Advisory Board of the Poverty Research and Advocacy Network (PRAN)
These forums strengthened Wows advocacy around representation, social justice and equality
across the region.
13. Organisational Development & staffing
This year saw continued consolidation of Wows internal structure and team cap8CIty.
Highlights
Recruitment
Staff training and leadership development
Strengthening of project management and operational systems
Expanded volunteer engagement
Enhanced evaluation and data processes
strengthened governance through regular trustee reportin9 and reflection
These developments ensured Wow remained resilient. strategically guided and operationally
strong.
14. Governance
Wow continued to uphold strong governan￿ standards, meeting all expectations of a National
Portfolio Organisalion.
Governance activity included..
Quarterly trustee reporting
Oversight of HR, finance, strategy and risk
Review of policies, prO￿dureS and safeguarding
Monitoring and evaluation improvements
Continued Complian￿ with Arts Council England reporting requirements
Trustees provided consistent leadership and oversight across programme delivery, organisational
development and strategic planning.
15. Funding & Financial Overview
Total income for the year was £411,700 (2024.. £810,355) of which £nil12024'. £67,425) related to
funding for projects upon which restrictions are placed.
Total expenditure for the year was £453,380 (2024.. £581,072), leaving a deficit for the year of
£41,68012024.' surplus £229,283).
At 3151 March 2025 the charitable company reserves stood at £656,27912024'. £697,959) ofwhich
£1,000 12024.. £28,309) represented restricted funds and £261,818 {2024'. £309,275) represents
designated funds.

D￿SIgn Envdopts ID.. 98F93209￿E7￿417S-9D39-S9Ss3F754FAD
WRITING ON THE WALL LIMITED
TRUSTEES, REPORT FOR THE YEAR ENDED 31ST MARCH 2025
Highlights include..
Continued UKSPF funding for Write to Work
AHRC funding for ReCITE in partnership with LSTM
Project commissions from Culture Liverpool
Festival ticket sales and sponsorship
Publishing revenue
Ongoing discussions around putting forward a proposal for Lodge Lane Library as part of the
potential for a future Community Asset Transfer process.
Funding streams remained diverse and stable, supporting the organisation's core and project work.
16. Awards & Recognition
Wow received significant recognition across the year, including..
Preparing for Work Award- LCR Culture and Creativity Awards
Finalist: People's Choice Award- LCR Culture and Creativity Awards
Partnership of the Year Award - Liverpool School of Tropical Medicine (for ReCITE)
Involvement in high-profile national events and media appearances
These accolades demonstrate both artistic excellence and meaningful community impact.
17. Closing Note
As 2024-2025 drew to a close, preparations began forWoWFEST 2025, marking the start ofwriting
on the Wall's 25th anniversary year. Early planning reflected both the strength of this year's
achievements and the organisation's continued commitmenl to ambitious, communily-rooled work.
Writing on the Wall remains dedicated to amplifying marginalised voices, fostering creativity and
driving social change through culture. The accomplishments of 2024-2025 are a testament to the
collective passion, skill and commitment of our staff, Irustees, partners, participants and audiences.
Together, we look forward to another year of powerful storytelling, creative collaboration and
community impact.
Risk Management
The Iruslees examined the major risks that the charitable company faces each year and have
developed and continue to develop systems to monitor and control these risks to mitigate any impact
that they may have on the charity both now and in the future.
Writing on the Wall are currenly negotiating a new lease on their office premises, with the Landlords,
Liverpool City Council.
Reserves Policy
It is the policy of the charitable company to maintain unrestricted funds, which are free reserves at
a level to cover redundancy provision, lease commitments, slaff training, festival and six months,
running costs should no further funding be received.
AS at the end of the financial year the unreslricled funds totalled £655,279 sess designated funds for
projects of £261,818 the balance of unrestricted reserves £393,461.

Do￿￿gn Env*lop¢ ID.. 98F932o9￿E7o-4I7S-8D39&95s3F7S4FAD
WRITING ON THE WALL LIMITED
TRUSTEES. REPORT FOR THE YEAR ENDED 31ST MARCH 2025
The charitable company requires £34,606 for redundancy provision, £1,000 lease requirement,
£50,000 for the festival and £213,036 for six months running costs, (total £298,642) included as a
designated reserves see note 10 and note 11.
The trustees plans for the balance of the unrestricted reserves are to employ additional staff,
celebration of Wow 25 anniversary, finding permanent premises, developing our publishing
distribution network.
Plans for the Future
As we look ahead lo 2025-2026, Writing on the Wall will continue to build on this year's
achievements while marking a major milestone in our history.
1. 25th Anniversary Heritage Project - We are incredibly pleased to have been awarded
Heritage Lottery funding to document and celebrate our archive as part of our 25th
anniversary year. This work will continue throughout 2025-2026, culminating in a public event
to reveal and celebrate the archive, alongside creative activities and outputs that share our
history with the communities who shaped it.
2. Strengthening Our Programmes and Partnerships - We will continue to deliver and grow
our core programmes, expanding opportunities for communities across the city and
strengthening partnerships in culture, education and health.
3. Building Organisational capacity To support our expanding work, we will focus on
strengthening slaff and leadership capacity, including new roles linked to our heritage,
community and creative development projects.
STRUCTURE, GOVERNANCE AND MANAGEMENT
The organisation is a charitable company limited by guarantee, incorporated on 24 February 2003
(Company number 046755891, and registered as a charity on 5th August 2003 (Ch8rily number
10988681.
The company was established under a Memorandum of Association which established the objects
and powers ofthe company and is governed by its Articles ofAssocialion dated 20th February 2003.
The Charity's Board of Trustees are also its Directors. The members are elected by Annual General
Meetings {AGMI of the members of the Charity, with casual vacancies being filSed. as required, by
the Board of Trustees in accordance with the Charity's Articles of Association.
The Board meets regularly throughout the year and attends lo all strategic and operational matters.
Trustee Recruitment:
The board will regularly identify skill gaps and recruit when to the Board, creating specifications and
role description.
Opportunities will be advertised through our mailing contact and various nelworks including
Liverpool Charity and Volunlary Service, City of Liverpool College, and Merseyside Literature
Partnership. Adverts will explicitly state that the board welcomes applications from under-
represented groups. The trustees may at any lime co-opt any person duly qualified to be appointed
as a trustee to fill a vacancy in their number or as an additional Trustee, but a co-opted Trustee
holds office onSy until the next AGM.
Equality and Diversity
In the planning and delivery of our activities, issues of inclusion, diversity, a¢￿$s, and equality are
at the forefront of our thoughts.
10

t)ocusign Envelope ID. 98F932O94>E70-41754D3￿9￿JF7s4FAO
WRITING ON THE WALL LIMITED
TRUSTEES, REPORT FOR THE YEAR ENDED 31ST MARCH 2025
The organisation ensures that all venues used are accessib5e, that publicity is targeted al relevant
groups where necessary, and that all aspects of the events are welcoming and inviting, and that
where possible we offer ways to support people attending, including childcare, translation and BSL
signing.
Wow was rated as Outstanding by Arts Council England for its diverse artistic programming in this
period, programming that attracts and diverse audiences and participants.
Our festival evaluations are an indication of the success of our work in engaging 'hard to reach,
communities and is a clear representation of how Wow is perceived as an inclusive. a￿sSIble
organisation.
Writing on the Wall's Board of Trustees are a diverse, multi-disciplinary, committed and motivated
team, highly regarded in their respective sectors and disciplines and drawn from the social economy,
secondary education, higher education, private and community sectors. Their combined skillsets
and experience allow Wow and the annual festival lo develop to its current position. The Trustees
meet bi-monthly, with a programme of dates planned throughout the year. The Co-Directors attend
all meetings. There is an annual AGM. Minutes are taken at each meeting and circulated within one
week of the meeting. Board papers are prepared and circulated one week in advance of meetings.
An annual away day is held with board and staff to review progress and discuss proposals and
activities for the year ahead. The Trustees attend the annual Creatives Meeting we hold with our
partners, writers, artists, volunteers and communities.
The Trustees are:
Dr Stuart Borthwick, published author and Head of Studenl Governance at Liverpool John Moores
University with a background in inter disciplinary cultural studies.
Penny Feeny, besl-selling author, formerly on boards of Liverpool Everyman Playhouse and
Brouhaha International.
Lisa M¢Mullan, Director for Development and Consultancy for The Women's Organisation, qualified
social accountant and auditor.
Emy Onuora, author of Pitch Black.. The Story of Black British Footballers and co-author of Great
War lo Race Riots, Equalities officer for Liverpool City Combined Authority.

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WRITING ON THE WALL LIMITED
TRUSTEES, REPORT FOR THE YEAR ENDED 31ST MARCH 2025
REFERENCE AND ADMINISTRATIVE DETAILS
Name
Writing on Ihe Wall Limited
04875589
Company number
Charity number
Registered office
1098868
Windsor Street Library
Windsor Street
Liverpool
L8 1XF
Board of Trustees
The Board of Trustees who are also its directors. Members are
elected by Annual General Meetings of the members of the
council in accordance with the Articles of Association.
Trustees
P Amann
Dr S Borthwick
R Donaldson
P Feeny
L McMu112n
E Onuora
(Resigned 31 st July 2025)
{Resigned 29th September 2025)
Se¢retary
Independent Examiner
Ms M Heneghan
Mrs Ying Huang, ACCA
clo LCVS
151 Dale Street,
Liverpool,
L2 2AH
Bankers
CD-Operative Bank PIC
Business Direcl
PO Box 250
Skelmersdale
WN8 6wr
Signed on behalf of the Board of Trustees
PottuS*Thedby'
A2542
L MC￿ul1 _ trustee
an
17 Decembei 2025
Date
12

Docusign Envdope ID 98F9320WOE704175-fjD3W695S3F754FAD
WRITING ON THE WALL LIMITED
STATEMENT OF TRUSTEES, RESPONSIBILITIES
Company law requires the trustees to prepare financial statements for each financial year which
give a true and fair view of the slate of affairs of the charitable company as at the balance sheet
date and of its incoming resources and application of resources, including income and expenditure,
for the financial year. In preparing those financial statements, the trustees should follow best practice
and..
select suitable accounting policies and then apply them consistently.
observe the methods and principle in the Charities SORP.
makejudgements and estimates that are reasonable and prudent.
prepare the financial statements on the going concern basis unless it is inappropriate to presume
that the company will continue as a going COn￿rn.
state whether applicable accounting standards have been followed, subject lo any material
departure disclosed and explained in the financial statements.
The Trustees are responsible for maintaining proper accounting records which disclose wilh
reasonable accuracy at any time the financial position of the charitable company and to enable them
to ensure that the financial statements comply with the Companies Act 2006. They are also
responsible for safeguarding the assets of the charitable company and hence for taking reasonable
steps for the prevention and delection of fraud and other irregularities.
The financial statements have been prepared in accordan￿ with the charity's trust deed, the
Charities Act 2011 and Accounting and Reporting by Charities.. Statement of Recommended
practi￿ applicable to charities preparing their accounts in accordance with the Financial Reporting
Standard applicable the UK and Republic of Ireland published IFRS 102) (effective 1 St January
20191.
By Order of the Board
MS M Heneghan
Company Secretary
Windsor Streel Library
Windsor Streel
Liverpool
L8 1XF
Date..
17 DecÉmber 2025

D￿SIgn Envelope ID" 98F922og-OE70-4175-8D39-69553F754FAD
I tAAlVlINtM"J p(tYutf r TO THE TRUSTEES OF
WRITING ON THE WALL LIMITED
I report on the accounts of the charitable company for the year ended
31st March 2025, which are sel out on pages 15 to 28.
The trustees (who are also the directors of the company for the
purposes of company law} are responsible for the preparation of the
accounts. The trustees consider that an audit is nol required for this
year under section 144121 of the Charities Act 2011 (the 2011 Act)
and that an independent examination is needed.
It is my responsibility to..
examine the accounts under section 145 of the 2011 Act,
to follow the procedures laid down in the general Directions
given by the Charity Commission (under section 145{5){bl of
the 2011 Act, and
to state whether particular malters have come to my attention.
My examination was carried out in accordance with general
Diieclions given by the Charity Commission.
An examination
includes a review of the accounting records kept by the charity and a
Comparison of the accounts presented with those records. It also
includes consideration of any unusual items or disclosures in the
accounts, and seeking explanations from the trustees concerning any
such matters. The procedures undertaken do not provide all the
eviden￿ that would be required in an audit, and consequently no
opinion is given as to whether the accounts present a 'true and fair,
view, and the report is limited to those matters set out in the statement
below.
Res
ective
res
onsibilities of
trustees and examiner
Basis ofinde
examiners re
endent
ort
In connection with my examination, no matter has come to my
attention..
11} which gives me reasonable cause to believe that in, any
material respect, the requiremenls..
to keep accounting records in accordan￿ with section 386 of
the Companies Act 2006., and
to prepare accounts which accord with the accounting records
and comply with the accounting requirements of section 396
of the Companies Act 2006 and with the methods and
principles of the Statement of Recommended Practice..
Accounting and Reporting Charities
have not been met., or
(2) to which, in my opinion, attention should be drawn in order to
enable a proper understanding
of the accounts to be
reached.
Inde
endent examiners
statement
Name:
Mrs Ying Huang
Relevant professional qualification or body.. ACCA
Address.. clo LCVS
151, Dale Street, Liverpool, L2 2AH
17 D8c&mber 2025
Dated..
14

Docusion Envelow ID. 8BF93209-OE70-4175-SD39-69583F754FAD
VVNI I ITh1￿ VVALL LIIVII I ttu
STATEMENT OF FINANCIAL ACTIVITIES (including Income & Expenditure)
ST
THE YEAR ENDED 31 MARCH 2025
Notes
Unrestricted Restricted
Fund5
Funds
2025
2025
Total
2025
Total
2024
Income and endovmients
from:
Donations and legacies
Charitable activities
Investments
3a
3b
119,222
288,280
4,198
119,222
288,280
4,198
78,509
728,987
2,859
Total income
411,700
411,700
810,355
Expenditure on:
Charitable activities
428,071
27,309
453,380
581,072
Total expenditure
426,071
27,309
453,380
581,072
Net lexpenditure)lin¢ome
movement in funds
114,371) {27,3091
(41,6801
229,283
Reconciliation of funds:
Total funds brought forward
10,11
669,650
28,309
697,959
468,676
Total funds carried forward
9-11
655,279
1,000
656,279
697,959
The notes on pages 18 to 28 form part of these accounts. All the above amounts relate to continuing
activities of the charitable company.
15

Docusign Ellve1o￿ ID. 88F93209-OE704175-8D3949553F754FAD
VVKI I U]¥ I VVALL Lllvll I tu
BALANCE SHEET AS AT 31ST MARCH 2025
Company Reg No: 04675589
Notes
31¥t March 2025
315t March 2024
Fixed assets:
Tangible fixed assets
Intangible fixed assets
5,823
1,000
6,944
2,000
6,823
8,944
Current assets:
stock
Debtors
Bank and cash balance
7,039
17,200
636,876
4,774
62,042
635,596
661,115
702,412
Current liabilities".
Creditors." amounts falling due
within one year
(11,659)
{13,397}
Net current assets
649,456
689.015
Total assets less Current
liabilities
656,279
697,959
Funds
Unreslricled funds
Restricted income funds
10, 11
10, 12
655,279
1,000
669,650
28,309
656,279
697,959
These financial statements have been prepared in accordance with the Financial Reporting
standard applicable in the UK and Republic of Ireland IFRS102).
These accounts have been prepared in accordan￿ with the provisions applicable lo small
companies subject to the small companies, regime and in accordance with FRS102 SORP.
For the period covered by these accounts the company was entitled to exemption under section 477
of the Companies Act 2006 relating lo small companies.
No merrbers have required the company to obtain an audit of its accounts for the year in question
in accordance with section 476 of the Companies Act 2006.
The trustees, who are the directors of the company, acknowledge their responsibility for complying
with the requirements of the Act with respect lo accounting records and the preparation of financial
statements.
Approved by the Board on
and signed on their behalf by..
POtuS￿Hèd by.
L Mcmullan - Trustee
Date .
17 December 2025
16-

DoGusign EnveloFt ID. 98F93209-OE7D-4175-8D3￿s9sS3F754FAD
VVKI I UP4 1 VVALL Lllvll I tu
STATEMENT OF CASH FLOWS FOR THE YEAR ENDED 31ST MARCH 2025
Notes
31st March 2025
31st March 2024
Cash flows from operating activities
Cash generated from operations
16
7,771
220,067
Investing activitie5
Purchase of tangible fixed assets
{6,491)
Net cash (used inl investing
activities
(6,491)
Net cash generated from financing
activities
Net increase in cash and cash
equivalents
1,280
220,067
Cash and Cash equivalents at
beginning of year
635,596
415,529
Cash and cash equivalents at end of
year
636,876
635,596
Represented by:
31st March 2025
31st March 2024
Cash at bank and in hand
636,876
635,596
17-

Do[￿Sign Envelope ID. 98F93209-OE70J17&8D39-69553F754FAD
WRITING ON THE WALL LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2025
SY
1. LIMITED LIABILITY
The Charity is a company limited by guarantee. Each member's liability is limited to £1.
2. ACCOUNTING POLICIES
Basis of Accounting
The accounts have been prepared under the historical cost convention with items recognised at cost
or transaction value unless otherwise slated in the relevant nolelsl to these accounts.
The financial statements have been prepared in accordance with the charity's trust deed, the
Charities Act 2011 and Accounting and Reporting by Charities.. Statement of Recommended
Practice applicable to charities preparing their accounts in accordan￿ with the Financial Reporting
Standard applicable in the UK and Republic of Ireland published IFRS 102) effective 1 St January
2019.
The accounts are prepared in sterling, which is the functional currency of the charity. Monetary
amounts in these financial statemenls are rounded lo the nearest £.
Going concern
At the time of approving the accounts, the Trustees have a reasonable expectation that the
charitable company has adequate reserves to continue in operational existen￿ for the foreseeable
future. The Trustees are confident that the levels of liquidity and free reserves will not affect the
charity's operations. Thus, the Trustees continue to adopt the going concern basis of accounting in
preparing the accounts.
Fund accounting
Unrestricted funds are the Charitable Company's free reserves available for the trustees to apply in
accordance with the charitable company's charitable objectives.
Restricted funds are subject lo specific restrictive conditions imposed by the donor. All restricted
funds are accounted for as restricted income and expenditure for the purposes is charged to the
fund.
Income recognition
All income is recognised On￿ the charity has entitlement lo the income, there is sufficient certainly
of receipt and so it is probable that the income will be received, and the amount of income receivable
can be measured reliably.
Donations and legacies comprise of donations and general grants which are recognised in the
accounts when received, with the exception of known legacies which are accounted for when their
receipt is certain.
Income from charitable activities is recognised on an accrual's basis except for grants receivable,
which are recognised on the date on which their unconditional payment is confirmed by the donor.
Income from investment relates to bank interest received and is recognised when the amount is
certain.
Expenditure recognition
Liabilities are recognised a8 soon as there is a legal or constructive obligation committing the
charitable company lo Ihat expenditure, it is probable that settlement will be required, and the
amount of the obligation can be measured reliably.
All expenditure is accounted for on an accrual basis. All expenses, including support costs and
governance costs, are allocated or apportioned tci the applicable expenditure headings in the
Statement of Financial Activities. Support and governance costs are applied to unrestricted funds
unless specifically included in the restrictions, as specified by the donor.
18

D￿SlO￿ Envelopolo. 98F93209-OE7(k417MD3969553F754FAD
WRITING ON THE WALL LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 315t MARCH 2025
Expenditure on charitable activities relates to the operation of the charity comprising of direct
charitable expenditure to meet the objectives of the charitable company. Support and governance
costs relate to the management and operation of the organisation and also compliance with
constitutional and slatulory requirements in producing the annual report. These are dealt with in the
Statement of Financial Activities when payment has been approved by the charitable company.
Stock
Stock comprises books produced by the charitable company. The value of the stock is held at net
realisable value as some books are given away for free whilst others are sold.
Tangible Fixed Assets
Capital expenditure of £500 and above is slated in the balance sheel at cost less accumulated
depreciation. Depreciation is provided to write off the cost of each asset over ils expected useful life
as below..
Equipment
Fixtures & Fittings
Computers & Equipment
Intangible Fixed Assets
Capital expenditure is treated as a fixed asset and amortised to write off each asset over its
estimated useful life as follows.
330/0 per annurn stiaight line basis
250/0 per annurn reducing balance basis
33 /0 per annum straight line basis
Website
200/0 per annum straight line basis
Cash and cash equivalents
Cash and cash equivalents include cash in hand, deposits held at call with banks, other short-lerm
liquid investments with original maturities of three months or less, and bank overdrafts.
Financial instruments
The charity has elected to apply the provisions of Section 11 'Basic Financial Instruments, and
Section 12 '0ther Financial Instruments Issues, of FRS 102 to all of its financial instruments.
Financial instruments are recognised in the charity's balance sheet when the charity becomes party
lo the contractual provisions of the instrument.
Financial assets and liabilities are offset, with the net amounts presented in the financial statements,
when there is a legally enforceable right lo sel off the recognised amounts and there is an intention
lo settle on a net basis or lo realise the asset and settle the liability simultaneously.
Basic financial assets
Basic financial assets, which include deblors and cash and bank balances, are initially measured at
transaction price including transaction costs and are subsequently carried at amortised cost using
the effective interest method unless the arrangement constitutes a financing transaction, where the
transaction is measured at the present value of the future receipts discounted at a market rate of
interest. Financial assets classified as receivable within one year are not amorlised.
Basic financial liabilities
Basic financial liabilities, including creditors and bank loans are initially recognised at transaction
price unless the arrangement constitutes a financing transaclion, where the debt instrument is
measured at the present value of the future receipts discounted at a market rate of interest.
Financial liabilitie8 classified as payable within one year are not amortised.
Debt instruments are subsequently carried at amortised cost, using the effective interest rate
method.
19-

[k￿us1gn Envelo￿ ID.. 98F93209-0E7￿417&￿D8948SS3F7s4FAD
WRITING ON THE WALL LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 3181 MARCH 2025
Derecognition of financial liabilities
Financial liabilities are derecognised when the charity's contractual obligations expire or are
discharged or cancelled.
CritTcal ac¢ounting estimates and judgements
In the application of the charity's accounting policies, the trustees are required to make judgements,
estimates and assumptions about the carrying amount of assets and liabilities Ihat are not readily
apparent from other sources. The estimates and associated assumptions are based on historical
experience and other factors that are considered lo be relevant. Actual results may differ from these
estimates.
The estimates and underlying assumptions are reviewed on an on-going basis. Revisions to
accounting eslirnates are recognised in the year in which the estimate is revised where the revision
affects only that year, or in the year of the revision and future years where the revision affects both
current and future years.
Taxation
Income and gains are exempt from taxation as they are received and applied for charitable purposes
only. The charitable company benefits from various exemptions from taxation afforded by tax
legislation and is not liable to corporation tax on income or gains falling within those exemptions.
3. Donations and endowments from
Unrestricted Restricted
Funds
Funds
2025
2025
Total
Funds
2025
Total
Funds
2024
a Donations and legacies
Donations
General grants
22,250
96,972
22,250
96,972
437
78,072
119,222
119,222
78,509
Donalions and legacies income for year end 2024 related wholly to unrestricted fund.
b. Charitable activities
Book and Bar sales
Box office income
Cornmissions and sales
Garfield Weston Foundation
Liverpool City Council - Culture Arts
Investmenl Programme
Mayors Fund
Sponsorship
6,577
15,143
266,510
6,577
15,143
266,510
4,298
9,148
644,116
20,000
20,935
26,490
4,000
50
50
288,280
288,280
728,987
Income from charitable activities for year end 2024 comprised £661,562 for unrestricted funds
and £67,425 relates to restricted funds.
20-

DoGU5ign Envelope ID. 98F9320941E70-4175-8D39-89553F154FAD
WRITING ON THE WALL LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31st MARCH 2025
Unrestricted Restricted
Funds
Funds
2025
2025
Total
Funds
2025
Total
Funds
2024
Investments
Bank Interest
4,198
4,198
2,859
Investments Income for year end 2024 related wholly to unreslricted funds.
4. Expenditure on Charitable Activities
Direct
Charitable
Expenditure
Support &
Governance
Costs
Total
2025
Total
2024
The provision of festivals, events, and
activities lo promote the art and
practise of writing
354,102
99,278
453,380 581,072
Analysed as follows..
2025
2024
Direct charitable expenditure..
Staff salary costs
Pension
Artists cosls
Tutors
Equipment
Project materials
Venue hire
Volunteer expenses
Website cosls
Print and design
Publicity and marketing costs
Travel expenses
233,934
8,829
42,630
29,011
453
229
6,263
11,869
642
9,913
7,479
2,850
217,781
8,098
53,409
53,356
329
813
27,745
8,402
221
29,268
15,463
2,249
354,102
417,134
21

Do¢u$ign Envelope ID.. 98F93209￿E7c￿4l7s-8D3￿695s3F7S4FAD
WRITING ON THE WALL LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 315t MARCH 2025
2025
2024
Support & govemance costs
Staff salary costs
Pension
Office running Costs
Insurance
Rent and rates
HR Support
Legal costs
Bank charges
Community support
Consultancy fees
Staff expenses
Training
Subscriptions and licences
Trustees, expenses
Loss of disposal of tangible fixed asset
Finance support
HMRC interest
Pension interest
Payroll fees
Accountancy
Amortisalion
Depreciation
58,284
2,660
3,687
1,069
7,000
53,363
2,443
3,144
1,023
5,400
5,580
163
139
460
36,636
11,538
22,263
1,984
539
1,353
304
2,387
34
1,500
4,364
39
9628
22
173
369
678
1,328
1,000
7,439
576
1,352
1,000
12,291
99,278
163,938
Total expenditure on charitable
activities
453,380
581,072
£27,309 (2024.. £49,625) of the above expenditure relates to restricted funding.
b. Staff cost
2025
2024
Salaries
Social security costs
Pension costs
270,212
22,006
11,489
251,466
19,678
10,541
303,707
281,685
c. Particulars of employees
The average number of employees during the year 8.00 (2024." 8.00}, and calculated on the basis
of full-time eqLJivalents, was as follows..
2025
6.67
2024
7.55
Charitable activities
Two employee received emoluments of bebNeen £60,000 10 £70,000 during Ihe year {2024.' nil)
-22-

usvJn Envdope ID. 98F9320￿oE7fv4l75￿D3g&￿553F7S4FAD
WRITING ON THE WALL LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31st MARCH 2025
The Trustees are not remunerated for their services and are not included in the above number of
employees.
Oul-of-pocket expenses were reimbursed lo one trustee in the year £2212024.. 1 trustee £181 }.
5. Tangible fixed assets
Equipment
Computer
Equipment
Fixtures &
Fittings
Total
Cost
Brought forward at 1st April 2024
Additions during the year
Disposals during Ihe year
28,127
15,758
6,491
(9,6621
582 44,467
6,491
(_) (9,662)
Balance at 31 St March 2025
28,127
12,587
582 41,296
Accumulated DeprecTation
Brought forward at 151 April 2024
Charge for the year
Disposals during the year
22,328
5,799
14,643
1,632
{9,4891
552
37,523
7,439
(_) (9,489)
Balance al 31st March 2025
28,127
6,786
560 35,473
Net Book Value at 318t March 2025
5,801
22
5,823
Net Book Value at 3181 March 2024
5,799
1,115
30
6,944
6. Intangible fixed assets
Website
Total
Cost
Brought fonNard a11sI April 2024
Additions
5,000
5,000
Balance as at 31st March 2025
5,000
5.000
Accumulated Amortisation
Brought forward al 1, April 2024
Charge for the year
3,000
1,000
3,000
1,000
Balance as at 31st March 2025
4,000
4,000
Net Book Value at 31st March 2025
1,000
1,000
Net Book Value al 31st March 2024
2,000
2,000
-23-

DLrAJ&gn Envelope ID.. 98F932094)E70-4175-8D39-69553F754FAO
WRITING ON THE WALL LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31st MARCH 2025
7. Stock
Stock comprises books produced by the charity, to be sold or given away for free.
2025
2024
Stock
7,039
4,774
8. Debtors
2025
2024
Debtors
Prepayrnents
16,475
725
61,335
707
17,200
62,042
9. Creditors: amounts falling due within one year
2025
2024
Accruals
Tax and social security
Pension
1,903
7,500
2,256
1,841
9,910
1,646
11,659
13,397
10. Analysis of Net Assets betweon Funds
2025
Tangible
Fixed Assets
Intangible Net Current
Fixed Assets
Assets
Total
Unrestricted Funds
General Fund
5,823
350,814 356,637
Designated Funds
Designated Reserves
298,642 298,642
5,823
649,456 655,279
Restricted Funds
Arts Council Recovery Fund
1,000
1,000
Total funds
5,823
1,000
649,456 710,279
24-

Da￿sign Envdope ID." 98F9320WOE704175-eD39-69552F754FAD
WRITING ON THE WALL LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31st MARCH 2025
2024
Tangible
Fixed Assets
Intangible Net Current
Fixed Assets
Assets
Total
Unrestricted Funds
General Fund
Arts Council England
6,875
30
353,470 360,345
30
Designated Funds
Designated Reserves
309,275 309,275
6,905
662,745 669,650
Restricted Funds
Arts Council Recovery Fund
ESF Community Giant- Next
Chapter
Garfield Weston Foundation
Liverpool City Council - Festival
Enhancement Programme
Mayors Fund
2,000
2.000
39
39
20,000
20,ooa
1,353
4,917
1,353
4,917
39
2,000
26,270 28,309
Total funds
6,944
2,000
689.015 697,959
11. Unrestricted Funds
Movements in the year
Income Expenditure Transfer of
funds
Reserves at
Beginning of
year
Reserves
at end of
year
2025
General Fund
Arts Council England
Liverpool CC CAIP
360,345
30
314,728
78,072
18,900
1329,D69)
178,102)
118,900)
10,633
356,637
Designated Funds
Designated Reserves
309,275
110,6331
298,642
669,650 411,700
1426,071)
655,279
-25-

D<￿￿sign Envelope ID." 98F9320WOE7Ck4175-8D3949553F754FAD
WRITING ON THE WALL LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31tst MARCH 2025
Movements in the year
Income Expenditure Transfer of
funds
Reserves at
Beginning of
year
Reserves
at end of
year
2024
General Fund
Arts Council England
41,427
859
570,516
78,072
1318,543)
(78,901)
66,945
360,345
30
Designated Funds
Designated Reserves
L8 Archive Project
Liverpool City Region
National Museum
Liverpool
281,878
9,696
22,024
27,397
309,275
(9,696)
(22,024
{102,283)
102,283
94,342
(94,342)
458,167 742,930
(531,4471
669,650
General Fund is used to finance the charitable company's general activities as outlined in the
Trustees, Report.
Arts Council England - Contribution towards festival and core costs
Liverpool CC CAIP - Contribution towards Story creative writing project
Designated Funds
Designated Reserves- Contribution towards the redundancy provision and three months,
running costs and lease commitments.
L8 Archive Project- For the delivery of the L8 Archive Project
Liverpool City Region- For the delivery of Different Voices Shared Lives.
National Museum Liverpool- For the delivery of the Dorothy Kuy8 Archive Projecl.
Transfer of funds- Movement of the designated reserves, transfer profit lo core funds
26-

D¢Ku5vJTr Envelope ID. 98F93209-OE7N17&8D3949553F754FAD
WRITING ON THE WALL LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31st MARCH 2025
12. Restricted Funds
Movements in the year
Income
Expenditure
Reserves
at Beginning
of year
Reserves
at End
of year
2025
Arts Council Recovery Fund
ESF Community Grant- Next
Chapter
Garfield Weston Foundation
Liverpool City Council - Festival
Enhancement Programme
Mayors Fund
2,000
(1,000)
{39)
120,000)
(1,353)
(4,9171
1,000
39
20,000
1,353
4,917
28,309
127,309)
1,000
Movements in the year
Income
Expenditure
Reserves
at Beginning
of year
Reserves
at End
of year
2024
Arts Council Recovery Fund
ESF Community Grant- Next
Chapter
Garfield Weston Foundation
Liverpool City Council - Culture Arts
Investment Programme
Liverpool City Council - Festival
Enhancement Programme
Mayors Fund
National Lottery- Reaching
Communities
Paul Hamlyn Foundation
Violence Reduction Partnership Arts
& Culture
3,000
11,000)
2,000
239
1200)
39
20,000
20,935
20,000
140
121,075)
1,412
{59)
(21,5731
(971
{5,525}
1961
1,353
4,917
26,490
97
5,525
96
10,509
67,425
(49,6251
28,309
Description of Funds These are monies given to the charitable company to be spent at the
discretion of the Board of Trustees for specific charitable purposes, as follows..
Arts Council Recovery Fund - to help fa￿ the challenges of the Coronavirus pandemic and lo
ensure Wow has a sustainabSe future.
ESF Community Learning Grant- Next chapter - Contribution to project to support writers and
artists career development.
Garfield Weston Foundation- Contribution towards Wow young Writers programme,
Volunteers programme and core costs
27-

uS￿n EnveloKE ID. 98F93209.OE7fy417>8D3W9553F754FAD
WRITING ON THE WALL LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31$1 MARCH 2025
Llverpool City Council, Culture Arts Investment Programme- To support Wows capacity to
deliver the annual programme of events, aclivilies, and festivals.
Liverpool City Council, Festival Enhancement Programme
festival.
Cor)tribution towards annual
Mayors Fund - Contribution to Black History Month Festival for Wow and for external
commissions.
National Lottery, Reaching Communities- Conlribution towards'writers Bloc, project.
Paul Hamlyn Foundation- Contribution towards Super Heroes Words are our Powerl, schools-
based project.
Violence Reduction Partnership Arts & Culture- Wow Young Writers - Match funding to help
develop Wowyoung Writers
13. Operating Lease Commitments
The only financial commitment is Ihree-month noti￿ payment of rent of £1,000. {2024.' notice
£1,000}
14. Related Party Transactions
There were no material related party transactions during the year which require disclosure {2024=
none).
15. Guarantee5
As at 31. March 2025, 6 members had given a guarantee of £1 each in the event of the company
winding-up. Total.. £6 (2024.. 6 Members Total.. £6}
16. Cash generated from operations.
2025
2024
IUsed)Isurplus for the year
(41,680}
229,283
Adjustments for:
Depreciation
Amortisation
Loss on disposal of tangible fixed asset
7,439
1,000
173
12,291
1,000
1,353
Movements in working capital:
Ilncreaseldecreasel in stocks
Ilncreaselldecrease in debtors
Increasel(decrease) in creditors
{2,265)
44,842
11,738)
8.874
135,3011
2,567
Cash generated from operations
7,771
220,067
28-