REGISTERED COMPANY NUMBER: 1983586 (ENGLAND AND WALES) REGISTERED CHARITY NUMBER: 1092029
REPORT OF THE TRUSTEES AND UNAUDITED FINANCIAL STATEMENTS FOR THE YEAR ENDED 31ST MARCH 2022 FOR MIRACLE THEATRE TRUST LIMITED
Lang Bennetts The Old Carriage Works Moresk Road TRURO Cornwall TR1 1DG
MIRACLE THEATRE TRUST LIMITED
CONTENTS OF THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31ST MARCH 2022
| Page | |
|---|---|
| Report of the Trustees | 1 to 5 |
| Independent Examiners Report | 6 |
| Statement of Financial Activities | 7 |
| Balance Sheet | 8 and 9 |
| Notes to the Financial Statements | 10 to 18 |
| Detailed Statement of Financial Activities | 19 and 20 |
MIRACLE THEATRE TRUST LIMITED
REPORT OF THE TRUSTEES FOR THE YEAR ENDED 31ST MARCH 2022
The trustees who are also directors of the charity for the purposes of the Companies Act 2006, present their report with the financial statements of the charity for the year ended 31 March 2022. The trustees have adopted the provisions of Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) (effective 1 January 2019).
REFERENCE AND ADMINISTRATIVE DETAILS
Registered Company number 1983586 (England and Wales)
Registered Charity number 1092029
Registered office Unit 4 Treleigh Industrial Estate Jon Davey Drive REDRUTH TR16 4DE
Trustees
Ms A Berry Chair P R Williams J M Carley A M Edmonds Ms S E Kay Mrs J E Sutherland K Harandy S Ferrie – appointed 2 December 2021 C Morse Vice-Chair Company Secretary W Scott
Bankers HSBC
Independent examiner Jonathan Mashen FCA Lang Bennetts Chartered Accountants The Old Carriage Works Moresk Road TRURO Cornwall TR1 1DG
1
MIRACLE THEATRE TRUST LIMITED
REPORT OF THE TRUSTEES FOR THE YEAR ENDED 31ST MARCH 2022
TRUSTEES’ REPORT 2021/22
Miracle has toured small-scale theatre to rural communities and regional places and spaces, predominantly across South West England since 1979, and enjoyed steady growth and development over those 40 years. The charity was in a strong, healthy and viable position before Covid hit. In 2019, two new productions reached audiences of over 20,000 - an increase of 13% on the previous year.
During 2021, recovering from the immediate impacts of the pandemic and with a combination of financial support, we were able to re-open and get back into production. With support from the second round of the Government’s Cultural Recovery Fund and Cornwall Community Foundation, we were able to make and tour a new family production, Starcrazy. We toured this widely, reaching many rural communities, during a summer in which social distancing, audience caution and limits on capacity were still in place to various degrees.
In addition, with a grant in place from The Foyle Foundation to help stabilise our financial position and enable us to take on the risks of producing new work, and a grant from CLLD to support the creation of The Fleapit, we produced Everyman in Autumn 2021.
Overview of artistic activity 2021/22
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Created two new touring productions – Starcrazy for outdoor touring (reaching 7,100 people) and Everyman for indoor touring with social distancing in The Fleapit (reaching approx 1,100 people)
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Worked with a record number of 34 freelance artists
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Undertook a period of digital R&D, working with 6 freelance artists, as the start of developing our adaptation of Lewis Carrol’s Alice Through the Looking Glass which will involve digital video and binaural audio combined with live performance in our future programme
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Delivered one full-day casting workshop (Jan 2022) during which 5 Miracle artists worked with 21 performers (53% from Cornwall (inc. 23% Falmouth Uni students)), shortlisted from over 300 applications – one of these performers has already been cast for 2022
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Delivering Community Building workshops for Exeter University bringing students back on-site, and Starcrazy workshops for Young People Cornwall, we benefitted 236 participants aged 11+.
Starcrazy - Summer 2021 - 50 performances, 30 venues, audience reach 7,200
After a year of endless Zoom calls and entertainment via a screen, Miracle were poised and ready to create a brand-new summer show, with Bill Scott directing and Tom Adam’s music, to delight audiences on their return to life after lockdown.
Starcrazy is a gentle comedy about Stan, a quiet, reclusive individual, who spends a lot of time in his potting shed, tinkering with a very powerful radio transmitter. His attempts at communicating with folk in distant galaxies are interrupted by a new neighbour, Gwen, who has interests much closer to home. And sinister forces are at work – or are they just inspectors from the planning department?
Reconnecting with Miracle’s well-established summer network, as well as supporting smaller rural communities new to outdoor events in partnership with Carn to Cove, the show toured outdoor venues across Cornwall, Devon, Dorset and the Isles of Scilly from 4[th] July to 28[th] August 2021.
With national Covid-19 safety restrictions still in place at the beginning of the tour, it was important to liaise with the venues and local communities to ensure the safest and most comfortable experience. The box office was initially capped at 50% and on arrival, audience members were seated with two metres social distancing in place, sanitising points across the site and the NHS Track and Trace QR codes were available to scan.
As government restrictions were lifted on 19[th] July, we upped our venue capacity to 75% to enable more people to enjoy the show and everyone to still feel safe and comfortable at our events and social distancing continued to be encouraged.
2
MIRACLE THEATRE TRUST LIMITED
REPORT OF THE TRUSTEES FOR THE YEAR ENDED 31ST MARCH 2022 (Cont.)
An audience member commented, ““A brilliant evening watching @MiracleTheatre at @EnysGardens. Great atmosphere; everyone enjoying themselves whilst social distancing. It made me feel alive again!”
We noticed a real genuine excitement from our audiences for this tour – we had so many individuals tell us how pleased they were to be experiencing live theatre again and continue to feel safe outside.
What people were saying about Starcrazy:
“Just come home from a wonderful performance from the miracle theatre at the old vicarage in Churchtown Gwinear. Such a lovely evening. The show was brilliant and so well organised. Thank you so much”
“Good time had by all at Starcrazy by Miracle Theatre last night. All the usual silly, lovely Miracle fun and such a treat to be out imbibing a bit of culture. Catch it while you can.”
“Had a magical evening watching Miracle Theatre last night! You could say they were out of this world… 👽👽 ”
“Lovely location, great acting and so good to see people enjoying themselves outdoors again.”
“I had to write to say what an enjoyable time was had by all at Star Crazy. Having the open space worked really well and full marks to your stewards who were organized and helpful. The play was fun and the actors were excellent. Look forward to next year already!”
Everyman – Autumn 2021 – 28 performances – 4 venues – 1100 audience Adapted by Carol Ann Duffy, directed by Kyla Goodey
Although it was originally written by medieval priests as a morality play to put the fear of God into their congregations, Everyman is still frequently performed today. Over 500 years old, this story of an individual attempting to account for his life on this planet still holds its own as an extremely thought-provoking and funny play.
Now, in Carol Ann Duffy’s sparkling adaptation, it loses none of its humour and power, but grows new teeth as an uncomfortable indictment of our modern materialistic world.
Miracle’s production brings this electric adaption right into current day, exploring the traits and destructive tendencies of our contemporary Everyman. A highly skilled cast of 4, weave us through a chaotic pilgrimage, as we witness our Everyman attempting to justify his life's sins. It reflects the everyday wrong doings of today's society, holding an awkward mirror up to our role in the degradation of humankind and the planet.
Projection, live music, toys, choreography, and immersive play enhance this story of a man on the run - from the clutches of death. Taking initial influences from Adam Curtis ( Hypernormalisation BBC), Ru Paul ( Drag Race BBC), Funny Girls (Working man's club in Blackpool), fox hunting, cabaret and religious rituals, Miracle’s Everyman places life under an absurd microscopic lens, identifiable but a bit wonky.
In autumn 2021, director Kyla Goodey, brought together a strong creative team – designer Amy Pitt (Punchdrunk, WildWorks), lighting and projection designer Sarah Readman and composer Dom Coyote (Kneehigh) - to create a production that had huge impact on audiences, many of whom were returning to theatre for the first time.
“I have never been so emotionally destroyed in my life. Thank you!” - Audience feedback sheet
“Beautiful! Innovative, daring - an absolute pleasure” - Audience feedback sheet
“Thank you for bringing so much joy to a post-pandemic theatre scene” - Audience feedback sheet
“It was the most audience centred show I’ve seen in a long time. An incredible assault on the senses - beautifully directed and so cleverly constructed. Also the projections! Everything!” - Audience feedback sheet
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MIRACLE THEATRE TRUST LIMITED
REPORT OF THE TRUSTEES FOR THE YEAR ENDED 31ST MARCH 2022 (Cont.)
Launching The Fleapit
The autumn tour of Everyman proved that our new portable performance space, The Fleapit, was to be a hit with audiences.
This portable pop-up auditorium creates a theatre out of thin air and can transform any large indoor space into a gorgeous and intimate performance venue. Created from re-usable elements such as second-hand aluminium scaffold poles and key-clamp fixtures, The Fleapit creates an intimate and exciting theatrical experience, while keeping audiences safely seated in separate booths.
The Fleapit enabled us to transform 5 spaces across Cornwall – helping re-open Princess Pavilion under the new ownership of Falmouth Town Council, a large shed at Royal Cornwall Showground near Wadebridge, a sell-out run at the Eden Project and St Ives Guildhall.
Its current configuration creates a socially distanced performance space, with self-contained booths for up to 7 people. This limits capacity to 84 people and we are working to find ways to increase this for Everyman and future use.
- “A beautiful space utilised in the most clever way”- Audience feedback sheet
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“Absolutely fabulous!!! Great cast, great production and the Fleapit makes you feel like you're having your own personal performance. Highly recommended... Thankyou Miracle Theatre for a great night” – Audience comment Facebook
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“Saw it on Friday night and it was Brilliant! The Fleapit set up was super too!” - Audience comment Facebook
- “The booths made for a much more private and intimate event.” - Audience feedback sheet
Artist & Programme Development
During 2020-21 seed commissions were offered to three associate artists – Rosie Hughes, Rose McPhilemy & Dan Richards - to develop solo shows for future programming. During 2021-22 both Rose and Rosie were able to develop their shows further – with Rosie undertaking a week of R&D with director Sachi Kumara and sharing her progress with an invited audience at the Miracle Space in August 2021 and Rose McPhilemy having her further developed script on Martha Gelhorn chosen as part of Prototype in Bristol a series of scratch nights run by Bristol Old Vic and The Tobacco Factory.
Structure, Governance & Management 21/22
A small, experienced team manages Miracle with shared passion, dedication and a flexible attitude. This makes the company resilient and reliable and one which continues to punch above its weight. It consistently delivers against its business plan, often exceeding expectation, and yet is able to quickly respond to change and opportunity.
Miracle’s core management team is based on a long-established working partnership of founder and Artistic Director, Bill Scott, and Managing Director, Annie Ukleja.
Bill founded Miracle in 1979 and has since led on every aspect of its artistic output, writing or adapting and directing over 48 shows for the company. In his capacity as Artistic Director, Bill oversees artistic policy and has directed every show until now. During 2021, a key focus for Bill was leading on the Miracle Grow strand, assuming a mentoring and producing role on both Everyman & the short film, Lily (by first-time director Sally Crooks), with the objective of embedding new paths towards future creative leadership for Miracle.
Annie has worked with Miracle since 1999 as administrator, tour coordinator, General Manager and now in her role as Managing Director. She has produced over 30 touring productions for the company. She managed the Digital R&D Project, represented Miracle on the Arts Accelerator project and was the producer of Miracle’s first digital feature film, Tin . Annie is on the board of Collective Arts and Trifle Gathering Productions.
With the departure of long-term member of the management team, Communications Director, Emma Gibson, in March 2021, Miracle’s team remained flexible for the rest of the year, expanding and contracting on a project-by-project basis in terms of marketing, tour coordination, administration and operations.
During 2021, we were able to offer contracts to local, emerging “behind the scenes” talent – with Esther Wilson joining us (from Trebah Garden) as production assistant for both Starcrazy and Everyman and Ellie Woolman joining us (from Kneehigh) as Marketing & Development Coordinator.
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MIRACLE THEATRE TRUST LIMITED
REPORT OF THE TRUSTEES FOR THE YEAR ENDED 31ST MARCH 2022 (Cont.)
A new team structure will be established for the future from 2022. While a flexible freelance team was the only option during the pandemic, this has put a lot of a strain and responsibility onto Miracle’s core management team. A new, talented and appropriate permanent team needs to be established in 2022, with experienced personnel across production, operations, admin, finance and marketing coming together to take Miracle into a new era.
Miracle’s core management team is well supported by a committed Board, representing a wide cross-section of arts and commercial experience. Led by a pro-active Chair, Mandy Berry, a highly experienced creative and cultural industries executive who often represents Miracle at events in London and nationally (advocating at the highest levels) the Board has most recently been joined by Sarah Ferrie (with experience of marketing and audience development from 13 years at HfC , comms experience from WildWorks and currently Budock Vean Hotel), Chris Morse (legal and HR) and Kamran Harandy (currently funding manager at Falmouth University and a long-standing Miracle advocate) all of whom are under 50.
Finance & Fundraising:
After a year of losing all potential to earn income from ticket sales in 2020, Miracle regained stability as an organisation. With solid support from core funders Arts Council England (NPO) and Cornwall Council and additional government support, including a Cultural Recovery Fund (CRF) grant, Miracle was able to survive as an organisation. Following on from this, a CRF2 grant and support from The Foyle Foundation enabled Miracle to successfully mount and tour two new productions in 2021.
Earned Income from Box Office
We budgeted our earned income for summer 2021 conservatively but optimistically for Starcrazy - at 50% of our average (over the last three summer tours). The financial outcome for this season was even more positive than expected, with earned income reaching almost £75k, over 80% of average summer income.
Our earned income for Everyman was budgeted even more conservatively, as utilised The Fleapit venue in its ‘booth’ configuration for its first outing in September, enabling a capcacity of only 84 people per performance.
These productions were created to bring people back together - safely - and will play a significant part in rebuilding audience and community confidence in live events in Cornwall. They were not profitable activities, but will served as an investment in Miracle’s future artistic growth and that of Cornwall’s events sector.
Reserves Policy & Current Position:
The Trustees policy has been to build free reserves up to a minimum of four months of forecast core running costs - £66,000 at 31 March 2022.
At 31 March 2022 the balance sheet shows unrestricted reserves of £113,767 including £73,767 of general funds and £40,000 in designated production funds. There are £2,000 of restricted funds.
The Trustees anticipate the reserves target will be sustained at March 2023, in line with the reserves policy.
ON BEHALF OF THE BOARD:
Ms A Berry – Chair Trustee
Date: 18[th] October 2022
5
INDEPENDENT EXAMINER'S REPORT TO THE TRUSTEES OF MIRACLE THEATRE TRUST LIMITED
Independent examiner's report to the trustees of Miracle Theatre Trust Limited ('the Company')
I report to the charity trustees on my examination of the accounts of the Company for the year ended 31 March 2022.
Responsibilities and basis of report
As the charity's trustees of the Company (and also its directors for the purposes of company law) you are responsible for the preparation of the accounts in accordance with the requirements of the Companies Act 2006 ('the 2006 Act').
Having satisfied myself that the accounts of the Company are not required to be audited under Part 16 of the 2006 Act and are eligible for independent examination, I report in respect of my examination of your charity's accounts as carried out under section 145 of the Charities Act 2011 ('the 2011 Act'). In carrying out my examination I have followed the Directions given by the Charity Commission under section 145(5) (b) of the 2011 Act.
Independent examiner's statement
Since your charity's gross income exceeded £250,000 your examiner must be a member of a listed body. I can confirm that I am qualified to undertake the examination because I am a registered member of the Institute of Chartered Accountants in England and Wales which is one of the listed bodies
I have completed my examination. I confirm that no matters have come to my attention in connection with the examination giving me cause to believe:
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accounting records were not kept in respect of the Company as required by section 386 of the 2006 Act; or
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the accounts do not accord with those records; or
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the accounts do not comply with the accounting requirements of section 396 of the 2006 Act other than any requirement that the accounts give a true and fair view which is not a matter considered as part of an independent examination; or
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the accounts have not been prepared in accordance with the methods and principles of the Statement of Recommended Practice for accounting and reporting by charities [applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102)].
I have no concerns and have come across no other matters in connection with the examination to which attention should be drawn in this report in order to enable a proper understanding of the accounts to be reached
Jonathan Mashen FCA Lang Bennetts Chartered Accountants The Old Carriage Works Moresk Road TRURO Cornwall TR1 1DG
Date: 4[th] November 2022
6
MIRACLE THEATRE TRUST LIMITED
STATEMENT OF FINANCIAL ACTIVITIES FOR THE YEAR ENDED 31ST MARCH 2022
| Unrestricted Restricted funds funds Notes £ £ INCOME AND ENDOWMENTS FROM Donations and legacies 2 160,772 40,237 Other trading activities 3 2,452 - Investments 4 - - Charitable activities Productions 5 105,490 - Other income Job retention scheme grants - - _ __ Total income and endowments 268,714 40,237 EXPENDITURE ON Raising funds 6,500 - Charitable activities Productions 6 289,521 38,237 _ _ Total expenditure 295,751 38,237 _ _ NET INCOME/EXPENDITURE (27,037) 2,000 Transfers between funds 10,152 (10,152) _ _ Net movement in funds (16,885) (8,152) RECONCILIATION OF FUNDS Total funds brought forward 17 130,652 10,152 _ _____ TOTAL FUNDS CARRIED FORWARD 113,767 2,000 |
2022 Total funds £ 201,009 2,452 - 105,490 - __ 308,951 6,500 327,488 _ 333,988 _ (25,037) - _ (25,037) 140,804 _____ 115,767 |
2021 Total funds £ 248,913 2,851 13 2,494 38,035 _ 292,306 6,201 180,332 _ 186,533 _ 105,773 - _ 105,773 35,031 _ 140,804 |
|---|---|---|
The notes form part of these financial statements
7
MIRACLE THEATRE TRUST LIMITED
BALANCE SHEET AT 31ST MARCH 2022
| Unrestricted Restricted Funds funds Notes £ £ FIXED ASSETS Tangible assets 12 21,207 - Investments 13 1 - __ _ 21,208 - CURRENT ASSETS Debtors 14 45,784 - Cash at bank 61,201 2,000 106,985 2,000 CREDITORS Amounts falling due within one year 15 (14,426) - NET CURRENT ASSETS 92,559 2,000 TOTAL ASSETS LESS CURRENT LIABILITIES 113,767 2,000 __ NET ASSETS 113,767 2,000 FUNDS 17 Unrestricted funds: General fund Designated fund Restricted funds NET ASSETS |
2022 Total £ 21,207 1 __ 21,208 45,784 63,201 108,985 (14,426) _ 94,559 115,767 115,767 2022 £ 73,767 40,000 113,767 2,000 ___ 115,767 |
2021 Total £ 16,187 1 __ 16,188 23,680 109,673 133,353 (8,737) _ 124,616 140,804 140,804 2021 £ 65,652 65,000 130,652 10,152 ___ 140,804 |
|
|---|---|---|---|
The notes form part of these financial statements
8
MIRACLE THEATRE TRUST LIMITED
BALANCE SHEET - CONTINUED AT 31ST MARCH 2022
The charitable company is entitled to exemption from audit under Section 477 of the Companies Act 2006 for the period ended 31st March 2022.
The members have not deposited a notice, pursuant to Section 476 of the Companies Act 2006 requiring an audit of these financial statements.
The trustees acknowledge their responsibilities for;
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ensuring that the charitable company keeps accounting records that comply with Sections 386 and 387 of the Companies Act 2006; and
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preparing financial statements which give a true and fair view of the state of affairs of the charitable company as at the end of each financial year and of its surplus or deficit for each financial year in accordance with the requirements of Sections 394 and 395 and which otherwise comply with the requirements of the Companies Act 2006 relating to financial statements, so far as applicable to the charitable company
These financial statements have been prepared in accordance with the special provisions of Part 15 of the Companies Act 2006 relating to small charitable companies.
The financial statements were approved by the Board of Trustees on 18[th] October 2022 and were signed on its behalf by:
Ms A Berry – Chair Trustee
The notes form part of these financial statements
9
MIRACLE THEATRE TRUST LIMITED
NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31ST MARCH 2022
1. ACCOUNTING POLICIES
Basis of preparing the financial statements
The financial statements of the charitable company, which is a public benefit entity under FRS 102, have been prepared in accordance with the Charities SORP (FRS 102) 'Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) (effective 1 January 2019)', Financial Reporting Standard 102 'The Financial Reporting Standard applicable in the UK and Republic of Ireland' and the Companies Act 2006. The financial statements have been prepared under the historical cost convention.
Income
All income is recognised in the Statement of Financial Activities once the charity has entitlement to the funds, it is probable that the income will be received and the amount can be measured reliably.
Grants, including grants for the purchase of fixed assets, are recognised as incoming resources in the period of which they are receivable.
Where projects are mounted on the basis of co-production with a third party, amounts contributed by the third party are included within incoming resources in the period in which they are receivable.
Performance income is included within incoming resources in the period in which the performance takes place.
Merchandise income is included within incoming resources in the period of sale.
Expenditure
Liabilities are recognised as expenditure as soon as there is a legal or constructive obligation committing the charity to that expenditure, it is probable that a transfer of economic benefits will be required in settlement and the amount of the obligation can be measured reliably. Expenditure is accounted for on an accruals basis and has been classified under headings that aggregate all cost related to the category. Where costs cannot be directly attributed to particular headings they have been allocated to activities on a basis consistent with the use of resources.
Tangible fixed assets
Depreciation is provided at the following annual rates in order to write off each asset over its useful economic life.
Equipment: 25% on reducing balance Motor vehicles: 25% on reducing balance
Taxation
The charity is exempt from corporation tax on its charitable activities, however the charity has claimed creative industry tax reliefs in relation to core production expenditure for eligible film and theatrical productions.
During the year ended 31 March 2020, the charity set up a theatrical production company, Miracle Theatre Productions Limited which now makes such claims where appropriate.
Fund accounting
Unrestricted funds can be used in accordance with the charitable objectives at the discretion of the trustees.
Restricted funds can only be used for particular restricted purposes within the objects of the charity. Restrictions arise when specified by the donor or when funds are raised for particular restricted purposes. These include grants, coproduction partner contributions, donations and other incoming resources.
Further explanation of the nature and purpose of each fund is included in the notes to the financial statements.
Designated funds are unrestricted funds, which have been designated for specific purposes by the trustees.
Volunteers and donated services and facilities
The value of services provided by volunteers is not incorporated into these financial statements. Further details of the contribution made by volunteers can be found in the trustees' annual report.
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MIRACLE THEATRE TRUST LIMITED
NOTES TO THE FINANCIAL STATEMENTS - CONTINUED FOR THE YEAR ENDED 31ST MARCH 2022
2. INCOME FROM DONATIONS AND LEGACIES
| Unrestricted income Arts Council of England – Core funding Arts Council of England – Cultural recovery fund Cornwall Council – Core funding Cornwall Council – Other projects Cornwall Community Foundation Other grants Donations and sponsorship Cultivator grants FEAST project |
2022 £ 96,748 38,237 13,162 12,000 - 34,569 4,293 2,000 - 201,009 |
2021 £ 96,478 64,530 13,162 39,143 9,300 22,000 3,178 325 527 |
|---|---|---|
| 248,913 |
INCOME FROM OTHER TRADING ACTIVITIES
3.
| Sale of merchandise Hire of equipment Rehearsal space income Vehicle hire Miscellaneous income INVESTMENT INCOME Deposit account interest INCOME FROM CHARITABLE ACTIVITIES Activity Fees and box office takings for shows Production Commission Production Sales of programmes Production Income from workshops Production |
2022 £ - 1,750 650 - 52 2,452 2022 £ - 2022 £ 89,154 10,380 206 5,750 105,490 |
2021 £ 176 555 1,133 100 887 2,851 2021 £ 13 2021 £ - - - 2,494 2,494 |
||
|---|---|---|---|---|
4. INVESTMENT INCOME
5.
11
MIRACLE THEATRE TRUST LIMITED
NOTES TO THE FINANCIAL STATEMENTS - CONTINUED
FOR THE YEAR ENDED 31ST MARCH 2022
6. CHARITABLE ACTIVITIES COSTS
| Direct costs Support costs Totals (See note 7) £ £ £ Productions 243,257 84,231 327,488 7. SUPPORT COSTS Management £ Governance costs 7,833 Productions 76,348 _ 84,231 8. NET INCOMING/(OUTGOING) RESOURCES Net resources are stated after charging/ (crediting): 2022 2021 £ £ Depreciation 5,895 3,708 |
Totals £ 327,488 |
Totals £ 327,488 |
|---|---|---|
| 2021 £ 3,708 |
9. TRUSTEES' REMUNERATION AND BENEFITS
There were no trustees' remuneration or other benefits for the year ended 31 March 2022 or for the year ended 31st March 2021.
Trustees' Expenses
There were no trustees' expenses paid during the year ended 31st March 2022 or for the year ended 31st March 2021.
10. STAFF COSTS
| Wages and salaries Social security Pension costs The average number of employees during the year was as follows: |
2022 £ 92,547 5,155 1,427 99,039 2022 No 3 |
2021 £ 94,588 8,979 3,100 |
|---|---|---|
| 106,667 | ||
| 2021 No 4 |
No employee earned more than £60,000 in the year or in 2021.
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MIRACLE THEATRE TRUST LIMITED
NOTES TO THE FINANCIAL STATEMENTS - CONTINUED
FOR THE YEAR ENDED 31ST MARCH 2022
11. COMPARATIVES FOR THE STATEMENT OF FINANCIAL ACTIVITIES
| 2021 | ||||||
|---|---|---|---|---|---|---|
| Unrestricted | Restricted | Total | ||||
| funds | funds | funds | ||||
| Notes | £ | £ | £ | |||
| INCOME AND ENDOWMENTS FROM | ||||||
| Donations and legacies | 2 | 174,231 | 74,682 | 248,913 | ||
| Other trading activities | 3 | 2,851 | - | 2,851 | ||
| Investments | 4 | 13 | - | 13 | ||
| Charitable activities | ||||||
| Productions | 5 | 2,494 | - | 2,494 | ||
| _ | ______ | ______ | ||||
| Total income and endowments | 217,624 | 74,682 | 292,306 | |||
| EXPENDITURE ON | ||||||
| Raising funds | 6,201 | - | 6,201 | |||
| Charitable activities | ||||||
| Productions | 6 | 115,802 | 64,530 | 180,332 | ||
| Total expenditure | 122,003 | 64,530 | 186,533 | |||
| NET INCOME/EXPENDITURE | 95,621 | 10,152 | 105,773 | |||
| Transfers | - | - | - | |||
| RECONCILIATION OF FUNDS | ||||||
| Total funds brought forward | 17 | 35,031 | - | 35,031 | ||
| _ | _ | _ | ||||
| TOTAL FUNDS CARRIED FORWARD | 130,652 | 10,152 | 140,804 | |||
| 12. | TANGIBLE FIXED ASSETS | |||||
| Plant and | ||||||
| machinery etc. | ||||||
| £ | ||||||
| COST | ||||||
| At 1st April 2021 | 68,490 | |||||
| Additions | 10,915 | |||||
| 79,405 | ||||||
| At 31st March 2022 | ||||||
| DEPRECIATION | ||||||
| At 1st April 2021 | 52,303 | |||||
| Charge for year | 5,895 | |||||
| At 31st March 2022 | 58,198 | |||||
| NET BOOK VALUE | ||||||
| At 31st March 2022 | 21,207 | |||||
| At 31st March 2021 | 16,187 |
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MIRACLE THEATRE TRUST LIMITED
NOTES TO THE FINANCIAL STATEMENTS - CONTINUED FOR THE YEAR ENDED 31ST MARCH 2022
13. FIXED ASSET INVESTMENTS
| FIXED ASSET INVESTMENTS | |
|---|---|
| Shares in group | |
| undertakings | |
| £ | |
| COST1 | |
| At 1st April 2021 | 1 |
| Additions | - |
| At 31st March 2022 | 1 |
| At 31st March 2021 | 1 |
There were no investment assets outside the UK.
The company's investments at the balance sheet date in the share capital of companies include the following:
Miracle Theatre Productions Limited
Nature of business: Theatrical Production Company
| % Class of share: holding Ordinary 100 Aggregate capital and reserves |
2022 £ 1 |
2021 £ 1 |
|---|---|---|
Miracle Theatre Productions Limited is a wholly owned subsidiary which produces theatrical productions on behalf of Miracle Theatre Trust Limited. The company was incorporated on 6 May 2016. Accounts are filed with the Registrar of Companies. A summary of its results is given below:
| Turnover Cost of sales Gross profit/(loss) Administrative expenses Net loss Theatre tax relief Profit / (loss) after tax |
2022 £ 112,559 (132,397) (19,838) (6,718) (26,556) 26,556 - |
2021 £ 12,544 (13,458) |
|---|---|---|
| (914) (1,858) |
||
| (2,772) 2,772 |
||
| - |
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MIRACLE THEATRE TRUST LIMITED
NOTES TO THE FINANCIAL STATEMENTS - CONTINUED FOR THE YEAR ENDED 31ST MARCH 2022
14. DEBTORS: AMOUNTS FALLING DUE WITHIN ONE YEAR
| Amounts falling due within one year: Trade debtors Other debtors and prepayments Miracle Theatre Productions Limited CREDITORS: AMOUNTS FALLING DUE WITHIN ONE YEAR Trade creditors Other creditors and accruals Taxation and social security OPERATING LEASE COMMITMENTS The following operating lease payments are committed to be paid within one year: Expiring: Within one year |
2022 £ 2,100 15,770 27,914 45,784 2022 £ 4,675 7,939 1,813 14,426 2022 £ 16,500 |
2021 £ 540 21,769 1,371 |
|---|---|---|
| 23,680 | ||
| 2021 £ 4,751 1,574 2,412 |
||
| 8,737 | ||
| 2021 £ 16,500 |
15. CREDITORS: AMOUNTS FALLING DUE WITHIN ONE YEAR
16. OPERATING LEASE COMMITMENTS
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MIRACLE THEATRE TRUST LIMITED
NOTES TO THE FINANCIAL STATEMENTS - CONTINUED FOR THE YEAR ENDED 31ST MARCH 2022
17. MOVEMENT IN FUNDS
| Net movement | Transfers | |||
|---|---|---|---|---|
| At 01/04/21 | in funds | between funds | At 31/03/22 | |
| £ | £ | £ | £ | |
| Unrestricted funds | ||||
| General purpose fund | 65,652 | (27,037) | 35,152 | 73,767 |
| Production fund | 65,000 | - | (25,000) | 40,000 |
| Restricted funds | ||||
| Cultivator grant | 325 | 2,000 | (325) | 2,000 |
| FEAST | 527 | - | (527) | - |
| Cornwall Community Foundation | 9,300 | - | (9,300) | - |
| TOTAL FUNDS | 140,804 | (25,037) | - | 115,767 |
| Net movement in funds, included in the above are as follows: | ||||
| Incoming | Resources | Gains and | Movement in | |
| resources | expended | losses | funds | |
| £ | £ | £ | £ | |
| Unrestricted funds | ||||
| General purpose fund | 268,714 | (295,751) | - | (27,037) |
| Restricted funds | ||||
| Cultivator grant | 2,000 | - | - | 2,000 |
| Cultural recovery fund | 38,237 | (38,237) | - | - |
| TOTAL FUNDS | 308,951 | (333,988) | - | (25,037) |
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MIRACLE THEATRE TRUST LIMITED
NOTES TO THE FINANCIAL STATEMENTS - CONTINUED FOR THE YEAR ENDED 31ST MARCH 2022
17. MOVEMENT IN FUNDS (continued)
Comparatives for movement in funds
| Net movement | Transfers | ||||
|---|---|---|---|---|---|
| At 01/04/20 | in funds | between funds | At 31/03/21 | ||
| £ | £ | £ | £ | ||
| Unrestricted funds | |||||
| General purpose fund | 35,031 | 95,621 | (65,000) | 65,652 | |
| Production fund | - | - | 65,000 | 65,000 | |
| Restricted funds | |||||
| Cultivator grant | - | 325 | - | 325 | |
| FEAST | - | 527 | - | 527 | |
| Cornwall Community Foundation | 9,300 | - | 9,300 | ||
| TOTAL FUNDS | 35,031 | 105,773 | - | 140,804 | |
| Net movement in funds, included in the above are as follows: | |||||
| Incoming | Resources | Gains and | Movement in | ||
| resources | expended | losses | funds | ||
| £ | £ | £ | £ | ||
| Unrestricted funds | |||||
| General purpose fund | 217,624 | (122,003) | - | 95,621 | |
| Restricted funds | |||||
| Cultivator grant | 325 | - | - | 325 | |
| FEAST | 527 | - | - | 527 | |
| Cornwall Community Foundation | 9,300 | - | - | 9,300 | |
| Cultural recovery fund | 64,530 | (64,530) | - | - | |
| TOTAL FUNDS | 292,306 | (186,533) | - | 105,773 |
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MIRACLE THEATRE TRUST LIMITED
NOTES TO THE FINANCIAL STATEMENTS - CONTINUED FOR THE YEAR ENDED 31ST MARCH 2022
17. MOVEMENT IN FUNDS (continued)
A current year 12 months and prior year 12 months combined position is as follows:
| At Unrestricted funds General purpose fund Production fund Restricted funds Cultivator grant FEAST Cornwall Community Foundation TOTAL FUNDS |
01/04/20 Net movement in funds Transfers between funds At £ £ £ 35,031 68,584 (29,848) - - 40,000 - 2,325 (325) - 527 (527) - 9,300 (9,300) 35,031 80,736 - |
31/03/22 £ 73,767 40,000 2,000 - - |
|---|---|---|
| 115,767 |
A current year 12 months and prior year 12 months combined net movement in funds, included in the above are as follows:
| Unrestricted funds General purpose fund Restricted funds Cultivator grant FEAST Cornwall Community Foundation Cultural recovery fund TOTAL FUNDS |
Incoming resources £ 486,338 2,325 527 9,300 102,767 601,257 |
Resources expended £ (417,754) - - - (102,767) (520,521) |
Gains and losses Movement in funds £ £ - 68,584 - 2,325 - 527 - 9,300 - - - 80,736 |
Gains and losses Movement in funds £ £ - 68,584 - 2,325 - 527 - 9,300 - - - 80,736 |
|---|---|---|---|---|
| 80,736 |
Purpose of restricted funds
Cultivator grant: Funds received towards a technical assistant internship.
FEAST: Funds received towards the cost of the Treasure Island Community Choir and support for the production of a film.
Cornwall Community Fund : Support of the summer tour of Starcrazy Summer 2021.
Cultural Recovery Fund: Funds received to aid post pandemic recovery.
18. RELATED PARTY DISCLOSURES
The charity has taken advantage of the exemption, under the terms of Financial Reporting Standard 102 ‘The Financial Reporting Standard applicable in the UK and Republic of Ireland’, not to disclose related party transactions with wholly owned subsidiaries within the group.
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MIRACLE THEATRE TRUST LIMITED
DETAILED STATEMENT OF FINANCIAL ACTIVITIES FOR THE YEAR ENDED 31ST MARCH 2022
| INCOME AND ENDOWMENTS FROM Donations and legacies Arts Council of England – core funding Arts Council England – cultural recovery fund Cornwall Council – core funding Cornwall Community Foundation Cornwall Council – Covid support grants Cultivator Grants FEAST Project funding Other grants Donations and partnerships Other trading activities Sale of merchandise Hire of equipment Rehearsal space income Miscellaneous income Other income Job retention scheme grants Investments Deposit account interest Income from charitable activities Fees and box office takings for shows Commissions Sales of programmes Income from workshops Total income and endowments EXPENDITURE ON Other trading activities Support costs Charitable activities Production costs Box office commissions Fees Touring costs Carried forward |
2022 £ 96,748 38,237 13,162 - 12,000 2,000 - 34,569 4,293 201,009 - 1,750 650 52 2,452 - - 89,154 10,380 206 5,750 105,490 308,951 6,500 6,500 112,559 250 55,295 11,727 179,831 |
2021 £ 96,748 64,530 13,162 9,300 39,143 325 527 22,000 3,178 248,913 176 555 1,133 987 2,851 38,035 13 - - - 2,494 2,494 292,306 6,201 6,201 12,544 - 5,898 - 18,442 |
|
|---|---|---|---|
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MIRACLE THEATRE TRUST LIMITED
DETAILED STATEMENT OF FINANCIAL ACTIVITIES FOR THE YEAR ENDED 31ST MARCH 2022
| Charitable activities Brought forward Promotional costs Venue costs Workshop and education projects Motor and travel expenses Research and development Support costs Salaries Contractual staff Rent and rates Insurance Telephone Postage and stationery Computer costs Sundries Repairs and renewals Staff recruitment and training Bank charges Accountancy fees Consultancy Depreciation Subscriptions Allocated to other trading activities Governance costs Total expenditure Net (expenditure)/income |
2022 £ 179,831 8,854 35,662 3,064 - 4,593 12,224 235,374 22,687 21,036 9,969 2,813 1,102 402 1,634 2,118 10,505 505 393 4,721 450 5,895 - - 7,883 84,231 333,998 (25,037) |
2021 £ 18,442 33,614 8 85 - 2,527 612 - 30,435 106,667 11,302 25,993 2,004 737 496 - 552 1590 998 409 1,290 113 3,078 239 (6,201) - 149,897 186,533 105,7731 |
|---|---|---|
This page does not form part of the statutory financial statements
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