Company number 3353857 Charity number 1073851
Bermondsey Artists' Group
(Limited by Guarantee)
Report and Financial Statements for the year ended 31 March 2021
Breckman & Company Ltd Chartered Certified Accountants 49 South Molton Street London W1K 5LH
Bermondsey Artists' Group
(Limited by Guarantee)
Contents
| Page | |
|---|---|
| Reference and Administrative Details | 1 - 2 |
| Trustees' Report | 3 - 11 |
| Independent Examiner's Report | 12 |
| Statement of Financial Activities (including Income and Expenditure Account) | 13 - 17 |
| Balance Sheet | 18 |
| Notes to the Financial Statements | 19 - 28 |
Bermondsey Artists' Group
(Limited by Guarantee)
Reference and Administrative Details
Constitution
The company is incorporated under the Companies Act, company number 3353857 and its governing document is its Memorandum and Articles of Association. The company is a registered charity, number 1073851.
Directors and trustees
The directors of the charitable company (Bermondsey Artists' Group) are its trustees for the purpose of charity law and throughout this report are collectively referred to as the trustees.
Policies and procedures adopted for the induction and training of trustees are ongoing and incorporated indirectly into the regular trustees meetings.
The trustees during the year and since the year end, were :
Kirsten Dunne Charity Trustee, Chair and Company Director Colby Benari Charity Trustee and Company Director Haseena Farid Charity Trustee and Company Director Anthony Fleming Charity Trustee and Company Director Paul Franklyn Charity Trustee and Company Director Molly Grad Charity Trustee and Company Director Alex Lucas Charity Trustee and Company Director Martin Pover Charity Trustee and Company Director Giles Smith Charity Trustee and Company Director Laurence Taylor Charity Trustee and Company Director Mary Wang Charity Trustee and Company Director
resigned 7 July 2021 appointed 15 September 2020 appointed 13 October 2021 resigned 15 September 2020
appointed 15 September 2020 resigned 7 July 2021 resigned 7 July 2021
Secretary
Giles Smith appointed 20 January 2021
Chief executive/day to day management
Judith Carlton, Director, Southwark Park Galleries.
Independent Examiners
Breckman & Company Ltd, Chartered Certified Accountants, 49 South Molton Street, London W1K 5LH.
Bankers
Metro Bank, 1 Southampton Row, London WC1B 5HA. Lloyds Bank, PO Box 1000, Andover BX1 1LT.
Solicitors
Bates, Wells & Braithwaite, 10 Queen Street Place, London EC4 1BE.
Operation address
Lake Gallery, Centre of Southwark Park, London SE16 2UA. Dilston Gallery, Southwest Corner of Southwark Park, London SE16 2DD.
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Bermondsey Artists' Group
(Limited by Guarantee)
Reference and Administrative Details
Registered office
The Bermondsey Artists' Group c/o Southwark Park Galleries, Gallery by the Pool, 1 Park Approach, Centre of Southwark Park, London SE16 2UA.
Name
Bermondsey Artists' Group abbreviated to "BAG", Cafe Gallery Projects London abbreviated to "CGP London", and since 18 July 2019, Southwark Park Galleries are the names used by the Bermondsey Artists' Group.
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Bermondsey Artists' Group
(Limited by Guarantee)
Trustees' Report
The trustees present their annual report together with the financial statements of the charity for the year ended 31 March 2021 which are also prepared to meet the requirements for a directors' report and accounts for Companies Act purposes.
The reference and administrative details set out on pages 1 and 2 form part of this report. The financial statements comply with the Charities Act 2011, the Companies Act 2006, the Memorandum and Articles of Association, and Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102).
Objectives and activities
In shaping our objectives for the year and planning our activities, the trustees have considered the Charity Commission's guidance on public benefit, including the guidance 'public benefit: running a charity (PB2)'.
Report by the Chair of the Board of Trustees, Bermondsey Artists' Group
The tumultuous impact of the COVID-19 pandemic began for our organisation in March 2020 when, following a risk assessment of the developing situation, we decided that it was necessary to close the galleries on 13 March. This was a painful decision because we were just about to launch our year-long programme of Exhibitions, Learning activities and Public Engagement events.
We decided to maintain the integrity of the core team (1 FT & 3 PT salaried staff plus two PT staff on freelance contracts), which supported the overall stability of the organisation and allowed for a period of intensive and positive work. It also allowed the team to develop, building knowledge and skills necessary to respond to the rapidly changing situation.
On behalf of my Board of Trustees, I would like to thank our team for the dedication, resilience and commitment that they have demonstrated over an extremely difficult year. I would also like to warmly thank those funders, individuals, programmed artists, artist-educators and partners who have supported us in developing our response to the challenges of the past year.
Following discussions with the programmed artists, their project funders and our core funders, we agreed to postpone the programme in its entirety and deliver it when circumstances allowed. We quickly recognised that we would have to move as many of our activities as possible online to maintain our reach and to continue to serve our communities. This required the team to develop new skills to create engaging digital content whilst also remaining aware that many people do not have access to the digital realm. Further detail of these programmes is outlined in our report.
Throughout the period that the galleries were closed to the public, the team considered how to approach reopening in a way that artists, audiences and staff would all feel safe and comfortable entering our buildings. This included a comprehensive hazard assessment and deep cleaning of all areas of the buildings, efficient protective measures and signposting together with the employment of additional Front of House staff to ensure that all protection measures could be implemented in an efficient but welcoming manner. We are grateful to have been supported to be able to reopen safely by our emergency response funders Arts Council England, DCMS and Southwark Council.
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Bermondsey Artists' Group
(Limited by Guarantee)
Trustees' Report
The opportunity to reopen the galleries came in October 2020 when we were able to present Fani Parali's spotlight commission of new works and performances at Dilston Gallery together with a survey of her previous works at Lake Gallery. It was a joy to witness so many people visit Parali's ''Aonyx And Drepan & The Minders Of The Warm' and to see how mesmerised people were at the performances, which quickly sold out.
Sadly, following this exhibition, we were required, once again, to close the galleries. This meant that we could not physically present the 36th Annual Open exhibition. The exhibition is a much-needed platform for artists to present and sell their work, so we took the decision to present it online and without the usual submission fees. Artists' need for such an opportunity was clearly demonstrated as soon as the online submission portal opened. Normally attracting around 250 submissions, this year's presentation included 900 artworks submitted by artists of all backgrounds across the UK, including many local residents. The response to this shift in format was extraordinary and, moving forwards, we will provide this digital platform option alongside the physical exhibition.
During the various lockdown and regional Tier control periods, our organisation developed an entirely new Equality, Diversity and Inclusion Policy and Action Plan. I am extremely pleased that the Core Team and Board of Trustees have developed such a comprehensive document that embodies our values and what we wish to achieve moving forwards. The policy's commitment to improving our hiring procedures, such as Blind Recruitment practices and implementing the Rooney Rule, have already been successfully deployed.
2020 saw changes to our Board of Trustees. Tony Fleming stood down after decades of service. I would like to thank him very much for his commitment to our organisation and for his continued involvement as a Bermondsey Artist Group - and audience - member. Molly Grad and Colby Benari joined as trustees and we warmly welcome them to the family that is the Bermondsey Artists' Group. I would also like to thank all of the Trustees, who have been extremely supportive to the team during this period, and have adapted to new ways of working and challenges for the organisation with generosity and grace.
Though this report recaps on the 2020/2021 financial year, I have to express my excitement at the prospect that we will now be able to start to deliver our postponed exhibition programme. Having received a year's extension to our Arts Council England National Portfolio funding, support from the Government's Business Interruption scheme and following a successful application to the Cultural Recovery Fund, we are now in the positive position of being able to plan the reopening of the galleries in mid-May 2021. The programme will commence with a major commission by Bedwyr Williams', 'MILQUETOAST' across both galleries which will then tour to our Welsh partners T? Pawb in Wrexham and the Aberystwyth Arts Centre. We are very proud that this major new body of work is accompanied by the first book of Williams' drawings, published by Southwark Park Galleries.
Kirsten Dunne, Chair, Board of Trustees
Bermondsey Artists' Group (managing Southwark Park Galleries)
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Bermondsey Artists' Group
(Limited by Guarantee)
Trustees' Report
Activities to realise our aims and objectives to deliver public good during the Financial year April 2020 - March 2021
Due to the galleries being closed because of the COVID-19 situation, Southwark Park Galleries moved the majority of its activities online to maintain reach and provide digital content for our diverse communities. We also created a new dedicated media section on our website to ensure that all of this new content could be both easily located and to create a legacy for the work going into the future.
New Podcast Series Launched
To expand our digital audiences we developed an interview series with the brilliant artist's in our postponed exhibition programme, discussing how they were continuing to make work during lockdown and their creative influences, so our audiences could get a wider understanding into the artists' practices. After mapping out what similar creative organisations where offering, we decided to offer our audiences something different. Team member John Harris (with support from the Arts Council England's Tech Champions) built a strategy and a new set of skills to produce this series of podcasts entitled 'Lockdown Elevenses'. Featured artists were.
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Fani Parali (first broadcast mid May 2020)
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Rebecca Lennon (first broadcast early June 2020)
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Candida Powell-Williams (first broadcast late June 2020)
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Anne Ryan (first broadcast mid August 2020)
New Video Commission
A Trilogy Of Short Films By Corali Dance Company and Impermanence Dance, responding to Southwark Park and Alec Finlay's permanent nest box trail, 'Questions and Answers, (after Paul Celan)', commissioned by Southwark Park Galleries in 2018. These video performances entitled 'Park Wanderings (After Alec Finlay After Paul Celan)' feature Corali dancer Bethan Kendrick who developed movement material that captures her imaginings of roses, moorhens, diving into a cup of tea and moss covered statues. These short films are available on our website and across the digital channels of Southwark Park Galleries, Corali and Impermanence.
Free Family Activity & Art Packs
Due to the suspension of our physical learning programmes, we devised alternative delivery methods to continue engaging with families that we would ordinarily do through family workshops. We researched and worked with artist-educators to deliver digital activity packs and Zoom sessions for our local families to engage with from home. During 2020, we devised 10 digital activity packs and in Spring 2021 a further three packs.
The activity packs are high-quality digital outputs, a collaborative team effort that have engaged families at a rate similar to the number of people we would expect in a year at our workshops. Each pack contains at least three activities that expand both stimulating art techniques and the environmental theme, celebrating nature, wildlife, nurturing an eco-friendly attitude to art and being outdoors. The packs are tailored to 5+ year olds, with the knowledge that families often have to work with mixed ages, so the activities can be adapted, ensuring they are as inclusive as possible.
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Bermondsey Artists' Group
(Limited by Guarantee)
Trustees' Report
One of the advantages of this digital work has been the far greater reach of our content, which is demonstrated by not only significant downloads by local families but also from Amsterdam, Paris, Helsinki, Cardiff, Glasgow and Berlin. Our experience from this year has taught us that while activity packs are an effective way to reach families, we cannot assume all families have the infrastructure, electronic devices and art materials at home to enjoy the content. We therefore have made a number of recent physical packs available to post to local families who request them. We also devised fun and accessible How-to YouTube videos available through our website and on our YouTube channel that have proved very popular.
Seniors Art School
Prior to COVID-19, Seniors Art School has always been a face-to-face offer. In September 2020 we trialled delivering the sessions through highly engaging Zoom sessions, and for those who don't have internet or a device at home, we adapted our teaching formats so that they could participate in a more analogue but equally engaging way.
Following the overwhelming positive response from attendees and their request to continue this format in 2021, we applied to the Big Lottery Community Fund and received their full support to run bi-monthly sessions on Zoom over the course of six months, to continue to provide a community engagement environment that is stimulating and caring and prevents isolation for local Over-55s.
Fani Parali // AONYX & DREPAN and The Minders of the Warm // Lake Gallery & Dilston Gallery // 2020
Relaxation of COVID-19 regulations meant that we were able to open the galleries to the public during parts of October, November and December. This enabled us to present Fani Parali's major new spotlight commission at Lake Gallery and Dilston Gallery. 'Aonyx And Drepan & The Minders Of The Warm' was the artist's largest solo show to date. The exhibition spanned both our galleries and saw the artist reach bold new heights in her extraordinary production methods, testing the limits of scale and liveness.
Populating Lake Gallery, 'The Minders Of The Warm' presented for the very first time the full breadth of Parali's artistic practice. Threads of mythology and the underworld underpinned the selected works previously unseen, including paintings, video and sculpture.
Their movements and rhythms inspired both the sculptural form and primal song visitors encountered in Parali's monumental performance installation 'Aonyx And Drepan' at Dilston Gallery. This vast new work was developed in direct response to the soaring scale of this raw, deconsecrated space. The gallery was transformed into an otherworld; a host site, a portal, in which her creatures inhabit, transmit, flex and sing. Here, spectral bodies become mediated vessels, lip synching pre-recorded emissions; tethered voices demanding to be heard.
36th Annual Open Exhibition // Online
The Annual Open exists to encourage artists at all stages of their career from across the UK to submit their work as part of a large-scale annual salon show. It is a key date in Southwark Park Galleries' calendar and welcomes works from artists of all backgrounds from across Southwark, London and the UK; with drawing, painting, photography, print, sculpture & video work represented.
Unable to physically host the exhibition in 2020 in Lake Gallery, we decided to move the exhibition to an online format. Also aware that many artists were experiencing a significant reduction in income, were isolated and were desperate for a platform to present and potentially sell their work, we decided to waive the usual submission fees. This much-loved exhibition usually receives around 250 entries but in 2020 the response was meteoric with over 900 artworks by over 500 artists of all backgrounds across the UK.
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Bermondsey Artists' Group
(Limited by Guarantee)
Trustees' Report
As with all previous iterations of the Annual Open, every submission was shown, providing equal access to sales opportunities for artists from all sections of the community and all 8 protected groups at all stages of their careers. The response to this shift in format was extraordinary, not only with entries but artwork sales for local and national artists. Due to its success, in future we will provide this digital platform alongside the physical exhibition, to continue to connect local artists to a national network of artists and collectors across the UK providing them with a huge profile boosting opportunity. Unable to celebrate together in the gallery, we opened the exhibition on Instagram Live and over 1,800 people tuned in to collectively mark the occasion. This best in show prize was awarded to Dominic Watson's video, 'Fleshy Eaters' by this year's selector Welsh artist Bedwyr Williams.
New Poetry Commission & Broadcast
Richard Scott's 'Woman Peeling Turnips; A Portrait of my Father' is the result of the poet's Mayflower 400 residency in the Bermondsey Bothy at Southwark Park Galleries in August 2019. This new text forms a poetic investigation into ekphrasis, father-figures and the violence of creation. Using Chardin's 1738 genre scene painting 'Woman Peeling Turnips' as a starting point, Scott interrogated the very act of looking at an artwork whilst meditating upon queerness and intergenerational familial trauma.
The work is available to be read / downloaded from our website. This eighteen-part poetic essay was also adapted for broadcast and narrated by the poet. The work was lovingly orchestrated by the artist Anat Ben-David with her profound and resonant electronics. This major new work was premiered on Wednesday 26 August 2020 at 8pm on Resonance FM with Scott and Ben-David in conversation throughout the broadcast event discussing collaboration, improvisation, poetry and Chardin. The broadcast can also be heard on our website and across our digital channels.
New Writing Commission
'To Us It Just Looks Like A Lemon' is a collection of reflections on the Mayflower and other colonial strategies, and is the outcome of Holly Graham's residency in the Bermondsey Bothy at Southwark Park Galleries in 2019. Pulling together her ongoing research into histories and legacies of sugar, the use of food as a tool for tracing migratory routes and contemporary stories of migration, Graham navigates these choppy seas with a critical eye and a desire to acknowledge the colonial contexts of the Mayflower story.
Her residency generated interviews with local people and workshops with young refugees and asylum seekers, that examined local oral history, recipe sharing and story-telling, and resulted in the production of a collective recipe Zine. This new work is available to read / download on our website. An audio version is also available on our website and across our digital channels. The Zine can also be downloaded from our website.
New Flag Commission Annual Series Launch for Black History Month
We commissioned artist Holly Graham to create new flag artworks for the flagpoles in front of each gallery. The flags titled 'What Looks To Be A Piece Of Fruit' and 'Loose Teeth And Stinking Breath' draw upon the text / audio work 'To Us It Just Looks Like A Lemon' which was the outcome of her Mayflower 400 residency in the Bermondsey Bothy.
The works focus on the historically recognised medicinal qualities of citrus fruits, discovered in the 16th and 17th centuries to be an antidote to the scurvy many European sailors contracted on long expansionist sea-faring voyages. The flags incorporate imagery carried over from previous bodies of work that considered the symbolic value of lemons, and fragments of photographs that document the unloading of citrus fruits at the local docks.
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Bermondsey Artists' Group
(Limited by Guarantee)
Trustees' Report
Additional activities to ensure that the organisation effectively responds to, and survives, the COVID-19 pandemic and has a sustainable future to ensure that we can continue to deliver public good:
Upon closing the galleries, we immediately took measures to reduce expenditure to cover just core operating costs and staff salaries. At this point, we had already secured funding from Trusts, Foundations and Patrons to fully deliver our Exhibition and Public Engagement projects for 2020-21. These were postponed until we can safely reopen the galleries and these funds are currently held in a restricted bank account.
We decided that furloughing our small core team would have a significant, detrimental and long-lasting impact on the structure, effectiveness and capacity of the team to manage the shutdown and work towards reopening the galleries when it is safe to do so. Therefore, our core team have continued to honour contractual hours through home working and supporting each other to ensure that our close-knit team is maintained and remains positive, focused, productive and passionate about the work they do.
We believe that, by working towards safely reopening our galleries and delivering our postponed programme of Exhibitions and Public Engagement activities, we can make a huge contribution to sustaining and supporting the cultural sector into the future. By continuing throughout the period to advocate that creativity is essential to sustaining and uniting people, we have been able to maintain our organisation as a stable presence for our local community, for regular visitors, the artists that we work with and the broader cultural sector and provide a beacon of hope for a more positive future. To achieve this has required a great deal of additional work that is not visible to people outside of the organisation. These activities include:
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Weekly team meetings on Zoom to review the impact of changes to COVID-19 regulations and to review progress towards targets.
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Supporting the programmed artists to continue to make work for their postponed exhibitions, reduce their feeling of isolation and keeping them informed of the constantly changing situation regarding the potential reopening of the galleries and delivering our postponed programmes.
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Multiple applications for additional funding support to sustain the organisation and mitigate against loss of earned income (which is reliant on people being able to visit the galleries and purchasing artworks, items from our shop and hires of the galleries for film / TV shoots, etc.
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Weekly analysis of the impact of changing regulations on our roadmap towards reopening.
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Financial appraisal of the impact of these changes may have, the additional costs that they may bring and any income raised all modelled through regular financial analysis and related revised budgets and cash flow projections.
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Maintaining regular contact with our audiences, partners and supporters across all digital channels.
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Launching a limited edition of a work by Bedwyr Williams to directly raise funds to support the organisation in challenging financial times.
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Managing the huge number of works entered to the Annual Open including uploading them onto our website, making them all available for sale through our online shop, agreeing terms & conditions of sales and ensuring that works sold were delivered to customers within agreed timescales.
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Working to prepare the buildings for safe reopening for Fani Parali's exhibition and now for the relaunch of our postponed programmes with Bedwyr Williams commissioned exhibitions.
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Continuing to meet the funding and reporting requirements of our core funders including revised business plans, annual survey of activities and providing case studies of the successful of those projects that we could deliver whilst the galleries are closed.
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Developing new team skills to deliver an enhanced level of digital content.
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Managing the commissioning and delivery of new digital content.
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Bermondsey Artists' Group
(Limited by Guarantee)
Trustees' Report
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Ongoing development of core policies including the Core Team and Board of Trustees working together to create a completely new Equality, Diversity and Inclusion Policy together with an Action Plan that fully reflects our ethos, aspirations and provides for the development of future strategies to achieve our aims.
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Working towards an organisation-wide understanding of, and commitment to, the values encapsulated in Arts Council England's new 10-year delivery policy entitled Let's Create to ensure that we can continue to be a key funded organisation within their National Portfolio of cultural organisations.
Achievements and Performance in the Financial Year April 2020 - March 2021
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Physical engagement: 1,061 (there being only one physical exhibition in this financial year)
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Digital engagement: 25,233
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Number of artists employed delivering projects: 50
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Received one-year funding extensions from core funders Arts Council England and Southwark Council
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Successfully applied to the Cultural Recovery Fund to ensure that we can efficiently reopen to the public in May 2021
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Website: average of 3,050 views per month
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Twitter: 2,617 followers
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Facebook: 3,111 followers
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Instagram: 6,078 followers
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Email: 2,233 subscribers
About the Bermondsey Artists' Group
We are an artist-led organisation with two buildings in Southwark Park for arts and community use. In partnership with Southwark Council and Arts Council England, both buildings have been refurbished to provide a very high standard of presentation for the artists that we seek to present and to engage our neighbours and the wider art community. To achieve this, over the past 21 years, the organisation has raised more than £1,500,000 in capital funding to make our buildings fully accessible and inviting to our local community whilst providing exemplary environments for artists to present their most ambitious new works.
The Group manages these venues under the umbrella title of Southwark Park Galleries and has a thriving reputation as a test site for ambitious artistic practise that has, over the past 37 years, offered generations of artists at all stages of their career unique opportunities to exhibit their work to peers, our audiences and neighbours whilst simultaneously nurturing the artistic ambitions of local families, community groups, pupils and students. Southwark Park Galleries is an Arts Council England National Portfolio Organisation and a Registered Charity.
What we do
Commissioning
We commission artists and curators at all stages of their careers to provide an annual programme of new and evolved bodies of work and installations.
Working in partnership
We work with other arts and community organisations to realise exhibitions, installations, dance, performance, music, screenings and Public Engagement activities that expand our provision and engage with people from under-represented sections of the community. We believe that we are the most engaged arts organisation in our area and are a major fulcrum for cultural engagement in the North Southwark peninsula.
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Bermondsey Artists' Group
(Limited by Guarantee)
Trustees' Report
Public engagement
We work in partnership with Southwark Council and a wide variety of local organisations to provide venues for community exhibitions and events. We also provide a programme of workshops for local people, schools and community groups together with a highly popular Community Allotment in the Lake Gallery's garden that provides people with young families to learn about growing food and living more healthily.
Within our Public Engagement Programme we continue to invite artists whose practices are concerned with disrupting dominant categories of gender, race, class, sexual orientation, disability and age to work collaboratively with groups and individuals to produce critical and meaningful new work. Our Public Engagement programme is generously supported by RIVA (Residencies in Visual Arts) plus many specific projects are supported by a number of diverse local charities and national Trusts and Foundations.
Collaborative working continues to play an important and effective role in reaching more people to build a diverse audience. It has enabled us to extend our reach through working with a large number of partners who contribute skills and diverse networks. In recent years these have included Bosco Centre (a local charity providing friendly, caring environment for young people and their families), departments within the London Borough of Southwark, Outside In, The Bethlem Gallery, Royal College of Art, Camberwell College of the Arts, local schools and non-arts specific local groups.
Diversity
We work in partnership with other organisations to present a programme that includes a diverse range of artists and communities. Recent arts sector-wide mosaic profiling research has demonstrated that our engagement with both 'hard to reach' audiences and with core art attendees remains extremely strong. We attracted 3.5 times more visitors than the England average from the Kaleidoscope Creativity mosaic (characterised by low levels of cultural engagement) and 7 times more visitors than the England average from the Metroculturals profile (characterised by very high levels of cultural engagement).
Public benefit
The organisation's core policy is the promotion of the fullest inclusion in the visual arts by all sections of the community through the provision of activities that bridges communities representing National Excellence and are targeted to be of Local Relevance. This policy places public benefit at the centre of all of the organisation's activities.
As an established artist-led organisation, we provide both the local population and the London-wide audience with opportunities to experience innovative new art. We provide significant exhibition opportunities and a pivotal career platform for lesser-known artists. For more established artists we develop space for experimentation and challenge within their practise. This balanced approach enables us to make a significant contribution to artists' professional development at varying stages of their careers.
Structure, governance and management
The charity's governing document is its Memorandum and Articles of Association that set out:
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its charitable purposes
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what it can do to carry out its purposes
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who runs it and who can be a member
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how meetings will be held and trustees appointed
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whether the trustees can change the governing document, including its charitable objects
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how to close the charity
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Bermondsey Artists' Group
(Limited by Guarantee)
Trustees' Report
The Board of Trustees collectively govern the organisation to ensure that the charity:
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is carrying out its purposes for the public benefit
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complies with our governing document and the law
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manages its resources responsibly
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is open and accountable
Methods used to recruit and appoint trustees
Trustees are recruited for the skills and knowledge that they bring to the charity. They are elected by the Board of Trustees in accordance with section 24 through to section 26.6 of the Memorandum and Articles of Association. In addition, three Trustees are nominated for inclusion on the Board of Trustees by members of the Bermondsey Artists' Group membership organisation.
Day-to-day management of the Charity's activities
This is undertaken by the Director, Southwark Park Galleries managing a small team of staff supported by the Board of Trustees.
Reserves Policy
The Bermondsey Artists' Group's Reserves Policy is revised annually by The Board of Trustees within the charity's annual Business Plan schedule. Reserves are held in order to protect the charity against unexpected drops in income or allow it to take advantage of new opportunities. Reserves can only be spent with the approval of the Board of Trustees.
The Bermondsey Artists' Group aims to grow our Reserve Funds over the period of 2021-2026 to increase our resilience and sustainability, to a total of £95,200, based on the targets below:
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Designated lease liability fund: £25,000
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Designated operational fund: £60,200 (£47,000 to cover 3 months operation costs should the charity need to be wound-down plus redundancy for the core team of £13,200).
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Designated free reserves: £10,000.
Financial review
The unrestricted funds balance carried forward is £127,151. The balance carried forward in restricted funds is £731,442.
Small company exemptions
This report is prepared in accordance with the provisions of the Companies Act 2006 relating to small companies.
This report was approved by the Board of Trustees on 8 December 2021 and signed on its behalf by
Giles Smith (Dec 9, 2021 14:29 GMT)
Giles Smith
Trustee
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Independent Examiner's Report to the Trustees of Bermondsey Artists' Group
I report on the accounts of the charity for the year ended 31 March 2021, which are set out on pages 13 to 28.
Respective responsibilities of trustees and examiner
The trustees (who are also the directors of the company for the purposes of company law) are responsible for the preparation of the accounts. The trustees consider that an audit is not required for this year under section 144(2) of the Charities Act 2011 (the 2011 Act) and that an independent examination is needed. The charity's gross income exceeded £250,000 and I am qualified to undertake the examination by being a qualified member of The Association of Chartered Certified Accountants.
Having satisfied myself that the charity is not subject to an audit under company law and is eligible for independent examination, it is my responsibility to:
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ꞏ examine the accounts under section 145 of the 2011 Act;
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ꞏ follow the procedures laid down in the general Directions given by the Charity Commission (under section 145(5)(b) of the 2011 Act; and
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ꞏ state whether particular matters have come to my attention.
Basis of independent examiner's statement
My examination was carried out in accordance with general Directions given by the Charity Commission. An examination includes a review of the accounting records kept by the charity and a comparison of the accounts presented with those records. It also includes consideration of any unusual items or disclosures in the accounts, and seeking explanations from you as trustees concerning any such matters. The procedures undertaken do not provide all the evidence that would be required in an audit, and consequently no opinion is given as to whether the accounts present a "true and fair view" and the report is limited to those matters set out in the statement below.
Independent examiner's statement
In connection with my examination, no matter has come to my attention
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which gives me reasonable cause to believe that in, any material respect, the requirements:
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ꞏ to keep accounting records in accordance with section 386 of the Companies Act 2006; and
ꞏ to prepare accounts which accord with the accounting records, comply with the accounting requirements of section 396 of the Companies Act 2006 and with the methods and principles of the Statement of Recommended Practice: Accounting and Reporting by Charities
have not been met; or
- to which, in my opinion, attention should be drawn in order to enable a proper understanding of the accounts to be reached.
Richard Nelson FCCA Breckman & Company Ltd Chartered Certified Accountants
49 South Molton Street London W1K 5LH
8 December 2021
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Bermondsey Artists' Group (Limited by Guarantee)
Statement of Financial Activities (including Income and Expenditure Account) for the year ended 31 March 2021
| Unrestricted Restricted funds funds Notes £ £ Income and endowments from: 2 Donations and legacies - page 14 198,923 - Charitable activities Gallery - page 14 - 15 13,049 37,578 Investments - page 15 126 - Other income - page 15 - - Total 212,098 37,578 Expenditure on: Charitable activities: Gallery - page 16 228,135 27,506 Total 228,135 27,506 Net income / (expenditure) 3 ) (16,037 10,072 Transfers between funds 14, 15 67,194 ) (67,194 Net movement in funds: 51,157 ) (57,122 Reconciliation of funds: Total funds brought forward 75,994 788,564 Total funds carried forward 14, 15 127,151 731,442 |
2021 Unrestricted Restricted Total funds funds £ £ £ 198,923 162,932 - 50,627 35,588 69,141 126 348 - - 19,585 - 249,676 218,453 69,141 255,641 280,110 78,290 255,641 280,110 78,290 ) (5,965 ) (61,657 ) (9,149 - 101,229 ) (101,229 ) (5,965 39,572 ) (110,378 864,558 36,422 898,942 858,593 75,994 788,564 |
2020 Total £ 162,932 104,729 348 19,585 287,594 358,400 358,400 ) (70,806 - ) (70,806 935,364 864,558 |
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The notes on pages 19 to 28 form an integral part of these financial statements.
The statement of financial activities includes all gains and losses recognised in the year. All income and expenditure derives from continuing activities.
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Bermondsey Artists' Group
(Limited by Guarantee)
Year ended 31 March 2021
| Income from donations and legacies Grants Arts Council England - NPO funding LB Southwark LB Southwark - rates relief LB Southwark - LRSG funding HMRC Job Retention Scheme funding Donations Sundry donations/Gift Aid Income from charitable activities Gallery income Friends/members Partner contributions Gallery hire Submission fees Book/catalogue sales Art sales Sundry/sponsorship |
2021 £ 136,472 21,500 12,857 25,357 1,279 197,465 1,458 198,923 547 - 4,683 - 33 7,286 500 13,049 |
2020 £ 134,000 21,500 - - - |
|---|---|---|
| 155,500 7,432 |
||
| 162,932 | ||
| 1,462 13,000 9,741 3,425 1,783 5,677 500 |
||
| 35,588 |
14
Bermondsey Artists' Group
(Limited by Guarantee)
Year ended 31 March 2021
| Income from charitable activities (continued) Project specific funding Grants/partnerships Bermondsey Community Council LB Southwark - COVID Community Award Big Lottery Seniors Community Fund BHM Flag Commission Henry Moore Foundation Colwinston Trust Tesco Bags of Help/Groundwork Alan And Babette Sainsbury Charitable Fund North Southwark Environmental Trust United St Saviour's Charity RIVA The Paul & Louise Cooke Endowment Co-Op Community Funding ACE Catalyst Investment income Bank interest received Other income Theatre Tax Relief (TTR) |
2021 £ 6,000 7,000 7,195 850 - - - - - - 15,000 - 1,533 - 37,578 126 - |
2020 £ 2,000 - - - 2,000 7,000 1,000 12,500 2,500 13,040 15,000 10,000 1,101 3,000 |
|---|---|---|
| 69,141 | ||
| 348 | ||
| 19,585 |
15
Bermondsey Artists' Group
(Limited by Guarantee)
Year ended 31 March 2021
| Expenditure on charitable activities Gallery costs Dilston Gallery maintenance/repairs Dilston Gallery hire/service costs Publicity/advertising Exhibition expenses Other artists' fees/materials/sundry project costs Education project costs Design/print/documentation Volunteer/panel/client expenses Support costs - page 17 Governance costs - page 17 |
2021 £ 900 385 636 7,438 6,870 9,047 1,425 370 27,071 211,229 17,341 255,641 |
2020 £ 785 388 1,954 35,897 10,573 27,831 2,175 1,503 |
|---|---|---|
| 81,106 260,132 17,162 |
||
| 358,400 |
16
Bermondsey Artists' Group
(Limited by Guarantee)
Year ended 31 March 2021
| Support and governance costs Office overheads Gallery rent Office rent/rates Light/heat Telephone/IT/alarm Insurance Repairs/maintenance/cleaning Amortisation of short leasehold property Depreciation of fixtures/fittings/equipment Administration costs Salaries Management/administration/invigilation Social security costs Staff pension costs Staff training Catalyst training/consultancy Travel/transport Printing/postage/stationery Marketing/audience development Subscriptions/magazines Sundries/refreshments Irrecoverable VAT Professional/financial Bank charges Governance costs Legal/professional Accountancy/consultancy Bookkeeping |
2021 £ 12,011 33 3,277 2,504 2,994 5,096 69,494 253 86,060 17,828 3,199 1,832 565 - - 2,866 2,096 407 16 171 527 563 3,000 13,778 |
£ 95,662 115,040 527 211,229 17,341 228,570 |
2020 £ 16,014 138 5,562 3,584 3,257 6,391 69,494 1,194 87,640 39,237 4,332 1,847 634 6,750 958 4,060 6,777 265 185 1,241 572 13 4,000 13,149 |
£ 105,634 153,926 572 |
|---|---|---|---|---|
| 260,132 17,162 |
||||
| 277,294 |
17
Bermondsey Artists' Group
(Limited by Guarantee)
Balance Sheet 31 March 2021
| Notes Fixed assets Tangible assets 9 Current assets Debtors 10 Cash at bank and in hand Liabilities: Creditors: amounts falling due within one year 11 Net current assets Total assets less current liabilities The funds of the charity: Unrestricted general fund 14 Unrestricted designated funds 14 Restricted income funds 15 Total charity funds |
2021 £ 24,059 193,083 217,142 ) (27,059 |
£ 668,510 190,083 858,593 48,865 78,286 127,151 731,442 858,593 |
2020 £ 39,964 107,713 147,677 ) (21,376 |
£ 738,257 126,301 |
|---|---|---|---|---|
| 864,558 | ||||
| 75,994 - |
||||
| 75,994 788,564 |
||||
| 864,558 |
For the year ending 31 March 2021 the company was entitled to exemption from audit under section 477 of the Companies Act 2006 relating to small companies.
Directors' responsibilities:
. The members have not required the company to obtain an audit of its accounts for the year in question in accordance with section 476;
. The directors acknowledge their responsibilities for complying with the requirements of the Act with respect to accounting records and the preparation of accounts.
These financial statements have been prepared in accordance with the provisions of the Companies Act 2006 applicable to companies subject to the small companies regime.
The financial statements were approved by the Board of Trustees on 8 December 2021 and signed on its behalf by
Giles Smith (Dec 9, 2021 14:29 GMT)
Giles Smith Trustee
Mary Wang (Dec 8, 2021 13:22 GMT)
Mary Wang Trustee
The notes on pages 19 to 28 form an integral part of these financial statements.
18
Bermondsey Artists' Group
(Limited by Guarantee)
Notes to the Financial Statements for the year ended 31 March 2021
1. Accounting policies
1.1. Basis of preparing the financial statements
The financial statements have been prepared in accordance with Accounting and Reporting by Charities: Statement of Recommended Practice (issued October 2019) applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) (effective 1 January 2019) - (Charities SORP (FRS 102)), and the Companies Act 2006.
The charity meets the definition of a public benefit entity under FRS 102. Assets and liabilities are initially recognised at historical cost or transaction value unless otherwise stated in the relevant accounting policy note(s).
1.2. Incoming resources
All incoming resources are included in the Statement of Financial Activities when:
-
the charity is legally entitled to the funds
-
any performance conditions attached to the income have been met or are fully within the control of the charity
-
there is sufficient certainty that receipt of the income is considered probable
-
the amount can be reliably measured
- Donations and legacies
Grants/donations are recognised in incoming resources in the year in which they are receivable, except as follows:
-
when donors specify that grants/donations given to the charity must be used in future accounting periods, the income is deferred until those periods
-
when donors impose conditions which have to be fulfilled before the charity becomes entitled to use such income, the income is deferred and not included in incoming resources until the preconditions for use are met.
- Charitable activities
Gallery income - income from the gallery is included in incoming resources in the period in which the relevant exhibition, hire, or activity takes place.
Project specific funding - when donors specify that donations and grants are for particular restricted purposes, which do not amount to pre-conditions regarding entitlement, this income is included in incoming resources of restricted funds when receivable.
- Donated services and facilities
Donated services or facilities are recognised as income when the charity has control over the item, any conditions associated with the donated item have been met, the receipt of economic benefit from the use by the charity of the item is probable and that economic benefit can be measured reliably. On receipt, donated services and facilities are recognised on the basis of the value of the gift to the charity which is the amount the charity would have been willing to pay to obtain services or facilities of equivalent economic benefit on the open market; a corresponding amount is then recognised in expenditure in the period of receipt.
19
Bermondsey Artists' Group
(Limited by Guarantee)
Notes to the Financial Statements for the year ended 31 March 2021
- Investment income
Interest on funds held on deposit is included when receivable and the amount can be measured reliably by the charity; this is normally upon notification of the interest paid or payable by the Bank.
1.3. Expenditure
All expenditure is included on an accruals basis inclusive of any VAT which cannot be recovered and is recognised when:
-
there is a legal or constructive obligation to make a payment
-
it is probable that settlement will be required
-
the amount of the obligation can be measured reliably
- Costs of raising funds
Costs incurred in attracting donations, and those incurred in trading activities that raise funds.
- Charitable activities
Gallery costs - costs incurred in running the gallery.
- Support costs
The administrative and overhead costs associated with running the office from which the company operates as well as governance costs. Support costs are wholly attributable to theatre production costs.
- Governance costs
Costs associated with the constitutional and statutory requirements of the charity.
1.4. Fund accounting
Funds held by the charity are either:
-
Unrestricted general funds - these are funds which can be used in accordance with the charitable objects at the discretion of the trustees.
-
Restricted funds - these are funds that can only be used for particular restricted purposes within the objects of the charity. Restrictions arise when specified by the donor or when funds are raised for particular restricted purposes.
Further explanation of the nature and purpose of each fund is included in the notes to the financial statements.
1.5. Tangible fixed assets and depreciation
Individual fixed assets costing £500 or more are capitalised at cost.
Depreciation is provided at annual rates calculated to write off the cost less residual value of each asset over its expected useful life, as follows:
- Leasehold properties Straight line over the life of the lease Fixtures/fittings/equipment - 25% on cost
20
Bermondsey Artists' Group
(Limited by Guarantee)
Notes to the Financial Statements for the year ended 31 March 2021
1.6. Debtors
Trade and other debtors are recognised at the settlement amount due after any trade discount offered. Prepayments are valued at the amount prepaid after taking account of any trade discounts due.
1.7. Cash at bank and in hand
Cash at bank and in hand includes cash and short term highly liquid investments with a short maturity of three months or less from the date of acquisition or opening of the deposit or similar account.
1.8. Creditors and provisions
Creditors and provisions are recognised where the charity has a present obligation resulting from a past event that will probably result in the transfer of funds to a third party and the amount due to settle the obligation can be measured or estimated reliably. Creditors and provisions are normally recognised at their settlement amount after allowing for any trade discounts due.
1.9. Pensions
The company operates a defined contribution pension scheme. Contributions are charged to the profit and loss account as they become payable in accordance with the rules of the scheme.
1.10. Financial Instruments
The charity only has financial assets and financial liabilities of a kind that qualify as basic financial instruments. Basic financial instruments are initially recognised at transaction value, and subsequently measured at their settlement value.
1.11. Significant Accounting Estimates and Judgements
In determining the carrying amounts of certain assets and liabilities, the charity makes assumptions of the effects of uncertain future events on those assets and liabilities at the balance sheet date. The charity's estimates and assumptions are based on historical experience and expectation of future events and are reviewed annually.
2. Incoming resources
The total incoming resources for the year have been derived from the principal activity undertaken wholly in the UK.
3.
| Net income/(expenditure) for the year is | 2021 | 2020 |
|---|---|---|
| stated after charging: | £ | £ |
| Depreciation of tangible fixed assets | 69,747 | 70,688 |
| Independent Examiner's remuneration | ||
| - independent examination | 3,000 | 3,000 |
| - other services | - | 1,000 |
21
Bermondsey Artists' Group
(Limited by Guarantee)
Notes to the Financial Statements for the year ended 31 March 2021
4. Trustees' emoluments and reimbursed expenses
The trustees received no remuneration during the year (2020 - £nil).
The aggregated amount reimbursed to trustees during the year was £nil (2020 - £nil).
5.
| Staff costs and numbers Staff costs Salaries and wages Social security costs Pension costs |
2021 £ 86,060 3,199 1,832 91,091 |
2020 £ 87,640 4,332 1,847 |
|---|---|---|
| 93,819 |
No employee earned £60,000 or more during the year (2020 - nil).
The key management personnel of the charity comprise the Trustees and the Senior Management Team. The total employee benefits of the key management personnel of the charity were £37,000 (31 March 2020 - £36,133).
Staff numbers
The average numbers of full-time equivalent employees (including casual and part time staff) during the year was made up as follows:
Administration |
2021 Number 3 3 |
2020 Number 3 |
|---|---|---|
| 3 |
6. Pension costs
The company operates a defined contribution pension scheme in respect of its employees. The scheme and its assets are held by independent managers. The pension charge represents contributions due from the company and amounted to £1,832 (2020 - £1,847).
7. Grants - London Borough of Southwark
In accordance with sub-section 37(4) of the Local Government and Housing Act 1989, these grants have been fully utilised in accordance with the terms under which they were originally granted and have been fully expended on revenue items in the normal course of the company's business.
22
Bermondsey Artists' Group
(Limited by Guarantee)
Notes to the Financial Statements for the year ended 31 March 2021
8. Corporation Taxation
The charity is exempt from tax on income and gains falling within section 505 of the Taxes Act 1988 or section 252 of the Taxation of Chargeable Gains Act 1992 to the extent that these are applied to its charitable objects.
9.
| Fixed assets - tangible assets Short Short Fixtures/ leasehold leasehold fittings/ property 1 property 2 equipment £ £ £ Cost 1 April 2020 979,190 624,946 21,311 Disposals - - ) (600 31 March 2021 979,190 624,946 20,711 Depreciation 1 April 2020 379,491 486,641 21,058 Disposals - - ) (600 Charge for year 43,151 26,343 253 31 March 2021 422,642 512,984 20,711 Net book values 31 March 2021 556,548 111,962 - 31 March 2020 599,699 138,305 253 |
Total £ 1,625,447 ) (600 |
|---|---|
| 1,624,847 | |
| 887,190 ) (600 69,747 |
|
| 956,337 | |
| 668,510 | |
| 738,257 |
Short leasehold property 1 - Dilston Gallery
Short leasehold property 2 - Lake Gallery
The Big Lottery Fund has a charge over Dilston Gallery, and therefore it is not possible to sell or transfer the assets.
| 10. Debtors Trade debtors Other debtors Prepayments |
2021 £ 16,252 1,147 6,660 24,059 |
2020 £ 11,346 21,689 6,929 |
|---|---|---|
| 39,964 |
23
Bermondsey Artists' Group
(Limited by Guarantee)
Notes to the Financial Statements for the year ended 31 March 2021
| 11. Creditors: amounts falling due within one year Trade creditors Other taxation/social security Other creditors Accruals Deferred income (note 12) 12. Deferred income Amount released to incoming resources Amount deferred in the year Balance at 31 March 2021 |
2021 £ 10,741 1,071 6,872 3,000 5,375 27,059 |
2020 £ 4,567 1,882 5,880 3,672 5,375 21,376 £ ) (5,375 5,375 5,375 |
|---|---|---|
Deferred income relates to income from donations and legacies received in advance.
13. Limited by guarantee
The private limited company is limited by guarantee, is registered in EW - England & Wales, and does not have a share capital. Each member gives a guarantee to contribute a sum, not exceeding £1, to the company should it be wound up. At 31 March 2021 there were 9 members.
24
Bermondsey Artists' Group
(Limited by Guarantee)
Notes to the Financial Statements for the year ended 31 March 2021
| 14. | Unrestricted funds Brought |
Unrestricted funds Brought |
Incoming | Outgoing | Transfers | Carried | |||
|---|---|---|---|---|---|---|---|---|---|
| forward | resources | resources | forward | ||||||
| £ | £ | £ | £ | £ | |||||
| General fund | 75,994 | 212,098 | ) (228,135 |
) (11,092 |
48,865 | ||||
| Designated funds: | |||||||||
| Designated lease liability | fund | - | - | - | 25,000 | 25,000 | |||
| Designated operational fund | - | - | - | 47,000 | 47,000 | ||||
| Designated free reserves | - | - | - | 6,286 | 6,286 | ||||
| 75,994 | 212,098 | ) (228,135 |
67,194 | 127,151 |
Designated lease liability fund
This fund has been set up to cover lease liabilities.
Designated operational fund
A fund to cover three month operational wind down and redundancy costs.
Designated free reserves
Designated to a fund for free use.
25
Bermondsey Artists' Group
(Limited by Guarantee)
Notes to the Financial Statements for the year ended 31 March 2021
| 15. Restricted funds Brought Incoming Outgoing Transfers forward resources resources £ £ £ £ Fixed assets 738,004 - - ) (69,494 Capital programme 3,073 - ) (860 2,300 RIVA 11,163 15,000 ) (12,535 - The Paul & Louise Cooke Endowment 7,400 - ) (2,400 - North Southwark Environmental Trust 1,057 - ) (675 - Co-Op Community Funding 875 1,533 ) (150 - Section 106 LBS Cultural Commission 1,000 - - - Alan And Babette Sainsbury Charitable Fund 10,377 - - - Colwinston Trust 7,000 - - - United St Saviour's Charity 8,615 - ) (2,790 - Community Council - 6,000 - - COVID LAGDF & LBS Community Fund - 7,000 ) (7,000 - Big Lottery Community Seniors Fund - 7,195 ) (396 - British Land - 850 ) (700 - 788,564 37,578 ) (27,506 ) (67,194 |
Carried forward £ 668,510 4,513 13,628 5,000 382 2,258 1,000 10,377 7,000 5,825 6,000 - 6,799 150 |
|---|---|
| 731,442 |
Fixed assets
This fund consists of grants/donations received specifically for the purchase of fixed assets. The funds are transferred to the general fund over the expected useful life of the assets.
| The balance at 31 March 2021 is attributable to: Short leasehold property - Lake Gallery Short leasehold property - Dilston Gallery |
£ 111,962 556,548 |
|---|---|
| 668,510 |
Capital Programme
This project will address the operational requirements of contemporary art venue, Dilston Gallery, contributing to long-term sustainability, financial security and increased artistic flexibility.
RIVA
Community involvement in the Arts supporting the learning/community programme by providing creative artist educators delivering free workshops and school visits.
The Paul & Louise Cooke Endowment
Annual exhibition support for 2020 and 2021 Southwark Park Galleries: Lake Gallery and Dilston Gallery.
26
Bermondsey Artists' Group
(Limited by Guarantee)
Notes to the Financial Statements for the year ended 31 March 2021
North Southwark Environmental Trust
Workshops for free Senior Art School sessions encompassing the geographical area of Southwark Park for adults over 50.
Co-Op Community Funding
Community funding for the Bothy Community building and free gardening sessions for children.
Section 106 LBS Cultural Commission
A maintenance grant for bird boxes, a Section 106 public art commission.
Alan And Babette Sainsbury Charitable Fund
Commencing January 1 2019, a provision of two year support for community engagement. Free Testbed Short Courses in the Arts, to provide skills-based learning to disadvantaged 13-19 -year olds in Southwark.
Colwinston Trust
Funding towards commissioning and production costs, and presentation in Wales & London of Bedwyr William's exhibition in 2020-21.
United St Saviours Charity Southwark
Funding towards My Story My Neighbourhood: Mayflower Art Projects.
Community Council North Bermondsey and Surrey Docks Neighbourhood Fund
Provision of free Allotment Club for low income families living in North Bermondsey and Surrey Docks and sessions in the community garden.
COVID LAGDF & LBS Community Fund
COVID emergency funding for re-opening, essential COVID health & safety provision and overheads.
Big Lottery Community Seniors Fund
Free Art School sessions for Seniors.
British Land
Commissioning Flag Award for artist designed flags located at Lake Gallery & Dilston Gallery.
27
Bermondsey Artists' Group
(Limited by Guarantee)
Notes to the Financial Statements for the year ended 31 March 2021
16. Analysis of net assets between funds
| General Designated Restricted funds funds funds £ £ £ Fund balances at 31 March 2021 are represented by: Tangible fixed assets - - 668,510 Net current assets 48,865 78,286 62,932 48,865 78,286 731,442 |
Total £ 668,510 190,083 |
|---|---|
| 858,593 |
17. Financial commitments
At 31 March 2021 the company had future minimum lease payments under non-cancellable operating leases, with payments falling due as follows:
| Due: Within one year Between one and five years In over five years |
2021 £ 16,013 52,604 - 68,617 |
2020 £ 16,013 64,054 4,563 |
|---|---|---|
| 84,630 |
18. Related party transactions
During the year the company had no related party transactions that required disclosure.
28