Company number: 3637201 Charity number: 1073105
The Irene Taylor Trust
Report and financial statements For the year ended 31 March 2022
The Irene Taylor Trust
Contents
For the year ended 31 March 2022
Reference and administrative information ...................................................................................... 1 Trustees’ annual report .................................................................................................................. 3 Chair’s annual report ................................................................................................................... 15 Artistic Director’s annual report ................................................................................................... 16 Major Donor list ........................................................................................................................... 17 Project reports ............................................................................................................................. 18 Independent auditor’s report ....................................................................................................... 20 Statement of financial activities (incorporating an income and expenditure account) ................... 24 Balance sheet ............................................................................................................................... 25 Statement of cash flows ................................................................................................................ 26 Notes to the financial statements ................................................................................................. 27
The Irene Taylor Trust
Reference and administrative information
For the year ended 31 March 2022
| Company number | 3637201 | |
|---|---|---|
| Country of incorporation | United Kingdom | |
| Charity number | 1073105 | |
| Country of registration | England & Wales | |
| Registered office | 35-47 Bethnal Green Road | |
| London, E1 6LA | ||
| Honorary President | Louis Taylor MA | |
| Trustees | Trustees, who are also directors under company law, who served | |
| during the year and up to the | date of this report were as follows: | |
| Jane Anderson | Chair | |
| Paul Meitner ACA | Treasurer & Vice Chair | |
| (resigned November 2021) | ||
| Kimberley Godley-Hendon | Treasurer | |
| (elected November 2021) | ||
| Jonathan Adams | Vice Chair | |
| Alice Knox (née Beal) | ||
| Sarah Davis | ||
| James Maloney | ||
| Peter Renshaw | ||
| Dr Rosie Reynolds | (elected July 2021) | |
| Jo Sparrow | (elected July 2021; resigned Feb 2022) | |
| Carolyn Taylor | ||
| Advisory Group | Lucine Bassa | |
| Darren Clugston | ||
| Eileen Eastaugh-Mascoll | ||
| Reggie Fowell-Boston | ||
| Montell Reid | ||
| Helen Sychta | ||
| Patrons | Mark Knopfler OBE | |
| Stephen Hough | ||
| The Rt. Hon. The Lord Judge | ||
| Murray Perahia | ||
| The Rt. Hon. The Lord Phillips of Worth Matravers | ||
| Jon Snow | ||
| The Rt. Hon. The Lord Woolf |
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The Irene Taylor Trust
Reference and administrative information
For the year ended 31 March 2022
| Principal staff | Sara Lee | Artistic Director |
|---|---|---|
| Luke Bowyer | Operations Director | |
| Rupert Tate | Business Development Director | |
| Jake Tily | Creative Programmes Director | |
| Bankers | HSBC Bank PLC | |
| 5 Wimbledon Hill Road | ||
| London | ||
| SW19 7NF | ||
| Lawyers | Farrer & Co | |
| 66 Lincoln's Inn Fields | ||
| London | ||
| WC2A 3LH | ||
| Insurers | Ageas Insurance Ltd | |
| Ageas House | ||
| Hampshire Corporate Park | ||
| Templars Way | ||
| Eastleigh | ||
| SO53 3YA | ||
| Auditor | Sayer Vincent LLP | |
| Chartered Accountants and Statutory Auditor | ||
| Invicta House | ||
| 108-114 Golden Lane | ||
| London | ||
| EC1Y 0TL |
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The Irene Taylor Trust
Trustees’ annual report
For the year ended 31 March 2022
The Trustees present their report and the audited financial statements for the year ended 31 March 2022.
Reference and administrative information set out on pages 1 and 2 forms part of this report. The financial statements comply with current statutory requirements, the Memorandum and Articles of Association, the requirements of a directors’ report as required under company law, and the Statement of Recommended Practice - Accounting and Reporting by Charities: SORP 2015 applicable to charities preparing their accounts in accordance with FRS 102.
Structure, governance & management
The Irene Taylor Trust (trading as Music in Prisons) was formed in 1995 in memory of Irene Taylor, the wife of the late Lord Chief Justice Peter Taylor. It became a company limited by guarantee (No. 3637201), incorporated on 23 September 1998 and registered with the Charity Commissioners (No. 1073105) on 23 December 1998. The charitable company was established under a Memorandum of Association, which established its objects and powers and it is governed under its Articles of Association. The charity is administered by a Board of Trustees who are also its directors for the purposes of company law.
Trustees are kept up to date on their relevant legal responsibilities through a variety of methods and formats. Individual Trustees share their knowledge and expertise through informal workshops on various areas of charity law and practice. In addition, many of the Trustees on the Board receive wider training through their professional and other charitable responsibilities within other organisations.
The Trustees meet on a quarterly basis and are responsible for overseeing the overall strategic direction of the Trust and ensuring that work of the Trust remains within its objectives.
The day-to-day management of the Trust is the responsibility of the Artistic Director, who is supported in its running by the Operations Director, Business Development Director and Creative Programmes Director.
All Trustees give their time voluntarily and receive no benefits from the charity. Any expenses reclaimed from the charity are set out in note 9 to the accounts.
Appointment of trustees
The Trust aims to maintain a Board of around eight to ten active Trustees/Directors, reflecting a broad range of skills and knowledge appropriate to running the Trust.
The Board recognises that it needs trustees with the appropriate skills, knowledge and experience to manage the Trust. The Board regularly reviews any skills gaps and looks to address these through recruitment of additional trustees.
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The Irene Taylor Trust
Trustees’ annual report
For the year ended 31 March 2022
The articles of association allow the board to appoint further trustees at its discretion. Trustee recruitment is usually led by the Chair who is supported by at least one other trustee.
Trustee induction and training
New trustees are provided with an informal induction and are able to attend external training events run by professional advisers. The Board has recently reviewed its trustee induction procedures to ensure that these remain appropriate in light of the Trust’s activities and the current law and good practice.
Objectives and activities
The objects of the Trust are to promote the creative arts, particularly amongst prisoners, probationers, the sick, including those with physical and learning difficulties, the poor and those in need of rehabilitation or reintegration into the community. The Trust advances its objectives by delivering high quality creative music programmes which facilitate the creation and performance of original music with men, women and young people in prisons nationwide, and in the community with former prisoners and with young people in challenging circumstances. The objectives are further advanced through advocacy of the benefits of arts education in reintegrating to society those who have suffered social exclusion of many sorts.
In addition to special one-off and collaborative projects, the Trust aims to deliver and evolve the following core programmes:
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Music in Prisons: Intensive creative music projects in prisons
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Musicians in Residence: Longer-term residencies inside prisons providing access to weekly music sessions which sustain the benefits of Music in Prisons projects
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Sounding Out: Through-the-gate programme providing former prisoners with longer-term rehabilitative opportunities through music performance, training & work placements
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Making Tracks: Accredited creative music programme targeting young people in challenging circumstances include those not in employment, education, or training and/or in contact with youth offending teams
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Young Producers and Young Music Leader Training: progression projects for young people who have completed the Making Tracks programme
The Trust’s strategic objectives for 2021-2024 are to:
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Meet the needs of more adults and young people in and on the fringes of the Criminal Justice System
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Strengthen our profile (locally, nationally and internationally)
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Develop and share our experience, knowledge, and evidence to promote the wider use of music in prevention and rehabilitation
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Innovate and collaborate artistically, developing our projects, approach and team
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Diversify our funding model and grow our activities sustainably
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The Irene Taylor Trust
Trustees’ annual report
For the year ended 31 March 2022
- Develop and establish online and face to face working practices initiated during covid19 restrictions as part of our offer
The Trustees review the aims, objectives and activities of the charity each year. This report looks at what the charity has achieved and the outcomes of its work within the last twelve months. The Trustees report the success of each key activity and the benefits the charity has brought to those groups of people that it is set up to help. The review also helps the Trustees ensure the charity's aims, objectives and activities remained focused on its stated purposes.
Review of activities
The impact of the ongoing Covid-19 pandemic continued to present many challenges over the year; however, the work undertaken in 2020-21 to adapt delivery methods meant that the Trust was often able to be responsive and flexible in approach.
At times over the year the Trust was able to return to in-person delivery; at others it was necessary to revert to remote and online delivery (see below for more detail): inside prisons, two in-person Music in Prisons intensives took place, as well as two Lullaby Projects ; five Musician in Residence prison placements were able to resume their sessions at various points; two ‘Correspondence Songwriting’ projects were conducted remotely and 14 prisons signed up for a newly created ‘In Cell Learning’ resource. In the community, the Sounding Out programme for former prisoner musicians provided a range of online and in-person activity, including involvement in the ‘Playlists TV Project’; three Making Tracks online projects included our first in Bristol, two in-person projects took place in London, and we were able to resume progression projects Young Producers and Young Workshop Leader Training .
The Trust was commissioned by the Chicago Symphony Orchestra for two online projects to train their musicians, as part of the Notes for Peace project to write songs with bereaved parents in tribute to children lost to gun crime. In March an in-person commission was possible, including work in a juvenile detention centre.
Over the year these projects involved 652 participants (exceeding our target for the year of 600), demonstrating the Trust’s commitment to working with people of all ages across the secure estate and in the community. Additionally, the ‘Playlists’ project was developed for in-cell channel Way Out TV and broadcast in over 50 prisons to an estimated audience of 35,000 prisoners.
Meeting the needs of those in and on the fringes of the criminal justice system
Music in Prisons
Over the year the pandemic continued to affect staff numbers in prisons, and in some, prisoners have continued to face longer hours locked in their cells. The restrictions to access limited the Trust’s physical delivery; over the year four intensive projects were able to take place, two as part
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The Irene Taylor Trust
Trustees’ annual report
For the year ended 31 March 2022
of the Lullaby Project, one with young men and one with adult men. The outlook for Music in Prisons intensives is much better in 2022-23, with the expectation of delivering at least 10.
Two of the ‘Correspondence Songwriting’ projects devised last year were delivered with women in prison. ‘Correspondence Songwriting’ was developed as a new method of remote collaborative songwriting. The lyrics for the songs were written by prisoners, who also provided guidance about how they would like the songs to sound. The Trust’s team of musicians worked on the melodies and music based on this information. The recordings were then sent back into the prison, along with a letter to the lyricist from the musicians explaining the artistic choices they had made to create the final product.
The Trust also further developed the ‘Playlists’ project for broadcast on in-cell TV and created a new learning resource (see below for more).
Prison Musicians in Residence
The Trust also runs Musician in Residence placements in key prisons to complement and sustain the impact its intensive projects, through the delivery of weekly music sessions. At various points over the year the Trust was able to recommence in-person delivery for five of the current seven prison Musician in Residence placements. In early 2022 the omicron variant briefly interrupted physical delivery, so to maintain engagement the musicians provided study worksheets. It is hoped that all the placements will resume during 2022-23.
Sounding Out
Sounding Out provides former prisoners who have previously taken part in Music in Prisons projects with ‘through the gate’ support, giving them the opportunity to continue musical activity and engage with tailored progression support for a period of up to two years after their release. Throughout the year the Trust offered a mixed programme of online and in-person projects.
Working online from June, Sounding Out alumni collaborated with our project musicians to create songs for the Playlists programmes broadcast in prisons by Way Out TV and on our YouTube channel. Ad-hoc online line ‘meet up and play’ sessions were open to all Sounding Out alumni, enabling participants to work on and exchange musical ideas to create new material, as well as providing interaction with others who share their interest in music. Following many successful past collaborations, we again partnered with Rideout (Creative Arts for Rehabilitation) to create two podcasts; four Sounding Out alumni worked with project musicians to create four tracks to support these.
In December we were able to deliver an in-person Training project, nurturing the skills required to take on the role of Support Musicians on the Trust’s projects with young people. This has multiple benefits, giving the former-prisoner musicians the opportunity to share their skills and to ‘give something back’, while the young people frequently look up to them as role models. New and previously trained Sounding Out participants took on the Support Musician roles for our in-person Making Tracks, Young Producers and Young Project Leader Training projects throughout the year.
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The Irene Taylor Trust
Trustees’ annual report
For the year ended 31 March 2022
Sounding Out participants also took on ambassadorial roles, such as speaking on National Prison Radio (recorded in the BBC studios) about the impact of the project on their rehabilitation.
More in-person activity for Sounding Out is expected in 2022-23, including special projects to celebrate a decade of the programme.
Making Tracks
Making Tracks targets young people aged 16-25 at risk of offending, including those on the fringes of the criminal justice system and those who are NEET (Not in Education, Employment or Training). Over the year the Trust delivered a mix of adapted online projects and in-person projects, partnering with The Prince’s Trust for online projects with young people from London, Kent, Bristol and Manchester; in-person projects took place with Newham YOT, youth homeless organisation SPEAR London, and The Prince’s Trust. As well as being guided to create original music, the young people were supported to achieve a Bronze Arts Award accreditation and offered progression guidance from our Projects & Progression Coordinator, including on to our own Young Producers and Young Workshop Leader Training schemes.
In September five young people completed a Young Workshop Leaders Training project. The objective of the project was to teach young people the skills needed to take supporting roles on future projects, but feedback demonstrated the wider application of skills learnt. A Young Producers project started in October, supporting three young people to curate and manage their own live event, which they titled ‘Crossroads’. Four additional young artists and one Sounding Out musician also participated as performers. The project concluded with a performance in December at the Old Church in Stoke Newington.
Strengthening profile
Lullaby Project BBC Radio 4 documentary
The Lullaby Project is run in partnership with the Royal Philharmonic Orchestra, delivering musical experiences to strengthen the bond between parents and children, working with disadvantaged parents or those who have been separated from their children by circumstances or incarceration. In July and October we delivered projects with fathers in prison, creating a total of 16 songs for their children. Both projects concluded with a musical sharing with a small audience. On one of these projects the creative process was followed for a beautiful BBC Radio 4 documentary. The documentary was highlighted in the ‘Pick of the Week’ programme and included in the ‘Seriously’ podcast feed, further boosting its reach.
Sharing experience
International work sharing expertise
The Trust’s successful partnership with the Chicago Symphony Orchestra continued, with three further commissions during the year (two online, one returning to the pre-pandemic in-person model) and more scheduled for 2022-23. The commissions involved training CSO’s Civic Fellows
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The Irene Taylor Trust
Trustees’ annual report
For the year ended 31 March 2022
in both custodial and community settings, including collaborating on Notes for Peace, a project to create musical tributes to loved ones lost through gun violence in Chicago. Following a long postponement during travel restrictions, plans were made for the Trust to return to also travelled again to Norway in June 2022.
Inspiring Futures research
The partnership on the National Criminal Justice Arts Alliance’s ‘Inspiring Futures’ research began during the year, with a prison-based Lullaby Project and Musician In Residence sessions included in the fieldwork. Two further Music in Prisons intensives are due to be included in 2022-23, with the final evaluation report due to be published in 2023.
Developing projects, approach and team
‘Playlists’ developed for prison TV
In 2020-21 the Trust partnered with 14 prisons for a 20-week ‘Playlists’ music appreciation project, originally delivered via CDs and worksheets; in April 2021 the Trust was awarded an Arts Council England Cultural Recovery grant which included funds to expand the series as a 9-part TV series for broadcast in prisons on in-cell TV. The series features the Trust’s expert musicians and Sounding Out former prisoner artists discussing a range of musical genres and creating new pieces of music in each genre featured.
The series was filmed in June and broadcast several times by Way Out TV in over 50 prisons to an estimated audience of 35,000 prisoners, introducing them to musical genres with which they may not be familiar and encouraging further listening and creative activity. The project provided an important means of maintaining our relationships with prison partners, while also providing an entry point to potential new prison partners for the future. The series is also available to watch on the Trust’s YouTube channel.
Emerging Artists programme in collaboration with Drake Music
Towards the end of the year funding was secured from Arts Council England to pilot a new twoyear scheme to give four exceptionally talented former participants the opportunity to train as Emerging Artists, including mentoring from the Trust’s musicians, supporting them to develop facilitation skills and professionally record and release their own music. The programme is also an opportunity for the Trust to collaborate and share learning with Drake Music.
Musical Development Grants
Thanks to a kind and generous individual donor, the Trust was able to begin trialing a new scheme to make small but very significant grants to our former project participants to support their further musical development, including buying them additional external music tuition, instruments or recording equipment.
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The Irene Taylor Trust
Trustees’ annual report
For the year ended 31 March 2022
Advisory Group of former participants
The Trust continued to benefit from the input of an Advisory Group, created the previous year, ensuring that user-voice is heard directly by the Board, providing invaluable feedback and influencing the Trust’s strategic direction. The Advisory Group meet prior to the Trustees’ quarterly meetings and discuss their thoughts with a Trustee, who then reports to the Board on their discussions and recommendations.
Trustee recruitment
During the year Paul Meitner decided to step down from the Board as Hon. Treasurer. Following an open recruitment process, the Trust was delighted to welcome new Trustees Dr Rosie Reynolds and Kimberley Godley-Hendon (who is also as the new Treasurer).
Diversifying income streams
Earned income
The Trust’s earned income was greatly impacted the previous year by restrictions to physical delivery, falling to 11% of income, compared to 21% in 2019-20. Good progress was made in 2021-22 with the level rising to 18.5% and the Trust is optimistic about returning to circa 20% in future years as restrictions continue to be lifted. Despite the challenges presented over the last two years, earned income remains significantly higher than when this strategic aim was first established in 2015-16, when it represented 7% of total income.
Corporate support
The Trust was delighted to receive corporate support from Sony Music’s Social Justice Fund, which included useful in-kind support as well as financial support.
Develop and establish working practices initiated during covid-19 restrictions
In-cell Learning Resource
Towards the end of the previous year, as restrictions to in-person prison delivery remained, the Trust began work on a new in-cell learning resource, completed in 2021-22, which was useful both during lockdown restrictions and for future use with Music in Prisons participants who wish to continue learning after projects. Responding to the needs of our prison partners, the Trust created 25 in-cell music lessons via DVD and handbooks curated by seven of its highly experienced musicians. The resource covers music theory, song-writing, guitar, keyboard, and soloing and improvisation. The lessons give learners the chance to go at their own pace and benefit from the Trust’s considerable experience in teaching and facilitating at all levels of ability.
Learning from project adaptations
Although the Trust adapted project delivery though necessity, the process has provided much valuable learning and there have been elements that have proved unexpectedly successful. The Trust is currently developing mixed models for future delivery that will incorporate elements of
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The Irene Taylor Trust
Trustees’ annual report
For the year ended 31 March 2022
online or remote delivery, including work with young people and expanding the Sounding Out programme to new regions.
Public benefit
In overseeing the activities of the charity during the year, the Trustees have had regard to the Charity Commission guidance on public benefit, and are satisfied that the activities of the charity have suitably met the criteria regarding public benefit as set out in that guidance.
Plans for the Future
In 2022-23 the Trust will continue to:
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Adapt projects to continue via online and remote delivery when face-to-face interactions are not possible due to lockdown restrictions
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Deliver its well-established intensive music projects in custodial settings, ensuring they reach the widest cross section of the prison population
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Develop and implement a series of year-long musical residencies for prisoners to complement and sustain the impact of the Trust’s intensive creative projects
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Contribute to the body of evidence on the impact of arts education on prisoners and advocate its use in the widest possible sense
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Develop and expand delivery of Making Tracks, its programme for young people in challenging circumstances, in London, Kent, Bristol and the North-West
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Deliver Sounding Out, a "through-the-gate" project enabling the Trust to help prisoners prepare for release and to support them with their resettlement back into the community through the provision of additional training, pastoral care and paid employment opportunities
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Host events showcasing the impact and artistic quality of its work
Reserves Policy
It is the policy of the Trust to maintain free unrestricted funds at a level that equates to between five and eight months’ running costs (i.e. non-project costs) based on projected figures for future spending. Reserves are held in such a way that the organisation can fulfil its financial obligations on a timely basis to its staff and creditors, in the event of a cessation of activity. At the year end the Trust held unrestricted funds of £111,304, which included Designated Funds of £4,110 (for rent liability), and free reserves excluding fixed assets of £101,140, which is equivalent to approximately 5 months’ running costs, falling just within the target range. The Trustees therefore consider the Trust to be a viable going concern.
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The Irene Taylor Trust
Trustees’ annual report
For the year ended 31 March 2022
Risks Policy
The risks to which the charity is exposed are monitored on a regular basis by the Board and appropriate action is taken to mitigate and manage those risks, and to minimise any possible disruption to the effectiveness of the Trust's work from them. The principal organisational risks and the strategies in place to mitigate them are:
| Organisational risk | Mitigation plan |
|---|---|
| Serious reduction in funding | Conducting an attainable funding strategy supported by a robust strategic plan to achieve income targets through a diverse range of sources (trusts and foundations, earned income, individual giving), nurturing relationships with existing funders and constantly sourcing new opportunities. In addition to a financial review at quarterly trustee meetings, a Finance & Funding sub-committee convene between trustee meetings to closely monitor the financial situation and alert the board to any emerging issues/ concerns. If necessary, the board will consider cost-saving options, such as a reduction of staff hours. |
| Impact of Covid-19 on project delivery & funding |
Where possible, projects have been adapted to make online or remote delivery an option. When appropriate, current funders approached to request restricted funds be repurposed. Emergency funding related to Covid-19 impact sought. |
| Risk of Covid-19 on health of staff, trustees & participants |
Arrangements have been made for staff to work from home if they wish. If using the office space at Rich Mix, rules are in place to enforce social distancing, limit risk of contamination (via shared equipment) etc. Rich Mix has stringent new safety measures in place, including a one-way system, limiting use of lifts to those unable to use stairs, strict social distancing in shared spaces (such as kitchens and toilets). Trustee meetings are to be held online rather than in person, until it is felt safe to revert to usual practice. Risk assessments are being made for any project not taking place online/remotely, with appropriate adaptions made to mitigate the risks, including the provision of PPE, adhering to social distancing, avoiding cross- contamination of musical equipment etc. All staff & |
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The Irene Taylor Trust
Trustees’ annual report
For the year ended 31 March 2022
| For theyear ended 31 March 2022 | |
|---|---|
| participants briefed on warning symptoms of Covid- 19 and guidelines on when to self-isolate. |
|
| Loss of key staff | Sharing of key knowledge areas amongst core members of staff. |
| Reduction of core work opportunities | Expanding work into community settings and maintaining and developing key partnerships in both prisons and the community & reworking projects for online or remote delivery. |
| Loss of equipment | Maintaining sufficient reserves and insurance cover to ensure that replacements can quickly be procured without adversely affecting the work plan. |
| Loss of reputation | Keeping professional relationships strong, maintaining the high quality of the projects and ensuring through work ethics, policies and practices that the Trust continues to be highly regarded by all who work for and come into contact with it. |
| Negative press and public opinion | Only engaging with carefully selected media opportunities, undertaking monitoring and evaluation which demonstrate the positive benefits of the work to counteract any negative stories, ensuring all staff adhere to the Trust’s social media policy. |
Financial Review
During the year the Trust worked hard to rebuild momentum, though ongoing restrictions to accessing prisons resulting from the pandemic continued to have an impact on project delivery levels, with adapted online and remote delivery costing less than the Trust’s usual in-person models. Total income was £38,282 higher than in 2020-21 (£414,516, compared to £376,234 the previous year) and there was increase in expenditure of £90,676 (£446,076 compared to £355,400 the previous year), with a small deficit for the year of £31,560.
The Trust maintained a reasonable level of unrestricted income, down on the previous year by £62,431, at £159,628, compared to £222,059 in 2020-21, balanced out by a correlating reduction in unrestricted expenditure, down £63,441 from £179,047 in 2020-21 to £115,606 in 2021-22.
There was a significant increase in restricted income of £100,713, totalling £254,888 in 2021-22, compared to £154,175 in 2020-21; restricted expenditure increased by £154,117, from £176,353 in 2020-21 to £330,470 in 2021-22. This was in part due to a restricted Cultural Recovery grant from Arts Council England and the Department for Digital, Culture, Media & Sport including £55,000 restricted to covering staff salaries and office costs, and also indicative of the gradual resumption of in-person project models (which cost more to deliver) throughout the year.
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The Irene Taylor Trust
Trustees’ annual report
For the year ended 31 March 2022
The Trust was successful in responding to the changing restrictions affecting project delivery, running both in-person projects and adapted online and remote delivery models throughout the year as necessary; overall expenditure on charitable activities improved on the previous year, up by £89,542 at £384,357, compared to £294,815 in 2020-21.
Having continued to successfully weather the storm of another very challenging year, the Trust will continue to look to the future by seeking to secure multi-year continuation funding for its regular programmes, to further diversify income sources and to maintain a heathy balance of unrestricted funds.
While the Trustees are cautiously comfortable with the current situation, they remain alert to possible indicators of change, and are aware that charities are likely to face continued challenges around fundraising in the next 12 months. The Trustees remain committed to assisting the Trust to achieve continued success in 2022-23 and beyond.
Remuneration policy
The appointment and remuneration of staff is agreed by the Chair and the Treasurer. Salaries are set by reference to similar roles in London-based charities and arts organisations of a similar size.
Approach to Fundraising
The Trust adheres to the Code of Fundraising Practice, data protection legislation (including the new GDPR) and other relevant law and good practice guidance.
The Trust does not employ the services of any fundraising agencies or third parties, nor has it run a telephone or door-to-door fundraising campaign. Maintaining a long-term relationship with supporters is very important. The Trust does not engage in any fundraising which could be an unreasonable intrusion on a person’s privacy or unreasonably persistent, or which places undue pressure on a person to give money or other property to the Trust.
There were no complaints relating to the Trust’s fundraising in the past year and the Trustees have no reason to believe there was any non-compliance of fundraising law and regulation during the year.
Statement of responsibilities of the Trustees
The Trustees (who are also directors of the Trust for the purposes of company law) are responsible for preparing the Report of the Trustees and the financial statements in accordance with applicable law and United Kingdom Accounting Standards (United Kingdom Generally Accepted Accounting Practice).
Company law requires the Trustees to prepare financial statements for each financial year which give a true and fair view of the state of affairs of the charitable company and of the incoming
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The Irene Taylor Trust
Trustees’ annual report
For the year ended 31 March 2022
resources and application of resources, including the income and expenditure, of the charitable company for that period. In preparing these financial statements, the Trustees are required to:
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select suitable accounting policies and then apply them consistently
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observe the methods and principles in the Charities SORP
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make judgements and accounting estimates that are reasonable and prudent
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state whether applicable UK Accounting Standards have been followed, subject to any material departures disclosed and explained in the financial statements; and
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prepare the financial statements on the going concern basis unless it is inappropriate to presume that the charitable company will continue in operation.
The Trustees are responsible for keeping adequate accounting records that disclose with reasonable accuracy at any time the financial position of the charitable company and enable them to ensure that the financial statements comply with the Companies Act 2006. They are also responsible for safeguarding the assets of the charitable company and hence for taking reasonable steps for the prevention and detection of fraud and other irregularities.
In so far as the Trustees are aware:
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there is no relevant audit information of which the charitable company’s auditor is unaware; and
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the Trustees have taken all steps that they ought to have taken to make themselves aware of any relevant audit information and to establish that the auditor is aware of that information.
The Trustees are responsible for the maintenance and integrity of the corporate and financial information included on the charitable company's website. Legislation in the United Kingdom governing the preparation and dissemination of financial statements may differ from legislation in other jurisdictions.
These accounts have been prepared in accordance with the provisions applicable to companies subject to the small companies’ regime.
Auditor
Sayer Vincent was re-appointed as the charitable company's auditor during the year and has expressed its willingness to continue in that capacity.
Approved by the Trustees on 19[th] October 2022 and signed on their behalf by
Jane Anderson Chair of Trustees
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The Irene Taylor Trust
Chair’s annual report
For the year ended 31 March 2022
The hard work invested by the Irene Taylor Trust last year in adapting our delivery methods to work around restrictions paid off significantly this year, as the need to be highly flexible and responsive continued. While we hoped that the return to in-person work would be a smoother and speedier process, we were well-prepared for the unseen bumps in the road, allowing us to reach 652 people through our projects.
Throughout the year we were proud to see the difference our work makes in people’s lives, as the quotes included later in this report demonstrate. This process of change was beautifully captured in a BBC Radio 4 documentary following the stories of three fathers in prison taking part in one of our Lullaby Projects, which is still available to listen to on the ‘Seriously’ podcast feed. The prison Governor was also interviewed, stating that “family bonding is one of the biggest things that will stop reoffending and returning to prison” and we see time and again through our work the power of music to open conversations and build bridges.
During the year we were sad to bid farewell to Paul Meitner, who has been an intrinsic part of the Trust from the early days. His contributions as Hon. Treasurer have helped the Trust to grow from strength to strength and all of us are grateful for his dedication, insight and good humour over the years.
We were delighted to welcome Kimberley Godley-Hendon to the Board as our new Treasurer in November, bringing a wealth of skills from her role at Spitalfields Music and the benefit of fresh eyes to our financial processes. Earlier in the year we were thrilled to invite Dr Rosie Reynolds to join the Board following a recruitment drive for Trustees with expertise in criminal justice.
Teamwork and collaboration are at the heart of what we do on our projects and equally important ‘behind the scenes’; our success in flourishing during another challenging year is the result of everyone involved in the Trust continuing to show their commitment, enthusiasm and determination. Huge thanks to all our project participants, musicians, office staff, Advisory Group, Trustees, prison and community partners. As always, we are especially grateful to all the funders and individuals who have supported us and made it possible for us to provide this valuable work in prisons and the community this year.
Jane Anderson Chair of Trustees
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The Irene Taylor Trust
Artistic Director’s annual report
For the year ended 31 March 2022
We really found our groove working online during the lockdowns, but by far the most exciting part of this year was starting to see people again in the flesh, as it became clear that things were beginning to move back to three dimensions, as opposed to the two we’d become resigned to during ‘the Zoom years’. Things still felt unpredictable and precarious; restrictions were beginning to lift, and prisons were getting back in touch to reinstate their Musicians in Residence and request intensive projects; however, often no sooner than we’d excitedly made plans and booked teams and accommodation, there’d be another outbreak and the prison gates would close again. It was a challenging and frustrating time, yet the light at the end of the tunnel was getting brighter, and the feedback received from those we’d not seen in-person for over 18 months absolutely made up for every small setback.
After having to celebrate the Trust’s 25[th] birthday online in 2020, we were delighted to start planning a big public event to celebrate the 10[th] anniversary of two of our community projects, Making Tracks and Sounding Out, later in 2022. This will give us the chance to showcase the skills and achievements of those we work with, who will be supported by all the wonderful musicians who are the lifeblood of the organisation. In February, one of our founding musicians, Nick Hayes, received an ‘Inspirational Educators Award’ from the Worshipful Company of Educators for all the incredible creative work he’s been engaged in with prisoners and young people during his years with the Irene Taylor Trust. It’s not often that work in the field of criminal justice gets publicly recognised, so this award meant a great deal to us all.
We were fortunate enough to be able to get back into prisons to deliver two in-person Lullaby Projects very soon after the restrictions were lifted, something the dads we worked with found extremely emotional. For the first group we met, it was their first interaction with any outside organisation for well over a year. For the second, a Radio 4 documentary charted their journey through the project, which brought into focus the impact of being separated from their children. The projects provided the opportunity to create something unique as a gift, a song written specially for and about their children, ensuring vital family ties remain strong.
Looking ahead, we feel optimistic. While the past year and indeed the whole pandemic was incredibly challenging, it also gave us the chance to learn and develop our methods of working, which will continue to be useful in the coming year and beyond.
Sara Lee Artistic Director
16
The Irene Taylor Trust
Major Donor List
For the year ended 31 March 2022
Donations over £1,000 were gratefully received from those listed below. These donations were either used for their specified purpose within the financial year or held over into the next financial year for their specified use in the near future.
Restricted Donations Arts Council England BBC Children in Need Beating Time Bedford Memorial Charitable Trust Clinks Fishmongers’ Company’s Charitable Trust Joe and Rosa Frenkel Trust National Foundation for Youth Music Sony Music Entertainment
Unrestricted Donations 29[th] May 1961 Charitable Trust Bromley Trust Hanley Trust Henry Smith Charity Lambert Charitable Trust Swire 2765 Charitable Trust And a donor who wished to remain anonymous
The Trust would also like to thank everyone else who made a donation to support our work, especially all the ‘Friends’ of the Trust.
17
The Irene Taylor Trust
Project reports
For the year ended 31 March 2022
| PARTICIPANTS | ||
|---|---|---|
| PROGRAMME/ PROJECT | DESCRIPTION | |
| Music in Prisons, Musicians in | Weekly music sessions with people in | 139 |
| Residence | prisons | |
| Music in Prisons, intensive projects & | Collaborative song-writing projects | 30 |
| ‘Correspondence Song-writing’ | ||
| Music in Prisons, ‘In Cell Learning | Prisoners using new ‘In Cell Learning’ DVD | 350 |
| Resource’ | & handbook series | |
| Sounding Out | Training programme for adult former | 13 |
| prisoners in London | ||
| Making Tracks & progression projects | Community programmes for NEET young | 66 |
| people in London, Kent, Bristol and | ||
| Manchester | ||
| International Training Projects | Commissions from Chicago Symphony | 38 |
| Orchestra to train Civic Fellows and work | ||
| with juveniles in detention and bereaved | ||
| parents | ||
| Lullaby Project | Partnership project reaching participants | 16 |
| in both community and prison settings | ||
| 652 |
Total
The following excerpts are taken from feedback from participants, prison staff and audiences. You can listen to the original music created on projects on our website www.irenetaylortrust.com.
Music in Prisons
“They have experienced something incredible… most prisoners have a lack of self-esteem, lack of ambition and don’t even realise how isolated they’ve become, and this interaction with such talented people allows them to experience a sense of release, normality and frequently sparks off an element of positivity which they’ve not experienced in life,” Prison Governor
“It has been amazing. One of the best things I have ever been a part of. I loved it,” Music in Prisons participant
“Helped me clear my mind. Music helps you feel lighter,” Music in Prisons participant
Sounding Out
“Brilliant. Learnt loads. Brushed up on a lot of skills. The facilitators taught us in the phase of moving from one skill to another-they are teaching us exactly what they do,” Sounding Out participant
18
The Irene Taylor Trust
Project reports
For the year ended 31 March 2022
“I got a lot from the session and a good insight on where to go with promoting my own music. Thanks for the opportunity,” Sounding Out participant
Making Tracks
“I was sceptical at first but I’m glad I gave it a chance because it was one of the best things I’ve done in my life…” Making Tracks participant
“I had a lot of fun and gained new skills that I will definitely be using in the future,” Making Tracks participant
“I’m going to transfer what I’ve learnt in the projects but also in my personal life as well,” Young Workshop Leader Trainee
"I have learned to be calm and collected when organising an event," Young Producer
Musical Development Grants
“I just want to say a very big thank you to ITT. I’m so grateful. My life really took a turn for the worst from January onwards so this grant has helped me massively.”
"Having the guitar delivered has already improved my quality of life because I have gone back to making music: which I enjoy very much. As I said, it is a very big part of my life."
Lullaby Project
“I gained more confidence. I sang in front of people, when I normally wouldn’t have done that,” Lullaby Project participant
“It's another method of commitment I'm giving to my daughter and something unique for her that can last a generation,” Lullaby Project participant
Notes for Peace project with Chicago Civic Orchestra
“This made my day, my week, my month, my last ten years,” Notes for Peace participant
“I reach and reach for things my arms can never touch. I never thought I would be blessed with something so beautiful,” Notes for Peace participant
“I feel his arms around me right now. I'm honoured to have you do this for my son. I tried to take my life twice, and then realised I have to stay here for him. I have to tell his story. This helps me do that,” Notes for Peace participant
19
Independent auditor’s report
To the members of
The Irene Taylor Trust
Opinion
We have audited the financial statements of The Irene Taylor Trust (the ‘charitable company’) for the year ended 31 March 2022 which comprise the statement of financial activities, balance sheet, statement of cash flows and notes to the financial statements, including significant accounting policies. The financial reporting framework that has been applied in their preparation is applicable law and United Kingdom Accounting Standards, including FRS 102 The Financial Reporting Standard applicable in the UK and Republic of Ireland (United Kingdom Generally Accepted Accounting Practice).
-
In our opinion, the financial statements:
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Give a true and fair view of the state of the charitable company’s affairs as at 31 March 2022 and of its incoming resources and application of resources, including its income and expenditure for the year then ended
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Have been properly prepared in accordance with United Kingdom Generally Accepted Accounting Practice
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Have been prepared in accordance with the requirements of the Companies Act 2006
Basis for opinion
We conducted our audit in accordance with International Standards on Auditing (UK) (ISAs (UK)) and applicable law. Our responsibilities under those standards are further described in the Auditor’s responsibilities for the audit of the financial statements section of our report. We are independent of the charitable company in accordance with the ethical requirements that are relevant to our audit of the financial statements in the UK, including the FRC’s Ethical Standard and we have fulfilled our other ethical responsibilities in accordance with these requirements. We believe that the audit evidence we have obtained is sufficient and appropriate to provide a basis for our opinion.
Conclusions relating to going concern
In auditing the financial statements, we have concluded that the trustees' use of the going concern basis of accounting in the preparation of the financial statements is appropriate.
Based on the work we have performed, we have not identified any material uncertainties relating to events or conditions that, individually or collectively, may cast significant doubt on The Irene Taylor Trust's ability to continue as a going concern for a period of at least twelve months from when the financial statements are authorised for issue.
Our responsibilities and the responsibilities of the trustees with respect to going concern are described in the relevant sections of this report.
20
Independent auditor’s report
To the members of
The Irene Taylor Trust
Other Information
The other information comprises the information included in the trustees’ annual report other than the financial statements and our auditor’s report thereon. The trustees are responsible for the other information contained within the annual report. Our opinion on the financial statements does not cover the other information and, except to the extent otherwise explicitly stated in our report, we do not express any form of assurance conclusion thereon. Our responsibility is to read the other information and, in doing so, consider whether the other information is materially inconsistent with the financial statements or our knowledge obtained in the course of the audit, or otherwise appears to be materially misstated. If we identify such material inconsistencies or apparent material misstatements, we are required to determine whether this gives rise to a material misstatement in the financial statements themselves. If, based on the work we have performed, we conclude that there is a material misstatement of this other information, we are required to report that fact.
We have nothing to report in this regard.
Opinions on other matters prescribed by the Companies Act 2006
In our opinion, based on the work undertaken in the course of the audit:
-
The information given in the trustees’ annual report for the financial year for which the financial statements are prepared is consistent with the financial statements; and
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The trustees’ annual report has been prepared in accordance with applicable legal requirements.
Matters on which we are required to report by exception
In the light of the knowledge and understanding of the charitable company and its environment obtained in the course of the audit, we have not identified material misstatements in the trustees’ annual report. We have nothing to report in respect of the following matters in relation to which the Companies Act 2006 requires us to report to you if, in our opinion:
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Adequate accounting records have not been kept, or returns adequate for our audit have not been received from branches not visited by us; or
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The financial statements are not in agreement with the accounting records and returns; or
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Certain disclosures of trustees’ remuneration specified by law are not made; or
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We have not received all the information and explanations we require for our audit; or
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The directors were not entitled to prepare the financial statements in accordance with the small companies regime and take advantage of the small companies’ exemptions in preparing the trustees’ annual report and from the requirement to prepare a strategic report.
Responsibilities of trustees
As explained more fully in the statement of trustees’ responsibilities set out in the trustees’ annual report, the trustees (who are also the directors of the charitable company for the purposes of
21
Independent auditor’s report
To the members of
The Irene Taylor Trust
company law) are responsible for the preparation of the financial statements and for being satisfied that they give a true and fair view, and for such internal control as the trustees determine is necessary to enable the preparation of financial statements that are free from material misstatement, whether due to fraud or error.
In preparing the financial statements, the trustees are responsible for assessing the charitable company’s ability to continue as a going concern, disclosing, as applicable, matters related to going concern and using the going concern basis of accounting unless the trustees either intend to liquidate the charitable company or to cease operations, or have no realistic alternative but to do so.
Auditor’s responsibilities for the audit of the financial statements
Our objectives are to obtain reasonable assurance about whether the financial statements as a whole are free from material misstatement, whether due to fraud or error, and to issue an auditor’s report that includes our opinion. Reasonable assurance is a high level of assurance but is not a guarantee that an audit conducted in accordance with ISAs (UK) will always detect a material misstatement when it exists. Misstatements can arise from fraud or error and are considered material if, individually or in the aggregate, they could reasonably be expected to influence the economic decisions of users taken on the basis of these financial statements.
Irregularities, including fraud, are instances of non-compliance with laws and regulations. We design procedures in line with our responsibilities, outlined above, to detect material misstatements in respect of irregularities, including fraud. The extent to which our procedures are capable of detecting irregularities, including fraud are set out below.
Capability of the audit in detecting irregularities
In identifying and assessing risks of material misstatement in respect of irregularities, including fraud and non-compliance with laws and regulations, our procedures included the following:
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We enquired of management, which included obtaining and reviewing supporting documentation, concerning the charity’s policies and procedures relating to:
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Identifying, evaluating, and complying with laws and regulations and whether they were aware of any instances of non-compliance;
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Detecting and responding to the risks of fraud and whether they have knowledge of any actual, suspected, or alleged fraud;
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The internal controls established to mitigate risks related to fraud or non-compliance with laws and regulations.
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We inspected the minutes of meetings of those charged with governance.
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We obtained an understanding of the legal and regulatory framework that the charity operates in, focusing on those laws and regulations that had a material effect on the financial statements or that had a fundamental effect on the operations of the charity from our professional and sector experience.
22
Independent auditor’s report
To the members of
The Irene Taylor Trust
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We communicated applicable laws and regulations throughout the audit team and remained alert to any indications of non-compliance throughout the audit.
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We reviewed any reports made to regulators.
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We reviewed the financial statement disclosures and tested these to supporting documentation to assess compliance with applicable laws and regulations.
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We performed analytical procedures to identify any unusual or unexpected relationships that may indicate risks of material misstatement due to fraud.
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In addressing the risk of fraud through management override of controls, we tested the appropriateness of journal entries and other adjustments, assessed whether the judgements made in making accounting estimates are indicative of a potential bias and tested significant transactions that are unusual or those outside the normal course of business.
Because of the inherent limitations of an audit, there is a risk that we will not detect all irregularities, including those leading to a material misstatement in the financial statements or non-compliance with regulation. This risk increases the more that compliance with a law or regulation is removed from the events and transactions reflected in the financial statements, as we will be less likely to become aware of instances of non-compliance. The risk is also greater regarding irregularities occurring due to fraud rather than error, as fraud involves intentional concealment, forgery, collusion, omission or misrepresentation.
A further description of our responsibilities is available on the Financial Reporting Council’s website at: www.frc.org.uk/auditorsresponsibilities. This description forms part of our auditor’s report.
Use of our report
This report is made solely to the charitable company's members as a body, in accordance with Chapter 3 of Part 16 of the Companies Act 2006. Our audit work has been undertaken so that we might state to the charitable company's members those matters we are required to state to them in an auditor’s report and for no other purpose. To the fullest extent permitted by law, we do not accept or assume responsibility to anyone other than the charitable company and the charitable company's members as a body, for our audit work, for this report, or for the opinions we have formed.
Fleur Holden (Senior statutory auditor)
28 October 2022
for and on behalf of Sayer Vincent LLP, Statutory Auditor Invicta House, 108-114 Golden Lane, LONDON, EC1Y 0TL
23
The Irene Taylor Trust
Statement of financial activities (incorporating an income and expenditure account)
For the year ended 31 March 2022
| For theyear ended 31 March 2022 | ||||||
|---|---|---|---|---|---|---|
| Note Income from: 2 3 4 5 Reconciliation of funds: 14 Donations Raising funds Total expenditure Net income / (expenditure) before transfers Investments Total income Expenditure on: Charitable activities 6 Charitable activities Total funds carried forward Transfers between funds Net movement in funds Total funds brought forward |
Unrestricted £ 82,711 76,886 31 |
Restricted £ 13,750 241,138 - |
2022 Total £ 96,461 318,024 31 414,516 61,719 384,357 446,076 - (31,560) 395,255 363,695 (31,560) |
Unrestricted £ 180,319 41,569 171 |
Restricted £ 6,798 147,377 - |
2021 Total £ 187,117 188,946 171 |
| 159,628 | 254,888 | 222,059 | 154,175 | 376,234 | ||
| 61,719 53,887 |
- 330,470 |
60,585 118,462 |
- 176,353 |
60,585 294,815 |
||
| 115,606 | 330,470 | 179,047 | 176,353 | 355,400 | ||
| (83,236) 44,022 |
83,236 (75,582) |
(30,085) 43,012 |
30,085 (22,178) |
- 20,834 |
||
| (39,214) 150,518 |
7,654 244,737 |
12,927 137,591 |
7,907 236,830 |
20,834 374,421 |
||
| 111,304 | 252,391 | 150,518 | 244,737 | 395,255 |
All of the above results are derived from continuing activities. There were no other recognised gains or losses other than those stated above. Movements in funds are disclosed in Note 14 to the financial statements.
24
The Irene Taylor Trust
Balance sheet
Company no. 3637201
As at 31 March 2022
| Note Fixed assets: 10 Current assets: 11 Liabilities: 12 14 Total unrestricted funds Cash at bank and in hand Tangible assets Restricted income funds Unrestricted income funds: The funds of the charity: Total net assets General funds Total charity funds Designated Debtors Creditors: amounts falling due within one year Net current assets |
2022 £ 67,874 329,520 |
2022 £ 6,054 6,054 357,641 363,695 252,391 111,304 363,695 |
2021 £ 25,212 418,665 |
2021 £ 7,144 |
|---|---|---|---|---|
| 7,144 388,111 |
||||
| 397,394 (39,753) |
443,877 (55,766) |
|||
| 4,110 107,194 |
30,451 120,067 |
|||
| 395,255 | ||||
| 244,737 150,518 |
||||
| 395,255 |
The financial statements have been prepared in accordance with the special provisions for small companies under Part15 of the Companies Act 2006.
Approved by the trustees on 19 October 2022 and signed on their behalf by
Jane Anderson Chair of Trustees
25
The Irene Taylor Trust
Statement of cash flows
For the year ended 31 March 2022
| For the year ended 31 March 2022 | ||||
|---|---|---|---|---|
| Cash flows from operating activities Cash at bank and in hand a Total cash and cash equivalents Analysis of cash and cash equivalents Net (expenditure) / income for the reporting period (as per the statement of financial activities) (Decrease)/Increase in creditors Depreciation charges (Increase) in debtors Net cash provided by operating activities Cash flows from investing activities: Interest receivable Net cash (used in) / provided by investing activities Change in cash and cash equivalents in the year Cash and cash equivalents at the beginning of the year Cash and cash equivalents at the end of the year Net cash provided by / (used in) in operating activities Proceeds from the sale of fixed assets Purchase of fixed assets Cash flows from operating activities Investment income |
£ £ (31,560) 2,295 (31) (42,662) (16,013) - (87,971) (87,971) 31 (1,204) (1,174) (89,145) 418,665 329,520 At 1 April 2021 Cash flows £ £ 418,665 (89,145) 418,665 (89,145) 2022 |
£ £ 20,834 2,521 (171) (2,439) 25,534 (3,750) 46,279 46,279 171 - 171 46,450 372,215 418,665 Other non- cash changes At 31 March 2022 £ £ - 329,520 - 329,520 2021 |
||
| 31 (1,204) |
171 - |
|||
| (87,971) (1,174) |
46,279 171 |
|||
| At 1 April 2021 £ 418,665 |
Other non- cash changes £ - |
|||
| (89,145) 418,665 |
46,450 372,215 |
|||
| 329,520 | 418,665 | |||
| Cash flows £ (89,145) |
At 31 March 2022 £ 329,520 |
|||
| 418,665 | (89,145) | - | 329,520 |
26
The Irene Taylor Trust
Notes to the financial statements
For the year ended 31 March 2022
1 Accounting policies
Statutory information
The Irene Taylor Trust is a charitable company limited by guarantee and is incorporated in England and Wales. The registered office address and principal place of business is 35-47 Bethnal Green Road, London, E1 6LA.
Basis of preparation
The financial statements have been prepared in accordance with Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) - (Charities SORP FRS 102), The Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) and the Companies Act 2006.
Assets and liabilities are initially recognised at historical cost or transaction value unless otherwise stated in the relevant accounting policy or note.
In applying the financial reporting framework, the trustees have made a number of subjective judgements, for example in respect of significant accounting estimates. Estimates and judgements are continually evaluated and are based on historical experience and other factors, including expectations of future events that are believed to be reasonable under the circumstances. The nature of the estimation means the actual outcomes could differ from those estimates. Any significant estimates and judgements affecting these financial statements are detailed within the relevant accounting policy below.
Public benefit entity
The charity meets the definition of a public benefit entity under FRS 102.
Going concern
The trustees consider that there are no material uncertainties about the charity's ability to continue as a going concern. The trustees do not consider that there are any sources of estimation uncertainty at the reporting date that have a significant risk of causing a material adjustment to the carrying amounts of assets and liabilities within the next reporting period.
Income
Income is recognised when the charity has entitlement to the funds, any performance conditions attached to the income have been met, it is probable that the income will be received and that the amount can be measured reliably.
Income from government and other grants, whether ‘capital’ grants or ‘revenue’ grants, is recognised when the charity has entitlement to the funds, any performance conditions attached to the grants have been met, it is probable that the income will be received and the amount can be measured reliably and is not deferred.
For legacies, entitlement is taken as the earlier of the date on which either: the charity is aware that probate has been granted, the estate has been finalised and notification has been made by the executor(s) to the charity that a distribution will be made, or when a distribution is received from the estate. Receipt of a legacy, in whole or in part, is only considered probable when the amount can be measured reliably and the charity has been notified of the executor’s intention to make a distribution. Where legacies have been notified to the charity, or the charity is aware of the granting of probate, and the criteria for income recognition have not been met, then the legacy is a treated as a contingent asset and disclosed if material.
Income received in advance of the provision of a specified service is deferred until the criteria for income recognition are met.
Donations of gifts, services and facilities
Donated professional services and donated facilities are recognised as income when the charity has control over the item or received the service, any conditions associated with the donation have been met, the receipt of economic benefit from the use by the charity of the item is probable and that economic benefit can be measured reliably. In accordance with the Charities SORP (FRS 102), volunteer time is not recognised so refer to the trustees’ annual report for more information about their contribution.
On receipt, donated gifts, professional services and donated facilities are recognised on the basis of the value of the gift to the charity which is the amount the charity would have been willing to pay to obtain services or facilities of equivalent economic benefit on the open market; a corresponding amount is then recognised in expenditure in the period of receipt.
Interest receivable
Interest on funds held on deposit is included when receivable and the amount can be measured reliably by the charity; this is normally upon notification of the interest paid or payable by the bank.
27
The Irene Taylor Trust
Notes to the financial statements
For the year ended 31 March 2022
1 Accounting policies (continued)
Fund accounting
Restricted funds are to be used for specific purposes as laid down by the donor. Expenditure which meets these criteria is charged to the fund.
Unrestricted funds are donations and other incoming resources received or generated for the charitable purposes.
Expenditure and irrecoverable VAT
Expenditure is recognised once there is a legal or constructive obligation to make a payment to a third party, it is probable that settlement will be required and the amount of the obligation can be measured reliably. Expenditure is classified under the following activity headings:
�Costs of raising funds relate to the costs incurred by the charity in inducing third parties to make voluntary contributions to it, as well as the cost of any activities with a fundraising purpose.
�Expenditure on charitable activities includes the costs of activities undertaken to further the purposes of the charity �and their associated support costs
Irrecoverable VAT is charged as a cost against the activity for which the expenditure was incurred.
Allocation of support costs
Resources expended are allocated to the particular activity where the cost relates directly to that activity. However, the cost of overall direction and administration of each activity, comprising the salary and overhead costs of the central function, is apportioned on the following basis which are an estimate, based on staff time, of the amount attributable to each activity.
Support and governance costs are re-allocated to each of the activities on the following basis which is an estimate, based on staff time, of the amount attributable to each activity:
�Raising funds 23%
�Charitable activities 77%
Operating leases
Rental charges are charged on a straight line basis over the term of the lease.
Tangible fixed assets
Items of equipment are capitalised where the purchase price exceeds £500. Assets are reviewed for impairment if circumstances indicate their carrying value may exceed their net realisable value and value in use.
Depreciation is provided at rates calculated to write down the cost of each asset to its estimated residual value over its expected useful life. The depreciation rates in use are as follows:
�Office fixtures, fittings and equipment 25% straight line �Musical instruments 25% straight line �Motor vehicles 25% reducing balance
Debtors
Trade and other debtors are recognised at the settlement amount due after any trade discount offered. Prepayments are valued at the amount prepaid net of any trade discounts due.
Cash at bank and in hand
Cash at bank and cash in hand includes cash and short term highly liquid investments with a short maturity of three months or less from the date of acquisition or opening of the deposit or similar account.
Creditors and provisions
Creditors and provisions are recognised where the charity has a present obligation resulting from a past event that will probably result in the transfer of funds to a third party and the amount due to settle the obligation can be measured or estimated reliably. Creditors and provisions are normally recognised at their settlement amount after allowing for any trade discounts due.
Financial instruments
The charity only has financial assets and financial liabilities of a kind that qualify as basic financial instruments. Basic financial instruments are initially recognised at transaction value and subsequently measured at their settlement value with the exception of bank loans which are subsequently measured at amortised cost using the effective interest method.
Pensions
All staff are enrolled in a work place defined contribution pension scheme.
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The Irene Taylor Trust
Notes to the financial statements
For the year ended 31 March 2022
2 Income from donations
| Income from donations | Income from donations | |||||
|---|---|---|---|---|---|---|
| Unrestricted £ Henry Smith Charity 30,000 The Bromley Trust 10,000 Maingot Charitable Trust - Swire 2765 Charitable Trust 15,000 29th May 1962 Charitable Trust 5,000 Drapers Charitable - Taurus Foundation - The Goldsmiths' Company Charity - Lambert Charitable Trust 2,500 The Hanley Trust 3,000 P & M Lovell Charitable Trust 1,000 Esmee Fairbairn Foundation - Julia and Hans Rausing Trust - Schroder Foundation - London Youth - The Fore Foundation - The Rothschild Foundation - Tony & Sheelagh Williams Charitable Fou - Donations from individuals 13,840 - 2,371 82,711 Total Gift Aid reclaimed(HMRC) Donations from Charitable Trusts: Gifts in kind |
Restricted £ - - - - - - - - - - - - - - - - - - - 13,750 - |
2022 Total £ 30,000 10,000 - 15,000 5,000 - - - 2,500 3,000 1,000 - - - - - - - 13,840 13,750 2,371 |
Unrestricted £ - 10,000 10,000 6,000 6,000 6,000 10,000 10,000 2,500 2,500 1,000 2,500 35,000 50,000 3,000 5,000 5,000 15,586 2,939 3,294 |
Restricted £ - - - - - - - - - - - - - - - - - 480 6,318 - - |
2021 Total £ - 10,000 10,000 6,000 6,000 6,000 10,000 10,000 2,500 2,500 1,000 2,500 35,000 50,000 3,000 5,000 5,000 16,066 6,318 2,939 3,294 |
|
| 82,711 | 13,750 | 96,461 | 186,319 | 6,798 | 193,117 |
29
The Irene Taylor Trust
Notes to the financial statements
For the year ended 31 March 2022
3 Income from charitable activities
| Income from charitable activities | Income from charitable activities | |||||
|---|---|---|---|---|---|---|
| Unrestricted £ Projects in the community National Lottery Community Foundation - Bedford Memorial Trust - The Evan Cornish Foundation - Beating Time - PRS for Music Foundation - BBC Children in Need - Sony Music Entertainment - Young Londoners Fund - National Foundation for Youth Music - Arts Council England - Harold Hyam Wingate Foundation - Joe & Rosa Frenkel Charitable Trust - Fishmongers’ Company’s Charitable Trus - Vintners Company - Anonymous Trust - Henry Oldfield Trust - Clinks - - Other - Gift Aid reclaimed(HMRC) Earned income 76,886 Sub-total 76,886 76,886 Legacy donation of behalf of the Wardman Estate Donations from Charitable Trusts Total |
£ - 21,000 - 1,800 700 11,721 25,000 - 13,500 105,142 - 3,000 25,000 - - - 9,775 22,000 2,000 500 - Restricted |
2022 Total £ - 21,000 - 1,800 700 11,721 25,000 - 13,500 105,142 - 3,000 25,000 - - - 9,775 22,000 2,000 500 76,886 |
Unrestricted £ - - - - - - - - - - - - - - - - - - - - 41,569 |
£ 10,000 - 7,500 24,159 16,740 - 36,338 5,000 3,000 25,000 5,000 5,000 5,000 - - 4,640 - - Restricted |
2021 Total £ 10,000 - 7,500 - - 24,159 - 16,740 - 36,338 5,000 3,000 25,000 5,000 5,000 5,000 - - 4,640 41,569 |
|
| 76,886 | 241,138 | 318,024 | 41,569 | 147,377 | 188,946 | |
| 76,886 | 241,138 | 318,024 | 41,569 | 147,377 | 188,946 |
4 Income from investments
| Income from investments | ||||||
|---|---|---|---|---|---|---|
| Bank interest | Unrestricted £ 31 |
£ - Restricted |
2022 Total £ 31 |
Unrestricted £ 171 |
£ - Restricted |
2021 Total £ 171 |
| 31 | - | 31 | 171 | - | 171 |
30
The Irene Taylor Trust
Notes to the financial statements
For the year ended 31 March 2022
5 Analysis of expenditure (current year)
| Staff costs (Note 7) Other staff costs Project costs Office running and other costs Rent, rates and utilities Insurance Professional services Depreciation Audit Governance Gifts in kind Support costs Governance costs Total expenditure 2022 Total expenditure 2021 |
Raising funds £ 38,006 - - - - - - - - - - |
Charitable activities £ 126,422 - 165,305 - - - - - - - 13,750 305,477 72,375 6,505 384,357 294,815 |
Support costs £ 43,229 3,714 - 9,859 22,450 4,287 8,299 2,295 - - - |
Governance costs - - - - - - - - 8,460 - - |
2022 Total £ 207,657 3,714 165,305 9,859 22,450 4,287 8,299 2,295 8,460 - 13,750 |
2021 Total £ 199,940 383 95,875 9,099 22,074 3,959 5,674 2,520 9,540 18 6,318 |
|---|---|---|---|---|---|---|
| 38,006 21,758 1,955 |
94,133 (94,133) - |
8,460 - (8,460) |
446,076 - - |
355,400 - - |
||
| 61,719 | - | - | 446,076 | 355,400 | ||
| 60,585 | - | - | - |
Of the total expenditure £115,606 (2021: £179,047) was unrestricted and £330,470 (2021: £176,353) was restricted.
Analysis of expenditure (prior year)
| Staff costs (Note 7) Other staff costs Project costs Office running and other costs Rent, rates and utilities Insurance Professional services Depreciation Audit Governance Gifts in kind Support costs Governance costs Total expenditure 2021 |
Raising funds £ 37,944 - - - - - - - - - - |
Charitable activities £ 120,637 - 95,875 - - - - - - - 6,318 222,830 64,714 7,271 294,815 |
Support costs £ 41,359 383 - 9,099 22,074 3,959 5,674 2,520 - - - |
Governance costs - - - - - - - - 9,540 18 - |
2021 Total £ 199,940 383 95,875 9,099 22,074 3,959 5,674 2,520 9,540 18 6,318 |
|---|---|---|---|---|---|
| 37,944 20,354 2,287 |
85,068 (85,068) - |
9,558 - (9,558) |
355,400 - - |
||
| 60,585 | - | - | 355,400 |
31
The Irene Taylor Trust
Notes to the financial statements
For the year ended 31 March 2022
6 Net income / (expenditure) for the year
This is stated after charging:
| This is stated after charging: | ||
|---|---|---|
| 2022 | 2021 | |
| £ | £ | |
| Depreciation | 2,295 | 2,521 |
| Auditor's remuneration (including VAT): | ||
| Audit | 7,050 | 6,725 |
| Operating leases | 22,450 | 16,442 |
| Trustees' expenses | - | 18 |
7 Analysis of staff costs, trustee remuneration and expenses, and the cost of key management personnel
Staff costs were as follows:
| Staff costs were as follows: | ||
|---|---|---|
| Salaries and wages Social security costs Pension cost |
2022 £ 188,058 15,952 3,647 |
2021 £ 181,545 14,868 3,527 |
| 207,657 | 199,940 |
No member of staff received emoluments of more than £60,000 in this year (2021: £nil).
The total employee benefits (including pension contributions and employer's national insurance) of the key management personnel were £104,484 (2021: £ 94,638).
The charity trustees were not paid nor received any other benefits from employment with the charity in the year (2021: £nil). No trustee was reimbursed travel expenses during the year(2021: 1 trustee £18). No charity trustee received payment for professional or other services supplied to the charity (2021: £nil).
32
The Irene Taylor Trust
Notes to the financial statements
For the year ended 31 March 2022
8 Staff numbers
The average number of employees (head count based on number of staff employed) during the year was as follows:
| 2022 | 2021 | |
|---|---|---|
| No. | No. | |
| Total | 5 | 6 |
9 Taxation
The charitable company is exempt from corporation tax as all its income is charitable and is applied for charitable purposes.
10 Tangible fixed assets
| Tangible fixed assets | ||||
|---|---|---|---|---|
| Cost At the start of the year Depreciation At the end of the year Net book value At the end of the year At the start of the year Additions in year At the end of the year At the start of the year Charge for the year |
Office equipment, fixtures and fittings £ 3,877 1,204 |
Musical Instruments £ 18,559 - |
Motor vehicles £ 15,000 - |
Total £ 37,436 1,204 |
| 5,081 | 18,559 | 15,000 | 38,640 | |
| 3,061 713 |
18,559 - |
8,671 1,582 |
30,292 2,295 |
|
| 3,774 | 18,559 | 10,253 | 32,587 | |
| 1,307 | - | 4,747 | 6,054 | |
| 816 | - | 6,329 | 7,144 |
All of the above assets are used for charitable purposes.
33
The Irene Taylor Trust
Notes to the financial statements
For the year ended 31 March 2022
11 Debtors
| Debtors | ||
|---|---|---|
| Grants receivable Prepayments Rent deposit Accrued income |
2022 £ - 4,677 299.00 62,898 |
2021 £ 7,735 4,677 - 12,800 |
| 67,874 | 25,212 |
12 Creditors: amounts falling due within one year
| Taxation and social security Accounts Payable Accruals Deferred income |
2022 £ 534 4,722 10,620 23,877 |
2021 £ 2,484 5,890 9,870 37,522 |
|---|---|---|
| 39,753 | 55,766 |
13 Analysis of net assets between funds (current year)
| Net current assets Tangible fixed assets Net assets |
General unrestricted £ 6,054 101,140 |
Designated Funds - 4,110 |
Restricted £ - 252,391 |
Total funds £ 6,054 357,641 |
|---|---|---|---|---|
| 107,194 | 4,110 | 252,391 | 363,695 |
Analysis of net assets between funds (prior year)
| Net assets Tangible fixed assets Net current assets |
General unrestricted 7,144 112,923 |
Designated Funds £ - 30,451 |
Restricted £ - 244,737 |
Total funds £ 7,144 388,111 |
|---|---|---|---|---|
| 120,067 | 30,451 | 244,737 | 395,255 |
34
The Irene Taylor Trust
Notes to the financial statements
For the year ended 31 March 2022
14 Movements in funds (current year)
| Restricted funds: Adult male prisoners Adult female prisoners Children in prison Emerging Artists Project Lullaby Project Making Tracks and progression projects Musical Development Fund Playlists TV Project (Sounding Out) Ridgeway Secure Unit Sounding Out Community Arts Council England - other Music Projects – General Total restricted funds General funds Total funds Designated funds - other Total unrestricted funds Unrestricted funds Designated project funds |
At start of the year £ 44,595 8,114 32,358 - 34,283 77,966 - - - 33,077 145,326 - 14,344 |
Income & gains £ 10,500 - 11,721 25,142 11,185 33,065 2,500 21,000 - 28,000 120,892 55,000 56,775 |
Expenditure & losses £ 81,945 9,007 11,055 - 35,080 82,183 733 21,009 412 21,850 161,266 55,000 12,198 |
Transfers £ 70,972 893 (6,387) 4,000 5,100 6,689 - - 412 23 16,223 - 1,535 |
At end of the year £ 44,122 0 26,637 29,142 15,488 35,537 1,767 - 9 - 39,250 121,175 - 60,456 |
|---|---|---|---|---|---|
| 244,737 | 254,888 | 330,470 | 83,236 | 252,391 | |
| 20,550 9,901 120,067 |
- - 159,628 |
- - 115,606 |
(16,440) (9,901) (56,895) |
4,110 - 107,194 |
|
| 150,518 | 159,628 | 115,606 | (83,236) | 111,304 | |
| 395,255 | 414,516 | 446,075 | - | 363,695 |
The narrative to explain the purpose of each fund is given at the foot of the note below.
35
The Irene Taylor Trust
Notes to the financial statements
For the year ended 31 March 2022
Movements in funds (prior year)
| Restricted funds: Total restricted funds General funds Other Unrestricted funds Total unrestricted funds Total funds Designated funds - other Designated project funds Adult Female Prisoners Children in Prison Making Tracks and progression projects Sounding Out Lullaby Project Music projects - General Personal Development Coordinator 25th Anniversary Projects Adult Male Prisoners |
At start of the year £ 28,678 997 23,850 117,664 6,271 29,932 24,750 4,688 - - |
Income & gains £ 9,879 7,500 22,269 23,058 12,000 16,000 32,481 - 15,458 15,530 |
Expenditure & losses £ 22,569 2,240 16,422 62,834 3,039 11,649 12,313 4,688 25,069 15,530 |
Transfers £ 28,607 1,857 2,660 79 17,845 - (30,574) - 9,611 - |
At end of the year £ 44,595 8,114 32,358 77,966 33,077 34,283 14,344 - - - |
|---|---|---|---|---|---|
| 236,830 | 154,175 | 176,353 | 30,085 | 244,737 | |
| - - 137,591 |
- - 222,059 |
- - 179,047 |
20,550 9,901 (60,536) |
20,550 9,901 120,067 |
|
| 137,591 | 222,059 | 179,047 | (30,085) | 150,518 | |
| 374,421 | 376,234 | 355,400 | - | 395,255 |
36
The Irene Taylor Trust
Notes to the financial statements
For the year ended 31 March 2022
14 Movements in funds (continued)
Purposes of restricted funds
Adult Male Prisoners
Funding received to conduct music projects with men in prison aged 18 years and over.
Adult Female Prisoners
Funding received to conduct music projects with women in prison aged 18 years and over.
Children in Prison
Funding received to conduct music projects with prisoners aged under 18.
Community
Funding received to conduct music projects in the community with adult ex-prisoners ( the 'Sounding Out' programme), young people aged between 14-25 at risk of offending (the 'Making Tracks' programme in London and the North-West, and progression projects 'Making Tracks Training' and 'Young Producers'), mothers and fathers in challenging circumstances (the 'Lullaby Project').
Music Projects - General
Funding received for programmes that has yet to be allocated to specific projects; funding received to deliver international commissions.
Arts Council England - other
Funding relates to salaries and overhead cost.
Purposes of designated funds
Designated funds - other
Funds to cover the Trust's rent liability in the instance of needing to terminate the agreement early.
Designated project funds
Earned income earmarked for future project delivery.
Transfers between funds
Unrestricted funds and general restricted funds have been transferred to specific restricted funds where there has been a shortfall in funding for particular projects or to use unrestricted funds or general restricted funds for those projects.
37
The Irene Taylor Trust
Notes to the financial statements
For the year ended 31 March 2022
15 Operating lease commitments payable as a lessee
Amounts payable under non-cancellable operating leases are as follows for each of the following periods
| Less than one year 2 - 5 Year |
2022 2021 £ £ 16,442 16,442 - 4,111 16,442 20,553 Property |
2022 2021 £ £ 16,442 16,442 - 4,111 16,442 20,553 Property |
|---|---|---|
| 16,442 | 20,553 |
16 Legal status of the charity
The charity is a company limited by guarantee and has no share capital. The liability of each member in the event of winding up is limited to £1.
17 Related party transactions
Aggregate unrestricted donations from trustees were £570 (2021: £240). There are no other related party transactions to disclose for 2022 (2021: none).
38