Registered number.. 03251499
England and Wales
Charity Number: 1064633
THE CLOD ENSEMBLE
(A Charitsble Company Limited by Guarantee)
ANNUAL REPORT AND UNAUDITED FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 MARCH 2024
•AOIFTRNV*
2111212024
COMPANIES HOUSE
A14
#242

THE CLOD ENSEMBLE
(A Charitable Company Limitsd by Guaranteel
ANNUAL REPORT AND ACCOUNTS
FOR THE YEAR ENDED 31 March 2024
Contents
Legal & Administrative Informatlon
Report of the trustees
Independent examiners report
Accounts comprising..
10
Statement of financial activities
Balance sheet
12
statement of cashflows
14-20 Notes to the accounts

THE CLOD ENSEMBLE
REPORT OF THE TRUSTEES- 31 MARCH 2024
Legal & Administrative Infom)ation
Company number
03251499 (England and Wales)
Charity number
1064633
TrusteoslDlrectors
F I Sweeney
J D Mollica
A Saunders
A B Soares de Oliviera -resigned 14 September 23
A Woolf
L J Sl Ville
G Heyworth
R Mondesir-clarke
M A Wright
F Awan - resigned 3 July 24
Company Secretsry
S F Willson
Registered and
operatlonal address
C2, 3 Cripps Yard
Soames Walk
Design District
Greenwich
London
SE10 OBQ
8ank
The Co.Operative Bank
PO Box 250
Delf House
Southway
Skelmersdale
WN86wr
Independent Examlners
Simpson Wreford LLP
Wellesley House
Duke of Wellington Avenue
Royal Arsenal
London
SE18 6SS

THE CLOD ENSEMBLE
REPORT OF THE TRUSTEES- 31 MARCH 2024
The Trustees are pleased to present their annual directors, report together the financial statements of the
charity for the year ending 31 March 2024 which are also prepared to rneet the requirements for a directors, report
and accounts for Companies Act purposes. The financial slatements have been prepared in accordance with
Accounting and Reporting by Charities.- Statemenl of Recommended Practice applicable to charities preparing their
accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS
102) (effective 1 January 2019)- (Charities SORP (FRS 102)). the Financial Reporting Standard applicable in the
UK and Republic of Ireland (FRS 102) and the Companies Act 20061Charities Act 2011.
Structure. Governance and Management
The Clod Ensemble was formed in September 1996 and is registered with the Charity Commissioners of England
and Wales under registration no. 1064633. It is a company limited by guarantee (Company Registration no.
03251499). The head office and registered address is currently at C2, 3 Cripps Yard,, Soames Walk, Design
District. Greenwich Peninsula, London. SE10 08Q.
The Directors during the period (who are also trustees for the purposes of charity law) ￿ere as follows..
L A Davies
F I Sweeney
C A Maude
M Mkandawire
J Molli¢a
A Saunders
A B Soares de Ollviera
A Woolf
L J St Ville
G Heyworth
R Mondesir-clarke
M A Wright
F Awan
The Directors dld not re¢elve any remuneratlon or relmbursement for any expenses during the perlod.
The bankers of the charity are The Cowo
erative Bank, PO Box 250, Delf House, Southway, Vth8 6wr and The
Charity Bank Limited, F055e House, 182 &igh Street, Tonbridge, TN9 18E.
Trustee ap
ointment & introduction
Directors o
the company are appointed by majority vote after being proposed by another member of the Board.
New board members
company systems and
o through an induction process where they are introduced to the staff, talk through the
he role and responsibilities of the board are made clear.
When considering appointing new trustees, the Board has regard both to the organisation's need for any specialist
skills and the diversity of board membership.
Objectlves
The Clod Ensemble aims to enhance education through the encouragement, performance and promotion of.the
arts including drama, mime, dance, singing and music.
The Charity has referred to the guidance contained in the Charity Commission's general guidance on public benefit
when reviewing its aims and objectives and in planning future activities. The Trustees consider how planned
a￿1VitieS will contnbute to aims and objectives they have set.
The charitable company intends to achieve this aim by pursuing the following objectives:
1. To produce quality performances, maintainirNJ a high standard of excellence throughout its artistic Y￿rk.
The work will combine music, movement and drama in such a way as to be represented as an integrated
form of artistic expression. This V￿rk will be targeted at a wide and diverse audience Ihroughout the UK
and abroad.
2. To presented associated public events and participation programmes.
3. To deliver a programme of education programmes and professional development opportunltles for
students, artists and healthcare professionals.

THE CLOD ENSEMBLE
REPORT OF THE TRUSTEES- 31 MARCH 2024
Review of Activities April 2023 to March 2024
Overvlew
This year, Clod Ensemble has delivered a bold, dynamic. and ambitious programme of work across cultural and
health sectors. The company's interdisciplinary approach pushes at the boundaries of form, promoting dialogue,
collaboration and innovation and enabling connections across wide fields of endeavour.
Original live productions continue to Ignlte the imaglnatlons of audiences, wlth sold out performances of'The 81ack
Saint and the Sinner Lady,. The production was recognised by the Guardian at No.4, in their roundup of"The 8esl
Theatre, Comedy and Dance 2023., a testsment to the innovation arKI quality of this new v￿rk.
The national significance of Clod Ensemble's body of artists'c work has been recognised with a major National
Heritage Lottery Fund grant lo develop an archive of collective performance-making. featuring leading artists of the
late 20th and early 21 st century.
Our commitment to deepening engagement in the arts is stronger than ever. We completed the pilot year of our
new programme Catalyser, which supported 20 young creatives aged 18-25. Ear Opener continued our
collaborations with music students and teachers in state schools, as vftll as engaging with 11,000 subscribers and
music-makers on our YouTube channel.
The Perft>rming Medicine inrtiative continues to flourish. A highlight of the year was our Arts and Humanities
Research Council funded project supportin9 healthcare professionals in Primary Care. This project brought arts-
based approaches to an entirely new audience and created significant shifts in thinking about wellbeing viithin the
workforce.
The company's move to Design District on Greenwich Peninsula in 2022 continues to enable and embed new
relationships wth neighbours and local communities across South and East London. This year we have welcomed
artists, audiences and partners to the studio for workshops, open rehearsals, peer-learning and public events such
as the Open House Festival. The studio also continues to provide the company with an additional income stream
from venue hires, as well as allow Clod Ensemble to support affiliated artl8ts by offering them free rehearsal space.
In the year 202314 Clod Ensemble gratefulty received grant funding from Arts Council England, Arts and Humanities
Research Council, The Harold Hyam Wingate Foundation, Hinrichsen Foundation, The National Heritage Lottery
Fund, Postcode Society Trust. as well as being supported by private donors.
Porfomianco & Publlc Evonts
In June 2023 Clod Ensemble began a new twtryear project: 'Choreozone.' Activating the Archive.. Funded by the
National Lottery Heritage Fund, this project has allowed the company to start to collect, catalogue and share their
archive through a programme of public engagement events and reconstructions of past performances. The
programme has a significant focus on young people and, to support this work Clod Ensemble employed an
apprentice for the first time, vtho has been studying Content Creation alongside their role with the company.
The Black Saint and the SinnerLady' in partnership with Nu Civilisation Orchestra was staged on 9 & 10 November
2023 at Shoredttch Town Hall during EFG London Jazz Festival. As Y￿11 as selling out both performances. the
production received several positive reviews including a 5-star review in The Guardian by dance critic Lyndsey
Winship..
It's a delight to be caught up in it, swept up in a wave with the simple pleasure ofsynchrony, community and great
music... Lyndsey Winship, The Guardian
'The Black Saint and the Sinner Lady, has gone on to be programmed on the theatre stage at the Barblcan Centre
for September 2024.
A celebratory programme of music and dance. bringing together free-to-attend movement classes. listening parties.

THE CLOD ENSEMBLE
REPORT OF THE TRUSTEES- 31 MARCH 2024
film screenings, public performances and new commissions were presented alongside this new production. This
included smaller scale versions of 'The Black Saint and the Sinner Lady,, performed at Charleston House Festival
in Sussex in May 2023. and as part ofthe Summer Stages Festival on the Greenwich Peninsula and Hoxton Street
Summer FestNal in August 2023. The new Gommissions were wrrtten by the Music Director of Nu Civilisation
Or¢hestra Peter Edwards. young artist Romama Campbell and Clod Ensemble's Artistic Director Paul Clark.
As part of the V&A's Late'Dance is Fashion, programme in November. Clod Ensemble shared short excerpts from
'Blossleldl', a new work in development inspired by the work of the late German photographer Karl Blo$sfeldt. A
'work in progress, sharing was also presented at Creative Crawley, a private event wth local councillors, businesses
and arts organisations. aimed at building new partnerships Wrthin Crawley.
Talent Development
Our Catalyser programme, piloted in 2022123, supported 20 young creatives to develop thelr own artistic practice.
The programme focused on interdisciplinary artists from underrepresented backgrounds and offered them the
chance to take part in a five-week intensive programme of workshops. This included a full bursary to cover travel
Costs and expenses of £1,000. ongoin9 SUPPOrt and mentoring over a six-monlh period, free access to Clod
Ensemble's masterclasses, peer learning. and free rehearsal space and facilities to develop their ovm work. In
2023124 we held the final reunion for the participants and completed Ihe evaluation of this project.
One of the outcomes of our initial Catalyser progfamme was the employment of Calalyser alumni, Chloe Carterr
as the host of Clod Ensemble's The Black Saint and the Sinner Lady show at Shoreditch TON￿ Hall.
As part of the talent development programmed offered by Clod Ensemble in their Greenwich studio,
masterclasses with Artist Richard Maione, Theatre Director Kats'e Mitchell, and Clod Ensemble's Artistic Director
Suzy Willson were programmed.
The company contlnues their mentoring and support of female and non-binary artists from diverse backgrounds
including Djenaba Davis-Eyo, Valerie Ebuwa and Pembe Tokluhan.
As part of the 'Choreozone'. Activatlng the Archive, Clod Ensemble hosled the ffirsl of a serles ol events for
independent ¢￿alIve$, exploring artist-led approaches to archiving, using Clod Ensemble's collection as an
example. Choreozone also saw four creative fellowship$ created during the year, lo support young artists to
develop their artist practical and archiving skills.
Learning
The company musicéducation programme Ear Opener inclLKles both in-school delivery sesslons and online
resources, designed to support students, teachers and all artis1$ to improve their composition skills. The student
workshop programme was delivered in trwo schools across London, supporting 271 studen15. A new Continued
Professional Development workshop was developed and offered to music teachers and the prowamme's YouTube
channel grew its audience to 11,400 subscribers, with 332,000 views.
As part of the company's collaboratlon with higher education institutions 11 Trinity Laban MA students perfomied
in The Black Saint and the Sinner Lady. A placement opportunity was created for a BA Jau Student as a musical
assistant on the production.
Porforming Modicine
In 23124 Performing Medicine continued to deliver arts-based teaching across the Faculty of Medicine and Dentlstry
at Queen Mary University of London. This year. we worked 1124 across all five undergraduate years.
Over the past year. we have undertaken a variety of consultancy projects, helping medical schools to implement
arts wthin their curriculum. As part of a knowledge exchange project with the University College of Osteopathy, we
undertook a scoping exercise, designed and delivered 3 days of y￿rkshopS with students and staff, and led a
faculty development day. For Ihe Th￿e Counties Medical School at the Universlty of Worcester, we delivered

THE CLOD ENSEMBLE
REPORT OF THE TRUSTEES- 31 MARCH 2024
half day vrforkshop wtth faculty. We have been part of a new growing medical education hub, focusing on integrating
arts and humanities into clinical education and remain in contact with Javeriana Universty in Colombia to discuss
how we can continue our plans to support Ihe developmenl oflheir curriculum.
We have enjoyed creating and delivering several very well received Forum Theatre projects wth a number of new
academic partners, for presentation to a range of new UK and international audiences. In 23124, we presented the
last of our long covid Forums alongside resear¢hers from Ihe Universities of Oxford & Aberdeen. The work was
shared at the COMET Conference (an interdisciplinary conference on Communication, Medicine and Ethics) in
Cork, Ireland. We also started a new partnership with the University of Birmingham. In this project we devised
Forum Theatre workshop on the topic of bias in Randomised Control Trials which we at a Conference for
Statisticians at Queen Mary University of London. Both ¥￿IrkS were described as conference highlights by audience
members, organisers and partners.
Our work in Cross-sector workforce development has continued. We delivered our Social Prescnbing of Arts and
Cutture training programme for the Borough of Newham (one of ACE'S Priority London boroughs). This reached 59
artists and social prescribers working in Newham. Our Social Prescribing workshops for link workers continued for
second year at Dulwich Picture Gallery, extending to include attendees from not just Southwark, but also from
several neighbouring boroughs in South East London. Performing Medicine has also contributed to key stskeholder
conferences, events and national consultations, including GLAILondon Arts and Health Creative Health City
Curated Conversations and the Creative HeaMh and Wellbeing Alliance's Strategic Partnership activty.
We completed a series of practical skills workshops with Imperial NHS Health Charity, supporting a total of 88 staff
members from many different parts of the workforce across London's largest NHS Trust .
Performing Medlclne piloted a brand new 2 day introductory course for artists interested In working in the fi'eldj of
art & health. Across sessions in November '23 and January '24, we welcomed 18 artists lo our studio in North
Greenwich. As well as benefiting participants, the pilots allowed us to explore and identify themes of most interest,
skills gaps, opportunities and barriers as we move towards the creation of a nationally significant professional
development programme.
This year, Performing Medicine received follow-on funding from the Arts and Humanities Research Council to
extend the impact and engagement around findings of our original Communicating through Covid project to the
Primary Care workforce. Outputs included workshops with 133 primary care staff, an international webinar which
reached 55 attendees across the globe. Work continue5 into 24125. Performing Medicine also took part in several
conferences, including at the Bntish Academy and Association for Medical Humanities to share our research
projects.
Risk manag•m•nt
The company's risk register is updated by the board of trustees quarterly, when the risks facing the company and
their appropriate mitigations are considered. Each identtfied risk is given a score for likelihood11 to 6) and severity
(1 to 6). These iwo scores are muttiplied to give a final risk score. Any risk scoring over 18 15 considered 'high'.
Currently the only risk with a high score is income targets not being a¢hleved wilhin the expecled timeframe. This
risk is mitigated by the company's annual budgets being reviewed by the Trustee Financial Subcommittee (FSC)
and Board to ensure the targets set are realislic and achievable, c105e monitoring of progress against these targets
by the FSC quarterly, developing new income slreams including the commercial hiring out of our studio. a focus on
fundraising and the building of relationships with new funders and ongoing contingency planning of how the
ompany vlould effectively scale down activity if required.

THE CLOD ENSEMBLE
REPORT OF THE TRUSTEES- 31 MARCH 2024
Reserves
Clod Ensemble's business plan includes Ihe building of reserves, V￿th the aim of accumulating a level of free
reserves which cover the company's core expenditure, including salaries and overheads, for three months. This
figure would be in the region of £120,000.
As of 31 March 2024, the company's total reserves stood at £272,072. These reserves are made up of £19,500
Restricted Reserves, £107,921 Designated Reserves, £44,651 Designated Capital Fund and £100,000 Free
Reserves. The charity plans to increase its Free Reserves to £105,000 by March 2025. Oetails can be found in
note 14 in the accounts.
Trustaes, Rosponsibilities
The trustees {who are also directors of the chanty for the purposes of company law) are responsible for preparing
the Trustees. Annual Report and Ihe financial statements in accordance with FRS 102 "The Financial Reporting
standard applicable in the UK and Republic of Ireland..
Company law requires the trustees to prepare financial statements for each financial year whlch give a true and
fair view ofthe state of affairs of the charitable company and ofthe incoming resources and application of resources,
Including the income and expenditure, of the charitsble company for that period. In preparing these financial
slatements, the trustees are required lo..
select suitable accounting policies and then apply them ¢onsistently',
obserrfe the methods and principles in the Charrties SORP,.
make judgements and estimates that are reasonable and prudent.,
state whether applicable UK Accounting Standards have been followed, subject to any materlal departures
disclosed and explained in the financial stalernents,. and
prepare the financial statement5 on the going concern basis unless it is inappropriate to presume that the
charitable company will continue in business.
The trustees are responsible for keeping proper accounling records that disclose wth reasonable accuracy at any
time the financial position of the charitable company and enable them to ensure that the financial statements Comply
with the Companies Act 2006. They are also responsible for safeguarding the assets of the tharitable eornpany
[and the group] and hence for taking reasonable steps for the prevention and detection of fraud and other
irregularities.
In $0 far as the trustees are aV￿re.
the￿ is no relevant information ol lthlch the charitable company's independent examiner Is unaware; and
the trustees have taken all steps that they ought to have taken to make themselves aware of any relevant
information and to establish that the independent examiner is aware of that information.
The trustees are responsible for the maintenance and integrity of the corporate and financial inlomiatlon induded
on the charitable company's vRbsite. Legislation in the United Kingdom goveming the preparation and
dissemination of financial statements may differ from legislation in other jurisdictions.
Ind•p•ndent examinors
Simp50n IAfreford LLP vRre appointed as Independent examiners and have expressed their willingness to continue
In thal capacity.
The above report has been prepared in accordance with the special provisions of Section 419{2) of the Companies
Acl 2006 relating io small companies.
Signed on behalf of the board of trusteesldirectors on 11 De￿mber 2024.
J D Mollica
Trustee

THE CLOD ENSEMBLE
INDEPENDENT EXAMINERS, REPORT TO THE MEMBERS OF THE CLOD ENSEMBLE
FOR THE YEAR ENDED 31 MARCH 2024
I report to the Charity trustees of the company for the year ended 31 March 2024, which are set out on pages
11 to21.
Responsibilities and basis of report
As Ihe Charty's trustees of the company (and also its directors for the purposes of company law) you are
responsible for the preparation of the accounts in accordance with the requirements of the Companies Act
2006 {'the 2006 Act,).
Having satisfied myself that the accounts of the company are not required to be audited under Part 16 of the
2006 Act and are eligible for independent examination, I report in respect of my examination of your charity's
accounts as carried out under section 14S of the Charities Act 2011 (the '2011 Act,). In carrying out my
examination I have follo￿d the Directs'ons given by the Charity Commission under section 145{51(b) of the
2011 Act.
Independent examinerfs report
Since the company's gross income exceeded £250,000 your examiner must be a member of a body listed in
section 145 ofthe 2011 Act. I confirm that l am qualified to undertake the examination because l am a member
of the Institute of Chartered Accountants in England and Wales, which is one of the listed bodies.
I have completed my examination. l eonfirm thal no matters have come to my attention in connection with the
examination giving me cause to believe..
{1) accounting records were not kept in respect of the company as required by section 386 of the 2006
Act., or
{2) the accounts do not accord with those accounting records; or
{3) the accounts do not comply with the accounting requirement5 of section 396 of the 2006 Act other
than any requirement Ihal the accounts give a 'true and fair. view whlch Is not a matter considered
as part of an independent examination; or
(4) the accounts have not been prepared in accordance with the methods and principles of the
Statement of Recommended practice for accounting and reporting by charities applicable to charities
preparing their accounts in accordance with the Financial Reporting Standard appllcable in the UK
and Republic of Ireland IFRS 1021.
I have no concems and have come across no other matters in connection wlth the examination to whlch
attention should be drawn in this report in order to enable a proper understanding of the accounts to be
reached.
K Taylor FCA
for and on bohalf of Slmpson Wreford LLP, Chartered Accountant8
Insts'tute of Chartered Accounts in England and Wales
Wellesley House
Duke of Wellington Avenue
London SE18 6SS
Dated.. 16 December 2024

THE CLOD ENSEMBLE
STATEMENT OF FINANCIAL ACTIVITIES
(Including statement of income and expenditure)
FOR THE YEAR ENDED 31 MARCH 2024
Unrostrleted
fund•
Restricted D•signat•d Oesl9nat¢d
fynd•
fund• cJplt•l lund 2024 Totsl
2023 Totsl
INCOME FROM..
Don•llon8 a￿1 *gwe$
Charitable aLINi￿.￿S
Invast￿nt incow
129,233
277,415
1,427
43,025
129,233
474,155
1,427
43,025
177.395
421.408
1,144
40.926
196,740
Totsl Incom•
4S1 100
196740
647 840
640871
EXPENDITURE QN:
Charftabl• •etl¥lthg
396,152
218.693
6.378
621,223
710.412
Totsl •xp•ndltur•
398 152
218693
621 223
710412
TRANSFERS
N•t InGom•ll•xpendltur•l and n•t
mov•m•nt In lund8 lor the y••r
s.000
121.9531
49,948
18,3781
28.817
189.S411
R•¢onclllJtlon ol lund•
Ttxal fvnds bffjughl loThvard
Total fvnds carried I0￿0rd
41453
19500
51029
44 651
24S 455
272.072
314 998
24$ 455
100000
107 921
The results for the year derive from contlnulng actlvities, and there are no other gains or losses
other than those shoNvn above.
The notes on pages 14 to 20 fomi part of these financial statements.
10

THE CLOD ENSEMBLE
BALANCE SHEET AT 31 MARCH 2024
2024
2023
Notes
Fixed assets
Tangible fixed assets
11
53.895
57,156
Currnnt assets
Debtors
Cash at bank and in hand
12
179,080
99,113
278,193
64,925
150,495
215,420
Credltors:
AnJ)untJ falling due within one year
13
60,016
27,120
Ngt current assgts
Net assets
218,177
272,072
188,299
245,455
The funds ol tho charity
Unrestricted incorre funds
Restricted income funds
Designated funds
Designated capltal fund
Total charity funds
14
100,000
19.500
107,921
44,651
272,072
95.000
41,453
57,973
51,029
245,455
For the year ending 31 March 2024 the company was entided to exemption from audit under sectlon 477 of
the Companies Act 2006 relating to small companies.
The directors acknowledge their responsibilities for complying with the requirements of the Act wlth respect
to accounting records and the preparation of financial 8tatemenls.
The trustees have not required the company to obtain an audit of its financial statements for the year in
question In accordance with section 476
These financial ststements have been prepared in accordance with the provisions applicable to companies
subject to the small companies. regimes
The financial statements on page5 11 to 20 were approved by the Trustees on 11 December 2024 and signed
on their behalf by..
J.¥DliralD•cL9,2D24Q*17fjM
J D Mollica
Company number: 032514991England & Wales

THE CLOO ENSEMBLE
STATEMENT OF CASHFLOWS
FOR THE YEAR ENDING 31 MARCH 2024
2024
2023
Notes
Cash (used inyprovlded by operating activitles
17
47,414
92,342
Cash flows from Investlng actlvits'e8
leresl in¢ome
1,427
1,144
Purchase of tangible assets
(5,3951
(68,052)
Ca$h iu$•d In) InvestSng actlvltles
(3,9691
(66,909
(Decreasellincrease in cash and cash equivalents in
the year
(51,3821
1159,251)
Cash and cash equivalents at the beginning
of the year
150,495
309,745
Total cash and cash equivalents at the end of
the year
99,112
150,495
12

THE CLOD ENSEMBLE
NOTES TO THE ACCOUNTS- 31 MARCH 2024
I. ACCOUNTING POLICIES
The principal accounting policies are summarised below. The accounting policies have been applied
consistently throughout the year and in the preceding year.
The Clod Ensemble is a company limited by guarantee, incorporated in England and Wales and registered
as a charity with the Charities Commission. The registered office is C2, 3 Cripps Yard, Soames Walk, Design
District, Greenwich Peninsula, London, SE10 OBQ.
(a) Basls of accounting
The financial statements have been prepared in accordance with Accounting and Reporting by Charities-
Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the
Financial Reportin9 Standard applicable in the UK and Republic of Ireland (FRS 102) (effective 1 January
2019) - (Charities SORP (FRS 102 and the Companies Act 20061>.
The Clod Ensemble meets the definition of a public benefit entty under FRS 102. Assets and liabilities are
initially recognised at historical cost or transaction value unless otherwise slated in the relevant accounting
pollcy note(s).
The financial statements are prepared in sterling, which is the functional currency of the charity. Monetary
amounts in these financial statements are rounded to the nearest £.
(b) Golng concern
At the time of approving the financial statements, the trustees have a reasonable expectation that the charity
has adequate resources to continue in operational existence for the foreseeable future. Thus. the trustees
continue to adopt the going concem basis of accounting in preparing the financial ststements.
(c) Income
Income rep￿SentS grants and sponsorships, donations receivable, investment income and fijndraising
receivable in the year under review net of VAT. Income is recognised vthen the charity becomes entstled to
the resources, when the trustees are virtually certaln they will receive the resources and when the monetary
value can be measured with sufficient reliability.
(d) Interest
Interest on funds held on deposit is included when receivable and the amount can be measured reliably by
the charty., this is normally upon notificatlon of the interest paid or payable by the Bank,
(e) Fund accounting
Unrestricted funds are donations and other incoming resources receivable or generated for the objects of the
charity without further specified purpose and are available as general funds.
Restricted funds are to be used for speclfic purposes as lay down by the donor. Expenditure which meets
these criteria is charged to the fund.
(fl Expenditur•
Expenditure is recognised once there is a legal or constructive obligation to make a payment to a third party,
it is probable that settlement will be required and the amount of the obligation can be measured reliably.
Expenditure is classified under the followin9 activity headings=
Costs of raising funds comprise mainly of wages costs of employee time spent and their associated
support costs.
• Expendrture on charitable activities includes the costs of running projects. exhibitions, tours, mentoring
and other educational activrties undertaken to further the purposes of the charity and their associated
support costs.
13

THE CLOD ENSEMBLE
NOTES TO THE ACCOUNTS- 31 MARCH 2024
(glAllocation of support costs
Support costs which are attributable to more than one actlvity, are apportioned across projects as seen In
Note 5.
{h) Leases
Rentals payable under operating leases are charged against income on a slraight line basis over the lease
term.
li)Tangible fixed assets
It is the policy of the company to provlde depreciatlon at the following annual rate in order to vrtite off each
asset over rts estimated useful economic life.
Computer equipment
Office equipment
Fixtures and fittings
Leasehold Improvements
25•A on net book value
25°/o on nel book value
over the lifetime of lease
over the lifetime of lease
U) Debtorn
Trade and other debtors are recognised at the settlement amount due after any trade discount offered.
Prepayments are valued at the amount prepaid net of any trade discounts due.
Ik) Cash at bank and in hand
Cash and cash equivalents include eAsh equal to cash in hand only.
11) Creditors and provl8lon5
Creditors and provisions are recognised where the charty has a present obligation resulting from a past event
that will probably result in the transfer of funds to a third party and the amount due to settle the obligation can
be measured or estimated reliably. Creditors and provisions are nomially recognised at their settlement
amount after allowing for any trade discounts due
(m> Financial instruments
The charity only has financial assels and financlal liabilities of a kind that qualify as baslc financial instruments.
Basic financial instruments are initially recognised at Iransaction value and subsequently measured at thelr
settlement value.
(n) Legal ststus of th• Trust
The Trust is a company limited by guarantee and has no share capital.
14

THE CLOD ENSEMBLE
NOTES TO THE ACCOUNTS- 31 MARCH 2024
INCOME FROM DONATIONS LEGACIES
2024
Total
2023
Total
Unrestricted Restrict
o￿a￿On5
13 978
ants
CourKil ol Er¥JlarMI- National porrfolio
Arts cou￿1 of Erglar¢ - Cuttural Recowry Fund
123.417
123.417
122.917
123.417
123.417
163.417
INCOME FROM CHARITABLE ACmVtTIES
2024
ToL•l
2023
Total
UnYMtrkt•d R••trlthd
&ants
Arts CoLKKiI ol England - In￿strnenI Fund (croy￿nI
Arls COUNI ol England - In￿SIment Fund18renll
Arts Courril ol EnglaNI - In￿S￿￿nI Fund (Enfiehjl
Arts Couwl of EnglaThJ - Inlesinwnl Fund I￿￿%￿arn>
Arts and Fljmanibes P8search Counryl
Cock8yne (>8nts for Ihe Arts
E8ft￿ Fairbalrn
Garrick Chafilabk Tr￿1
InFerial F*alth Charity
JervA)od Art8
Knlght Dr8gon
L&Q Place Kgkers
Portal Trusl
Postcod8 S(Kiety Tr￿1
tJeen Mary LkniKersity
Roddick Fo(mdation
Slanley Thc4nas Johnson
The trkrokj Ftyamwi￿a1e Foundab
The Hnrichsen Founoabon
The N*tional Lottery P*rilage Fund
[thI￿eT￿ty of Cx¥lord
18.750
18,750
10.oc
3.TrJO
48.003
15.0
12.OCQ
37.fyjo
37.CrfJO
10.000
10,1￿0
15,OCO
1.525
20,000
18,634
15,000
6.211
8,211
19.793
35.812
19.793
35.812
22,000
9,988
4.000
4,CxlO
500
83.424
83,424
1*,740
196.740
272,650
F••s and box office iw
Fees gnd sale ol prc•Jucl incoJM
Space hire
Capital cc￿ltsutionS
Other incorr*
85,223
128,344
63,701
85,223
128,344
63.701
7.101
82,655
36,$07
19,195
147
277,415
147
277,415
148,756
4C6,648
1%740
603,388
INCOME FROM INVESThIENTS
2024
TaLg1
2023
Total
Unrnstrkt•d R•8trlct•d
Bank Inlwest
INCOME FROM OTHER
20
Total
2023
Totsl
Vnrostrictod Restrlctod
Theatre Tax P£lief
15

THE CLOD ENSEMBLE
NOTES TO THE ACCOUNTS- 31 MARCH 2024
ANALYSIS OF EXPENDIWRE OF CHARrrA8LE ACTIVrnES
Dlrect
activities
Support
e05ts
Oth•r
costs
2024
Total
2023
Total
Salaries
Other Staff costs
Freelance fees
Olher direct costs
Production costs
Marketing
Fundraising
Property overhead
Administration
Dèpreciation
324,306
3.$90
137,641
5,038
29,940
7,176
4,0¢]0
324,306 329,187
3,590
2,265
137,641 150.525
5,038
4,814
29.940
33,015
7,176
5.828
4,000
4.260
72,250
70.540
28.626
56,123
72,250
28,626
548 973
72 250
621223 710412
Support costs are allocated lo prolects on o 118ff •pportlonn*nt b•¥i5. In the cas• of $818ri05 support CQSt¥ 4r¢
allecaled on a spent basis
Property overhead
621223
621 223 710412
PROJECTS ANALYSED BY ACTIVITES
Performlng
icino
Core
Participation
Perlormance
Total
Salaries
Cther siaff costs
Freelance fees
Clher direct costs
PrcAluction costs
Markets'ng
Fundraising
Property 0￿rhead
Administrab'on
Depreciats'on
10,754
1,615
13,600
1,753
1.663
227
2.000
72,250
25.668
8,656
138.186
54,015
110,052
1,975
78.877
3,285
20,753
5,777
2,000
149,485 324,3
3,590
137,641
5,038
29,940
7,176
4,0Tr)
72,250
28.826
8,656
621,223
11,982
33,182
546
63
6,978
1,109
120
2,005
833
66,726
224,724
191,587
16

THE CLOD ENSEMBLE
NOTES TO THE ACCOUNTS- 31 MARCH 2024
STAFF COSTS
2024
2023
Staff costs ￿re as folkivrt:
Salaries and vAgès
Sctial security costs
291,520
291,204
329 187
The 8￿rage nu￿er of slaff enyloyed durlng the year, VAS as follo￿6".-
Projects
A(Irrunistral'on
12
12
13
13
|Ther8 v*re no enry)tyee5 ￿1th enTr)knrrenls abobE £60,OLW).
There b*re no Trustees receiwl reTr￿￿ration during the year.
TRUSTEE EXPENSES
Trustees vRre reirtiursed for their travel to trAwd ff£ets'ngs. The total trustee eynses for the year vEre £nil
(2023.. £niD.
NET INCOhE FOR THE YEAR
2024
2023
Thls Is stated after charging..
Indep￿dent e>2niners fee
Depreciab'on of 0￿ed a￿et$
10.
TAXATION
The cryny is exEnyt from tax as a resuti of its registered charity ￿alU5.
17

THE CLOD ENSEMBLE
NOTES TO THE ACCOUNTS- 31 MARCH 2024
11.
T¥lNGIBLE FIXED ASSETS
Le85ohotd
hnwov•m•nts
conv￿Or
Equlpn
offi
Eg¥iPDWrt
Ftt¢inll•
T•xal
At 1 Awl 2023
121.261
18.892
3,028
2,555
145,738
Al 31 March 2024
20 388
2.555
151 131
Al 1 Awl 2023
Ch*gefoT the ye¥
At 31 Mw¢h 2024
70.232
15.481
2.103
764
448
8B,S80
76 610
97 236
Nrt book¥•l¥•
Al 31 Pthch 2024
Al 31 2023
925
12.
DEBTORS
2024
2023
Trade debtors and accrued inc0￿e
(Xher debtors
Prepayffents
VAT refund
156,766
1,642
20.671
13,233
41,024
8.137
2,530
64,925
179,080
13.
CREDrroRS
2024
2023
Traje creditors
Other credittys
PAYE
Credit card
Accruals
40,63fj
4,592
7,072
8,093
1,542
13,245
2,258
9.696
27,120
18

THE CLOD ENSEMBLE
NOTES TO THE ACCOUNTS- 31 MARCH 2024
1& AMALYSIS OF UNRESTRICTED RESTRICTED FUNDS
Balanco
Blfwd
Incornlng Resources
resources expended
Transfers
Balance
Cl￿d
Restrlctod fvnd•
AJts Council England- In￿tIrent FLmd (Nevthaml
CLKkayne Gf8nts for Ihe
Inperial Heahh Charlty
L&Q Place Mgkefs
P05tcode Scciety Tru$l
Mary Uni*rsity
St•n*y Thon¥$ Johnson
The Harotd Ptyam WINJate FourKl8ti(
The F&nrich5en Foundabon
The NaI￿al Lottery p￿rIlage FLmd
Lkni¥w81ty of ￿0rd
37,000
{37.000)
{1 S.000)
15,000)
{8,2111
119,7931
129,8121
{8,9881
{3,9651
15001
183,4241
{9,0001
15,000
5,000
10.000
8,211
19.793
35,812
10.000
6,000
8,988
3,48S
4,000
500
83,424
3,500
9,000
196 740
218693
UnMtrlct•d Funds
95 000
4S1 100
3961S2
49.948
100 000
D••bgn•t•d C•pSt•l Fund
6.378
D•sbynat•d Furtdj
49.948
107 921
TOTAL
245 455
621 223
272 072
Pu
osa of Restricted Funds
IM￿lIa1 H•alth - this grant will support Clod Ensemble's Performing Medicine pro9ramme, working in
partnership with Imperial Health Charlty to develop and deliver training to support healthcare teams across
the trust in 24125.
Arts and Humanltlos Research Councll (AHRC) - this grant will support impact and engagement
activities, developing and delivering training and creating resources for the Primary Care workforce.
The Harold Hyam Wingate Foundation - this 9rant will support Clod Ensemble's music education
programme Ear Opener, working in partnershlp with school and delivering teacher training and on-llne
resources in 24125.
ose of Desl nated Fun
£44,651- Dosignated Capital Fund
This is the designated fund for leasehold improvement works al the Design District. The balance agrees to
the net book value on the leasehold improvements, which are being depreciated over the term of the lease.
The designated fund is unrestricted funds that have been spent but have been capitalised. This fund is
designated for future depreciats'on charges.
£25,460 - Performing Medicine Projects
These funds will be used to deliver a number of Performing Medicine projects induding those working in
partnership wth the University of Sussex, the University of Bimiingham and Dulwich Picture Gallery.
19

THE CLOD ENSEMBLE
NOTES TO THE ACCOUNTS- 31 MARCH 2024
£15,461- Repairs and Maintenance of Clod Ensemble's Studio
These funds will be used to ensure the up-keep and necessary improvements of Clod Ensemble's new
sounds, design and rehearsal studios.
£36,500 - Research and Development of New Works
These funds wll be used to allow Clod Ensemble's artist directors to spend time working in ¢ollaboratlon with
other artists and associates in the development of new performance work.
£20,000 - Blossfeldt Performanc8 Work
These funds will be used for the development of a new performance piece inspired by the photography of
Karl 8lossfeldt.
£10,500 - Investment In Fundraising and Marketing
These funds will be used to invest in additional support in both fundraising and marketlng for the company.
16.
FINWICIAL cohwrrhENTS
jLe88e payffenls recogni8ed as an eyn88 in the year £19,44512023.' £18.9051
AI 31 VArch 2024, Ihe company wds committed to making th8 f￿1￿ing annual paymnts under
non-cancelLqbl8 OFerabry kases As folk>vA'.
2024
2023
157,180
59,955
16.
RELATED PARTY TRAJ4SACTK)NS
There ha￿ been no related party Ir8n88Ct'ons during perlod.
17.
RECONCILIATION OF NET PX)VEMENT IN FUNDS TO NET C￿H FLOW FROM
OPERATING ACTlVtnE8
2024
2023
Net ￿rr￿n1 in fvr#Js
Add back.. depreciation charg
Dedu¢t' interest incomg
Ilncreaselldecrease in debtors
Increa￿{decrease> in creditor$
26,617
8,656
11,4271
114,1561
{69,541)
53,853
{1.144}
8,658
84 168
20