Company reglstration number.. 03292609
c.harity registration number,- 1062185
Magpie Dance
IA compriny limited by guarantee)
Annual Report and Financial Statements
for the Year Ended 31 March 202S
Field Sullivan Lirriited
9 Hare & Billet Road
Blackheath
SE3 ORB

Magpie Dance
Content5
Reference and Administrative Details
Trustees, Report
2to12
Independent Examiner's Report
13to14
Statement of FlnancSal Activities
15
Balance Sheet
16to17
Statement of Cash Flows
18
Notes to the Financial Statements
19to32

Magpie Dance
Reference and Administrative Details
Trustees
Jade Bassett
Aaron Francls
Megan Ellnor Gardiner
Jesslca Lynch-Blosse
Allisha OLJiinmefun
Analsli Yilma-Parmar
Eamonn Prendergast
Christopher Wicks
Michaela Moore5
Anjie Enabor
Faye Hèrrison
Mlchaela Moores
Secretary
Charlty Reglstr3tlon Number
1062185
Company Regi5tr3tlon Number
03292609
The charSty is incorporated iii England & Wales.
C/0 Churchlll Theatre
High Street
Bromley
BRI IHA
Registered Offlce
Independent Examlner
Fleld Sulllvan l.Imlted
9 Hare & Blllet Road
Blackheath
SE3 ORB
Page I

Magpie Dance
Trustees, Report
Trustees, Report
The Truslees, who are also tlie Directors of the company under tho Companle5 Act 2006, submit their report
and tlie financial stalenients of Magpie Dance for tho yoar ended 31 March 2025, which have been prepared iii
compliance with current statutory requirement5, The Conipanies Act 1985, the Charitles SORP IFRS 1021
applicable to charltles preparing their accounts Iii accordance with the Financial Reporting Standard applicable
itj the IIK and Republic of Ireland and the Charltle5 Act 2011,. and with the charity's governing documont, it5
Memorandum and Articles of Association.
Pur
oses
Magpie Dance's cliaritable purposes as set out in Artlcle 4 of the company's Aiticles of Associatlon are as
follows..
To advance education for the public beneflt in the performin8 arts and learning disability in general.
To provide or asslst in the provlsion of facilities in the ii)terests of soclal welfare for the recreation or
other leisure time occupation of Ir¥divlduals who have need of such facilities by reason of their
disabillties wlth the objective of improving thelr conditions of Ilfe.
Alms and Ob
ectives
The alm of our charity is to enable people with learning disabilities to reach thelr full per50n31, 50Cl<il ai)d
artlstic potential tlirouBh dance. The charSty's vision is d world where a learnlng disability Is no barrier to
personal and artistlc success in dance.
Actlvltle5 In 2024-2025
Magple Dance operate5 In Bromley and Southeast London. Its activities are underpinned by the Artistic themes
and foi. the PLirposes of tliis report, will fall into the following strands: purticipation, artistlc progrommlng,
performfjnce, tr(7ining and outreoch. The Inain activitie5 whlch it has uiidertaken in the roporting period in
order to fulfil its aims and objeclives are descrSbed in this report in relatioi) to each strand separately.
"Wlien I wos a cl?ild people Wlth leurning di.sobilities were tolerated but not i'eully included in oi'dinory livii?g
they were sodly often viewed os iiot reully proper people. I was just bowled over by tlie beautiful core and
encouragement given by all the dedicated leaders. You have given my grond50n 5ucli pleasure and l om so
grateful to every single one of youfor wllat you give to us. Tlionk you.
Grandmother of participant
l. Participatioii
Magpie Dance rai7 tlie following weekly, term-time session5:
Mogple Adult Community (MC) Sesslon5 lup to 60 pooplel
Two weekly open community sesslons in Orplngton (hybrid model delivei'ed live and online) cind Bromley for
adults with learning disabilities and thelr suppoit workers to Improve their health throLigh iiicreased access to
regular dance activitles.
Mugple Adult Choreogruphers (MACJ sesslons lup to 40 people)
Two weekly 5o.ssions delivered for adult participanls to develop technique and devise new work - participants
graduate from the yOLlth technique group into thpse sessions. Tliese sessions explored dlfferent artistic
mediunis as a Springboard for creative work, with tlie iiitent for them to lead to new clioreographv.
PaEe 2

Magpie Dance
Trustees, Report
Magpie Youtli {MYJ, Magple Youth Technlqiie (m￿), Mugple Junlor (MJJ and Mugple Mlni (MMJ sesslon5
The Magpie Youth, liinior and Mini dance actlvities for young people dged 16-25, 8-15 and 3.7 respèctively,
delivered regular dance se55ions to younL poople with learning disahilltie5 in Bromleyi Beckenh3m and
Catl'ord, with participants attendlng from neiLhbouring boroughs, Bexley, Southwark and Dartford. Tlie
teclinique sessions are for paiticlpants who want to develop their dance sl(i115 and train more intonsively.
These sessions have been designed to meet a growing demand for moro formal contemporary daiice
technique traininE.
"Mogpie Dance is such an Import(Jnt purt of my daughter'5 llfe. It Iius given her puipose, friendships,
responsibllity and o huge opport(Inity to expré'ss Iierself in dfjnce. Our family cun't imugine life without the
Magpie familv."
Magpie Dance parent
Magpie Sensory (MSJ
This is a new session Iio this f/vl and was introduced after our work with SEN schools and the need for
session for children with more challenging needs, aged 3 15 years. Tl)e session is multi-sensory wlth the use
of props to encourago parllcipation and engagement.
Mogple Adult Technlque (MA T) Ballet
The Magple Adult Technique Ballet classes are for dancers who have shown an aptltude and commitment to
dance. Using progressive exerclses that build pl)ysical and I'echnical sk1115 And insplre music¢ility, these se55lon5
give a solid grounding Sn basic ballet technlque.
Mugple Adult Technlque (MA TJ Contemporary
The Mcigpie Adult Technique Contemporary classes enable dancers to learn new dance skills, techniques and
disciplines. These sesslons develop creativlty and focus on various slyles of contemporary dance.
Mttgple Adult Technlque IMA TJ Body CDndltlonlng
The Magpie Aduli Technlque Body Conditioning classes provlde participant% an opportuiiity to Increase
flexlblllty, strenBih, stamiiia and overall fitness Ibody conditioning) aiid learn new dance skills, technSques and
discipline5 Icontemporaryl. These sessions encourage participai)ts to keep active and have fun.
Duncer Developnient Course
The Dancer Development Course comprises study sessions for lip to 10 adult dancers, who attend elther
Magpie YoLJth Technique or Magpie Adult Choreographers, and wish to engage in more intensive dance
traiiiing. Tl7e course runs foi. one academic yoar commencing each September and provldes access to up to 14
hours of weekly dance tuition as well as opportunitie5 to porform, choreograph, and attend enrichment
experiences.
Easter and summer Schools
For children and YOUT>8 people wl)o livè away during the week and rire unable to attend repular classes las well
as those who do attend our regiilar sossSonsl, WÈ dplivered ari Eastei. ai)d Summer scliool to 136 children,
young people and adults with learnlng disabilitles. We deliver all three schools (Junior, Youth and Adults) in 3
studios in the same venue, enabllng peer to peer end of week performaiites las well as to parents and carersl.
Page 3

Magpie Dance
Trustees, Report
Mugple Peer Mentors
Our Peer MentorinE programme has been adapted from oijr Inclusive Dance Practice TrainSng programme for
professional teachers. Magpie Dance participants are Invited to undertake a three-term programine to develop
leader51iip and communicatioii sk1115, support peers in class, and assist the work of tlie lead facilitator. Tlie
prograinme develops core skills In a supportive and familiar environment, which parlltlpants can tal(e into
otlier volunteoririg and work outslde of Magpie Dance. It empowors partlcipant5 to demonstrate their
leadership skills, ènd challeiiges perceptions toward people with learning discibilities. Participants who
complete the Peer Mentoring programme are invited to become Ambassadors.
Mogpie Ambussudors
This programme is a professional progression and skills development opportunlty for active par¥icipants aged
16 years and over who have completed the Pepr Mentor programm@. This scheme benefits 16 particlpants
I'Ambassadors'l who assist in sessions, Iindortake i)ubllcitV ilctivitles for Magpie Dance, present and speak at
event5 and siipport and take lead responsibilities in the delivery of outreach workshops. The Magple
Ambassadors scheme 15 a PBld opportunity.
"Magpie Donce h(Ive been absolutely amuzi17g. Tl)e staff have been so frlendly and renlly wont to use the
knowledge thut oui. tenms have of the piipils to eiisure that I'hey ure pitching ot the correcl. levels. Huving the
Ambassadors come und sUPPOrt the 5e55ion5
our pupi15 instantly gravitated townrds them ond have built
beautiful connections. Seeing these relutlOnship5 hos made a few of the 5tu/f cry it W05 $0 wonderful. Having
Ilve music is so beneficial. I really think thot this enhonces our pupil and stoff engagement"
Laura Stevens, Phase Leader - Riverside School
Duncers, Commlttee
The Dancers, Comimittee 15 comprised of Clirrent particlpants and is aligned witli our forinal Board of Trustee5.
Previoiisly nan)ed the Shadow Board, it was changed in tl)is fly to Dancers, Committee followin8 a revlew
facilltated by Cl)arlotte Jonos, the Dlrector of ITC Ilndependent Theatre Couiicill. It was decided to rename and
restructure the Sliadow Board In favour of a new and improved Dai)cers' Commitlee, with maln thanges belng
the method of selection for Inembershlp Iwliich will be Inore frequentl, the age range of the Commlttee
members (which has lowered), the Chair Ibei17E a partSLlpant arid not a Magpie member of staffl and tlie
involvempmt and interaction with the Board. Dancers, Committee members receive Easy Read board papers
and feedback directly on our activities and future plans. Thls ensures that people with learning disabS1ities have
oversight and inpul at the highest levels of decision maklng at Magple Dance, and we are able to design and
dellver our work witli the needs and Interests of our communlty at Its heart.
Not only do i)ai'licipants contrSbute to matters that impact them flrst hand, but the collaboratlon between
Board and Dancer5, Commillee also deeply connects Trustees to our dancers, creating a deeper level of
understandiiig and eiigagement from everyone involved.
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Magpie Dance
Trustees, Report
2. Artlstlc programming and performance
Arllstic Projects and Public performcince are an important part of Magpie Dance's ainhitions to Showcase the
woi'k of poople wlth learning dlsahllities.
The past seven years has seen tlie resl)aping of Magpie Dance's artistir focus, with the implementation of an
Artistic Plan as our vel)icle for growth. This plan ensures Magpie Dance remalns a highly I'elevant, ainbitlous
and 5UStaii)able organisation, Launched In 2018, the plan iiitroduced four annual artistic ihemes, kick started
by the First World War Centonary project entitled 'Hldden Iinpact, in 2018119 followed by Technology for
2019120 and Dance in Culture I'cilobal Moves and Grooves} for 2020121. The time frames for 2020 were
extended diie to the Covid-19 pandemlc- 50 Technology extended to 2020121 with Dance Sn Culture moved to
2021122 and then '(Sori'owcd Land, in 2022/23 and 'OLtr Land, in 2023124. For 2024125 the Artlstic theme wa5
'Oiir People
Histories and Heroes, explorin8 t17e hlstory of people witl) learnlng disal)ilitios and looklng at
heroes Ipagt and presentl,
We are now Into our second year a5 an Arts Councll England 'National Portfolio Organisatloi), INPOI which has
changed the way we report,. we have aligned our reporting and monitoring in conjunction with our NPO
reportlng and clianges have been made Such a5 Shifting the dates that our Board meet 50 reports are all in-line
with quarterly NPO reporting. This transition has run smoothly, aiid we feÈl fortunate to have the NPO Status,
and to coiitinLie to deliver our artistic p¥ogramming with this well rocognised industry statu5.
Our Artlstlc vislon continues to be the driving force for our thrlving programme of work. As well as our regular
weel<ly sessioiis with progression paths117 per weÈkl, the previous year has seen a whole Col￿panY festival
atteiided by the DepiiÈy Mayor of Bromley ljuly 241 and sevoral ad-hoc pei"formances foi. all particlpants
througliout the year from our yoiing dancers performing on the main stage at London's prestigiou5 dance
venue, The Place, and at the Museum of London, to our adult dancers performing at The Royal Opera House
and Harrow Arts Centre. Other opportunltlps have included theatre trlps (such as to Sadler's We1151 and the
opportunity to partlclplr te in dance work5hop5 and enjoy working With vi51ting artlsts such as with inclusive
dance companies Corali, StopGap and Candoco, in venues such as Slobhan Davies Studios, working
collaboratively in profÈ$51onal environments. We continlfe to liold Easter and Sijmmer schools as well as Day5
of DancÈ,' out. Days of Dance are for everyone of all ages and abilities la full day at the weekend of different
daiice workshopsl and aro an Dpportunily for our participants to dance with their frlends, siblings, famSlv
members
something which was requeslÈd by ou¥ dancers. They are always well attended and fuii for
everyone and are an opportiiiiity for people with and without disabilities to dance together.
Lastly, i)art of our artistic programme includes the creation of danco films of our work, made by us, which are
shown all around the world,. our most 5uccp.ssful film so far entitled 'l(ingdom' has been showi) internationally
in countrles such as Spaln IPlatArtlstic Springdance Film Festival), Mexlco lat FAUNA FIIM Festival), Costa Rlca
and Ukraine (Max Sir International Film Festival) and at Tho International Ecoperformance film Festival in
Argentina, Austriilia, Brazil, Romania, USA and onliiie. This is as well as it belng shown around the Ul< including
at U. Dance NatlDnal Festival in Liverpool and at Greenwich lilm Festival. It's fantastic that we are abl@ to
Spread our work overseas and continue to break boundaries and challenge perceptions of what can be
achieved from dancers of all age5, wlio liappen to liave a learning disabllSty.,'We create plit ylists of our daiice
films and wc>rk5hops on our YouTube chaiine.l and then tag these into our soclal Inedia to mark national events
such as International Day of SiEn Languages, World Mental Health Day and United Natlons Day to spread
awaroness.
'Absolutely wonderful and movingl A really beoutiful encoui7ter."
Akram Khan, Akram Khcin Dance company on 'Kingdom'
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Magpie Dance
Trustees, Report
3. Tralnlng and Outreach
Magple Dance continues to be a rpcognised school and affiliate of the Council for Dance Drama and Musical
Theatre ICDMTI dance provislon for all of its CPD actlvity this year as woll as a 'London Youth Bronze Award,
recipient whicl) mea115 the worl( we undertake has been given a quality assurance stamp of approval.
In 2024125 our tralning strands included..
The Inclusive Dhnce Practice Training IIDPTI Scheme., The IDPT 15 our in-house training programme teaching
trainee5 the Magpie metho(l and approaches to inclusive dance.
Peer mentorlngi Ambassadors and Dancer Development Coursè {DDC),, We continued to P051tion training at
the centre of all our work, with peer mentoring schemes acr055 the youth and adult groups allowlng
individuals to develop their skills further ilirough three learning modules. On successful completion a peer
mentor 15 Illvlted t'o become a Magpie Dance Ambassador,. Ambassadors receive paid worl( and asslst in
sessions (both of which have already been mentioned al)ovel. Our DDC partlclpants receive enrichtnent
opporluiiltles la5 well as their weekly session51 including worksliop5 aiid professional cla5s15uch as witli Ben
Ash at Siobhan Davles Dance Studios) and collaborating with ella&co and BalletBoyz.
Tralning workshops for schoolsi professlonal arts o*ganisations, health organlsatlons, 8nd natlonal charltles..
Magple Dance is a recognised incluslve dance tralnlng provider. It is experlenced in delivering tralnlng for
dance professionals wishii)g to gain a deeper understanding of 1nilu.sive dance and specifically learniiig
disability, and for training teachers to equip them with a greater 51(illset and knowledge base for working
inclusively with students with and without disability. People with learning disabilities lour Ambas5adorsl take
lead (paid) roles as part of Magpie Dance's training teams to deliver inclusive Irainlng and dance workshops.
Workshop5 this year have included weekly sesslons during term time with Marlborough School in Sidcup and
CPD for students at Trinity Laban London. We also have Royal Acic demy of Dance IRADI student5 attend our
sessions for block periods to learn about inclusive practice, ènd our lead facilitators assess them as part. of their
course witl) RAD.
At the end of last fly and the beginning of this one, we dellvered 10 weeks of danr.e worksliops in 8 schools at
12 site5 across London Boi'ough5 of Bexley, Bromley, Croydon and Lewisham. We worked with over 1000
children and young people aged 3 - 19 years With a Vciriety of needs,. the prolect not only benefited more
children with learning disabilities, but it also boosted numbers for OLir Minis, Juniors and Youth classes as well
as new relatioiiships with these schools. We created a film entitled 'lOOO voices, a5 a legacy lo thi5 project.
Public Beneflt
Magpie Dance is an inclusive dance company. As such all activitles are targeted towards r.hildren, young people
and adults with Ilisabilities, in particular learning disal)ilities who make up 1.5 million people in the UK
signiflcant sectlon of society.
The work undertaken by Magple Danco beneflts these participants dlrectly by providing access to high quality
dance activities underpinnÈd by the MagpSe Daiice Quality Framework. Our unique Inclusive dance attiv5ties
improve a range of ski115 such as comimuiiltation, movpmenl and co-ordinatSon and contributo to increased
confidence, self-esteem and improve liealth and well-belng. Thp impact on Indlviduals is monltored through a
variely of means. The charity's work a150 benefits the fainllle5 and carers of participants by improving the
quality of life and wellbeing of the particlpant5 Ihrou8h the provi51on of meaningful and high-qiialily actlvitSes
on a sustained basls,
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Magpie Dance
Trustees, Report
Magple Dance's work Is also of benefit to the general piiblic. both through the Training strand of our work
(enabling tliose working with people wSth learning disabilitles to improve their skills and effèctivene551, and
through our public performances raisin8 the profile of people with learnlng disabilities and chcimpioning a
fairer socioty. There is an indirect benefit to the public, health and social soctors in general through the direct
benofit provided to the participaiits and thelr families.
Maypie Dance exercises a policy of equal arid falr access. Whlle the cost of delivering our hlgh-qualSty Incluslve
programmes necessil'ates tho charglmg of fees, our policy ensures tliat no 01)e is turned away. Magyi@ Dance is
coinmitted to providing a working eiivlronment in which all individuals are treated witl) dignity and respect.
The cl)arity operates a rigorous Equality and Diversity Policy and does Trot tolerate discrimination of any form.
Our commitment to our Environmental Pollcy was recognlsed at the. beginning of thls calendar year (Jan 251 as
we were awarded as winners of the One Dance UK 'CJreen Dance Award, which is an accolade to all the hcird
work we do, and continuo to do, a5 we endeavour to reduce our carbon footprint across our working methods
and programmes of attivily.
Magple Dance's robust policies, governance and fram@work ensijre that our charitable objer.tives can be
fulfilled. A5 a charily working wlth children and vulnerable adults, our duty of care 15 absolutely central to our
activity and our rlsk mlniinlsation is core to our work.
The Trust@es of Magple Dance have taken account of the Charity Commission's guidance on public benefit
when making decisions and throughout the annual plannlng cycle.
"Our Staff and trustees are (ylways led by the question "what will be the best thing for our portlclpnntsP" The
dancers, cominittee allows us to get the answer directly from porticipnnts and receive new ideos which we
would never have tl?ought of ourselves"
chris WScks, Magple Dance Co-chalr
Ensuilng MaEple Dance's work delivers our alms
The board reviews Magple Dance's aims, objectives and activitles each year. The reviow looks at our
achlevement and Ihe outcomes of our work In the previous 12 months agalnst our plan. It monStors the
success of each key activity against KPIS and the benefits and Impact it lia5 brought to our partlClPl¢ nts. Thls
review helps the board ensure that Magpie Dance's aims, objectives and activities remained focused 01) our
charitable objL3cts. In particular, the Trustees consider how plannpd activities will contribute lo tho alms and
ol)loctlves set in tl)e business plan and governing documents, and the Charil'y's financial sustainability in the
coming year,
About Magple Dance's future
The past seven years have brought about 5igniflcant structural, artistlc and strategic change, To support this
t'ransition process, MagpSe Dance's Busine55 Plan provides a clear set of strategic priorities driving Magpie
Dance's work and ambitions. This includes a four-year Artistic Development P131) IADPI with four annual
themes running i< loiigside the business plan, Tlie hu5iness plan focuses on stabilising our Core offer of dance
5esslons to particlpants, biiilding a 5UStainable, long-term fundraising and income geiieration strategy.
extendlng formal parl'nerships atros5 tho arts and social sectors and biiildlng credible professional and artistic
progression pathways for parlicipanl's. With 3 years Ihaving lust completed 2 yearsl with NPO status, we feel
that we are in a good position fina ncially aiid artistically.
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Magpie Dance
Trustees, Report
ACHIEVEMENTS, PERFORMANCE AND IMPACT
The Board contlnues to measure Magple Dance's performance In achieving its aims and object'ives, althougli It
will be appreciated that the benefits of Magpie Dance's work are also intangible and inlApable of precise
measurement.
The long-term benefits of attendlng OLJr programmes are best rommunicated througli the responses of tl)ose
who attend. We asl(ed participants and their parents/c8rers liow comlng to Magpie Daiice makes them feel
and tlieir main reasons for attending oiir sessions. The results were..
Developed new skills................,....
Improved commLJnicating with other people
Physlcal health / fitness has improved
Improvement in mental health / overall wellheinE
More conf"ident...........................
Developed soc131 Snteractloiis / friendships
..83%
..91%
..96%
..96 %
..96 Yo
Monitoring of eacli parllcipant Is undertakeii by our facilitators clt the end of each sessioi), leading I'o in-depth
whole term as5essment5. This monitoi'ing is done through captiiring quantitative and qualitative informatlon
measured aBain5t tho outconies in our Quality Framework. Over the previous twelve Inont115 of monitoririg
data, we have observed..
99% consistent achiovement, 58°A considerable improvement with Increased coordination, technical
and creative skills
980A consistent achievement, 60Y. considerable Improvement with Improved communication,
collaboration and cooperation
97°A consistent achievement, 46% considerable improvement with improved physical health and
Inental wellbeing
980/ con515tent achievement, 64Yo considerable improvement with increased confidence and
self-esteem
980/0 consistent achievement, 600/0 coiisideiable Improvement with Improved social interactions with
peers and reduced social isolation
99% consistent achievement, 55% considerable improvement wlth increased leadership s1(i11s
includSnE Improved choreographic skills
"My brotlier hos been a member of 114ugpie Dance for years. It has helped him to thrive us ui? artistic, fit ond
confident individual. Mugple hus been a huge part of my brother'5 life, ond I hope that it con continue to bring
joy to many more individuols und theirfamilies."
Magpie Dance F3mlly Member
I t71woys like It when we make work, Magpie st(Jlf let me be who l am. Wlth other componies I don't get to do
tlpot"
Magpie Dance Participant
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Magpie Dance
Trustees, Report
FINANCIAL REVIEW
At the end of tl)e reporting period the Trustees report a defirlt on unrestricted funds of £75,94012024'. surplus
of £102,139), with cumulatlve unrestricted funds now £337,19312024'. É413,1331.
Prlnclpal fundlnE sourcès
Magpie Dance's princlpal funding comes from grants from statutory bodies, trusts, foundations, and other
grant making organisations.
This year marked Magpie Dance's second as an Arts Council Englai)d 'Natlonal Portfolio Organisation,. This
core fundlng of £150,000 per year wlll rise to £152,415 for the 25/26 financlal year, and has boen coi)firmed
through to the end of March 2027. An addltional year's extenslon fundlng through to Marcl) 2028 is currentlv
under discussioii by Arts Council England and DCMS.
We were also Immensely grateful for the continued support of the National Lottery Community Fund thls
flnancial year. We would like to thank all of our supporters for thelr terriflc contrlbution to our work,
Reserves Pollty
It will be appreciated that the charity's 50urcos of Income are not assured. The Charity therefore endeavours
to retain reserves at a level tliat will onable it to continue to Support those for whom it provides programmes
while remaining prudont and responsive to the finaiicial climate,
The Trustees have therefore decSded to hold a minimum of six months reserves. Th15 is so as to permit an
orderly winding-up over a six-month perlod should t'ho Trustee5 conclude at any time that the charlty is no
longer able to Continue as a going concern.
At 31 March 2025, the level of reserves wa5 £337,193 of unrestricted funds equating to approximately nine
months operating expenses.
It Is the opinlon of the Trustees that this level of reserves is both prudei)l and iiecessary given tlie nature of
the charity's objoctives and Its activitles.
STRUCTURE, GOVERNANCE AND MANAGEMENT
Governlng Document
The organisiltion Is a cliaritable company limited by guarantee as defined by the Companies Act 1985. It Is
governed by Artlc.les of Association which were adopted by Speci21 Resolution on 8 February 2012 and further
dniended by Si)Ècial Resolution on 15 November 2012. The charity was originally Sncorporated on 16
December 1996.
The Board operates through a serles of sul)-committees that focu5 on key responsibllitles such as,. flnance and
marketlng and fundi"ai5ing and Task & Finish groups to oversee tl)e lifecycle of l(ey strategic projects.
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Magple Dance
Trustees, Repoit
Organlsatlonal Structure
Board of Trustees
Trustee5 and offlcÈrs
The trustees and officers serving diiring the year and since the year end were as follows,.
Trustees:
Jade Bassett
Aaron Francis
Megan Elinor Gardiner
Jesslca Lynch-Blosse
Allisha Oguninefun
Anaish Yllma-Parmar
Eamonn Prendergast
Christopher Wicks
Margaret Wilken Sinlth (resigned 24 September 20241
Michaela Moores (appointed 5 DecLimber 20241
Anjie Enabor lappointed 16 December 20241
Faye Harrlson (appointed 15 August 20241
Secretary..
Michaela Moores lappolnted S December 20241
Members of the Board of Trustees
The Board is comprI5ed of the members of the charity, All members of the charity are directors (Ind only
MÈmlJers are eligible to become directors, Members of the Board are accordlngly directors for the purposes of
coinpany law and trustees for the purposes of charity law. Board members who served during the year and up
to the date of ilils report are Set out In the Reference and Administratlve Details sectSon at the start of this
repowt. At the @nd of the reporting perlod there were eleven Trustees led by two Co-chairs. There are four
board meetings a year, plus an away day. they meet additionally Sf necessary15uch as within their Task and
Finish Groups/rommitleesl.
Trustee recruitmeiit is managed by the Skills Audit and Truste@ RecruStment Committee. Vacancies are
advertised as widely a5 possible (within financial limitations) to oncour3ge a diverse pool of applicant5.
Progpectlve trustees may also be identified through word of mouth or pei'sonal contacts.
Prospectlve candidates are invited to a formal Interview wlth a recruitment panel typically made out of thrLJe
trustees. They are then invited to meet tlie Executive Director, the Ai'tistic Director and two member5 of tlie
Dancers, Cominittee. The candidate is then Snvited to attend a MaL'pie Dance session and obsewe a Board
meeting before a formal appoiiitinent is made. All Trustees are providpd with an Induction pack containing
document5 to assisl them in fulfilling their role and paired wllh a buddy to answer question and sUPPOI't them
in the onboarding process.
Mir gpie D<ince also organise5 in-l)ouse training for Trustees in sessions that take place on average once Èach
Page 10

Magple Dance
Trustees, Report
Magpie Dance operates a Dancer5, Committee, comprised of Magpie Dance participants and is aligned with
our formal Board of Trustees. Daiicers, Committee Members feedback directly on our activities and future
plans to the Board of Trustees.
Management
Day-to-day runninry of the charity Is delegated to the senior leadership teain comprlsing of two Co-CEOs'. the
Artistic Dlreceor and Executive Dlrector. The chai'ity employs a fiill l'ime Artistic Director, a parl-time14 days a
weekl Executive Director, a part-tlme13 days a weekl Finance Manager, a Itill time ope.rations Coordii)ator aiid
a full time Marketiiig & Project5 Intern (for one year only, funded by Ihe Jack Petchey Internship programme
from March 2025 to March 20261 to devlse and (leliver its activities.
They are SLJpported by a team of freelance specialists, including a Fun(Iraising and Development Manager, a
Fundraising Consultant and a Projects Manager. Magpie Dance hosts students on work placements on a
regular basis and interns lapproximately I per yearl.
The pay and remunerètlon of the Executive team is determined by the Board on the recommeiidatSon of tlie
Remui)oratloi) Committee based on an assessment of market rate5 rjf pay, Change5 in the c05t of Ilving and
affordabillty.
Volunteers
The Charlty makes significant use f)f volunteers. They asslst in two main areas: direct assistance in the
provision of danc.e sessions and performances, and ad-hoc assistance in the day to day rLinniiig of the Charity,
includlng marl<eting and administration,
Governance Revlew
The Skills Audit and Trustee Recruitment Committee carries out regular reviews of governai)ce to ensure that
the charity is properly governed and that the Board properly understands Its role and provSdes effectlve
leadership in a transparent and accountable fashion. Thp review is carried out by reference to publishÈd
guidance fi'oin the voluntary settor including, most recently, the Cliarlty Governance Code lor Smaller
Charities. Actlve Considerat￿On Is being given to devising suitable parameters by whlch to measiire the
effectiveness and the performance of the Board.
R15k Management
The Board has a duty to identlfy and review tlie risks to which the Charity is exposed and to ensure that
approprSate controls aro in place to provide reasonable assurances ag31nst fraud and error. A risk reglster has
been established and is updaled at every board meeting. Where appi'opriète, systems, or procedijres have
been estal)Ilshed to mltSgate the risks the charlty laces, Iiiternal control rlsk5 are minimised by the
niplementatioii ol procedures for authorisatioii of all iransacti011s and projects. Detailed policies and
procedures are in place to ensure compliaiir.e with legislatlon and best practlce covering, for example, health,
safpty, and safegiiai'dlng as appropriat@ of staff, volunteers, and participants. These policies and procedures
are avallable on request from the Executive Director, All policies are reviewed lon a schedule) throiighoiit tl)e
cycle of Board Meetings to ensure that they remain fit for purpose and are properly owned by the
organisation.
The main risk for the cliarity is loss of fundii)g. To Initigate thls I'isk, the Charity work5 contli)uously to maintaSn
good relationships with current luiiders and constantly seeks new sources of support, trying to griin funding
spread over more than one year iii ol-der to increLlse financial stabillty. Tl)e Chit rity employs a dedicated
fundralser to ensure that funds are forthcomSng to sustciin the core asp@cts of our work.
Page 11

Magpie Dance
Trustees, Repoyt
The Trustees have taken out approprlate Inslirance cover to protect the Trustees aEalnst any Ilabilities they
may incur and to cover the Trustees, staff and volunteers for any rlaims for Iier50I)al injury and/or dainage to
property.
Statement of trustees, responslblllties
The trustee5 (who are also the directors of Magpie Dance for the purposes of company lawl are responsible for
preparing the trustees, report and the flnanclal statements in accorilarice with applicable law aiid Unlted
Kingdom Accounting Standards Iuiiited Kingdom Generally Accepted Account'ing Practice), including FRS 102
'The Financial Repoi'ting Standard applicable in the UK and Republic of Ireland"
Company law requires the trustees to prepare flnanclal statemehts for eac.h financial year. Ui)der company law
the trustees must not approve tlie tlnancial statemÈnts unless tliey are satisfied that they Blve a true and fal
view of the state of affairs of the charitable company and of the Incoming resources and applitatlon of
resources, incl(Iding its income and expenditure, of the charitable company for that perlod. In preparing these
flnancial statements, the trustees are required to.,
select suitable accounting policies and apply them consistently.
observe the methods and princlples in the Charitie5 SORP;
make. jLidgements and estimates that are reasonable and prudent;
state whether appllcable accounting standards, comprising FRS 102 have been followed, subject to any
material departures disclosed and explained In the flnanclal statements,. and
prepare the financial statements on the going concern basis unless it Is inapproprlate to presume that the
charitable company will continue In bu5ii)ess.
The trustoos are iesponsible for keeping proper ticcountlng records that can disclose wlth reasonable accuracy
at any time the financial posltion of the charltable company and enable them to ensure that tlie fir>ancial
statemenl's comply with the Companies Att 2006. They are also responsible for safeguarding the asset5 of the
charitable company and hence for tal(ing reasonable st@ps for tlie prevention and detectlon of fraud and otl)er
irregLilarities.
The trustees are responsible for the mainteiiance and integrity of the corporate and financial infoi'matlon
included on the charitable company's wek)site. Legislation governing the preparation and dissemination of
linancial stateinents may differ from legislation in other jijrisdictions.
The annual report was approved by the trustees of the charity on /.5 !!o/<:
and slgned on ils bel)alf by..
Jade Bassett
Cliair and trustee
Christopher Wicks
Chalr and trustee
PaBe l?

Magpie Dance
Independent EKaminer's Report to the trustees of Magple Dance {'the Companv,)
I report to tl)e charity ti'iistees Iwho are also Directors for the purpose of company lawl on my examination of
the accounts OF the M¢igpie Dance I'the cl)aritable company'l for the year ended 31 March 2025 which
comprlse the Stalemenl of Financlal Activities, the Balance Sheet and related notes. (pages 15 to 321
Thls report is made sololy to the charlty's trustees, as a bDdy, Sn accordance wlth section 145 of the CharitSes
Act 2011. My work has been undertaken so that I mlght State to the charity's trLfStees those matl'ers l am
reqL*lred to State to them in thSs report and for no other purpose. 'fo the fullest extent permitted by law, I do
not accept oi. assiime responslbililv to anyorie other than the charity ènd the charity's trustees as a body, for
my work, for this report, or for the opinioi)s I have formed.
Respon51bllittes and basls of report
As the charity's trustee5 of Magple Dance you are responsil)le for the preparatSon of the accounts In
accordance with the requirements of the Companles Act 20061'the 2006 Act'l.
Having satisfipd myself that the accounts of Magpie DanLe are not requii'Èd to be audlted under Part 16 of the
2006 ACL. and are eliglble for Independent examinatlon, I report In respect of my examinatlon of your charity'5
accoijnts a5 carried out under section 145 of thf Charities Act 2011 I'the 2011 Act'l. In carrying out my
exJminatlon I have followed the Directioiis given by the Charity Commi55ioiI under sectlon 14515llbl ol the
2011 Act.
An independent exèmination does not Involve gathering all the evidence that would be iequSred in ali audit
and consequently does not cover all the matters that an auditor conslders In giving theii- opinion on the
flnancial statements. The planning and conduct of an audlt goes beyond the limited assurance that an
Independent examination can provide. Consequently l express no opinion a5 to whether the financial
5tatemeiits present a 'true and fair, view and my report is limited to those specific matters set out in the
independent examiner's statement.
Independent examlner's statement
Since Magple Dance's gross income exceeded £250,000 your examlner must be a member of a body listed in
section 145 of the 2011 Act.. I confirm that l am quallfled to undertake the examinatlon because l am o
member of ICAEW, which is one of the listed bodles.
have completed my examination. I confirm that no matters have come to my attention in connection with the
examlnation givlng me cause to believe..
l. accounting records were not kept in respect of Magple Dance as required by sectlon 386 of the 2006 Act,.
or
2. the accouiits do not accord with those record5,' or
3. the account5 do not comply with the accounting requirements of section 396 of the 2006 Act oilier than
any requirement that the (>ccounts give a 'true and fair vlpw, which is not a matter corisldered as part of
an indepondent examlnatlon; or
4. the accounts liave not beei) prepared in accordance with the method5 and prlnciples of the Statement of
Recommended Practice for accounting and reporting by charlties appllcable to charltles preparing thelr
accotAnts in accordance with the Flnancial Reporting Standard applicable in the UK and Republic of
Ireland IFRS 1021.
Pa￿￿ 13

Magpie Dance
Independent Examiner's Report to the trustees of Magpie Dance ('the Cornpany,)
I have no Comcerns and have coime across no other matters In connection with the examination to wl)ich
attentlon should be drawn in this report in order to enable a proper understanding uf the accounts to be
reached,
Tim Sullivan
rield Sullivan Limited
9 Hare & Billet Road
Blackheath
SE3 ORB
Page 14

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Magple Dance
(Registration number; 03292609)
Balance Sheet as at 31 March 2025
2025
2024
Note
Flxed assets
Tanglble assets
12
2,075
4,402
Current assets
Debtors
13
3,959
357,829
6,909
437,758
Cash at bank and in liand
14
361,788
444,667
Credltors: Amounts falling due wlthln one year
15
14,6701
15,1031
Net current assets
357,118
439,564
Net assets
359,193
443,966
Funds of the charity:
Restrlcted Income funds
Restricted funds
17
22,000
30,833
Unrestrlcted Income funds
UnrestrScted funds
17
337,193
413, 133
Total funds
17
359,193
443,966
For tlie financial year ending 31 March 2025 the charSty was entitled to exemption from audit under section
477 of the Companies Act 2006 relating to small companies.
Directors, re5iionsibilities..
The members have not required the charity to obtain an audit of it5 accounts for the year in question in
accordance with sectlon 476,. and
The directors acl(nowledge thelr re5poiisibilitles for complying with the requirements of the Act with
respect to accounting records and tho preparation of accounts.
The note5 on pages 19 to 32 form an Integral part of these financlal stalenients.
Page 16

Magpie Dance
(Registration number: 03292609)
Balance Sheet as at 31 March 2025
The f
.21è).ricial Statements on page5 15 to 32 were approved by the trustees, and autliorlsed for issue on
?A4nd signed on thelr behalf by:
Jade Bassett
Clialr and trustee
Clirlstopher Wicks
Chair and trustee
Tlie notes on pages 19 to 32 form an inteEral part of these flnanclal statements.
Page 17

Magple Dance
Statement of Cash Flows for the Year Ended 31 March 2025
2025
2024
Note
Cash flows from operatlng actlvitles
Net cash lexpenditiirel/income
184,7731
75,931
Adjustment5 to cash flows from non-cash Items
Deprociation
Investment income
2,796
{11,1861
193,1631
2,703
19,6461
68,988
Worklng capltal adlustments
Decrease In debtors
13
2,950
14331
3,057
15251
13,1721
Decrease In creditors
Decrease in deferred income
15
Net cash flows from operating actlvitles
190,6461
68,348
Cash flows from Investlng activltles
Interest receivable and similar income
Pui'chase of tangible fixed assets
11,186
14691
9,646
11,6451
12
Net cash flows from investing activities
10,717
8,001
Net Idecreasel/increase in cash and cash equivalent5
179,9291
76,349
Cash and cash equlvalents at l April
437,-158
361,409
Cash and cash equivalents at 31 March
357.829
437,758
All of the cash flows are derived from contlnuing operations during the above two periods.
The iiotes on pages 19 to 32 form an Integral part of tliese flnanclal 5tateinents.
Page 18

Magpie Dance
Notes to the Flnancial Statements for the Year Ended 31 March 2025
I Charlty status
The charlty is1Smited by guarantee, incorporated In Englaiid & Wales, and consequently doe5 not have share
capital. Each of the trustees is Ilable to contribiite an amount i)ot exceedSng El towards tl)e assets of the
charity in the event of liquldation.
The address of it5 registered office Is:
CIO Churchill Theatre
High Street
Bromley
BRI IHA
2 AccountlnE pollcles
Summary of slgnlflcant accountlng pollcles and key accountlng estlmates
The princip21 accounting policies applied in the prepai'ation of these finEincial statement5 are set out below,
These policies have been con51Stently applied to all the years presented, unless otherwise stated.
Statement of compliance
Tlie flnancial statement5 have been prephred In accordance with Accour)ting and Reporting by Charities,.
Statement of Recommended Practlce applicable to charities preparing their accounts in accordance wlth the
Financlal Reporting Standard applicable the UK and Republic of Ireland IFRS 1021 leffoctive l January 20191
(Charities SORP IFRS 1021 Second edition October 20191, the Financial Reporting Standard 1¢ pplicable in the
UK and Rei)ublic of Ireland IfRS 1021. They ¢1150 comply with the Companies Act 2006 and Charities Act 2011,
Basls of prepayation
Magpie Dance meets tlie definitlon of a public benefit entlty under FRS 102. Assets and15ahilities are inltSally
recognised at hlstorical cost or transaction value unless othei'wise stated in the relevant accounting policy
notes.
Golng concern
The ti'iistee5 consider that tliere are no materlal uncertalntles about the charity's ability to contlnue as a going
concern nor any significant areas of uncertainty that affect the carrying value of assets held by the charStv.
Page 19

Magple Dance
Notes to the Financial Statements for the Year Ended 31 March 2025
Judgements and key source5 of e5tlmation uncertaintv
In the application of the charity'5 accounting policies, the trustees Iwlio aro a150 dire.ctors1 are required to
make judgements, estlmates and assumptlons about the carrying amoiint of assets and liabilities that are not
readlly apparent from other 50urcL%s. Tlie estlmates and associatpd a£sumptions are based on Iiistorical
experience and other factors that are consldpred to be rolevant. Actual res(Jlts may differ from thÈse
estimate5.
The e5tlmates and underlying a55umptlons are reviewed on an ongoing basls. Rev15ions to accounting
estimate5 are recognised in the periods in which the estimate is revised where revisions affect 01)ly that
perlod, or in the period of the revision and future perlods where the revisions affect both current and future
periods.
Income and endowments
All income is recognised once the charity has entitlement to the Sncome, it Is probable that the income will be
received and Ihe amount of the income receivable can be measured rellably.
Donatlons und legocle5
Donations are recognised when the charity lias been notlfied in writing of both the amount and settlemont
d3te. In the event that a donatlon is sublect to condltion5 that requlre a level ol performance by the charity
before the charity is Èntitled to the funds, the income is deferred and not recognised untS1 eitlier th05e
conditions are fLilly met, or the fullilment of those conditions is wholly within the control of the charity and it is
probable that these conditlons will be fulfilled in the reporting perlod.
Grunts recelvable
Grants are recognlsed when the charity has an entitlemont to the funds and any conditions linked to the grants
have been met. Where performance conditions are attached to the grant and are yet to be met, the incomp15
recognised as a liability and included on the balance sheet as deferred income to be released.
Donated seyvlces undfoclllties
Where servlces or facllltle5 are provided to the charity as a donatlon that would normally be purchased from
suppliers, th55 benefit 15 Included in the financial statements at its fair value unless its falr value cannot be
reliably measured, then at the cost to the donor or the resale value of goods that are to be 501d.
Investment Income
Dividends are recognlsed once tlie dlvldend has been declared and notificatlon has been recelved of the
dividend due.
Expenditure
All expenditure is recognised once there is a legal or constructive obligation to that expendlture. it is probable
settloment Is required and the amount can be measured reliably. All costs are allocatod to tl)e applicable
expenditure heading ih¥lt aggregate simSlar costs to that rategory. Where costs cannot be directly attributed to
partlcular headings they have been allocclted on a basis consistent with the uso of resourcos, witli central staff
cost5 allotated on tho. basis of time spent, and depreciation chcirges allocated on the portion ()f the asset's use,
Other support costs are allocated based on the spread of staff costs.
Page 20

Magpie Dance
Notes to the Financlal Statements for the Year Ended 31 March 2025
Roislnglunds
These are costs incurred In attracting voliintary Incoine, the Inanagpment of investments and those incurred I
trading activitiès that raise funds,
Charltoble actlvities
Charltable expenditure comprises those costs incurred by the charity in the delivery of Its activitles and
services for its benefitiaries. It incliidos both costs that can be allocated directly to such activltSes and those
costs of an Sndirect nature necessary to support them,
Support costs
Sijpport costs include central functions and have been allorated to activity cost catÈgorle5 on a basis
consistent witl) the use of resources, for example, allocating property Costs by floor area5, or per eapita, staff
costs by the tlme spent and other costs by their usage.
TaKatlon
The charily is considered to pass the tesls set out in Paragraph I Sche(lule 6 of the Flnanco Act 2010 and
therefore It mp.ets thè definition of a charitable company for UK corporation tax purposes. ALcordiiigly, the
charity IS Potentially exempt from taxation Sn respect of incoine or capital gains received withln categories
covered by Chapter 3 Part 11 of the Corporatlon Tax Act 2010 or Section 256 of the Taxation of Chargeable
Gains Acl 1992, to the extent that such intome or galns are applied exclusively to charitable purposes.
Tangible fixed a55ets
Individual fixed assets COStin8 £500.00 or Inore are initially recorded at cost, less any subsequent accumulated
depreciation ancl subsequent accumulated iinpaSrment losses.
Depreclatlon and amortlsatlon
Depreciation is provided on tanglble fixed a55ets so as to wrlte off the cost or valuation, less any estimated
residual value, over tlielr expected ￿seful economic Ilfe as follows,.
Asset class
Furniture, fittirigs, too15 and equipment
Depreclatlon method and rate
stralght line 200
Research and development
Research and developnient expenditure is written off as incurred.
Trade debtors
Ti'ade debtors are amount5 due from customers for merchandise sold or services pe¥formed in the ordinary
course of bu51ness.
Trade debtors are recoynlsed Initially at the trc7nsactlon price. They are Subsequently measured at amortised
C05t Using the effectlve Interest method, less provision for Smpalrment. A prov151on for the Impalrment of trade
(lebtors is established when there is objective evidence thiÉ t the charity will not be able to r.ollect all amounts
due accordii)g to the original terms of the receivables.
PaEe 21

Magple Dance
Notes to the Financial Statements for the Year Ended 31 Maych 2025
Cash and cash equlvalents
Cash and casli equivalents comprise cash on hand and call deposlts, and other short-tei'm highly liquld
Invostments that are readily convertible to a known amount of cash and are subject to Bll inslgnificant risk Df
change in value.
Trade credltors
Trade creditors are obligations to pay for goods or services that have heen acquired in the ordinary course of
business from suppliers. Accounts payahle are classified as current liabilities if the charity does not have an
unconditional right, at the end of the reporting period, to defer settlement of the creditor for at least twelve
Month5 after the reporting date. If there is an unconditional rlght to defer settlement for at least twelve
month5 after the reporting date, they ai'o presented as non-current liabilities.
Trade creditors ale recognised initially at the transactlon prlce and subsequently measured at amortisÈd c05t
uslng the effectlve interest method.
Fund structure
UnrestriLted income funds are general funds that are available for use at the trustees discretion in furtherance
of the objectSve5 of the charity.
Designated funds are unrestrlcted fund$ Set aslde for specific piirpose5 at the discretlon of the trustees.
Restricted income fund5 are those. donated for use In a particular area or for specific PLirposes, the use of
which is restricted to that area or purpose.
Pen51ons and other post retlrement obligations
The charlty operates a defined contributlon pension scheme wliich is a pension plan under which fixed
contributlon5 are pald into a pension fund and the charity has no legal or constructivo obligatlon to pay further
contributions even if the fund does not hold sufficient a55ets to pay all employees the benefits relating to
employee serviLe in the current and prior periods.
Contributions to defined contribution plans are recognised in the Statement of Flnancial Activities when thev
are due. If contribiition payments exceed the contriL)utlon due for service, the excess Is recogni5ed as a
prepayment.
Page 22

Magpie Dance
Notes to the Flnanclal Statements for the Year Ended 31 March 2025
3 Income from donations and legacies
Unrestricted
General
Restrlcted
Total 2025
Total 2024
DonatSons and lebyacies,,
Appeals and donations
Grants, including capital grant5,'
Arts Councll
38,168
38,168
50,853
150,000
150,000
173,141
10,000
5,000
20,107
BBC Children in Need
Grants - other agp.ncies
Community Links Bromley
Greater London AuthorSty
Sir Jules
1.5,750
15,750
3,000
10,000
3,000
Backstage Trust
Garfield Weston
10,000
10,000
10,000
5,000
1,710
5,000
1,500
6,000
28,000
Three Monkies Trust
Thp Boshier Hinton foundatlon
The Grocers, cliarity
London Catalyst
The Gosling Foundation
Vogue World Fund
Loiidon Youth
Tlie D'oyly Carte Charitable Trust
The National Lottery - Awards for
5,000
5,000
12,682
4,420
2,000
4,420
2,000
9,730
9,730
1,800
Jack Petchey foundation
City of London
The Natlonal Lottery
Donated services and facllitle5
1,800
11,360
33,335
65,000
9,926
55,000
55,000
1,270
1,270
56,920
251,900
308,820
445,932
Page 23

Magpie Dance
Notes to the Financial Statements for the Year Ended 31 March 2025
4 Income from charltable activities
Unrestrlctod
funds
General
Total
2025
Total
2024
Adult Communlty Class
Mlnis, Junlors & Youth
Adults Choreographer5
Tralnlng and Outreach
Adiilt Tecl)nique
Other
10,075
9,740
3,500
14,954
3,350
340
10,075
9,740
3,500
14,954
3,350
340
11,145
12,425
3,650
29,455
3,090
1,026
11,500
3,300
Dancer Development
Conti'actual income
11,990
10,000
11,990
io,ooo
63,949
63,949
75,591
5 Investment Income
Unrestrlcted
funds
General
Total
2025
Total
2024
Interest receivable and 51milar income,,
Interest recelvable on bank deposits
11,186
11,186
9,646
Page 24

fvlagpie Dance
Notes to the Flnanclal Statements for the Year Ended 31 March 2025
6 Expendlture on raising funds
a) Cost5 of generatlng donatlons and legacles
Total
2025
Total
2024
Fundrai5Ing costs
36,925
38,750
7 Expenditure on charltable activltles
Total
2025
Total
2024
Note
Adult Communlty Class
Min15, Juniors & Youth
Adults Choreograpliers
Traiiiing and Outreach
Adult Technique
Dancer Development
Support costs
15,235
65,415
30,511
34,784
11,015
30,855
243,988
14,635
58,636
30,227
35,996
10,734
27,994
238,266
431,803
416,488
Page 25

Magpie Dance
Notes to the Financial Statements for the Year Ended 31 March 2025
8 Analysi5 of governance and sUPPO¥t Costs
Support Costs
Total
2025
Total
2024
Staff costs
Wage5 and Salaries
Social securily costs
Pension costs
13J,411
8,577
4,061
2,796
2,060
7,970
1,186
12,527
1,509
1,026
4,330
554
143,989
8,870
4,312
2,703
2,537
Depreclation, amortisation and othpr similar costs
BookkeepSiig and adminlstration
RecruitrY)ent
Stafl trainlng
Rent
1,008
7,940
1,576
1,042
4,288
313
Insuraiice
Telephone and fax
Computer software and maintenance
Printing, postage and stationery
Trade siibscrlptions
Sundrles
4,495
4,854
933
2,566
6,026
688
Meetlng fee5
Travel and subslstence
AdvertSslng
Independent examiner
Project manager
Bank charges
Cost of trustee meetlngs
483
555
7,550
3,696
39,032
79
9,358
4,578
33.731
70
859
2,116
243,988
238,266
Pago 26

Magpie Dance
Notes to the Financial Statements for the Year Ended 31 March 2025
9 Trustees remuneration and expenses
Durlng tl)e year the charity made the fDllowing transactlon5 Wlth trListees'.
Jesslca Lynch-B105se
£Nil12024- £91 of expenses weie relmbur5ed to Jessica Lynch-Blosse duriiig the yÈar.
Tlie expense5 relmbursod were for travel costs incurred.
Margaret Wilken Smlth
£Nil12024.' £481 of expenses were reimbursed to Margaret Wilken Smith during the year.
The expenses reimbursed were for trainlng costs incurred.
No trustees, i)or any persons connectod with tliem, have recelved any remuneratlon from the charity durlng
the year.
No trustee5 have received any other beneflts froin the charlty during the year.
10 Staff costs
The aggregate payroll costs were a5 follows..
2025
2024
Staff costs durlng the year were:
Wages ai7d Salaries
Social securlty costs
Penslon costs
135,411
8,577
4,061
143,989
8,870
4,312
148,049
157,171
The monthly average number of persons lincluding senior management / leadership team) employed by the
charlty during the year expressed as full time equivalents was a5 follows..
2025
No
2024
Charltable activilies
No employee received eimolumeiits of more tl)an £60,000 during the year.
11 Taxatlon
The charlty is a registered charity and is therefore exempt froim taxatS0n.
Page 27

Magpie Dance
Notes to the Financlal Statements for the Year Ended 31 March 2025
12 Tangible fixed a5setS
Furnltui'e and
equipment
Total
Cost
At l April 2024
Additions
13,510
469
13,510
469
At 31 March 2025
13,979
13,979
Depreclation
At l April 2024
Cliai'ge for the year
9, 108
2,796
9,108
2,796
At 31 March 2025
11,904
11,904
Net book value
At 31 March 2025
2,075
2,075
At 31 March 2024
4,402
4,402
13 Debtors
2025
2024
Trade debtors
635
3,324
2,705
4,204
Prepayments
3,959
6,909
14 Cash and cash equlvalents
2025
2024
Cash at bank
357,829
437,758
Page 28

Magpie Dance
Notes to the Flnancial Statements for the Year Ended 31 March 2025
15 Creditors: amounts falllng due wlthln one year
2025
2024
Accruals
4,670
5,103
16 Penslon and other schemes
Defined contrlbution penslon scheme
The charity operates a defined contribution penslon scheme. The pension cost charge for the year represents
contrlbLtrtions payable by the charity to the scheme and amounted to £4,06112024 - £4,312).
17 Funds
Balance at I
April 2024
Incomlng
resources
Resource5
expended
Balance at 31
March 2025
Unrestricted
Genernl
General Funds
263,133
132,055
1207,9951
187,193
Deslgnuted
Designated Funds
150,000
150,000
Total unrestrlcted
413,133
132,055
1207,9951
337,193
Restrlcted
Blg Lottery
GLA - Young Londoners FLind
Three Monkles Trust
Clty Bridge Trust
National Lottery - Awards for All
Arts Council - NPO
Backstage Trust
London Youth
The D'oyly Carte Charitable Trust
15,000
158,0001
115,7501
12,000
15,750
5,000
5,000
8,333
18,3331
19,7301
1152,5001
iio,0001
14,4201
12,0001
9,730
150,000
10,000
4,420
7,500
5,000
30,833
251,900
1260,7331
22,000
Total funds
443,966
383,955
1468,7281
359.193
Pa8e 29

Magpie Dance
Notes to the Financial Statements for the Year Ended 31 March 2025
Balance at I
Aprll 2023
Incomlng
resources
Resources
expended
Balance at 31
March 2024
Unrestrlcted
Generul
General Funds
160,994
178,316
176,1771
263,133
Designuted
Designated Funds
150,000
150,000
Total unre5trlcted
310,994
178,316
176,1771
413,133
Restrlcted
Big Lotterv
Capital Group
The Boshier Hinton Foiindation
The Grocers, Charitv
Other funds
11,839
3,000
65,000
161,8391
13,0001
11,7101
15,000}
15,0001
(6,0001
iio,0001
15,0001
120,1071
{25,0021
116,0001
15,000
1,710
5,000
5,000
6,000
10,000
The Gosling Foundation
Garfield Weston
Three Monkies Trust
Community Llnk5
City Bridge Trust
Mercers
20,107
33,335
8,333
16,000
Jack Petchey Fund internshlp
programme
Arts Council - NPO
Backstage Triist
BBC Children in Need
12,426
8,560
150,000
10,00
10,000
23,141
120,9861
1142,5001
iio,0001
iio,0001
136,9171
7,500
Arts Councll Borrowed Land
13,776
57,041
352,853
1379.0611
30,833
Total funds
3613,035
531,169
1455,2381
443,966
Page 30

Magpie Dance
Notes to the Flnanclal Statements for the Year Ended 31 March 2025
Big Lotteiy - for 'Thrivino through dance, project.
GLA - Young Londoners Fund funding towards core cost5 and programme5 from the Gol London Fund.
National Lottery- Awards for All funding towai'ds the 'Adult Holiday, project.
London Youth - funding the NCS project.
The D'oyly Carle Charitable Trust . fuiiding towards a new multi-sen50ry weekly dance class for 3 to 15 year
olds with learnlng dlsaksilitlQ5,
The Gosling Foundatlon - funding toward5 supporting 50 young people to take part In weekly Magpie Junior
classes for 8 to 15 year olds with learning disabilities.
Jac1( Petchey - part-funding of salary cost5 fro one year to support a full time intern.
Capital Group - fundSng the development of a digltal traininB and dellvery model for accessible dance,
The 8oshier Hlnton Foundation
disabllities.
funding for physical and creatlve actlvities for people with l@arnSng
Tlie Grocers, charity - funding to support a 12-month i)rogramme devised wlth children and young people with
learning disabllilies using dance as a vehicle for change to connect them with important themes and issiies
that have an Smpatt on thelr Ilves.
Other funds - towards open access community dance cla55es in 23124.
Garfield Weston - towards core costs and programmes.
Three Monkles Trust - towards the 'Our People, project.
Commui)ity Llnks - fiinding the 'Accesslble Dance lor All, project,
City Bridge Trust - towards tlie costs of the Youth, Community and Adult dance activities fro people with
learning disabi1Sties in London.
Mercers to support the development of a new family and peer support prograimme for people with learning
disabilities.
Arts Council INPO and IPSOI - towards costs associated with the 'NPO and IPSO, art15tlc programme.
A¥ts Councll (Borrowed Landl towards costs a550ciated with the 'Elorrowed Lai)d' artistic programme.
Backstage Trust - to support the artistic programme for adults with learnii)g disabilities In Bromley and tlie
SoLlth East.
BBC Chlldren in Neod towards the 'Lead Facllllator, salarles and actlvity Costs.
Page 31

Magpie Dance
Notes to the Financial Statements for the Year Ended 31 March 2025
18 Analysis of net assets between fund5
Total funds at
31 March
2025
Unrestricted funds
General
Deslgnated
Restrlcted
funds
Tangible flxed assets
Curront assets
Currenl. liabilities
2,075
189,788
14,6701
2,075
361,788
14,6101
Iso,000
22,000
Tolal net assets
187,193
150,000
22,000
359,193
Total funds at
31 March
2024
Unrestricted funds
General
Designated
Restrlcted
funds
Tangible fixed assets
Current assets
4,402
263,834
15,1031
4,402
444,667
15,1031
150.000
30,833
Current liabilities
Total net assets
263,133
150,000
30,833
443,966
19 Related party transactlons
There were no related party transactions in the year.
Page 32