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HACKNEY EMPIRE LIMITED
Trustees’ report and financial statements for the year ended 31 March 2025
Company Registration No. 02060996 (England and Wales) Registered Charity No. 1062085
Hackney Empire Limited
Contents
eeee eee
| Page | |
|---|---|
| Our Role | 1-2 |
| Vision, Mission and Values | 3 |
| Trustees’ Report | |
| Review ofActivities and Programming | 4-5 |
| Creative Futures | 5-7 |
| Our Landmark Building | 7-8 |
| Fundraising | 8-9 |
| Leadership | 9 |
| Equality, Diversity, Justice, and Inclusion | 9-10 |
| Sustainability | 10 |
| Chair’s Statement | 11 |
| Financial Review | 12 |
| Structure, Governance and Management | 12-16 |
| Independent auditors’ report | 17 - 20 |
| Statement of financial activities | 21 |
| Balance sheet | 22 |
| Cash flow statement | 23 |
| Notestothefinancialstatements | 24-42 |
The Trustees present their report and financial statements for the year ended 31% March 2025. The financial statements comply with the Charities Act 2011, the Companies Act 2006, the Memorandum and Articles of Association, and the Statement of Recommended Practice incorporating the Financial Reporting Standard 102-SORP (FRS 102).
ee
Hackney Empire Limited
Our Role DS
eel
OUR ROLE
Hackney Empire is one of the UK’s most iconic and cherished theatres at the heart of East London’s communities. A stunning masterpiece by legendary architect Frank Matcham, this Grade Il* listed Edwardian music hall has been reimagined as a bold, modern variety theatre.
Hackney Empire serves as a cultural beacon and a launch pad for young people. We believe access changes lives, so we build bridges for everyone to be able to experience and create art and culture.
For almost 125 years, Hackney Empire has been a much-loved home for the people of Hackney, East London and beyond to come together in our theatre. Generations have enjoyed their first experience of live arts and culture in our unique auditorium. Variety is the vehicle that allows Hackney Empire to explore storytelling in all its forms and from all creators. Today, we proudly present and champion the best in local, national, and international arts and culture.
Our inspirational and transformative artistic programming entertains, educates and inspires hundreds of thousands each year. Our rich legacy as a cultural hub features legendary performances from Charlie Chaplin, Houdini, Julie Andrews, Louis Armstrong and the Rolling Stones. For decades Hackney Empire has been regarded as a vital and exceptional platform for Black, Asian and global majority creatives, artists and audiences, and has a proud record of supporting marginalised and isolated voices.
Hackney Empire’s pioneering work with young people and its communities is at the heart of our mission. Our leading Creative Futures programme provides free projects that use arts and culture to break down barriers, build confidence and provide creative, professional and personal development for young people regardless of their background, education, income or experience. Each year we engage thousands of young people, who may not otherwise enjoy the benefits of participation in the arts. Over the past 20 years, Hackney Empire has lifted the lives of over 25,000 young people through our Creative Futures programme. We are a role model for how arts organisations can achieve access and inclusion.
Aconsiderable proportion of our local Hackney community continues to face persistent inequalities. As local services for young people have diminished, Hackney Empire has stepped up to bridge the gap, expanding our support to focus on young people’s wellbeing.
We are committed to using art and creativity to drive social progress throughout everything we do. Each ticket you buy, every drink you enjoy, and all the support we receive from our incredible partners directly powers the meaningful, life-changing work we do with young people.
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Hackney Empire Limited
Vision, Mission & Values
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VISION, MISSION & VALUES
| VISION
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We’re here to ignite change, champion community and empower young people.
| MISSION
We will run a transformative creative programme for young people, from primary school to job placement.
We will lead the way in variety entertainment, offering high quality shows and events that are popular and relevant to our communities.
We will be a theatre where everyone feels welcome and leaves knowing that there is something for them at Hackney Empire.
| VALUES
BRAVERY: We believe that great stories come from anywhere and anyone, and we will always be brave and give a platform to variety.
OPPORTUNITY: Young people from our communities deserve opportunity and we will always make space for them to find theirs.
RESPECT: We respect that everyone who walks through our doors is on their own journey and we’re grateful to be a part of that.
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Trustee’s Report
TRUSTEE’S REPORT
Review of Activities and Programming
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In 2024 we welcomed over 132,000 people through our doors to enjoy everything art and culture has to offer. This year we have welcomed international touring companies and artists including English Touring Opera, Ballet Black, James Acaster, Maggie Rogers, Mac DeMarco, and The Pogues. We were delighted that Clive Rowe once again directed and starred in the Empire’s legendary, sold-out Pantomime, Dick Whittington and his Cat, bringing our largest family intergenerational audience into the building.
In 2024 we achieved the highest number of overall bookers in our history (34,024 bookers) and the highest number of first-time bookers (26,527). Our digital engagement continues to rise, with our Instagram content alone achieving over 110,000 views and doubling to 12,000 followers. Our relationship with Accessible by Design ensures that our digital content and experiences are accessible to everyone.
Hackney Empire is a vital and exceptional platform for lesser represented creatives and artists, with a proud legacy of supporting marginalised voices. This continues to be core to the organisation’s manifesto: extraordinary art and culture can be created by all people, anywhere. Our community programming aims to safeguard the venue’s legacy as a cultural beacon and safe space which welcomes an audience that fully reflects London’s incredible diversity and vibrancy.
During 2024/25 we hosted numerous shows for specific community groups, including Women’s Orthodox Jewish performances, Hindi comedy, Jamaican plays, a Qawwali event, and Gujarati improvisation comedy with The Lavari Show. Hackney Empire also gave away over 1,000 free tickets last year to local community groups via Tickets for Good.
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We were also delighted to host some of[the][UK's][rising][star][ comedians][ to][our][ stage,][including][Tatty][Macleod] and Morgan Rees, alongside internationally acclaimed names such as Jimmy Carr, Nish Kumar and James Acaster. Live Podcasts, a relatively new area of development for us, has furthermore become a key part of our programming, and continues to bring in new and varied audiences with each show. During 2024/25 we were pleased to welcome Lily Allen and Miquita Oliver’s podcast Miss Me? Live, as well as Tolly T and Just Call Me Audrey’s The Receipts Podcast Live and Gary Stevenson’s The Trading Game.
A highlight of the 2024/25 season was the development of Hackney Empire’s co-production of Romeo and Juliet with the Belgrade Theatre Coventry and Bristol Old Vic. In collaboration with It’s a Rap, this production blended Shakespeare’s poetry and perfect pentameters with rap rhythms, soul and R&B. Ina demonstration of Hackney Empire’s commitment to developing young creatives’ professional careers, three of our Creative Futures musicians were chosen to join the professional band for the national! tour. After taking part in the Artist Development Programme and wider Creative Futures projects, these young artists gained their first paid and supported professional opportunity. They speak about their experiences here https://f.io/GMuG2syF.
"This co-production is a really special collaboration for us at Hackney Empire as it brings together so many important elements of our work. From training and career pathways for young musicians to professional mentoring, school engagement, free performances, and community choir performances - we are proud to be celebrating so many local creatives and young people through this production" Lorna McGinty, Head of Learning and Participation.
Creative Futures
Creative Futures is one of the largest and most transformative programmes in the Capital. For over 20 years, Hackney Empire’s Creative Futures has created a safe, inclusive space for young people from across East London. Our ambitious programme has multiple entry points, and we pride ourselves on being able to journey with participants from initial engagement projects in school, through to professional performance Opportunities and leadership roles.
Through Creative Futures young people experience:
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Increased mental health and wellbeing
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Transferrable creative skills
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Increased employability
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Career pathways into the arts and wider creative industries.
“Coming to Hackney Empire changed my life. | came here dreaming of doing this kind of work because | didn’t have access to it growing up. Through Take the Lead and Compulsory Subjects | not only gained the confidence and tools to be able to start holding spaces and devising projects - but also the belief in myself to stand on my own two feet. Now that I’m working in the Learning & Participation department, I’m learning everyday what it means to foster community and getting to be a part of impact that | didn’t even know was possible.” Nadia Musah, Learning and Participation Assistant. This year we ran 19 pioneering programmes engaging over 4,000 young people with the arts to break down barriers, build confidence and provide creative, professional personal pathways for young people. Participants worked with 15 external organisations and artists, including the BBC, Rich Mix, Rising Tide and Free Books Festival.
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Artist Development Programme
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Our flagship summer activity the Artist Development Programme (ADP) has developed a whole generation of young artists. Over 1,000 young people have gone through this life-changing programme. Young people work with professional directors, choreographers, musicians and facilitators from the international arts scene to shape their ideas into a performance Hackney Empire’s main-stage.
Young people, regardless of ability and experience, participate in workshops before auditioning. ADP works towards empowering a young, diverse community of creatives and artists with the tools, knowledge and information to create their own projects in the future. The programme provides employment for young and emerging freelance artists and creatives as well as providing vital industry experience for young trainee mentors and facilitators.
A Long Goodbye was performed in August 2024 under which, 48 artists aged 14-19 joined ADP to create, stage and perform their original musical theatre piece on Hackney Empire’s main stage. Once again, we were able to offer paid Assistant roles for 19 young artists, over half of whom gained their first professional experience, having previously been Creative Futures’ participants.
Our inclusive programme, Limitless, followed in August 2024, which, this year, was delivered in partnership with Hackney Shed. We brought a creative team, led by artists with disabilities, together with 35 disabled, neurodiverse and neurotypical young people to create a piece around the theme ‘When we were young’.
Schools Outreach
Hackney Empire offers music, dance, drama and media to every secondary school and college in Hackney for free. We provide focused support for the curriculum itself and young people’s needs beyond it. Our
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schools outreach programme builds trust with young people by going to them, creating new outcomes for those who have no prior experience or knowledge of the performing arts. This year we worked with primary, secondary, FE and HE settings through our Outreach strand of work and welcomed 15,552 schoolchildren to performances.
Young Producers mentored 25 young people aged 14-19 to create, manage and curate their own events programme using Hackney Empire’s infrastructure, performances space and technical support. Over 40 weekly after school sessions, young people worked with specialist facilitators and leading figures from across the creative industries. The programme exposes young people to career opportunities across the creative sector, building their confidence and skills as well providing professional performance platforms to local young artists.
Alter Ego
Founded in 2012 Alter Ego was specifically designed to bring together 1,500 young people with high levels of disengagement under one roof at Hackney Empire. With over 1,300 young people in the audience and 50 young people working behind the scenes in event planning, production management and marketing. Alter Ego featured over 90 young performers on stage, providing a massive social media presence and celebrating the aspirations and creative talents of young people in Hackney.
Over 150 young artists audition each year in order to make it to the Alter Ego finals; any participants that do not make it past the audition phase of the process are then signposted towards any opportunities that might further assist them in their development. Finalists are supported by the creative team and specialguest mentors working intensively with directors, choreographers and musicians in the lead-up to the performance. Headline artists are chosen by our Young Producers, in order to ensure that young people from the borough have the opportunity to see the most current and exciting artists at an affordable price, in a safe and accessible environment.
The Writers’ Room
This year The Writers’ Room was extended to 9 weeks to accommodate additional activities designed to develop writers and provide practical, tangible routes into the profession. The aim was to support aspiring writers who are seeking to learn how to pitch and be taken seriously by the industry. From October 2024 to January 2025, participants worked with professional writers to adapt their ideas and writing into different forms. These included theatre, TV, film and audio dramas. They received step by step breakdowns of how to make contacts and pitch their work to agents and producers.
“| loved being part of the Writers Room, it truly demystified what a career as a writer/creative would look like for me. If|could do it again, | would just make it longer. It was great to hear from the industry guest and their insights were extremely valuable.” Participant
Young Board
Young People’s voices are integrated into project design and delivery through our Young Producers, Associate Artists and Trainee programmes. Being deeply connected to our local community and creating space for participants to tell us what they need from Hackney Empire is central to how we work. Ina further development this year, we have welcomed young people to explore creating a Young Board, empowering participants to understand the responsibilities and rigour required in running an organisation. Training has so far been delivered by an external governance expert Chloe Osbourne, and Chief Executive Jo Hemmant.
Our Landmark Building
The preservation of our unique heritage continues to be a priority. Investment in the building is vital to protect its legacy whilst adapting to provide customers with the best experience of amodern theatre. We must secure essential funding to ensure our historic theatre remains commercially competitive and continues to inspire audiences and attract promoters.
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The freehold of Hackney Empire is owned by the Hackney Empire Preservation Trust, who have leased the venue to Hackney Empire Limited for 99 years, on a peppercorn basis. As custodians of the heritage, Hackney Empire Limited has demonstrated a long-standing commitment to maintaining and safeguarding the building. Regular condition surveys inform our robust Planned Preventative Maintenance (PPM) schedule. Annual maintenance budgets of £150,000 and a Capital reserve of £300,000 have been carefully managed to keep the building wind and watertight, accessible, and safe for the public.
In early 2025 we have worked with heritage experts, Tim Ronalds Architects, who led the restoration and refurbishment in the early 2000s, to produce a comprehensive and fully costed Condition Report to ensure our ongoing stewardship of the heritage alongside identifying environmental and technical upgrades to be fit for the future.
We have identified three areas of work which prioritise the heritage beyond routine maintenance:
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e Specialist restoration of significant heritage features
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e Replacement of elements reaching the end of their natural life
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e Environmental upgrades to ensure the heritage building can continue to operate more sustainably.
Hackney Empire is a rare example of a heritage site that remains in daily use, empowering people of all backgrounds to engage with the arts, develop skills, and feel pride in where they live. With support, we can ensure the theatre continues to serve future generations by stewarding a welcoming modern and sustainable venue well beyond our 125" Anniversary.
“With so much regeneration in London and construction of glass buildings with no character it’s so important to recognise the history and ongoing connection to the past of buildings like Hackney Empire. | love to think that I’m sitting in the same spot as a woman 100 years ago on afun night out with friends and family.” Audience member.
Fundraising
Charitable contributions continue to be a vital source of support for Hackney Empire. Every donation supports the essential work we do with young people and our community, whilst caring for our landmark building. We are deeply grateful to all our generous supporters whose belief in our mission keeps our stage alive and our impact growing.
As we look ahead to Hackney Empire’s 125th Anniversary in 2026, we are fundraising to support our Creative Futures programme, deepen our work within the community, and carry out vital conservation and upgrades to our iconic building. We are aiming to research and celebrate the contribution our trailblazing artists and participants have made to the creative sector over the past 125 years. Alongside this, we will restore original listed features that define Frank Matcham’s unique architectural vision, and install environmental and technical upgrades to outmoded infrastructure. We continue to be an Arts Council National Portfolio Organization, aligning and delivering against their key Investment Principles. The current agreement has been extended for an additional year until 315* March 2028 with a 1.61% increase for 2025/26.
We are proud of our dynamic relationship with the London Borough of Hackney, working closely with their Culture, Education, Regeneration and Children’s Services teams. The Council’s Culture Team remains a key partner supporting our delivery of Alter Ego through Discover Young Hackney.
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We are now in the second year of a transformative three-year grant from the Esmée Fairbairn Foundation, which supports our mission to help build a cultural workforce that truly reflects the diversity of UK society. With their backing, we empower young people to shape their own creative journeys and to use the arts to impact the world around them.
We are also sincerely thankful for funding from a number of charitable partners: the Atkin Charitable Foundation, Roy Bard Charitable Trust, Rix Thompson Rothenberg Foundation, Baily Thomas Charitable Fund, Garrick Charitable Trust, Hackney Green Energy Fund (supported by the Mayor of London and the UK Shared Prosperity Fund), and the Theatres’ Trust Small Grants Programme, supported by The Linbury Trust.
We were thrilled to receive funding via the Windrush Day Grant Scheme, administered by Near Neighbours and supported by the Ministry of Housing, Communities and Local Government, for our 2025 production of The Blessing, a powerful tribute to community and heritage.
We are indebted to all the individuals who have supported the Hackney Empire through their donations this year. We express our heartfelt thanks to all those who have given regularly, dedicated seats and left lasting legacy gifts to support Hackney Empire’s mission on stage, with young artists and with local communities.
The Trustees’ are aware of their responsibilities under the Charities (Protection and Social Investment) Act 2016 and have considered the implications for their fundraising activities. Hackney Empire Limited remains a member of the Fundraising Regulator and operates within its the code of fundraising practice set out by the independent regulator of charitable fundraising in England, and no complaints were received in relation to fundraising activities to date. We are committed to being fully compliant with the laws and guidance underpinning charitable fundraising. Donations and sponsorship are accepted in line with our Donations and Sponsorship Acceptance Policy. Our Vulnerable Adults and Safeguarding policies form the framework for protection of these groups.
Leadership
Jo Hemmant has successfully led the team for the past 12 years. She leaves Hackney Empire in December 2025 in a much-improved sustainable and resilient position financially and artistically. AEM International have worked with us to complete an Executive Search as we look towards Hackney Empire’s 125" Anniversary in 2026. We have successfully appointed Christopher Sudworth, as the new CEO from January 2025, allowing for an extensive handover before Jo leaves at the end of the year. Creative Director Keith Khan joined Hackney Empire in September 2024 and has stepped down due to a change in personal circumstances. We are grateful for his contributions and wish him the very best. With the CEO stepping down at the end of the year, we will take time to review and assess the organisational structure alongside the appointment of the new CEO.
Equality, Diversity, Justice, and Inclusion
Hackney Empire has long been one of the cultural sector’s leading organisations in terms of diversity and representation at all levels. Across 24/25 we have redoubled our commitment to increasing representation within all areas of our organisation and the sector at large.
We have developed practices to combat systemic racism creating clear, actionable inclusion and antiracism, anti-disablist and anti-discriminatory policies whilst identifying and breaking down barriers to access for artists and audiences.
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We are one of the sector’s leading organisations in terms of diversity and representation at all levels. 47% of our permanent team, 50% of executive management, 54% of the board, and over 76% of the contractual and freelance team identify as coming from the Global Majority.
Over 49% of Hackney Empire’s artistic programme is created by, and with, Black, Asian, and ethnically diverse practitioners. Our award-winning self-produced Pantomime famously has strong representation from global majority communities in leading roles to technical crew. Hackney Empire is also now a Dementia Friendly venue.
Sustainability
Hackney Empire remains a committed signatory to the London Borough of Hackney’s Responsible Business Charter, pledging to continue to work towards being a model of good environmental practice as a grade II* listed arts venue that serves and represents its communities. Since installing 76 photovoltaic solar panels in 2023, we have been able to monitor our self-generated energy and CO2 reductions. In that time, we have generated over 57,000 kWh of electricity through PV, and we are continuing to monitor the system’s output to evaluate whether it is being used to its full potential and to identify any opportunities for more effective utilisation of the energy generated.
Solar Panel Usage 24-25
Across the financial year 24-25 our solar panels produced 28,704.05 kWh of energy, equating to 34.63% of our energy consumption
This translates to:
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336 equivalent 11,251.99 kg
trees planted of CO2 emission
saved
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We are now seeking additional investment to complete key environmental works, including modernising our Building Management System, which currently relies on outdated and inefficient infrastructure. Targeted upgrades would significantly lower our carbon footprint, reduce utility costs and increase sustainability.
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CHAIR’S STATEMENT
The Trustees’ report tells a very positive story about the significant work undertaken over the last twelve months.
| would like to take this opportunity to acknowledge and thank our staff at all levels of the Organisation for their outstanding contribution across a wide range of activities. Their contribution goes far beyond mere hard work, which is taken as a given, and is to be seen in the pride, passion and care which characterises so much of the day-to-day pursuits.
The considerable achievements evidenced in this Report are made possible by the careful and judicious utilisation of the resources at our disposal. To this end great credit is due to Jo Hemmant who has creatively and expertly ensured that we are not only able to deliver on our mission but also remain a ‘Going Concern’ during a period of heightened challenges to the sector.
Whilst our work with young people is rightly celebrated in the Report for its level of engagement, inclusion, quality and range, we are constantly seeking ways of increasing its relevance and impact.
Looking forward, we are very keen to maintain and strengthen our distinctive programme model whilst increasing, where possible, collaborations and partnerships.
As previously announced our CEO Jo Hemmant will be stepping down in January 2026 following twelve years of outstanding service.
Jo’s contribution to Hackney Empire has been immense and without parallel in the modern era. Her energy, commitment, passion and above all intelligent leadership has been a key factor in securing our current position of strength. We are also aware of the significant and inspirational leadership of our previous joint CEO, Yamin Choudury who, together with Jo formed a formidable and most effective team.
We will forever be indebted to Jo and wish her great success in her future endeavours.
Finally, | would like to thank the Trustee body for their sterling work during the course of the year. Their strategic oversight, diligence, hard work and willingness to take on additional responsibility has been a marked feature of the year.
At this moment of significant change, we are looking forward with optimism and excitement to the next phase in our history.
Sir William Atkinson
Chair
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FINANCIAL REVIEW
Financial Operating Model
Hackney Empire’s financial operating model focuses on hosting and producing strong programming and thoughtfully serving our audiences. We generate income from the following sources:
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e Running the Theatre — Hire of our theatre for third party events, shows, music gigs and film shoots, as well as producing our own shows, including our award-winning Pantomime
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e Trading Activities — Concession income with both a third-party supplier to run the theatre cafe and catering operation, and a Service Agreement for managing the theatre bars, a Production company producing commissioned pieces of theatre and Exploitation of commercial opportunities
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e Arts Council England Grant — Statutory grant as a National Portfolio Organisation ¢ Donations from individuals, grants from trust, income from membership schemes and corporate sponsorship.
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e Investment Income
We constantly aim to be among the most self-reliant charities among our peers. Our model continues to emphasize that the costs of our charitable activities are predominantly covered by commercial income.
Like other essential charities with iconic buildings, our future operational results will not cover the large non-operational costs to maintain our listed building and its contents over the next 10 years. Funding for core projects will need to be fundraised from donors.
We are in the early stages of reviewing our longer-term financial strategy, which may include establishing a campaign to develop a substantial endowment fund or refurbishment campaign to help safeguard the future of our building and our other charitable activities.
Financial Results
Key financial highlights for the last three years are shown in the table below:
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Total Visitors across activities 254,278 300,626 264,037
Net income after tax and before Depreciation £554,522 £539,571 £189,118
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Balance Sheet and Reserves Policy
Our total cash and money held on short term deposits is £3,426,588.
We have increased our building maintenance reserve to our current target level of £300,000. This building reserve can be used for emergency repairs to the building and will be reviewed annually as part of the AGM of the board of Trustees.
Our level of free reserves is £2,323,028, which represents approximately 26 weeks of turnover. These funds are a prudent measure to accommodate planned cash flows, commercial risks, and to allow the charity to a
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take advantage of new opportunities that align with our aims. This reserve will be reviewed annually as part of the AGM of[the][board][of][ Trustees.]
STRUCTURE, GOVERNANCE AND MANAGEMENT
Statement of Trustees’ responsibilities
The Trustees (who are also directors of Hackney Empire Limited for the purposes of company law) are responsible for preparing the Trustees’ Report and the financial statements in accordance with applicable law and United Kingdom Accounting Standards (United Kingdom Generally Accepted Accounting Practice). Company law requires the Trustees to prepare financial statements for each financial year, which give a true and fair view of the state of affairs of the charitable company and the group and of the incoming resources and application of resources, including the income and expenditure, of the charitable company and the group for that period. In preparing these financial statements, the Trustees are required to:
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e Select suitable accounting policies and then apply them consistently,
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e observe the methods and principles in the Charities SORP, (FRS 102),
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e make judgements and estimates that are reasonable and prudent,
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e state whether applicable UK accounting standards have been followed, subject to any material departures disclosed and explained in the financial statements,
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e prepare the financial statements on the going concern basis unless it is inappropriate to presume that the Charity will continue in business.
The Trustees are responsible for keeping proper accounting records that disclose with reasonable accuracy at any time the financial position of the charitable company and enable them to ensure that the financial statements comply with the Companies Act 2006. They are also responsible for safeguarding the assets of the charitable company and the group and hence for taking reasonable steps for the prevention and detection of fraud and other irregularities.
In so far as each Trustee is aware:
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e there is no relevant audit information of which the charitable company’s auditor is unaware; and
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e the Trustees have taken all the steps that they ought to have taken as Trustees in order to make themselves aware of any relevant audit information and to establish that the charitable company’s auditors are aware of that information.
The Trustees confirm that in planning the activities of the Charity they have had due regard to the Charity Commission’s guidance on public benefit, health and safety, due diligence in relation to holding, receiving, and moving funds safely, and in particular, the guidance for fee charging charities.
Trustee induction
The Board and its Nominations Committee meet throughout the year as required. They proactively review the skill set of the board as well as keeping an overview of representation.
The nominator of any prospective trustee provides the sub-committee with a biography or CV of the nominee and the reason for the nomination, for consideration. The prospective member then meets members of the committee, the chair and other trustees and attends a board meeting as an observer. If appropriate, formal invitation is made as part of board meeting proceedings and recorded in the minutes.
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The new trustee is then sent an induction pack including recent Board papers, financial information, current strategic planning documents and a history of the theatre and introductory meetings are set as appropriate with staff as well as attending events.
Remuneration of key management personnel
The pay of all staff is reviewed no less than annually by the Executive team with reference to UK industry norms. This is reviewed by the Finance Committee as part of annual budgeting and presented to the Board of trustees. The remuneration of the Chief Executive is reviewed by the trustees.
Risk management
The Directors have examined the major strategic, business, and operational risks that the company faces and confirm that systems have been established so that the necessary steps can be taken to mitigate these risks. The Board conducts at least annually a review of the risk register which details the risks the Charity may face. The Board reviews the systems and procedures in place to mitigate those risks, advises on improvements and provides monitoring on a regular basis. The Board then ensures there is proper implementation of the procedures with the objective of minimising any potential impact on the Charity should any of those risks materialise.
The key risks as identified, and their mitigating factors were:
| e | Succession planning | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| e | Documentation ofsystems plans | and | projects | ||||||||
| Loss of | key | staff | e | Training programmes | |||||||
| e | Notice periods and handovers | ||||||||||
| e | Recruitment process | ||||||||||
| e | Ensure maintenance and operations manuals are sufficient | ||||||||||
| and up to date | |||||||||||
| Building related | difficulties | e | Implement appropriate maintenance | strategy | |||||||
| e | Make suitable financial provisions where possible to ensure | ||||||||||
| effective maintenance and upgrading | |||||||||||
| e | Regular HODS meetings to consider operational | ||||||||||
| Lack | ofcapacity | & inadequate | use | requirements | |||||||
| of resources | e | StaffAppraisals | |||||||||
| e | ~=Review training requirements | ||||||||||
| . . External forces (recession/public ; . . spending etc) impact on business ian P |
° e e e |
Forward planning to ensure best possible 7 . 6 a P Plan marketing cycleto optimise income we Ensure secondaryspend offercompetitive Monitor cash flow |
programme mice |
||||||||
| Sir William | Atkinson | , | o | ||||||||
| Chair | f/f | ||||||||||
| yv | (lof | hi | Y | ||||||||
| Date | [ |
Page 14
Hackney Empire Limited
Trustee’s Report
Legal and Administrative Information
Constitution Hackney Empire Limited is a company limited by guarantee, not having a share capital. The company is a registered Charity governed by its Memorandum and Articles of Association. Objects The company’s main objects, as set out in the Articles, are to advance public education and appreciation of the arts and to provide the theatre facility for recreation and leisure time occupation in the interests of social welfare with the object of improving the conditions of life, particularly of the inhabitants of the London Borough of Hackney. Organisation The board of directors of the company and the sub-committees have overall responsibility for the running of the company. Through regular board meetings and sub-committee meetings the directors, who are the Trustees for the Charity, advise the management of the company, in particular on strategy. The Board appoints a Chief Executive who is responsible for policy and day to day management of the Charity. Hackney Empire Limited has a wholly own subsidiary company, Hackney Empire Trading Limited. This company was formed to generate commercial income at Hackney Empire for the benefit of the parent company to which it gifts aids any profits made.
~ Board of directors
William Atkinson Chair Roger Woolfe Karin Gartzke Sean Gascoine (Resigned 7* July 2025) Matthew Roeser David Adams Richard Etienne Josette Bushell-Mingo Soheb Panja Jasmyn Fisher Ryner Rebecca Preston
All directors are appointed in accordance with the Articles of Association. Except where indicated, the directors listed served throughout the year and up to the dateofthis report.
Finance Committee
David Adams Chair Roger Woolfe Matthew Roeser William Atkinson
Page 15
Hackney Empire Limited
Trustee’s Report
| Executive Director/Company | SecretaryJoHemmant |
|---|---|
| Creative Director | Keith Khan (until May 2025) |
| Other principal officers | |
| Technical Manager | Othman Reid |
| Head ofProgramme | Jane Walsh / Becca Thomason |
| Head of Development | Kathy Everett |
| Company number | 02060996 |
| Charity number | 1062085 |
| Registered office | Hackney Empire |
| 291 Mare Street | |
| London | |
| E8 1EJ | |
| Auditors | Saffery LLP |
| 71 Queen Victoria Street | |
| London EC4V 4BE | |
| Bankers | Barclays Bank PLC |
| 27 Soho Square | |
| London | |
| W1D 3QR | |
| Accountants | EPIC Administration Ltd |
| Audrey House | |
| 16-20 Ely Place | |
| London | |
| ECIN6SN |
Connected charities Hackney Empire Limited is connected to the Hackney Empire Preservation Trust, which owns the theatre building. Hackney Empire Limited benefits from the continued occupation ofthis property at a peppercorn rental.
Hackney Empire Trading Limited (HETL)
A wholly owned trading subsidiary, Hackney Empire Trading Limited (HETL) is in operation to generate commercial income for the benefit of the parent Charity (HEL). The company has four distinct areas of activity:
¢ Exploitation of commercial opportunities such as photo shoots and film work,
-
¢ Service Agreement for managing the theatre bars,
-
Service contracts with third party suppliers to run the theatre cafe and catering operation,
-
Production company producing commissioned pieces of theatre.
In 2024/25 HETL was commissioned to produce the pantomime Dick Whittington and His Cat and will be claiming Theatre Tax Relief in respect of this production. All of HETL’s profits are gift-aided back to the parent Charity under a deed of covenant.
Page 16
Hackney Empire Limited
Independent Auditor’s Report to the Members for the year ended 31 March 2025
Opinion
We have audited the financial statements of Hackney Empire Limited (the ‘parent charitable company’) and its subsidiaries (the ‘group’) for the year ended 31 March 2025 which comprise the Consolidated Statement of Financial Activities, the Group and Charity Balance Sheets, the Consolidated Cash flow statement and the notes to the financial statements, including significant accounting policies. The financial reporting framework that has been applied in their preparation is applicable law and United Kingdom Accounting Standards, including Financial Reporting Standard 102, the Financial Reporting Standard applicable in the UK and Republic of Ireland (United Kingdom Generally Accepted Accounting Practice).
In our opinion the financial statements:
-
@ give a true and fair view ofthe state of the affairs of the group and the parent charitable company as at 31 March 2025 and ofthe group’s incoming resources and[application][of][resources,][including] its income and expenditure, for the year then ended;
-
° have been properly prepared in accordance with United Kingdom Generally Accepted Accounting Practice; and
-
° have been prepared in accordance with the requirements of the Companies Act 2006.
Basis for opinion
We conducted our audit in accordance with International Standards on Auditing (UK) (ISAs (UK)) and applicable law. Our responsibilities under those standards are further described in the Auditor’s responsibilities for the audit of the financial statements section of our report. We are independent of the group and parent charitable company in accordance with the ethical requirements that are relevant to our audit of the financial statements in the UK, including the FRC’s Ethical Standard, and we have fulfilled our other ethical responsibilities in accordance with these requirements. We believe that the audit evidence we have obtained is sufficient and appropriate to provide a basis for our opinion.
Conclusions relating to going concern
In auditing the financial statements, we have concluded that the Trustees’ use of the going concern basis of accounting in the preparation of the financial statements is appropriate.
Based on the work we have performed, we have not identified any material uncertainties relating to events or conditions that, individually or collectively, may cast significant doubt on the group or the parent charitable company's ability to continue as a going concern for a period of at least twelve months from when the financial statements are authorised for issue.
Our responsibilities and the responsibilities of the Trustees with respect to going concern are described in the relevant sections of this report.
Other information
The Trustees are responsible for the other information. The other information comprises the information included in the annual report, other than the financial statements and our auditor’s report thereon. Our opinion on the financial statements does not cover the other information and, except to the extent otherwise explicitly stated in our report, we do not express any form of assurance conclusion thereon.
Page 17
Hackney Empire Limited
Independent Auditor’s Report to the Members for the year ended 31 March 2025 (continued)
Our responsibility is to read the other information and, in doing so, consider whether the other information is materially inconsistent with the financial statements, or our knowledge obtained in the course of the audit or otherwise appears to be materially misstated. If we identify such material inconsistencies or apparent material misstatements, we are required to determine whether this gives rise to a material misstatement in the financial statements themselves. If, based on the work we have performed, we conclude that there is a material misstatement of this other information; we are required to report that fact.
We have nothing to report in this regard.
Other matters prescribed by the Companies Act 2006
In our opinion, based on the work undertaken in the course of the audit:
-
° the information given in the Trustees’ Report which includes the Directors’ Report and the Strategic Report for the financial year for which the financial statements are prepared is consistent with the financial statements; and
-
® the Trustees’ Report which includes the Directors’ Report, and the Strategic Report has been prepared in accordance with applicable legal requirements.
Matters on which we are required to report by exception
In the light of the knowledge and understanding of the group and the parent charitable company and their environment obtained in the course of the audit, we have not identified material misstatements in the Trustees’ Report and Strategic Report.
We have nothing to report in respect of the following matters where the Companies Act 2006 require us to report to you if, in our opinion:
-
° adequate accounting records have not been kept by the parent charitable company, or returns adequate for our audit have not been received from branches not visited by us; or
-
a the parent charitable company financial statements are not in agreement with the accounting records and returns; or
-
° certain disclosures of Trustees’ remuneration specified by law are not made; or
-
° we have not received all the information and explanations we require for our audit.
Responsibilities of Trustees
As explained more fully in the Statement of Trustees’ Responsibilities, the Trustees (who are also the directors of the parent charitable company for the purposes of company law) are responsible for the preparation of the financial statements and for being satisfied that they give a true and fair view, and for such internal control as the Trustees determine is necessary to enable the preparation of the financial statements that are free from material misstatement, whether due to fraud or error.
in preparing the financial statements, the Trustees are responsible for assessing the group and the parent charitable company’s ability to continue as a going concern, disclosing, as applicable, matters related to going concern and using the going concern basis of accounting unless the Trustees either intend to liquidate
Page 18
Hackney Empire Limited
Independent Auditor’s Report to the Members for the year ended 31 March 2025 (continued)
the group or the parent charitable company or to cease operations or have no realistic alternative but to do so.
Auditor’s responsibilities for the audit of the financial statements
We have been appointed as auditors under the Companies Act 2006 and report in accordance with regulations made under that Act.
Our objectives are to obtain reasonable assurance about whether the group and parent financial statements as a whole are free from material misstatement, whether due to fraud or error, and to issue an auditor’s report that includes our opinion. Reasonable assurance is a high level of assurance but is not a guarantee that an audit conducted in accordance with ISAs (UK) will always detect a material misstatement when it exists. Misstatements can arise from fraud or error and are considered material if, individually or in the ageregate, they could reasonably be expected to influence the economic decisions of users taken on the basis of these financial statements.
Irregularities, including fraud, are instances of non-compliance with laws and regulations. We design procedures in line with our responsibilities, outlined above, to detect material misstatements in respect of irregularities, including fraud. The specific procedures for this engagement and the extent to which these are capable of detecting irregularities, including fraud are detailed below.
Identifying and assessing risks related to irregularities:
We assessed the susceptibility of the group and parent charitable company’s financial statements to material misstatement and how fraud might occur, including through discussions with the Trustees, discussions within our audit team planning meeting, updating our record of internal controls and ensuring these controls operated as intended. We evaluated possible incentives and opportunities for fraudulent manipulation of the financial statements. We identified laws and regulations that are of significance in the context of the group and parent charitable company by discussions with Trustees and updating our understanding of the sectors in which the group and parent charitable company operate.
Laws and regulations of direct significance in the context of the group and parent charitable company include The Companies Act 2006 and guidance issued by the Charity Commission for England and Wales.
Audit response to risks identified:
We considered the extent of compliance with these laws and regulations as part of our audit procedures on the related financial statement items including a review of financial statement disclosures. We reviewed the parent charitable company’s records of breaches of laws and regulations, minutes of meetings and correspondence with relevant authorities to identify potential material misstatements arising. We discussed the parent charitable company’s policies and procedures for compliance with laws and regulations with members of management responsible for compliance.
During the planning meeting with the audit team, the engagement partner drew attention to the key areas which might involve non-compliance with laws and regulations or fraud. We enquired of management whether they were aware of any instances of non-compliance with laws and regulations or knowledge of any actual, suspected or alleged fraud. We addressed the risk of fraud through management override of controls by testing the appropriateness of journal entries and identifying any significant transactions that were unusual or outside the normal course of business. We assessed whether judgements made in making accounting estimates gave rise to a possible indication of management bias. At the completion stage of the audit, the engagement partner’s review included ensuring that the team had approached their work with
Page 19
Hackney Empire Limited
Independent Auditor’s Report to the Members for the year ended 31 March 2025 (continued)
appropriate professional scepticism and thus the capacity to identify non-compliance with laws and regulations and fraud.
There are inherent limitations in the audit procedures described above and the further removed noncompliance with laws and regulations is from the events and transactions reflected in the financial statements, the less likely we would become aware of it. Also, the risk of not detecting a material misstatement due to fraud is higher than the risk of not detecting one resulting from error, as fraud may involve deliberate concealment by, for example, forgery or intentional misrepresentations, or through collusion.
A further description of our responsibilities is available on the Financial Reporting Council’s website at: www.fre.org.uk/auditorsresponsibilities. This description forms part of our auditor’s report.
Use of our report
This report is made solely to the parent charitable company’s members, as a body, in accordance with Chapter 3 of Part 16 of the Companies Act 2006. Our audit work has been undertaken so that we might state to the parent charitable company’s members those matters we are required to state to them in an auditor’s report and for no other purpose. To the fullest extent permitted by law, we do not accept or assume responsibility to anyone other than the parent charitable company and the parent charitable company’s members as a body, for our audit work, for this report, or for the opinions we have formed.
==> picture [188 x 57] intentionally omitted <==
----- Start of picture text -----
-
.
: MG;
Cara Turtington (Senior Sgatutory Auditor)
for and on behalf of Saffery LLP
----- End of picture text -----
Statutory Auditors
71 Queen Victoria Street London EC4V 4BE
Date: Vl Novem ber 2095
Saffery LLP is eligible to act as an auditor in terms of section 1212 of the Companies Act 2006
Page 20
Hackney Empire Limited
Consolidated statement of financial activities (Including income and expenditure account) For the year ended 31 March 2025
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----- Start of picture text -----
||||||||||
|---|---|---|---|---|---|---|---|---|
|Notes|Unrestricted|Restricted|2025|2024|
|Funds|funds|Total|Total|
|£|£|£|£|
|Income|from:|
|Income from|charitable|
|activities|
|Income|from|running|theatre|4|1,970,036|.|1,970,036|2,152,013|
|Income|from|trading|activities|5|848,589|-|848,589|872,081|
|Income from|grants|
|Arts|council|England|6|375,295|-|375,295|375,295|
|Other grants|6|29,000|100,833|129,833|183,708|
|Donations,|gifts,|and|legacies|38,486|-|38,486|117,898|
|Investment|income|52,501|-|52,501|38,539|
|Total|income|3,313,907|100,833|3,414,740|3,739,534|
|Expenditure|on:|
|Charitable|activity|
|Cost|of operation|of the|
|theatre|7|2,912,909|754,802|3,667,711|3,650,604|
|Cost|of trading|activities|8|388,871|-|388,871|439,442|
|Cost|of raising funds|
|Fundraising|costs|9|71,160|-|71,160|28,539|
|Total|expenditure|10|3,372,940|754,802|4,127,742|4,118,585|
|Net|income/(expenditure)|(59,033)|(653,969)|(713,002)|(379,050)|
|for|the|year|
|Transfer|between|funds|20|8,500|(8,500)|-|-|
|Corporation|tax|12|187,601|-|187,601|214,363|
|Net|movement|in|funds|137,067|(662,469)|(525,402)|(164,687)|
|Opening|fund|balances|21|2,849,572|5,679,525|8,529,097|8,693,783|
|Closing fund|balances|22|2,986,639|5,017,056|8,003,695|8,529,096|
----- End of picture text -----
There were no recognised gains and losses other than the movements in funds shown above. All operations are continuing.
The notes on pages 24 to 42 form part of the financial statements.
Page 21
Hackney Empire Limited
Consolidated and Charity Balance Sheet For the year ended 31 March 2025
| Notes | Group | Charity | |||
|---|---|---|---|---|---|
| 2025 | 2024 | 2025 | 2024 | ||
| £ | £ | £ | £ | ||
| Fixed assets | |||||
| Tangible assets | 13 | 5,519,350 | 6,190,000 | 5,519,350 | 6,190,000 |
| Investments | 14 | : | - | 1 | 1 |
| Social Investments | 15 | . | 25,000 | - | 25,000 |
| 5,519,350 | 6,215,000 | 5,519,351 | 6,215,001 | ||
| Current assets | |||||
| Debtors | 16 | 717,855 | 334,811 | 907,130 | 901,425 |
| Inventory | 15,447 | 11,362 | - | - | |
| Cash at bank and in hand | 2,526,588 | 2,547,111 | 2,252,902 | 1,954,806 | |
| Current Investment | 17 | 900,000 | 600,000 | 900,000 | 600,000 |
| 4,159,890 | 3,493,284 | 4,060,032 | 3,456,231 | ||
| Creditors: Amounts falling | |||||
| due within one year | 18 | (1,675,545) | (1,179,188) | (1,575,688) | (1,142,135) |
| Net current assets | 2,484,345 | 2,314,096 | 2,484,344 | 2,314,096 | |
| Net Assets | 8,003,695 | 8,529,096 | 8,003,695 | 8,529,096 | |
| Represented by: | |||||
| Restricted funds | 20 | 5,017,055 | 5,679,524 | 5,017,055 | 5,679,524 |
| Unrestricted funds: | |||||
| Designated Funds | 21 | 360,317 | 60,317 | 360,317 | 60,317 |
| General funds | 21 | 2,626,323 | 2,789,255 | 2,626,323 | 2,789,255 |
| Total | 22 | 8,003,695 | 8,529,096 | 8,003,695 | 8,529,096 |
The total income of the Charity as an individual entity for the year was £3,201,810 (2024 - £3,530,319) and its net loss was £525,402 (2024 — net loss of £164,687) after depreciation of £714,520 (2024 - £704,256). A statement of financial activities for the Charity as an individual entity is not included using the exemption given in section 408 of the Companies Act 2006.
Approved by the Board of directors and signed on its behalf. Sir William Atkinson Chair
Company number 0206099
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4
Ra /4
Page 22
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Hackney Empire Limited
Consolidated cash flow statement For the year ended 31 March 2025
| 2025 | 2024 | |||
|---|---|---|---|---|
| £ | £ | £ | £ | |
| Reconciliation of net income | ||||
| to cash inflow from operating activities | ||||
| Net (expenditure) | (525,402) | (164,687) | ||
| Depreciation | 714,520 | 704,258 | ||
| Interest received | (49,501) | (38,539) | ||
| (Increase) / decrease in Inventory | (4,085) | (3,669) | ||
| Decrease / (increase) in debtors | (383,044) | 24,902 | ||
| Increase / (decrease) in creditors | 496,359 | 371,168 | ||
| Net cash inflow from operating activities | 248,846 | 893,433 | ||
| Cash flows from investing activities | ||||
| Bank Interest received | 49,501 | 29,687 | ||
| Return on Investment at cost | 25,000 | 50,000 | ||
| Interest received on Investment | - | 8,852 | ||
| Purchase of Investments | - | (25,000) | ||
| Deposit into a fixed treasury account | (300,000) | (600,000) | ||
| Payments to acquire tangible fixed assets | (43,870) | (129,930) | ||
| (269,369) | (666,391) | |||
| Change in cash and cash equivalents | (20,523) | 227,042 | ||
| Cash at 1 April 2024 | 2,547,111 | 2,320,069 | ||
| Cash at 31 March 2025 | 2,526,588 | 2,547,111 | ||
| Analysis ofchanges in net debt | ||||
| At start ofyear (2024) | Cash-flows | Atend ofyear | year (2025) | |
| £ | £ | £ | ||
| Cash 2,547,111 |
(20,523) | 2,526,588 | ||
| Total 2,547,111 |
(20,523) | 2,526,588 |
Analysis of changes in net debt
The notes on pages 24 to 42 form part of the financial statements.
Page 23
Notes to the accounts
Hackney Empire Limited
For the year ended 31 March 2025
1 Accounting policies
1.1 Accounting convention
The financial statements have been prepared under the historical cost convention. The accounts (financial statements) have been prepared in accordance with the Statement of Recommended Practice: Accounting and Reporting by Charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the United Kingdon and Republic of Ireland (FRS 102) second edition issued in 2019 and the Companies Act 2006 and UK Generally Accepted Practice as it applies from 1 January 2015.
The Charity constitutes a public benefit entity as defined by FRS 102.
The financial statements are prepared in sterling, which is the functional currency of the Charity. Monetary amounts in these financial statements are rounded to the nearest f.
1.2 Going concern
At the time of approving the financial statements, the trustees have a reasonable expectation that the Charity has adequate resources to continue in operational existence for the foreseeable future. Thus the Trustees continue to adopt the going concern basis of accounting in preparing the financial statements.
1.3 Income
Income from donations and grants, including capital grants, is included in incoming resources when there is entitlement, probability of receipt and the amount can be measured with sufficient reliability, unless the donor has specified that the donation or grant relates to a future period or that certain pre-conditions must be fulfilled before use. In these cases, amounts received are recognised in the relevant period or when the pre-conditions have been met and until then treated as deferred income. Donations and grants for particular purposes are included in incoming resources as restricted funds.
Production Income is included in incoming resources in the period in which the relevant performance takes place. Income related to productions in a subsequent period is treated as deferred income.
All other income is recognised on an accruals basis once the charity is legally entitled to receipt.
All incoming resources are recorded net of VAT.
1.4 Expenditure
Expenditure is included in the Statement of Financial Activities on an accrual basis, inclusive of any VAT which cannot be recovered. Expenditure is recognised whena liability is incurred.
- e Costs of raising funds are those costs incurred in attracting voluntary income and those incurred in the operation of trading activities which raise funds.
Page 24
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
-
e Charitable activities include expenditure associated with the operation of the theatre and such directly associated activities as educational programmes. Cost of charitable activities includes both the direct cost of activities and related support costs.
-
e Support costs include central functions and have been allocated to activity costs on a basis consistent with the use of resources. This is frequently on the basis of staff time spent in each area but other bases such as usage are also employed. Support costs also include Governance costs.
-
e Governance costs include those incurred in the governance of the Charity and its assets and are primarily associated with constitutional and statutory requirements.
Where performances of a production straddle the balance sheet date, production costs are apportioned in relation to the number of performances falling within each period and the amount relating to performances after the balance sheet date are treated as debtors.
1.5 Tangible fixed assets and depreciation
Tangible fixed assets are stated at cost less depreciation. Depreciation is provided at rates calculated to write off the cost less estimated residual value of each asset over its expected useful life, once brought into use, as follows:
Freehold land Nil Freehold buildings 2% straight line Theatre improvements over 30 to 10 years straight line Fixtures, fittings and equipment from 10% to 33% straight line
Individual fixed assets consisting of more than £1,000 are capitalised at cost.
1.6 Leased assets and obligations
Where assets are financed by leasing agreements that give rights approximating to ownership (finance leases), the assets are treated as if they had been purchased outright. The amount capitalised is the present value of the minimum lease payments payable during the least term. The corresponding leasing commitments are shown as obligations to the lessor.
Finance lease payments are treated as consisting of capital and interest elements, and the interest is charged to the statement of financial activities in proportion to the remaining balance outstanding.
All other leases re operating leases and the annual rentals are charged to the statement offinancial activities on a straight-line basis over the lease term.
1.7 Investments
The Statement of Recommended Practice requires investments to be stated at market value. The investments of Hackney Empire Limited consist of one wholly owned subsidiary, Hackney Empire Trading Limited. The company is not quoted, and the directors consider it appropriate to include the investment at cost.
Page 25
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
The charity invests in theatrical productions that they consider having social value that contributes to the charity’s own objects and these are classed as mixed motive investments. They are accounted for at fair value based on the charity's share of underlying net assets when information is available. When information is not available, they will be accounted for at cost less a provision for impairment. Any movement in fair value is accounted for as an unrealised investment gain or loss in the statement of financial activities.
The Charity has recently placed funds in Treasury Deposits. The placement of these funds is assessed against cash flow by the Finance Committee at each meeting. Fund placement is reviewed when reaching term for each deposit. Current asset investments represent cash deposits and are held at cost. Any income is recognised as it is earned.
1.8 Stock
Stocks are stated at the lower of cost and estimated selling price less costs to sell, which is equal to net realisable value.
At each reporting date, an assessment is made for impairment. Any excess of the carrying amount of stock over its estimated selling price less costs to complete and sell is recognized as an impairment loss in the statement of financial activities.
1.9 Pensions
The Charity operates a defined contribution scheme for the benefit of its employees. Contributions payables are charged to the Statement of Financial Activities in the year they are payable.
1.10 Foreign currency translation
Monetary assets and liabilities denominated in foreign currencies are translated into sterling at the rates of exchange ruling at the balance sheet date. Transactions in foreign currencies are recorded at the rate ruling at the date of the transaction. All differences are taken to the Statement of Financial Activities.
1.11 Consolidation
The consolidated financial statements present information about the company and its wholly owned subsidiary Hackney Empire Trading Limited. The consolidation has been performed on a line-by-line basis.
1.12 Fund accounting
Funds received for a purpose specified by the donor are credited to restricted funds. Expenditure incurred on these purposes is then charged to the funds as it is incurred (see note 20). All other income is treated as unrestricted funds. The Trustees have chosen to designate certain funds for specific future expenditure as explained in the Trustees' Report.
Page 26
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
1.13 Financial instruments
The Charitable only has financial assets and financial liabilities of a kind that qualify as basic financial instruments. Basic financial instruments are initially recognised at transaction value and subsequently measured at their settlement value with the exception of bank loans which are subsequently measured at amortised cost using the effective interest method.
The Charity has elected to apply the provisions of Section 11 ‘Basic Financial Instruments’ and Section 12 ‘Other Financial Instruments Issues' of FRS 102 to all of its financial instruments.
Impairment of financial assets
Financial assets, other than those held at fair value through the statement of financial activities, are assessed for indicators of impairment at each reporting end date.
Financial assets are impaired where there is objective evidence that, as a result of one or more events that occurred after the initial recognition of the financial asset, the estimated future cash flows have been affected. The impairment loss is recognised in the statement of financial activities.
Derecognition of financial assets Financial assets are derecognised only when the contractual rights to the cash flows from the asset expire, or when it transfers the financial asset and substantially all the risks and rewards of ownership to another entity.
Derecognition of financial liabilities
Financial liabilities are derecognised when, and only when, the Charity obligations are discharged, cancelled, or they expire.
2
Critical accounting judgements and key sources of estimation uncertainty
In the application of the company's accounting policies, the directors are required to make judgements, estimates and assumptions about the carrying amount of assets and liabilities that are not readily apparent from other sources. The estimates and associated assumptions are based on historical experience and other factors that are considered to be relevant. Actual results may differ from these estimates.
The estimates and underlying assumptions are reviewed on an ongoing basis. Revisions to accounting estimates are recognised in the period in which the estimate is revised where the revision affects only that period, or in the period of the revision and future periods where the revision affects both current and future periods.
3 Status of company
The company is a registered Charity, limited by guarantee.
As at 31 March 2025, the company has members, who are also directors. The liability of each member on a winding up is limited to a maximum of£1.
Page 27
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
4 Income from theatre operation
| 2025 | 2024 | |||
|---|---|---|---|---|
| £ | £ | |||
| Box office | 976,920 | 1,098,267 | ||
| Theatre hire | 525,119 | 674,138 | ||
| Merchandise | 6,533 | 7,272 | ||
| Booking fees | 88,995 | 102,198 | ||
| Theatre recharges | 361,359 | 267,321 | ||
| Other income | 11,110 | 2,817 | ||
| 1,970,036 | 2,152,013 | |||
| 5 | Income from trading activities | |||
| 2025 | 2024 | |||
| £ | £ | |||
| Bars and catering income | 541,606 | 514,491 | ||
| Location and filming income | 137,263 | 246,570 | ||
| Other income | 169,720 | 111,020 | ||
| 848,589 | 872,081 | |||
| 6 | Grants receivable | |||
| Forthe yearended 31 March 2025 | Unrestricted | Restricted | Total | |
| Funds | Funds | 2025 | ||
| £ | £ | £ | ||
| Core funding | ||||
| Arts Council England | 375,295 | . | 375,295 | |
| Project Funding | ||||
| Atkin Charitable Trust | 25,000 | - | 25,000 | |
| Esmée Fairbairn Foundation | - | 40,000 | 40,000 | |
| London Borough of Hackney | - | 23,333 | 23,333 | |
| The Garrick Charitable Trust | - | 3,000 | 3,000 | |
| The Hackney Green Energy Fund | : | 3,500 | 3,500 | |
| The John Thaw Foundation | - | 1,000 | 1,000 | |
| LBH - DiscoverYoung Hackney 2025 | - | 20,000 | 20,000 | |
| The RixThompson Rothenberg Foundation | 4,000 | - | 4,000 | |
| Roy Bard Charitable Foundation | - | 5,000 | 5,000 | |
| The Theatres Trust Charitable Fund | : | 5,000 | 5,000 | |
| 404,295 | 100,833 | 505,128 |
Page 28
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
4 Grants receivable (continued)
| Forthe yearended 31 March | 2024 | Unrestricted | Restricted | Total |
|---|---|---|---|---|
| Funds | Funds | 2024 | ||
| £ | £ | £ | ||
| Core funding | ||||
| Arts Council England | 375,295 | - | 375,295 | |
| Arts Council England-Culture | Recovery Fund | - | 40,000 | 40,000 |
| Project Funding | ||||
| Alter Ego | - | 20,000 | 20,000 | |
| Esmée Fairbairn Foundation | . | 40,000 | 40,000 | |
| London Borough of Hackney | - | 40,000 | 40,000 | |
| Hackney Community Fund | for Panto 2023 — | - | 2,410 | 2,410 |
| Aladdin | ||||
| The Steel Charitable Trust | - | 10,000 | 10,000 | |
| The Portal Trust | - | 16,298 | 16,298 | |
| Roy Bard Charitable Foundation | - | 5,000 | 5,000 | |
| BBC Children in Need | - | 10,000 | 10,000 | |
| ___ 375,295 |
183,708 | 559,003 |
Included in Note 4 above are government grants of £23,333 (2024 - £40,000) from London Borough of Hackney.
7 Costs of operation of the theatre
| Unrestricted | Restricted | Total | |
|---|---|---|---|
| Funds | Funds | Funds | |
| 2025 | |||
| £ | £ | £ | |
| Staffand staff-related costs | 1,026,737 | 101,333 | 1,128,070 |
| Depreciation | 61,051 | 653,469 | 714,520 |
| Promoters/production costs | 711,473 | - | 711,473 |
| Education | 1,575 | - | 1,575 |
| Publicity | 152,790 | - | 152,790 |
| Premises and general running costs | 826,000 | - | 826,000 |
| Overhead/administrative costs | 34,960 | - | 34,960 |
| Governance costs | 98,324 | - | 98,324 |
| 2,912,909 | 754,802 | 3,667,711 |
Page 29
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
7 Costs of operation of the theatre (continued)
==> picture [445 x 617] intentionally omitted <==
----- Start of picture text -----
|||||||||
|---|---|---|---|---|---|---|---|
|Unrestricted|Restricted|Total|
|Funds|Funds|Funds|
|2024|
|£|£|£|
|Staff and|staff-related|costs|951,173|120,298|1,071,471|
|Depreciation|51,674|652,584|704,258|
|Promoters/production|costs|834,228|67,410|901,638|
|Education|-|-|-|
|Publicity|154,871|-|154,871|
|Premises|and|general|running|costs|698,964|13,000|711,964|
|Overhead/administrative|costs|8,836|-|8,836|
|Governance|costs|97,567|-|97,567|
|2,797,313.|853,292 _|3,650,604|
|of trading trading|activities|
|Unrestricted|Restricted|Total|
|Funds|Funds|Funds|
|2025|
|£|£|£|
|Staff|and|staff-related|costs|210,903|-|210,903|
|Marketing|140,288|140,288|
|Legal|and|Professional|—|5,720|-|5,720|
|Premises|and|general|running|costs|15,354|-|15,354|
|Overhead/administration|costs|3,456|-|3,456|
|Governance|costs|13,150|13,150|
|388,871|-|388,871|
|Unrestricted|Restricted|Total|
|Funds|Funds|Funds|
|2024|
|£|£|£|
|Staff|and|staff-related|costs|247,686|-|247,686|
|Marketing|129,099|129,099|
|Legal|and|Professional|5,252|-|5,252|
|Premises|and|general|running|costs|11,018|-|11,018|
|Overhead/administration|costs|38,360|-|38,360|
|Governance|costs|8,027|8,027|
|439,442|-|439,442|
----- End of picture text -----
8 Cost of trading trading activities
Page 30
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
| 9 | Fundraising costs | ||
|---|---|---|---|
| 2025 | 2024 | ||
| £ | £ | ||
| Staff costs | 67,643 | 18,609 | |
| Fundraising expenses | 3,517 | 9,930 | |
| 71,160 | 28,539 | ||
| 10 | Net income/(expenditure) | ||
| Net income/(expenditure) is stated after charging: | |||
| 2025 | 2024 | ||
| £ | £ | ||
| Amounts payable to auditors for audit services- current year | 22,250 | 21,600 | |
| Amounts payable to auditors - other service | 3,500 | 2,550 | |
| Depreciation | 714,520 | 704,258 | |
| Operating lease payments | 91,240 | 91,888 | |
| 11 | People cost | ||
| 2025 | 2024 | ||
| £ | £ | ||
| Aggregate staffcosts are made up as follows: | |||
| Salaries and wages | 1,087,122 | 1,086,827 | |
| Social security costs | 94,526 | 89,052 | |
| Pension costs | 21,754 | 20,535 | |
| Other staff costs | 9,828 | 8,312 | |
| Subtotal | 1,213,230 | 1,204,726 | |
| Professional Fees* | 193,387 | 133,040 | |
| Total | 1,406,617 | 1,337,766 | |
| 2025 | 2024 | ||
| £ | £ | ||
| Fundraising staffcosts (note 9) | 67,643 | 18,609 | |
| Staffand staff-related costs ofoperation ofthe theatre (note7&8) | 1,338,974 | 1,319,157 | |
| 1,406,617 | 1,337,766 |
Page 31
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
11 People cost (continued)
| The number ofstaff in receipt oftotal remuneration over £60,000 was: | ||
|---|---|---|
| 2025 | 2024 | |
| No. | No. | |
| £60,000 - £69,999 | - | = |
| £70,000 - £79,999 | - | 1 |
| £80,000-£89,000 | 1 | - |
The average number of employees in the year were 15 permanent staff and 44 casuals, compared to 17 permanent and 41 casuals in 2024.
Key management personnel are considered to be the Executive Director, the Artistic Director and the Creative Director. The total amount paid to key management personnel in the year was £159,091 (2024: £130,288), which reflects a shift from part-time Artistic Director to a full-time role for the Creative Director
*Professional Fees includes the freelancer and contractor cost for the outsourcing ofthe finance, marketing and development function, which substitutes the staff costs in these areas for the Charity.
Transactions with Trustees
No payments are made to Trustees for their services as Trustees, nor were any expenses reimbursed to them during the current or preceding period.
No donations were received from the Trustees during the period (2024: Nil).
12 Taxation
No charge to corporation tax is expected to arise due to the company’s charitable status. The trading subsidiary benefits from a theatrical tax credit received on its production activities.
Page 32
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
13 Tangible fixed assets
==> picture [516 x 321] intentionally omitted <==
----- Start of picture text -----
||||||||||
|---|---|---|---|---|---|---|---|---|
|Restricted|Unrestricted|Restricted|Unrestricted|
|Freehold|Theatre|Theatre|Fixtures|Total|
|land|and|improve-|improve-|fittings|and|
|buildings|ments|ments|equipment|
|Group|and|Charity|£|£|£|£|£|
|Cost|
|At|1|April|2024|222,758|235,836|18,644,141|750,696|19,853,431|
|Additions|-|35,370|8,500|-|43,870|
|At|31|March|2025|222,758|271,206|18,652,641|750,696|19,897,301|
|Depreciation|
|At|1|April|2024|121,427|26,787|12,875,948|639,269|13,663,431|
|Charge|for the|year|4,455|26,192|649,014|34,859|714,520|
|At 31|March|2025|125,882|52,979|13,524,962|674,128|14,377,951|
|Net|book|value|
|At|31|March|2025|96,876|226,727|5,119,179|76,568|5,519,350|
|At|31|March|2024|101,331|209,050|5,768,193|111,427|6,190,000|
----- End of picture text -----
All assets are in use for charitable purposes. Legal charges exist over the freehold properties to secure the interests of the public bodies, bankers and other lenders funding their purchase and the cost of theatre improvements.
14 Investment in subsidiary
==> picture [431 x 51] intentionally omitted <==
----- Start of picture text -----
|||||||
|---|---|---|---|---|---|
|2025|2024|
|£|£|
|Investment|in|subsidiary|undertaking|1|i|
----- End of picture text -----
The Charity holds 100% of the issued ordinary share capital of the following company:
==> picture [421 x 25] intentionally omitted <==
----- Start of picture text -----
|||||||
|---|---|---|---|---|---|
|Subsidiary|Country of|registration|Class|Shares|held|
|Hackney|Empire Trading|Limited|England|Ordinary|100%|
----- End of picture text -----
The principal activities of the subsidiary are to generate commercial income for Hackney Empire Limited and to produce theatrical work on commission. The subsidiary started trading in February 2011. Asummary of the results of the subsidiary is set out below.
Page 33
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
14 Investment in subsidiary (continued)
| 2025 | 2024 | |
|---|---|---|
| £ | £ | |
| Income | 1,775,819 | 1,907,251 |
| Cost ofsales | (1,196,690) | (1,326,663) |
| Administrative expenses | (422,955) | (440,149) |
| Profit/(Loss) on ordinary activities before taxation | 156,174 | 140,439 |
| Corporation tax | 187,601 | 214,363 |
| Profit/ (Loss) on ordinary activities aftertaxation | 343,775 | 354,802 |
| Amount gifted to Hackney Empire Limited | (343,775) | (354,802) |
| Retained profit / (loss) | - | . |
| Turnover comprised: | ||
| Catering operations | 541,606 | 514,492 |
| Pantomime production | 937,793 | 1,031,026 |
| Location and filming fees | 296,420 | 361,733 |
| 1,775,819 | 1,907,251 |
Hackney Empire Limited and the subsidiary have a group VAT registration. Any profit made by the subsidiary is paid under gift aid to Hackney Empire Limited.
investment in subsidiary (continued)
The assets and liabilities of the subsidiary were:
| The assets and liabilities of thethe subsidiary were: | ||
|---|---|---|
| 2025 | 2024 | |
| £ | £ | |
| Fixed Asset | - | - |
| Current assets | 862,538 | 834,767 |
| Inventory | 15,447 | 11,362 |
| Creditors: amounts falling due within oneyear | (877,984) | (846,128) |
| Net assets | ill | 1 |
| Shareholder’sfunds | 1 | 1 |
Page 34
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
| 15 | Social Investments | |||||
|---|---|---|---|---|---|---|
| 2025 | 2024 | |||||
| £ | £ | |||||
| Balance b/f | 25,000 | 50,000 | ||||
| ij Return of investment atcost |
(25000) | (50,000) | ||||
| Additions in investment | - | 25,000 | ||||
| Balance c/f | - | 25,000 | ||||
| Profit share from Royal Theatre Court | 3,000 | 8,852 | ||||
| 3,000 | 8,852 | |||||
| 16 | Debtors | |||||
| Group | Charity | |||||
| 2025 | 2024 | 2025 | 2024 | |||
| £ | £ | £ | £ | |||
| Trade debtors | 123,539 | 49,281 | 27,304 | 25,564 | ||
| Prepayments and accrued | ||||||
| income | 192,072 | 70,887 | 101,698 | 66,788 | ||
| Amounts owed by subsidiary | ||||||
| undertaking | - | - | 778,128 | 809,073 | ||
| Corporation tax | 402,244 | 214,643 | - | - | ||
| 717,855 | 334,811 | 907,130 | 901,425 |
Amounts owed by subsidiary undertaking are unsecured, interest free and repayable on demand.
17 Current Investments
==> picture [438 x 46] intentionally omitted <==
----- Start of picture text -----
2025 2024
£ £
Investment in Treasury deposit
900,000 600,000
----- End of picture text -----
Page 35
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
18 Creditors: Amounts falling due within one year
| Group | Charity | ||||
|---|---|---|---|---|---|
| 2025 | 2024 | 2025 | 2024 | ||
| £ | £ | £ | £ | ||
| Trade creditors | 324,354 | 265,288 | 302,302 | 232,255 | |
| Box office advance seats | 843,029 | 459,668 | 843,029 | 459,668 | |
| Other taxes and social security | 133,646 | 154,068 | 131,119 | 151,940 | |
| Other creditors and accruals | 374,518 | 300,164 | 299,239 | 298,272 | |
| 1,675,547 | 1,179,188 | 1,575,689 | 1,142,135 |
19 Future financial commitments
The group is committed to the total future lease payments:
| 2025 | 2024 | |
|---|---|---|
| £ | £ | |
| Land and buildings: | ||
| Within one year | 88,000 | 88,000 |
| Between two and five years | 44,000 | 132,000 |
| Over 5 years | zs | s |
| 132,000 | 220,000 |
This represents a 15-year lease over 117 Wilton Way.
| 2025 | 2024 | |
|---|---|---|
| £ | £ | |
| Office equipment: | ||
| Within one year | 3,240 | 3,240 |
| Between two and five years | 4,320 | 7,560 |
| 7,560 | 10,800 |
Page 36
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
20 Restricted Funds
| As at 31 March 2025 | |||||
|---|---|---|---|---|---|
| Charity and Group | Balance | Incoming | Resources | Transfers | Balance |
| 1 April | resources | used | Between | 31 March | |
| 2024 | funds | 2025 | |||
| £ | £ | £ | £ | £ | |
| Capital | |||||
| Freehold property | 101,332 | - | (4,455) | . | 96,877 |
| Capital projects | 5,568,193 | (649,014) | . | 4,919,179 | |
| ACE Capital Works | - | - | - | - | - |
| Revenue | |||||
| BBCCIN | 10,000 | - | (10,000) | : | . |
| Esmée Fairbairn | - | 40,000 | (40,000) | - | - |
| Foundation | |||||
| LBH - DiscoverYoung | - | 20,000 | (20,000) | - | - |
| Hackney 2025 | |||||
| London Borough of | - | 23,333 | (23,333) | - | - |
| Hackney | |||||
| The Garrick Charitable | - | 3,000 | (3,000) | - | - |
| Trust | |||||
| The Hackney Green | - | 3,500 | - | (3,500) | - |
| Energy Fund | |||||
| The John Thaw | - | 1,000 | - | - | 1,000 |
| Foundation | |||||
| The Theatres Trust | - | 5,000 | . | (5,000) | - |
| Charitable Fund | |||||
| Roy Bard Charitable | - | 5,000 | (5,000) | - | - |
| Foundation | |||||
| Totalrestrictedfunds | 5,679,525 | 100,833 | (754,802) | (8,500) | 5,017,055 |
Page 37
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
20 Restricted Funds (continued)
Freehold property These funds represent resources held in the form of building. BBC CIN Funding towards Limitless 2024. Esmée Fairbairn Foundation Funding towards the costs of staffing and artistic development of new models which aim to increase artistic ambition and artist and audience diversity. LBH - Discover Young Hackney 2025 Funding towards Alter Ego 2025. London Borough of Hackney London Borough of Hackney supported our ‘Connecting Young Hackney’ and other youth involvement programmes.
The Garrick Charitable Trust Funding towards Artistic Development Programme 2024. The Hackney Green Energy Fund Funding towards the windows works at Hackney Empire. The John Thaw Foundation Funding towards Artistic Development Programme 2025. To be utilised by September 2025. The Roy Bard Charitable Trust Funding towards writer's room 2025. The Theatres Trust Charitable Fund Funding towards the roof works at Hackney Empire.
Page 38
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
20 Restricted Funds (continued)
As at 31 March 2024
| Charity and Group | Balance | Incoming | Resources | Transfers | Balance |
|---|---|---|---|---|---|
| 1 April | resources | used | Between | 31 March | |
| 2023 | funds | 2024 | |||
| £ | £ | £ | £ | £ | |
| Capital | |||||
| Freehold property | 105,787 | - | (4,455) | - | 101,332 |
| Capital projects | 6,203,321 | - | (648,128) | 13,000 | 5,568,193 |
| ACE Capital Works | - | - | - | - | |
| Revenue | |||||
| Arts Council England | - | 40,000 | (40,000) | - | - |
| Alter Ego | - | 20,000 | (20,000) | - | - |
| BBC CIN | - | 10,000 | - | = | 10,000 |
| Children In Need | 10,000 | - | (10,000) | - | - |
| Cockayne grant | 13,000 | (13,000) | - | - | |
| Esmée Fairbairn | . | 40,000 | (40,000) | - | - |
| Foundation | |||||
| HackneyCommunity | - | 2,410 | (2,410) | - | - |
| Fund for Panto 2023- | |||||
| Aladdin | |||||
| London Borough of | - | 40,000 | (40,000) | - | - |
| Hackney | |||||
| The Steel Charitable | - | 10,000 | (10,000) | - | - |
| Trust | |||||
| The Déyly Carte | 4,000 | - | (4,000) | - | - |
| Charitable Trust | |||||
| The Portal Trust Grant | - | 16,298 | (16,298) | - | - |
| Roy Bard Charitable | - | 5,000 | (5,000) | - | . |
| Trust | |||||
| Totalrestrictedfunds | 6,336,108 | 183,708 | (853,291) | 13,000 | 5,679,525 |
Page 39
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
21 Unrestricted funds
| As at 31 March 2025 | |||||
|---|---|---|---|---|---|
| Charityand Group | Balance | Incoming | Resources | Transfers | Balance |
| 1 April | resources | used | between | 31 March | |
| 2024 | and Tax | funds | 2025 | ||
| £ | £ | £ | £ | £ | |
| General funds | 2,789,255 | 3,501,507 | (3,372,940) | (291,500) | 2,626,323 |
| Designated Funds | |||||
| Investment in creative project | 60,317 | - | - | - | 60,317 |
| Building Reserve | - | - | - | 300,000 | 300,000 |
| Total unrestricted funds | 2,849,572 | 3,501,507 | (3,372,940) | 8,500 | 2,986,640 |
| As at 31 March 2024 | |||||
| Charityand Group | Balance | Incoming | Resources | Transfers | Balance |
| 1 April | resources | used | between | 31 March | |
| 2023 | and Tax | funds | 2024 | ||
| £ | £ | £ | £ | £ | |
| General funds | 2,357,675 | 3,770,189 | (3,265,293) | (73,317) | 2,789,255 |
| Designated Funds | |||||
| Investment in creative project | - | - | - | 60,317 | 60,317 |
| Totalunrestrictedfunds | 2,357,675 | 3,770,189 | (3,265,293) | (13,000) | 2,849,572 |
Hackney Empire has allocated £60,317 of designated funds for the "Romeo and Juliet" project, set for April 2025.
Additionally, £300,000 of free reserves has been set aside for building maintenance.
Page 40
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
22 Analysis of net assets between funds
| As at 31 March 2025 | |||||||
|---|---|---|---|---|---|---|---|
| Tangible | Netcurrent | Total | |||||
| Fixed assets | Investments | assets | |||||
| £ | £ | £ | £ | ||||
| Group and Charity | |||||||
| Restricted funds | 5,216,055 | - | (199,000) | 5,017,055 | |||
| Designated funds | - | - | 360,317 | 360,317 | |||
| Unrestricted funds | 303,295 | - | 2,323,028 | 2,626,323 | |||
| 5,519,350 | - | 2,484,345 | 8,003,695 | ||||
| As at 31 March 2024 | |||||||
| Tangible | Net current | Total | |||||
| Fixed assets | Investments | assets | |||||
| £ | £ | £ | £ | ||||
| Group and Charity | |||||||
| Restricted funds | 5,869,525 | - | (190,000) | 5,679,524 | |||
| Designated funds | - | - | 60,317 | 60,317 | |||
| Unrestricted funds | 320,475 | 25,000 | 2,443,779 | 2,789,254 | |||
| 6,190,000 | 25,000 | 2,314,096 | 8,529,095 | ||||
| Related party transactions | |||||||
| The Charity has a wholly owned subsidiarycompany | company | (Hackney | Empire Trading | Limited (HETL)) of | |||
| which more details can be found in note 14. Asummary ofthe transactions between | the entities | ||||||
| is as follows: | |||||||
| 2025 | 2024 | ||||||
| £ | £ | ||||||
| Fee charged by HETL for producing pantomime | 937,793 | 1,031,026 | |||||
| Recharge of costs by Charity | 549,317 | 635,541 | |||||
| Profitspaidtothecharity | by | giftaid | 343,775 | 354,151 |
23 Related party transactions
At the year-end HETL owed the Charity £778,128. There were no other related party transactions not disclosed elsewhere in these accounts.
Page 41
Hackney Empire Limited
Notes to the accounts (continued) For the year ended 31 March 2025
24 Comparative consolidated statement of financial activities
| Unrestricted | Restricted | 2024 | |
|---|---|---|---|
| Funds | Funds | Total | |
| £ | £ | £ | |
| Income from: | |||
| Donations, gifts and legacies | 117,898 | " | 117,898 |
| Grants receivable | 375,295 | 183,708 | 559,003 |
| Investment income | 38,539 | - | 38,539 |
| Income from trading activities | 872,081 | - | 872,081 |
| Incomefrom charitable activities | |||
| Income from running theatre | 2,152,013 | - | 2,152,013 |
| Total income | 3,555,826 | 183,708 | 3,739,534 |
| Expenditure on: | |||
| Cost of raisingfunds | 28,539 | - | 28,539 |
| Fundraising costs | 439,442 | - | 439,442 |
| Cost of trading activities | |||
| Charitable activity | |||
| Cost of operation ofthe theatre | 2,797,312 | 853,292 | 3,650,604 |
| Total expenditure | 3,265,293 | 853,292 | 4,118,585 |
| Net income/ (expenditure) | |||
| forthe year | 290,534 | (669,584) | (379,050) |
| Transfers between funds | (13,000) | 13,000 | - |
| Corporation tax | 214,363 | - | 214,363 |
| Net movement in funds | 491,897 | (656,584) | (164,687) |
| Opening fund balances as at 1 April 2023 | 2,357,675 | 6,336,108 | 8,693,783 |
| Closingfundbalancesasat31March2024 | 2,849,572 | 5,679,524 | 8,529,096 |
Page 42