Company registration number꞉ 03240356 Charity registration number꞉ 1058196
SINFONIA CYMRU TRUSTEES' REPORT AND UNAUDITED FINANCIAL STATEMENTS FOR THE YEAR ENDED 30 SEPTEMBER 2025
Sinfonia Cymru Contents
| Page | |
|---|---|
| Trustees'Report | 1—6 |
| IndependentExaminer'sReport | 7 |
| StatementofFinancialActivities(includingIncomeandExpenditureAccount) | 8 |
| ComparativeStatementofFinancialActivities(includingIncomeandExpenditureAccount) | 9 |
| BalanceSheet | 10 |
| NotestotheFinancialStatements | 11—18 |
| Thefollowingpagesdonotformpartofthestatutoryaccounts꞉ | |
| DetailedStatementofFinancialActivities(includingIncomeandExpenditureAccount) | 19—20 |
Sinfonia Cymru Company No. 03240356 Trustees' Report For The Year Ended 30 September 2025
The trustees present their report and the financial statements for the year ended 30 September 2025.
Objectives and Activities
Aims and Objectives
Sinfonia Cymru is a chamber orchestra for exceptional professional musicians under the age of 30 from Wales, the UK and beyond, dedicated to championing young players and helping them to grow their experience in the early stages of their career. Through investment in the development of emerging musicians, we develop future generations of cultural artists and leaders. Our Welsh identity is fundamental to our work꞉ our interdependent mission is that everyone in Wales will have the opportunity to access classical music and that far more people, from a diversity of backgrounds, will participate in, be inspired by, and experience our performances and community projects. We achieve this by taking music into communities across Wales, to both urban and rural venues, and to schools and healthcare settings.
Our core work includes chamber orchestral concerts, chamber music recitals, cutting‑edge contemporary music, cross‑ genre projects, and projects with schools, choirs, refugee and asylum‑seeking communities and other community groups. At times we’re an orchestra in the traditional sense – ranging in scale from string ensemble to full symphony. At other times, smaller groups of players provide more intimate performances in a variety of styles. We are almost always unconducted, directed by the Leader or Guest Soloist.
We aim to nurture classical musicians who are exceptionally talented, artistically curious, challenging, open and engaging, and who will become role models for other young players. Today, musicians need a much wider skills‑set and a more flexible approach to music‑making than previous generations, and we help our players develop this. Unafraid to challenge the status quo, we put our players at the heart of our creative programming and give musicians the opportunity to cultivate a wide range of skills. For a freelance orchestra, this is very unusual.
We are very grateful to our key stakeholders, the Arts Council of Wales and Welsh Government, without whose funding we would not be able to deliver great musical experiences for audiences close to their homes, in traditional music venues and in a wide variety of smaller and unconventional settings. This public funding support, alongside other valued support from Trusts, Foundations, and individual donors, enables us to play our role in ensuring a future for classical music in Wales. In particular, we are grateful to the Colwinston Charitable Trust, Haworth Trust, PRS Foundation, Mid Wales Music Trust, Vale of Glamorgan Festival Legacy Fund, Hinrichsen Foundation, Vaughan Williams Foundation, Ty Cerdd and Scops Arts Trust, all of which have supported our work this year.
Public Benefit
The main activities undertaken to further the charity’s purpose for the public benefit are outlined throughout the report.
The trustees confirm that they have complied with the requirements of Section 17 of the Charities Act 2011 to have due regard to the Charity Commission’s guidance on public benefit.
Achievements and Performance
Main Achievements
The 2024/25 season was one of the busiest and most successful years in the organisation’s history, in terms of the number of days of paid work and development provided to musicians, and number of people we collaborated with and performed for across Wales. Feedback from audiences and participants was consistently excellent and it is clear that our work is having an impact in the communities we collaborate with꞉
“The performances the children have experienced and the richness that brings to their lives is amazing. The projects are pitched perfectly, with amazing levels of interaction, and children massively engaged – in an environment they’re comfortable with without their parents having to pay. To have that as an ongoing regular part of their lives – it’s truly invaluable.” Deputy Head, Holton Primary School
In total, we presented over 120 events, including concerts, workshops, interactive schools performances, and community collaborative performances, reaching over 11,500 live audience members/participants in every local authority in Wales and further afield, in venues ranging from fruit and veg shops to miners’ institutes, schools to concert halls. Broadcasts of our projects on BBC Radio 3’s New Music Show, BBC Radio 3’s In Concert, S4C, and on YouTube, Spotify and other platforms reached hundreds of thousands more listeners.
We hope that the following project summaries give a sense of the range of experience our talented musicians gain through Sinfonia Cymru, the breadth of Wales to which we tour, as well as the diversity of performance venues – and our aim to embed our work meaningfully in each community by working collaboratively with local schools, choirs, event organisers, and other community groups.
Our diverse programme of tours with exceptional Guest Artists in 2024/25 included꞉
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Page 1
Sinfonia Cymru Trustees' Report (continued) For The Year Ended 30 September 2025
Main Achievements ‑ continued
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Glastonbury Newcomer Award‑winner N’famady Kouyaté took to the stage with a dynamic set blending his own Guinea‑inspired songs, arranged by jazz bassist Misha Mullov‑Abbado for Sinfonia Cymru’s string quartet and percussion, with classical and folk melodies from around the world. This premiered in a pub as part of Cardiff City Music Festival in October 2024, before returning for a tour to Musicfest Aberystwyth, Riverfront Newport, Ty Pawb in Wrexham and Criccieth Memorial Hall in Summer 2025.
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Master djembe performer, multi‑instrumentalist and composer Sidiki Dembélé led a chamber orchestral programme fusing West African, classical and Celtic music in November 2024, alongside singer Mariatou Dembélé and kora player Modou Ndiaye. This toured to three arts venues (Royal Welsh College of Music and Drama in Cardiff, Aberystwyth Arts Centre, and Ty Pawb in Wrexham) as well as a pop‑up performance in a shopping centre in Cardiff alongside Oasis One World Choir (a local choir of refugees and asylum seekers). The orchestra also gave an interactive performance at Holton Primary School in Barry – one of our hafan (“home”) spaces. Three of the pieces in the programme were recorded at Ratio Studios in Aberbargoed for Lleswyl Festival, a free, livestreamed festival‑ at‑home for people who cannot travel to live music performances due to chronic illness and/or disability. One of these recordings was also broadcast on BBC Radio 3 later in the year.
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In February 2025, virtuoso violinist Hyeyoon Park performed a classical programme including a newly arranged version of Beethoven’s Violin Concerto for chamber orchestra (arranged by Welsh composer David John Roche), which toured to William Aston Hall in Wrexham, Aberystwyth Arts Centre, St George’s Bristol and Pontyberem Memorial Hall. Alongside this project, the woodwind section of the orchestra took part in a series of community events in North Wales, including a side‑by‑side project with Flintshire Wind Band, and workshops in Ysgol Croes Atti Primary School and Coleg Cambria Sixth Form College.
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Jazz bassist and former BBC New Generation Artist Misha Mullov‑Abbado and Australian folk/classical violinist Bridget O’Donnell presented a programme titled Songs for the Earth, exploring folk and classical musical celebrations of the natural world. Performances in Gregynog Hall in Newtown, Royal Welsh College of Music and Drama in Cardiff, Ty Pawb in Wrexham and Smith Square London followed a week‑long residency at Gregynog Hall. The residency included informal professional development sessions for Sinfonia Cymru’s early‑career musicians, including sessions on improvisation, curating performances, and environmental awareness in a musical context – how, as creatives, we can be ambassadors for climate activism and hope, while also being inspired by nature in our practice. A live recording of the performance at RWCMD was broadcast on BBC Radio 3’s In Concert later in the year.
In November 2024, we found out we had been selected by PRS Foundation for their New Music Biennial , a UK festival supporting contemporary composers by commissioning new works across all genres, presented in major cities, broadcast by BBC Radio 3, and recorded/released by NMC Recordings. This enabled us to commission composer Mark David Boden (also a Lecturer in Composition at RWCMD) to write a new audio‑visual concerto for violin, strings and percussion, with award‑winning violinist Fenella Humphreys as soloist/director. The piece, titled “Chasing Sunlight” was inspired by the epic migratory journeys of the arctic tern, and the ever increasing challenges these birds face as a result of human interaction and climate change. It featured a visual backdrop created collaboratively with Bradford Refugee Action and Oasis One World Choir (OOWC), whose beautiful film footage of migratory birds in local nature reserves in Bradford and Newport (edited by Ratio Studios) formed an evocative narrative around themes of migration, resilience and hope. The piece was premiered at National Museum Cardiff on World Environment Day (5 June 2025) as part of an all day event programmed by Sinfonia Cymru. The day featured concerts, composer workshops, behind the scenes tours of the museum’s artefacts and collaborative performances with OOWC. Chasing Sunlight then toured to Bradford as part of the UK City of Culture Celebrations and London’s Southbank Centre. A live recording of the piece was broadcast on BBC Radio 3’s New Music Show.
In 2024/25, we increased our chamber music presence at the Riverfront in Newport from bi‑monthly to monthly lunchtime performances, with each concert launching a short tour, typically visiting up to three community venues elsewhere in Wales. A particular highlight in this series was our Festive Chamber tour which saw a Sinfonia Cymru piano quintet collaborating with local community choirs in three venues (Riverfront, Gregynog Hall, and Pontyberem Memorial Hall). 23 of the live performances we gave this year were free to audiences, as part of our commitment to welcoming new audiences to classical music and performing in rural communities. Additional to these, we presented a further 11 free performances in schools and eight performances of Ty Unnos, which were free for schools and the families and friends of the pupils involved. Previously our free performances have been marketed under the banner of “Mainly Village Halls”. However, in 2024/25 we decided to rebrand these performances as “ Cymuned Sessions ” (cymuned is Welsh for community), to reflect the fact that many of the communities we tour to are Welsh‑speaking, and we have diversified away from touring primarily to village halls, now also taking in pubs, charity shops, care homes and even a greengrocer. These community partnerships reach every local authority in Wales, working collaboratively with local ambassadors or groups of ambassadors to promote and help us shape the concerts we present.
Chamber music tours were regularly curated by performers themselves (rather than management). We also ran our annual Curate series of concerts programmed by SC early‑career musicians and focussing on a theme or idea they are passionate about. These programmes included꞉
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Sinfonia Cymru Trustees' Report (continued) For The Year Ended 30 September 2025
Main Achievements ‑ continued
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Ezo’s Jazz Violin, a programme by violinist Ezo Dem Sarici which explored styles from Bach to Turkish folk, jazz to bluegrass and toured to Caffi Isa in Mold, Criccieth Memorial Hall, Gregynog Hall in Newtown, The Riverfront in Newport and Academy coffeeshop in Barry. In partnership with Theatr Clwyd, the ensemble also led two workshops with schools in Flintshire at William Aston Hall.
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Hope is the Thing with Feathers , programmed by SC recent alumni Joy Becker (violin/vocals) and Darren Gallacher (percussion/vocals/tech). This audio‑visual chamber installation for septet explored declining bird populations and featured classical and folk music, spoken word, field recordings of birds, and projected visual footage of nature, captured by Oasis One World Choir and edited by Ratio Studios. The performance also featured the premiere of a new commission by Welsh composer Claire Victoria Roberts .
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Golden Age of Harp , curated by former royal harpist and Classic FM Rising Star Alis Huws, explored rarely performed repertoire for a quintet of harp, flute and string trio. The tour to Riverfront Newport, Hay Castle, Pontyberem Memorial Hall and Ceredigion Museum also saw us working with primary school children in Hay and Barry, and a U3A group in Newport.
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Seascapes , curated by violinist/fiddler Georgina MacDonell Finlayson, combined Georgina’s own folk arrangements for seven musicians with classical repertoire including Sally Beamish’s Seavaigers, and storytelling꞉ tales of adventure, comradeship, tragedy, hope and respite associated with voyages into the sea. This performance appeared at Hay Music Festival and Cowbridge Music Festival in September 2025.
2024/25 saw the expansion of our Powys Schools Project , a 5‑month songwriting, music, art and story‑telling programme with primary school children in Powys. We worked with eight classes across seven schools in Powys, providing valuable music experiences in an area that was, until recently, the only county in Wales with no formal Music Services or equivalent. A series of workshops, from November to March, culminated in performances where children performed songs they had co‑written with SC facilitator Joy Becker , alongside Sinfonia Cymru musicians, on a stage for which they had created the set. For many pupils, this was their first time meeting and collaborating with professional musicians; performing on a theatre stage; and seeing their own creative work brought to life in a professional production. Teachers told us the project nurtured confidence, teamwork, and communication skills, while unlocking the creativity of pupils who often struggle to engage in the classroom. The combination of storytelling, music, and art gave every child a role to play, from composing lyrics to designing scenic backdrops – fostering ownership and pride in their achievements.
We also transferred the project, this year titled “Ty Unnos”, to Barry, working with a further two classes at our hafan school, Holton Primary, and performing at Barry Memo Arts Centre. For the first time, we also partnered with Music Theatre Wales, who provided singing workshops for the children in Powys and Barry, and an opera singer for all performances.
Over the course of the project, 250 children aged 7‑11 and their teachers took part in regular creative workshops – making music, exploring their creativity, and starring in performances alongside Sinfonia Cymru’s musicians and story‑teller/writer Tamar Williams . A further 165 children benefited from the project by creating scenic artwork exploring Welsh mythology with artists/set designers Hilary and Graham Roberts that was then displayed on stage at their local arts venues. 1,365 children and family members attended the resulting performances in Wyeside Arts Centre, The Hafren, Theatr Brycheiniog and Barry Memo Arts Centre. In July 2025, we revived Ty Unnos for a performance at Llangollen International Musical Eisteddfod as part of children’s day at the festival.
In addition to our new Powys Schools partnership with Music Theatre Wales (MTW), we undertook three further collaborations with MTW꞉
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A digital “Street Art Opera” by Claire Victoria Roberts called “Out of Time”, projected onto the outer wall of the Wales Millenium Centre as part of Llais Festival (October 2024). Commissioned by MTW, Out of Time is a darkly comic and fantastical tale of a future apocalypse in which nature reclaims its beauty and abundance, with music recorded by Sinfonia Cymru.
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Bwystfilod Aflan/Unclean Beasts (toured to four venues in Autumn 2024)꞉ a Welsh‑language fusion of opera, film, dance and poetry, exploring the story of 1924 National Eisteddfod Crown‑winner Edward Prosser Rhys, whose poetic depictions of lust and romance between two young men, at a time when homosexuality was still illegal (and would be for another 40 years) caused a press storm.
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Our Music, Our Story꞉ saw SC musicians workshopping and performing new quartets by young composers at the Parc and Dare, Treorchy, followed by the Wales premiere of Welsh composer Luke Lewis’ “The Echoes Slow Return” for chamber orchestra (September 2025). The piece featured 1950s recordings of interviews with local mining communities.
We also collaborated with꞉ Bangor New Music Festival (February 2025), performing a string quartet programme of music by contemporary Welsh composers; Philomusica (July 2025) in a series of side‑by‑side rehearsals and performances with Aberystwyth’s community orchestra; and Ty Cerdd and the National Eisteddfod on Medal y Cyfansoddwr, workshopping new string trios by three Welsh composers through the year before performing these at the Eisteddfod (August 2025), where a winning composer was selected (the performances were broadcast on S4C).
As an orchestra for players aged 30 and under, each year we have to say farewell to exceptionally talented, inspirational musicians, and this year was no exception. Thank you very much to the 50+ musicians who took part in this year’s programme – you have been incredible, and we wish those of you who are moving on the very best of luck with your future adventures in music.
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Sinfonia Cymru Trustees' Report (continued) For The Year Ended 30 September 2025
Future Plans
The 2025/26 season will see Sinfonia Cymru tour with exceptional soloists꞉
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Renowned Welsh musicians Catrin Finch (harp) and Patrick Rimes (fiddle) will be joined by National Poet of Wales Hanan Issa and local choirs for a celebration of Plygain and Christmas traditions BBC Young Musician winner Laura van der Heijden joins Sinfonia Cymru’s strings to tour Dobrinka Tabakova’s Concerto for Cello and Strings
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Colombian soprano Julieth Lozano Rolong (Cardiff Singer of the World Audience Prize Winner 2023) performs songs by female composers from Latin America, alongside poetry and group breathing exercises
Additionally, we will tour two “supersized” chamber music projects, each with 12‑14 players꞉ one led by Martin Lüdenbach on double bass, and one led by Sinfonia Cymru Leader Haim Choi.
As part of our commitment to reach more rural communities across Wales, we plan to expand our Cymuned tour (previously named the Mainly Village Halls Tour), taking free performances of chamber music to village halls, cafes, schools, shops and other community spaces across Wales.
Our chamber concert series continues at Riverfront (Newport), Lampeter, Barry Memo Arts Centre and other venues around Wales. Our Curate series, in which we ask players to submit proposals for programmes based around an idea of their choice and we then work with the selected 'curators' to produce the events, also continues.
Our annual five‑month project with Primary Schools in Powys will take place again in Winter 2025/Spring 2026.
Financial Review
Reserves Policy
In order to give Sinfonia Cymru a stable base on which to plan future activity, the Board has approved a level of reserves to protect the organisation from unexpected shortfalls in income – particularly ticket income, performance fees, and fundraising income. This is designated the Risk Reserve and the current level is set at £75,000.
Additionally the Board has set aside a Designated Enhanced Programme Reserve of £120,000, to support a significant increase in activity over the period 2024/25 and 2025/26. The pandemic, followed by the cost of living crisis in the UK have resulted in a UK freelance orchestral workforce that is in crisis, with early‑career professionals being particularly affected. Help Musicians and Musicians Union research shows that up to 65% of young professional musicians are currently in financial hardship, and 25% are considering leaving the profession permanently. The Trustees feel that now is the time to commit additional reserves to supporting under 30s musicians by increasing the amount of paid work Sinfonia Cymru supports each year. Therefore, the organisation has budgeted for a total deficit of £120,000 in the years 2025/26 and 2026/27, to support this strategy.
This additional expenditure will be directed especially towards projects that help raise SC’s profile and/or build relationships with commercial partners, increasing SC’s capacity to secure earned income now and in the future – with the aim that once the Designated Enhanced Programme Reserve is spent, we will still be able to operate at a higher level of activity compared with pre‑pandemic. It is crucial that during these five years, SC continues to raise money from grants and private sources, to enable us to maintain and grow key projects and to serve our symbiotic key mission of bringing exceptional live music into the heart of Welsh communities, especially those with the least cultural provision. SC holds General Funds of £126,194 which is crucial for maintaining good cashflow.
Structure, Governance and Management
Governing Document
Sinfonia Cymru is a charitable company limited by guarantee, incorporated on 21 August 1996. The board is governed by its Memorandum and Articles of Association dated 13 August 1996 and amended on 16 December 2019. In the event of the board being wound up the members are required to contribute an amount not exceeding £1.
A Governance subcommittee of three Trustees was formed during the year, to review Board processes, with the aim of further strengthening our Governance.
Trustee Selection Methods
Members of the Board of Trustees are appointed or removed by resolution of the trustees. Trustees are appointed to provide expertise in the various skills needed to run the organisation efficiently and effectively.
Trustee induction and training
Upon appointment, new trustees are given an induction pack which includes꞉ a comprehensive Board handbook / Governance Code; recent Board papers; financial information including annual and long‑term budgets. When appropriate, training sessions are open to board members where the training is considered useful to their role.
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Page 4
Sinfonia Cymru Trustees' Report (continued) For The Year Ended 30 September 2025
Trustee Selection Methods ‑ continued
A Board and Staff Away Day took place in the year, for Trustees, employees and regular freelance team members to review the organisation's position and direction.
Reference and Administrative Details
Trustees
R S Bright L M Madeley J Marriot A T Marshman C S Plumley W M Sterk A J Vennart S E Willis Tansley A Jones (resigned 30/01/2025)
Other Personnel
Wiard Sterk ‑ Chair Caroline Tress ‑ Secretary Caroline Tress ‑ Chief Executive
Charity Number
1058196
Company Number
03240356
Independent Examiner
T Jenkins Chartered Management Accountants Chartered Management Accountants 19 Clos y Carw Llantwit Fadre CF38 2BP
Bankers
Unity Trust Bank Nine Brindley Place Birmingham
Solicitors
Darwin Gray LLP Helmont House Churchill Way Cardiff
Operating Process
The Board meets at least four times a year, timed to fit with delivery of key targets or information requirements set by Arts Council of Wales. The Board may form sub‑committees in order to delegate specific tasks, processes or projects. Composition, engagement and management of the orchestra, programming, the running of the office, and day‑to‑day staff matters are delegated to the Chief Executive. The Chief Executive and Chair maintain a regular dialogue between formal Board meetings.
Page 5
Sinfonia Cymru Trustees' Report (continued) For The Year Ended 30 September 2025
Statement of Trustees' Responsibilities
The trustees (who are also the directors of Sinfonia Cymru for the purposes of company law) are responsible for preparing the Trustees' Report and the financial statements in accordance with applicable law and United Kingdom Accounting Standards (United Kingdom Generally Accepted Accounting Practice).
Company law requires the trustees to prepare financial statements for each financial year. Under company law the trustees must not approve the financial statement unless they are satisfied that they give a true and fair view of the state of affairs of the charitable company and of the incoming resources and application of resources, including the income and expenditure, of the charitable company for that period. In preparing the financial statements the trustees are required to꞉
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select suitable accounting policies and then apply them consistently; observe the methods and principles in the Charity SORP;
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make judgments and accounting estimates that are reasonable and prudent; and
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prepare the financial statements on the going concern basis unless it is inappropriate to presume that the company will continue in business.
The trustees are responsible for keeping adequate accounting records which disclose with reasonable accuracy at anytime the financial position of the charitable company and to enable them to ensure that the accounts comply with the Companies Act 2006. They are also responsible for safeguarding the assets of the company and hence for taking reasonable steps for the prevention and detection of fraud and other irregularities.
The trustees are responsible for the maintenance and integrity of the corporate and financial information included on the charitable company's website. Legislation in the United Kingdom governing the preparation and dissemination of financial statements may differ from legislation in other jurisdictions.
Small Company Rules
This report has been prepared in accordance with the special provisions relating to companies subject to the small companies regime within Part 15 of the Companies Act 2006.
The trustees' report was approved by the board of trustees and signed on its behalf by꞉
W M Sterk Trustee 15/01/2026
Page 6
Sinfonia Cymru Independent Examiner's Report to the Trustees of Sinfonia Cymru For The Year Ended 30 September 2025
I report to the charity trustees on my examination of the accounts of the Company for the year ended 30 September 2025.
Responsibilities and Basis of Report
As the charity trustees of the Company (and also its directors for the purposes of company law), you are responsible for the preparation of the accounts in accordance with the requirements of the Companies Act 2006 (“the 2006 Act”).
Having satisfied myself that the accounts of the Company are not required to be audited under Part 16 of the 2006 Act and are eligible for independent examination, I report in respect of my examination of your charity’s accounts as carried out under section 145 of the Charities Act 2011 (‘the 2011 Act’). In carrying out my examination I have followed the Directions given by the Charity Commission under section 145(5) (b) of the 2011 Act.
Independent Examiner's Statement
Since the Company’s gross income exceeded £250,000 your examiner must be a member of a body listed in section 145 of the 2011 Act. I confirm that I am qualified to undertake the examination because I am a member of The Chartered Institute of Management Accountants, which is one of the listed bodies.
I have completed my examination. I confirm that no matters have come to my attention in connection with the examination giving me cause to believe꞉
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1. accounting records were not kept in respect of the Company as required by section 386 of the 2006 Act; or
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2. the accounts do not accord with those records; or
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3. the accounts do not comply with the accounting requirements of section 396 of the 2006 Act other than any requirement that the accounts give a 'true and fair view' which is not a matter considered as part of an independent examination; or
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4. the accounts have not been prepared in accordance with the methods and principles of the Statement of Recommended Practice for accounting and reporting by charities applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102).
I have no concerns and have come across no other matters in connection with the examination to which attention should be drawn in this report in order to enable a proper understanding of the accounts to be reached.
T Jenkins Chartered Management Accountants 08/01/2026 19 Clos y Carw Llantwit Fadre CF38 2BP
Page 7
Sinfonia Cymru Statement of Financial Activities (including Income and Expenditure Account) For The Year Ended 30 September 2025
| Notes INCOMEANDENDOWMENTSFROM꞉ Donationsandlegacies 3 Charitableactivities 4 Investments 5 Other 6 EXPENDITUREON꞉ Raisingfunds 7 Charitableactivities 7 Other NET(EXPENDITURE)/INCOME NETMOVEMENTINFUNDS RECONCILIATIONOFFUNDS꞉ Totalfundsbroughtforward TOTALFUNDSCARRIEDFORWARD 17 |
Unrestricted funds £ 221,422 70,398 41 105,094 |
Restricted funds £ ‑ 72,175 ‑ ‑ |
2025 Total funds £ 221,422 142,573 41 105,094 |
2024 Total funds £ 228,645 139,589 579 117,142 |
|---|---|---|---|---|
| 396,955 | 72,175 | 469,130 | 485,955 | |
| (34,978) (429,787) (20,986) |
‑ (72,175) ‑ |
(34,978) (501,962) (20,986) |
(12,668) (431,320) (21,637) |
|
| (485,751) | (72,175) | (557,926) | (465,625) | |
| (88,796) | ‑ | (88,796) | 20,330 | |
| (88,796) 321,194 |
‑ ‑ |
(88,796) 321,194 |
20,330 300,864 |
|
| 232,398 | ‑ | 232,398 | 321,194 |
The notes on pages 11 to 18 form part of these financial statements.
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Sinfonia Cymru Comparative Statement of Financial Activities (including Income and Expenditure Account)
For The Year Ended 30 September 2025
| Notes INCOMEANDENDOWMENTSFROM꞉ Donationsandlegacies 3 Charitableactivities 4 Investments 5 Other 6 EXPENDITUREON꞉ Raisingfunds 7 Charitableactivities 7 Other NETINCOME NETMOVEMENTINFUNDS RECONCILIATIONOFFUNDS꞉ Totalfundsbroughtforward TOTALFUNDSCARRIEDFORWARD 17 |
Unrestricted funds £ 228,645 76,589 579 117,142 |
Restricted funds £ ‑ 63,000 ‑ ‑ |
2024 Total funds £ 228,645 139,589 579 117,142 |
|---|---|---|---|
| 422,955 | 63,000 | 485,955 | |
| (12,668) (368,320) (21,637) |
‑ (63,000) ‑ |
(12,668) (431,320) (21,637) |
|
| (402,625) | (63,000) | (465,625) | |
| 20,330 | ‑ | 20,330 | |
| 20,330 300,864 |
‑ ‑ |
20,330 300,864 |
|
| 321,194 | ‑ | 321,194 |
The notes on pages 11 to 18 form part of these financial statements.
Page 9
Sinfonia Cymru Balance Sheet As At 30 September 2025
| 2025 | 2024 | ||||
|---|---|---|---|---|---|
| Unrestricted | Restricted | Total | Total | ||
| funds | funds | funds | funds | ||
| Notes | £ | £ | £ | £ | |
| FIXED ASSETS | |||||
| Tangible Assets | 12 | 823 | ‑ | 823 | 2,245 |
| 823 | ‑ | 823 | 2,245 | ||
| CURRENT ASSETS | |||||
| Debtors | 13 | 123,000 | ‑ | 123,000 | 150,347 |
| Cash at bank and in hand | 135,390 | ‑ | 135,390 | 180,437 | |
| 258,390 | ‑ | 258,390 | 330,784 | ||
| Creditors | 14 | (26,815) | ‑ | (26,815) | (11,834) |
| NET CURRENT ASSETS (LIABILITIES) | 231,575 | ‑ | 231,575 | 318,950 | |
| TOTAL ASSETS LESS CURRENT LIABILITIES | 232,398 | ‑ | 232,398 | 321,195 | |
| NET ASSETS | 232,398 | ‑ | 232,398 | 321,195 | |
| FUNDS OF THE CHARITY | |||||
| Unrestricted Funds | 232,398 | 321,194 | |||
| TOTAL FUNDS | 17 | 232,398 | 321,194 |
For the year ending 30 September 2025 the charitable company was entitled to exemption from audit under section 477 of the Companies Act 2006 relating to small companies.
The members have not required the charitable company to obtain an audit in accordance with section 476 of the Companies Act 2006.
The trustees acknowledge their responsibilities for complying with the requirements of the Act with respect to accounting records and the preparation of accounts.
These accounts have been prepared in accordance with the provisions applicable to companies subject to the small companies regime.
On behalf of the board
W M Sterk Trustee 15/01/2026
The notes on pages 11 to 18 form part of these financial statements.
Page 10
Sinfonia Cymru Notes to the Financial Statements For The Year Ended 30 September 2025
1. General Information
Sinfonia Cymru is a company limited by guarantee, incorporated in England & Wales, registered number 03240356 and registered charity number 1058196. The registered office is .
2. Accounting Policies
2.1. Basis of Preparation of Financial Statements
The financial statements have been prepared in accordance with the Charities SORP (FRS 102) "Accounting and Reporting by Charities꞉ Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102) (effective 1 January 2019)", Financial Reporting Standard 102 "The Financial Reporting Standard applicable in the UK and Republic of Ireland" and the Companies Act 2006.
The charitable company is a Public Benefit Entity as defined by FRS 102.
2.2. Fund Accounting
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Unrestricted funds ‑ These are available for use at the discretion of the trustees in furtherance of the general objects of the charity.
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Designated funds ‑ These are unrestricted funds earmarked by the trustees for particular purposes. Revaluation funds ‑ These are unrestricted funds which include a revaluation reserve representing the restatement of investment assets at their market values.
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Restricted funds ‑ These are available for use subject to restrictions imposed by the donor or through terms of an appeal.
2.3. Incoming Resources
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Recognition of income ‑Income is included in the Statement of Financial Activities (SoFA) when the charity becomes entitled to, and virtually certain to receive, the income and the amount of the income can be measured with sufficient reliability.
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Income with related expenditure ‑ Where income has related expenditure the income and related expenditure is reported gross in the SoFA.
-
Donations and legacies ‑ Voluntary income received by way of grants, donations and gifts is included in the the SoFA when receivable and only when the Charity has unconditional entitlement to the income. Tax reclaims on donations and gifts ‑ Income from tax reclaims is included in the SoFA at the same time as the gift/donation to which it relates.
-
Donated services and facilities ‑ These are only included in income (with an equivalent amount in expenditure) where the benefit to the Charity is reasonably quantifiable, measurable and material. Volunteer help ‑ The value of any volunteer help received is not included in the accounts. Investment income ‑ This is included in the accounts when receivable.
-
Gains/(losses) on revaluation of fixed ‑ assets This includes any gain or loss resulting from revaluing investments to market value at the end of the year.
-
Gains/(losses) on investment assets ‑ This includes any gain or loss on the sale of investments.
2.4. Resources Expended
-
Recognition of expenditure ‑ Expenditure is recognised on an accruals basis. Expenditure includes any VAT which cannot be fully recovered, and is reported as part of the expenditure to which it relates. Expenditure on raising funds ‑ These comprise the costs associated with attracting voluntary income, fundraising trading costs and investment management costs.
-
Expenditure on charitable activities ‑ These comprise the costs incurred by the Charity in the delivery of its activities and services in the furtherance of its objects, including the making of grants and governance costs. Grants payable ‑ All grant expenditure is accounted for on an actual paid basis plus an accrual for grants that have been approved by the trustees at the end of the year but not yet paid.
-
Governance costs ‑ These include those costs associated with meeting the constitutional and statutory requirements of the Charity, including any audit/independent examination fees, costs linked to the strategic management of the Charity, together with a share of other administration costs. Other expenditure ‑ These are support costs not allocated to a particular activity.
Page 11
Sinfonia Cymru Notes to the Financial Statements (continued) For The Year Ended 30 September 2025
2.5. Tangible Fixed Assets and Depreciation
Tangible fixed assets are measured at cost less accumulated depreciation and any accumulated impairment losses. Depreciation is provided at rates calculated to write off the cost of the fixed assets, less their estimated residual value, over their expected useful lives on the following bases꞉
Computer Equipment
3 Year straight line
2.6. Leasing and Hire Purchase Contracts
Where the charity enters into a lease which entails taking substantially all the risks and rewards of ownership of an asset, the lease is treated as a finance lease.
Leases which do not transfer substantially all the risks and rewards of ownership to charity are classified as operating leases.
Assets held under finance leases are initially recognised as assets of the charity at their fair value at the inception of the lease or, if lower, at the present value of the minimum lease payments. The corresponding liability to the lessor is included in the balance sheet date as a finance lease obligation. Lease payments are apportioned between finance expenses and reduction of the lease obligation so as to achieve a constant rate of interest on the remaining balance of the liability. Finance expenses are recognised immediately, unless they are directly attributable to qualifying assets, in which case they are capitalised in accordance with the charity's policy on borrowing costs.
Assets held under finance leases are depreciated in the same way as owned assets.
Operating lease payments are recognised as an expense on a straight‑line basis over the lease term. In the event that lease incentives are received to enter into operating leases, such incentives are recognised as a liability. The aggregate benefit of incentives is recognised as a reduction of rental expense on a straight‑line basis.
2.7. Stocks and Work in Progress
Stock is included at the lower of cost or net realisable value. Donated items of stock are recognised at fair value which is the amount the charity would have been willing to pay for the items on the open market.
2.8. Cash and Cash Equivalents
Cash and cash equivalents comprise cash at bank and on hand, demand deposits with banks and other short‑term highly liquid investments with original maturities of three months or less and bank overdrafts. In the statement of financial position, bank overdrafts are shown within borrowings or current liabilities. In the Statement of Cash Flows, cash and cash equivalents are shown net of bank overdrafts that are repayable on demand and form an integral part of the company's cash management.
2.9. Foreign Currencies
Monetary assets and liabilities denominated in currencies other than the functional currency of the charity are translated at the rates of exchange prevailing at the end of the reporting period. Transactions in currencies other than the functional currency of the charity are recorded at the rate of exchange on the date that the transaction occurred. All exchange differences are are taken into account in arriving at net income/expenditure.
2.10. Taxation
The charity is exempt from tax as all its income is charitable and applied for charitable purposes.
2.11. Pensions
The charity operates a defined contribution plan for its employees. A defined contribution plan is a pension plan under which the company pays fixed contributions into a separate entity. Once the contributions have been paid the company has no further payments obligations. The contributions are recognised as expenses when they fall due. Amounts not paid are shown in accruals in the balance sheet. The assets of the plan are held separately from the company in independently administered funds.
2.12. Freehold investment property
Investment properties are measured initially at cost and subsequently at fair value at each balance sheet date and are not depreciated. All gains or losses are taken to the Statement of Financial Activities as they arise.
Page 12
Sinfonia Cymru Notes to the Financial Statements (continued) For The Year Ended 30 September 2025
2.13. Trade debtors and creditors
Trade and other debtors are recognised at the settlement amount due after any trade discount offered. Prepayments are valued at the amount prepaid net of any trade discounts due.
Short term creditors are measured at the transaction price. Other creditors and provisions are recognised where the charity has a present obligation resulting from a past event that will probably result in the transfer of funds to a third party and the amount due to settle the obligation can be measured or estimated reliably. Creditors and provisions are normally recognised at their settlement amount after allowing for any trade discounts due.
2.14. Receipt of donated goods, facilities and services
All donated goods, facilities and services received are recognised within incoming resources and expenditure at an estimate of the value to the charity.
3. Income from Donations and Legacies
| Donationsandgifts Giftaid Grants |
2025 Unrestricted funds £ 1,750 362 219,310 |
2024 Unrestricted funds £ 6,817 1,066 220,762 |
|---|---|---|
| 221,422 | 228,645 |
4. Income from Charitable Activities
| ConcertsandPerformances CreativeLearningIncome Projects ConcertsandPerformances CreativeLearningIncome Projects . InvestmentIncome Interestonshort‑termdeposits Otherinterestreceivable |
Unrestricted funds £ 70,298 ‑ 100 |
Restricted funds £ 47,175 ‑ 25,000 |
2025 Total funds £ 117,473 ‑ 25,100 |
|---|---|---|---|
| 70,398 | 72,175 | 142,573 | |
| Unrestricted funds £ 40,218 167 36,204 |
Restricted funds £ 55,000 ‑ 8,000 |
2024 Total funds £ 95,218 167 44,204 |
|
| 76,589 | 63,000 | 139,589 | |
| 2025 Unrestricted funds £ 41 ‑ |
2024 Unrestricted funds £ ‑ 579 |
||
| 41 | 579 |
5. Investment Income
Page 13
Sinfonia Cymru Notes to the Financial Statements (continued) For The Year Ended 30 September 2025
6. Other Income
| OrchestralTaxRelief TheatreTaxRelief |
2025 Unrestricted funds £ 89,924 15,170 |
2024 Unrestricted funds £ 87,609 29,533 |
|---|---|---|
| 105,094 | 117,142 |
7. Analysis of Expenditure
| . AnalysisofExpenditure |
||||
|---|---|---|---|---|
| Raisingfunds ConcertsandPerformances Projects Other Staffwages Raisingfunds ConcertsandPerformances Projects . SupportCosts Employeecosts Generaladministration Governancecosts |
Raising funds £ ‑ 34,229 683 |
Activities undertaken directly £ 66 304,042 57,401 ‑ ‑ |
Support costs (seenote8) £ 34,912 ‑ ‑ 2,562 137,957 |
2025 Total £ 34,978 304,042 57,401 2,562 137,957 |
| 361,509 | 175,431 | 536,940 | ||
| Activities undertaken directly £ 12,668 299,485 8,000 |
Support costs (seenote8) £ ‑ 123,835 ‑ |
2024 Total £ 12,668 423,320 8,000 |
||
| 320,153 | 123,835 | 443,988 | ||
| Other £ 2,562 ‑ ‑ |
Staffwages £ 137,957 ‑ ‑ |
2025 Total £ 140,519 34,229 683 |
||
| 34,912 | 2,562 | 137,957 | 175,431 |
8. Support Costs
2024
Concerts and Performances £ 123,835
Employee costs
Page 14
Sinfonia Cymru Notes to the Financial Statements (continued) For The Year Ended 30 September 2025
9. Independent Examiner's Remuneration
| Independentexaminationofthefinancialstatements Otherassuranceservices Taxadvisoryservices Otherfinancialservices |
2025 £ 683 ‑ ‑ ‑ 683 |
2024 £ 683 ‑ ‑ ‑ |
|---|---|---|
| 683 |
10. Staff Costs
Staffing levels remain similar to the previous year. One parttime (0.6 FTE) member of staff left the company mid‑year to relocate to London and was replaced by a 0.8 FTE member of the team – the increase in time enabling us to manage the increase in touring activity.
Thank you very much to the many volunteers and community ambassadors who are also crucial to our work.
| Wagesandsalaries Socialsecuritycosts Otherpensioncosts |
2025 £ 127,118 4,723 6,116 137,957 |
2024 £ 111,989 3,525 5,325 |
|---|---|---|
| 120,839 |
No employees received employee benefits (excluding employer pension costs) for the reporting period of more than £60,000.
11. Average Number of Employees
Average number of employees during the year was꞉ 5 (2024꞉ 6)
12. Tangible Assets
| Cost Asat1October2024 Asat30September2025 Depreciation Asat1October2024 Providedduringtheperiod Asat30September2025 NetBookValue Asat30September2025 Asat1October2024 |
Computer Equipment £ 8,249 |
|---|---|
| 8,249 | |
| 6,004 1,422 |
|
| 7,426 | |
| 823 | |
| 2,245 |
Page 15
Sinfonia Cymru Notes to the Financial Statements (continued) For The Year Ended 30 September 2025
13. Debtors
| Duewithinoneyear Tradedebtors Prepaymentsandaccruedincome Otherdebtors |
2025 £ 6,413 11,493 105,094 123,000 |
2024 £ 28,143 5,062 117,142 |
|---|---|---|
| 150,347 |
| 14. Creditors Tradecreditors Bankloansandoverdrafts Taxationandsocialsecurity Accrualsanddeferredincome |
2025 £ 18,231 ‑ 1,556 7,028 26,815 |
2024 £ 770 274 2,819 7,971 |
|---|---|---|
| 11,834 |
15. Deferred Income
Deferred income movements in the year were as follows꞉
| Balanceatthestartoftheperiod Incomedeferredinthecurrentperiod Amountsreleasedinincomefrompreviousperiods Balanceattheendoftheperiod |
2025 £ 1,425 5,000 (1,425) |
2024 £ 3,959 1,425 (3,959) |
|---|---|---|
| 5,000 | 1,425 |
Deferred income as at 30 September 2024 is £1,425 Cardiff Council transfer of restricted grant from N’famady project. Deferred income as at 30 September 2025 is £5,000 of N'famady Grant.
16. Pension Commitments
The charitable company operates a defined contribution pension scheme. The assets of the scheme are held separately from those of the charitable company in an independently administered fund.
During the year the charge to the statement of financial activities in respect of defined contribution schemes was £6,116 (2024꞉ £5,325).
At the balance sheet date contributions of £NIL were due to the fund and are included in creditors.
17. Movement in Funds
| 7. MovementinFunds |
|||||
|---|---|---|---|---|---|
| Asat1 | Asat30 | ||||
| October | September | ||||
| 2024 | Income | Expenditure | Transfers | 2025 | |
| £ | £ | £ | £ | £ | |
| Unrestrictedfunds | |||||
| General꞉ | |||||
| Generalunrestrictedfund | 26,194 | 396,955 | (485,751) | 88,796 | 26,194 |
| Designated꞉ | |||||
| ...CONTINUED |
Page 16
Sinfonia Cymru Notes to the Financial Statements (continued) For The Year Ended 30 September 2025
| DesignatedRiskReserve DesignatedProgrammeReserve DesignatedEnhancedProgrammeReserve Totalunrestrictedfunds Restrictedfunds PRS VOGF N'famady Schools Birds ChasingSunlight HaworthTrust Totalrestrictedfunds Totalfunds Unrestrictedfunds General꞉ Generalunrestrictedfund Designated꞉ DesignatedRiskReserve DesignatedProgrammeReserve DesignatedEnhancedProgrammeReserve Totalunrestrictedfunds Restrictedfunds FoyleFoundation ColwinstonTrust MidWalesMusicTrust Nugee PowysCommunityFund |
75,000 100,000 120,000 |
‑ ‑ ‑ |
‑ ‑ ‑ |
‑ ‑ (88,796) |
75,000 100,000 31,204 206,204 232,398 ‑ ‑ ‑ ‑ ‑ ‑ ‑ ‑ 232,398 Asat30 September 2024 £ 26,194 75,000 100,000 120,000 295,000 321,194 ‑ ‑ ‑ ‑ ‑ ...CONTINUED |
|---|---|---|---|---|---|
| 295,000 | ‑ | ‑ | (88,796) | ||
| 321,194 | 396,955 | (485,751) | ‑ | ||
| ‑ ‑ ‑ ‑ ‑ ‑ ‑ |
15,600 4,800 1,425 25,000 9,350 1,000 15,000 |
(15,600) (4,800) (1,425) (25,000) (9,350) (1,000) (15,000) |
‑ ‑ ‑ ‑ ‑ ‑ ‑ |
||
| ‑ | 72,175 | (72,175) | ‑ | ||
| 321,194 | 469,130 | (557,926) | ‑ | ||
| Asat1 October 2023 £ 26,265 75,000 199,599 ‑ |
Income £ 422,955 ‑ ‑ ‑ |
Expenditure £ (402,625) ‑ ‑ ‑ |
Transfers £ (20,401) ‑ (99,599) 120,000 |
||
| 274,599 | ‑ | ‑ | 20,401 | ||
| 300,864 | 422,955 | (402,625) | ‑ | ||
| ‑ ‑ ‑ ‑ ‑ |
30,000 12,500 5,000 1,500 1,500 |
(30,000) (12,500) (5,000) (1,500) (1,500) |
‑ ‑ ‑ ‑ ‑ |
Page 17
Sinfonia Cymru Notes to the Financial Statements (continued) For The Year Ended 30 September 2025
| PRS TyCerdd Totalrestrictedfunds Totalfunds |
‑ ‑ |
9,000 3,500 |
(9,000) (3,500) |
‑ ‑ |
‑ ‑ |
|---|---|---|---|---|---|
| ‑ | 63,000 | (63,000) | ‑ | ‑ | |
| 300,864 | 485,955 | (465,625) | ‑ | 321,194 |
18. Transactions with Trustees
None of the trustees received any remuneration or any other benefits from an employment with the charity or a related entity during the current or previous year.
No trustee expenses have been incurred.
19. Related Party Disclosures
During the year, discussions continued with the Gregynog Trust regarding a partnership between the two organisations. This commenced in the summer of 2022 and sees Sinfonia Cymru creating annual residencies at Gregynog Hall. Sinfonia Cymru was introduced to Gregynog Hall by Carole‑Anne Davies, the Chair of The Gregynog Trust. Carole‑Anne is married to Sinfonia Cymru trustee, Wiard Sterk. The discussions were started with the former Chief Executive of the Trust and have continued with her successor. Carole‑Anne made the initial introduction for the two parties and during the handover period between her Chief Executives, she maintained a holding relationship with Sinfonia Cymru.
Also during the year꞉
Alistair Vennart
Trustee
for creating musical arrangements for the organisation totalling £2358.70 during the year. Alistair is an established arranger of musical works, and received payment in line with industry standards.
Page 18
Sinfonia Cymru Detailed Statement of Financial Activities (including Income and Expenditure Account) For The Year Ended 30 September 2025
| INCOMEANDENDOWMENTSFROM꞉ Donationsandlegacies Donationsandgifts Giftaid Generalgrantsprovidedbygovernment/publicsector CharitableActivities꞉ ConcertsandPerformances Grants ConcertsandPerformances Projectincome CreativeLearningIncome CreativeLearningIncome Projects Grants Projectincome Investments Interestonshorttermdeposits Interestincome Other OrchestralTaxRelief TheatreTaxRelief EXPENDITUREON꞉ Raisingfunds Advertising,marketing,directmailandpublicity Advertisingandmarketingcosts Accountancyfees Independentexaminer'sfees CharitableActivities꞉ ConcertsandPerformances ConcertandPerformances StaffWages |
2025 Total funds £ 1,750 362 219,310 |
2024 Total funds £ 6,817 1,066 220,762 228,645 55,000 40,218 ‑ 95,218 167 167 8,000 36,204 44,204 ‑ 579 579 87,609 29,533 117,142 485,955 (12,668) ‑ ‑ ‑ (12,668) (299,485) (111,989) ...CONTINUED |
|---|---|---|
| 221,422 47,175 38,200 32,098 |
||
| 117,473 ‑ |
||
| ‑ 25,000 100 |
||
| 25,100 41 ‑ |
||
| 41 89,924 15,170 |
||
| 105,094 | ||
| 469,130 (66) (34,912) 683 (683) |
||
| (34,978) (304,042) ‑ |
Page 19
Sinfonia Cymru Detailed Statement of Financial Activities (including Income and Expenditure Account) (continued) For The Year Ended 30 September 2025
| EmployersNI Employerspensions‑definedcontributionsscheme) Otherstaffcosts Projects ConcertandPerformances Other Stafftraining Travelandsubsistenceexpenses Staffwages StaffWages EmployersNI Employerspensions‑definedcontributionsscheme) Other Depreciation Professional,LegalandConsulting GeneralAdministrative NET(EXPENDITURE)/INCOME |
‑ ‑ ‑ |
(3,525) (5,325) (2,996) |
|---|---|---|
| (304,042) (57,401) |
(423,320) (8,000) |
|
| (57,401) (549) (2,013) |
(8,000) ‑ ‑ |
|
| (2,562) (127,118) (4,723) (6,116) |
‑ ‑ ‑ ‑ |
|
| (137,957) (1,422) (10,445) (9,119) |
‑ (1,318) (13,767) (6,552) |
|
| (20,986) | (21,637) | |
| (557,926) | (465,625) | |
| (88,796) | 20,330 |
Page 20