TRUSTEES’ ANNUAL REPORT AND FINANCIAL STATEMENTS
For The Year Ended 30th April 2023
Charity Number 1046002
Trustees’ Annual Report
The Trustees present their report with the financial statements of the charity for the year ended 30 April 2023.
The financial statements have been prepared in accordance with the policies set out in Note 1 to the Financial Statements and comply with the charity’s constitution, the Charities Act 2011, regulations applicable to that Act, and Accounting and Reporting by Charities: Statement of Recommended Practice applicable to charities preparing their accounts in accordance with the Financial Reporting Standard applicable in the UK and Republic of Ireland (FRS 102), effective from accounting periods commencing 1st January 2015 or later.
Charity Structure, Governance, and Management
Charity Number: 1046002
Charity Name: New Forest Players
Registered Address: 17 Dudley Avenue, Hordle, Lymington, SO41 0HY
Type of governing document: The Constitution of the New Forst Players was adopted at the AGM of 11 April 1995 and amended at the EGM of 6 February 1997 (Second Edition), AGM of 9 September 2003 (Third Edition), EGM of 26 February 2004 (Fourth Edition), EGM of 31 March 2011 (Fifth Edition), and AGM of 27 August 2020 (Sixth Edition).
How the charity is constituted: Full Membership is open to any person aged 18 or over who is interested in furthering the Objectives of the charity. Junior Members may be accepted under the age of 18 years but shall have no voting rights. There are currently 100 Full Members and 16 Junior Members. New Forest Players is run by the Executive Committee of 10 comprising 4 Honorary Officers (Chairman, Vice-Chairman, Secretary, and Treasurer) and six other Full Members.
Trustee selection methods: Members of the Executive Committee are elected or re-elected at the Annual General Meeting in August. The Executive Committee has the power to co-opt members should a committee vacancy occur during the year.
Executive Committee: The Executive Committee of the New Forest Players are its Trustees for the purposes of charity law and throughout this report are collectively referred to as its trustees. The Trustees serving during the year were as follows:
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David Luker: Chairman
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Sarah Haberfield: Vice-Chairman
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Wendy Beaumont: Secretary
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Ben Sandford: Treasurer
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Judy Anders: Committee Member (resigned June 2023)
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Christine Battison: Committee Member
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Simon Hanney: Committee Member
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Claire Nicholson: Committee Member
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Len Reid: Committee Member
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Elaine Reid: Committee Member (resigned May 2023)
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Lyn Lockyer: Committee Member (co-opted June 2023)
Advisers:
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Bank: CAF Bank Limited, 25 Kings Hill Avenue, Kings Hill, West Malling, Kent, ME19 4JQ
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Independent Examiner: Mary Stallwood
Charity Objectives and Activities
The charity’s objectives are to promote the advancement and improvement of all aspects of drama and the development of the public appreciation of such art.
The New Forest Players (NFP) is a leading amateur drama group based in New Milton with members from the New Forest Area. The NFP has an active membership and aims to produce at least three plays each year plus a seasonal pantomime. NFP gives members the opportunity to meet other amateur theatre enthusiasts & take part on stage or behind the scenes at any of our productions. The performances are well attended and are generally well received by audiences.
The Trustees have taken careful regard of the Charity Commission guidance on public benefit and believe that by meeting the objects of the Charity they are fulfilling those requirements.
The following productions were staged by the New Forst Players in 2022/23. The Chairman’s report on pages 4 to 5 gives further details of activity during the year.
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Robin Hood (July 2022)
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Death Trap (October 2022)
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Cinderella (December 2022)
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One Day I’ll Fly Away (April 2023)
Declaration
The Trustees declare that they approved the above report at the Executive Committee Meeting on 05 December 2024. Signed on behalf of the charity’s trustees:
David Luker, Chairman
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Chairman’s Review of the Year 2022/23
As we come to the conclusion of my fourth year as your chairman, we have at last enjoyed a full season of productions following the pandemic. Therefore, I am delighted to report on 4 productions having just concluded the 4th a few days ago.
Productions
The postponed pantomime finally arrived in New Milton in July with very few cast changes and proved to be the usual epic production with a team of over 50 under the expert direction of Sarah Haberfield. We were pleased to at last return to the Memorial Centre after an absence of 2 and a half years which is ideally suited for this type of production. We are fortunate to have in New Milton one of the largest indoor performance spaces between Southampton and Bournemouth. The NFP Robin Hood was created by Martin Cox who wrote the script so thanks to Martin and also for his time on the committee.
In October we crossed the pond to Connecticut to indulge ourselves in the comedy thriller Deathtrap directed by me and Ieuan. We were thrilled to have the services of a professional stuntman to direct the action sequences. It proved to be a challenging play and required 8 extra rehearsals however the time investment was well worthwhile. We attempted probably one of our more ambitious and atmospheric box sets decorated with an assortment of extraordinary weapons begged, borrowed and purchased and valued at nearly £2k. Our professional artist was able to make a needle punch carpet look like a flagstone floor as well as producing the spectacular theatre posters.
Pantomime rehearsals started early in September and the decision was taken to change the venue from the Memorial Centre to Ballard which despite some reservations proved an excellent decision so much so that the next one will again be here. Cinderella was the 10th pantomime directed by Sarah Haberfield and all the superlatives have been exhausted. Needless to say, it was another huge success and an opportunity for members and non-members of all ages to get involved. Virtually every element in theatre was employed to its full potential and the new style of story book set warrants a special mention.
As winter turned to spring, we were treated to a poignant and hard-hitting play set in a respite home - One Day I Will Fly Away. Sensitively directed by Len Reid the play explored the frustrations and despair of the infirm and elderly and dedication of the carers countered by the mixed-up emotions of a young offender doing community service. The play was laced with sadness and humour, tears and laughter culminating in an emotionally charged final scene. We were also delighted to welcome the writer Janet Shaw who travelled from Yorkshire to watch the show.
There are too many of you to thank by name but thanks to all the performers, directors, producers, technical crews, set builders, stage managers, prompts, props, backstage crews, front of house, publicity and box office. It has been particularly encouraging to welcome many new members whose enthusiasm to get involved has inspired us all. As I said last year – take away any one of these elements and we simply do not have a show. Amateur dramatics is very much and always will be a team sport and we have enjoyed great camaraderie and friendship in the process.
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Club Nights
We turn to club nights kicking off with an interesting and entertaining talk by Paul Weston the Hollywood stuntman who featured in many blockbusters including the Bond films, Indiana Jones, Star Wars and many TV dramas. We also enjoyed some excellent one act plays interspersed by the annual quiz and Christmas Games Show. The highlight of the season was the junior showcase when we were treated to a wealth of talent by our young members. Such was its success that we hope to make it an annual event. Valentines was marked by Love and Laughter rounded off by Mr and Mrs. We also fitted in an information section providing an insight to the workings of NFP and brief presentation by the directors of forthcoming productions. Club night attendances continue to be encouraging and we were delighted to welcome many new faces. Particular thanks to Len Reid who masterminded the season and to all who participated.
Open Evening
Encouraged by the 2021 open evening the committee decided to repeat the event in September but unfortunately it did not evoke the same response. However socially it was very successful after the summer break. Perhaps an open evening every few years is preferable rather than annually.
Production Sub Committee
The production sub-committee chaired by Gill Pitt has welcomed new members and has proposed a good mix of plays for the coming season when we will reintroduce a fifth production in February at Forest Arts Centre. Directors have been assigned and the main committee are confident that we can look forward to another season of high-quality productions. The production committee will start planning the 2024/5 season in September.
Members
We have said goodbye recently to Jim and Maureen Small who have been long standing members and have relocated to Essex to live near their daughter. We thank them for all their help on FOH and set building. They have promised to keep in touch and we wish them well. Unfortunately, we lost a member during the last season. Joy Bacon performed in several plays, was on the committee and FOH manager. Her contribution to the society is greatly appreciated.
Conclusion
Finally, we must not forget Ballard School where we continue to enjoy their excellent facilities for the majority of our activities and we look forward to a continuing harmonious relationship.
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Report of the Independent Examiner to the Members of the New Forest Players
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Statement of Financial Activities
| Sales / Business Income (Turnover) Fees received Net surplus/loss from Productions Membership Fees Ticket Sales Front of House Sales Club Night Revenue Other Income Cost of Sales Opening Stock Valuation Closing Stock Valuation Production Costs Front of House Costs Club Night Costs Other Costs Gross Profit Other Income Interest Received Donations Overhead Expenses Property Repairs and Maintenance Store Electricity Venue Hire Print, Post & Stationery Contact Costs Net Cost of Club Nights and Social General Insurance Website Gifts Box Office Telephone Subscriptions & Licences Bank Charges Depreciation Sundry Other Expenses Net profit / (loss) for the year |
2023 2022 Note £ £ £ £ - 1,930 - (3,088) 2,748 - 28,372 - 3,985 - 66 - 410 - _ _ 35,581 (1,158) - (87) - (116) 25,729 - 3,156 - 254 - 259 - _ _ 29,398 29 _ _ 6,183 (1,129) 115 2 - 5,000 _ _ 115 3,873 688 61 196 104 20 90 156 213 105 138 - 424 998 863 436 1155 - 30 75 72 86 235 70 96 1,317 1317 3 105 929 408 - _ _ 4,660 5,727 _ _ 1,639 (1,854) ======= ======= |
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Balance Sheet
| Fixed assets Fixed Assets Current assets Stocks Debtors & Prepayments Bank Accounts Cash Accounts Current liabilities Other creditors Net current assets Total assets less liabilities Represented by: Opening Balance as at beginning of year Profit / (Loss) for the year Closing balance as at end of year |
2023 2022 Note £ £ £ £ 3,679 4,996 - 115 4 1,498 11,214 22,544 14,743 1,166 280 _ _ 25,207 26,352 _ _ 5 752 4,853 _ _ 24,455 21,499 _ _ 24,455 21,499 _ _ 28,135 26,495 ======= ======= 26,495 28,349 1,639 (1,854) _ _ 28,134 26,495 ======= ======= |
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Read & approved _____ David Luker – Chair New Forest Players _____ Ben Sandford – Treasurer New Forest Players
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Schedule of Fixed Assets
| Tangible fixed assets Building Cost: As at beginning of year As at end of year Net book value at end of year Stage Properties & Equipment Cost: As at beginning of year Additions As at end of year Depreciation: As at beginning of year Charge for the year As at end of year Net book value at end of year Clubhouse & Store Assets Cost: As at beginning of year Additions As at end of year Depreciation: As at beginning of year Charge for the year As at end of year Net book value at end of year |
2023 2022 Note £ £ £ £ 3,444 3,444 _ _ 3,444 3,444 _ _ 3,444 3,444 29,659 29,188 - 471 _ _ 29,659 29,659 _ _ (28,569) (27,714) (855) (855) _ _ (29,423) (28,569) _ _ 235 1,090 6,810 6,810 - - _ _ 6,810 6,810 _ _ (6,395) (5,980) (415) (415) _ _ (6,810) (6,395) _ _ - 415 |
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| Wardrobe Furniture Cost: As at beginning of year Additions As at end of year Depreciation: As at beginning of year Charge for the year As at end of year Net book value at end of year Cups & Trophies Cost: As at beginning of year Additions As at end of year Depreciation: As at beginning of year Charge for the year As at end of year Net book value at end of year |
2023 2022 Note £ £ £ £ 357 357 - - _ _ 357 357 _ _ (355) (354) (1) (1) _ _ (357) (355) _ _ - 2 183 183 - - _ _ 183 183 _ _ (137) (92) (46) (46) _ _ (183) (137) _ _ - 45 _ _ 3,679 4,996 ======= ======= |
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Notes to the Financial Statements
Note
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1 In 2019/20, the Executive Committee decided to change the policy on prepayments and accruals in respect of shows. For the 2020 accounts and subsequently, prepayments or accrued costs for shows will be treated as revenue or expense items in the year the show is staged. Previously, such items were treated as revenue or expense items in the year actual value was received for the expenditure.
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2 In 2019/20, the Executive Committee decided to change the policy on depreciation. Freehold property will remain subject to no depreciation, but all other fixed assets will be depreciated at a fixed amount of 25% per annum over 4 years. Previously, Cups & Trophies were not subject to depreciation, and other assets were depreciated by 25% per annum of the reducing value each year.
For the fixed assets (other than Freehold Property) held at the start of the2019/20 year, depreciation of the remaining value will be at 25% per annum of the remaining value over 2019/20 and the subsequent 3 years.
New purchases in 2019/20 and subsequently will be treated as capital expenditure only if they exceed £150 in value.
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3 The main Sundry expenses were a new phone for Front of House (£40) and backstage equipment (£42).
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4 This amount includes £940 of expenditure on shows to be staged in FY 2023/24, £112 of expenditure on club nights for FY 2023/24, and £359 of ticket sales for One Day I’ll Fly Away received in FY 2023/24.
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5 This amount includes £200 of ticket sales for Calendar Girls received in FY 2022/23, £339 of production costs for One Day I’ll Fly Away paid in FY 2023/24, and £123 of Front of House costs for One Day I’ll Fly Away paid in FY 2023/24.
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Show Analysis
| Robin Hood |
Death Trap | Cinderella | One Day I'll Fly Away |
Total | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| £ | £ | £ | £ | £ | |||||||||
| Income | |||||||||||||
| Ticket Sales | 7,541.44 | 5,395.50 | 10,945.17 | 4,490.37 | 28,372.48 | ||||||||
| Front of House | 914.60 | 732.00 | 1,573.90 | 764.10 | 3,984.60 | ||||||||
| Other Income | - | - | 50.00 | 200.00 | 250.00 | ||||||||
| Total Income | 8,456.04 | 6,127.50 | 12,569.07 | 5,454.47 | 32,607.08 | ||||||||
| Expenses | |||||||||||||
| Advertising | 1,145.32 | 500.00 | 678.00 | 684.13 | 3,007.45 | ||||||||
| Bank charges | 251.01 | 104.57 | 206.70 | 96.98 | 659.26 | ||||||||
| Costumes | 514.23 | 20.00 | 244.98 | 62.11 | 841.32 | ||||||||
| Food | - | 61.45 | 66.62 | 124.74 | 252.81 | ||||||||
| Licence | - | 385.80 | 21.00 | 361.00 | 767.80 | ||||||||
| Performance hire | - | - | - | - | - | ||||||||
| Professional services |
67.50 | - | 67.50 | - | 135.00 | ||||||||
| Rent | 4,661.67 | 1,980.87 | 3,730.87 | 1,980.87 | 12,354.28 | ||||||||
| Scripts | - | 162.97 | 120.00 | 75.27 | 358.24 | ||||||||
| Set costs | 779.36 | 668.61 | 591.46 | 404.02 | 2,443.45 | ||||||||
| Set hire | 636.03 | 150.00 | 3,240.00 | 100.00 | 4,126.03 | ||||||||
| Stationery | 51.11 | 37.56 | 39.40 | 49.12 | 177.19 | ||||||||
| Sundry | - | - | - | - | - | ||||||||
| Tickets Printing | - | - | - | - | - | ||||||||
| Utilities | - | - | - | - | - | ||||||||
| Sound hire | 502.90 | - | 103.47 | - | 606.37 | ||||||||
| Programmes | 522.00 | 218.00 | 540.00 | 212.00 | 1,492.00 | ||||||||
| Raffle | - | - | - | - | - | ||||||||
| Sweets | 130.20 | - | - | - | 130.20 | ||||||||
| Refreshments | 21.19 | 30.23 | 182.89 | 13.93 | 248.24 | ||||||||
| Bar | - | 111.80 | 231.40 | 106.40 | 449.60 | ||||||||
| Ice cream | 238.66 | 132.08 | 257.64 | 207.36 | 835.74 | ||||||||
| Unallocated | - | - | - | - | - | ||||||||
| Total Expenses | 9,521.18 | 4,563.94 | 10,321.93 | 4,477.93 | 28,884.98 | ||||||||
| Total Profit/Loss | -1,065.14 | 1,563.56 | 2,247.14 | 976.54 | 3,722.10 | ||||||||
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| Robin Hood |
Death Trap | Cinderella | One Day I'll Fly Away |
Total | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| £ | £ | £ | £ | £ | |||||||||
| Front of House | |||||||||||||
| Bar | - | 364.00 | 571.90 | 385.00 | 1,320.90 | ||||||||
| Refreshments | 68.30 | 87.50 | 286.60 | 67.10 | 509.50 | ||||||||
| Sweets | 125.70 | - | - | - | 125.70 | ||||||||
| Ice Cream | 513.60 | 280.50 | 485.90 | 312.00 | 1,592.00 | ||||||||
| Programmes | 207.00 | - | 229.50 | - | 436.50 | ||||||||
| Total Front of House |
914.60 | 732.00 | 1,573.90 | 764.10 | 3,984.60 | ||||||||
| Cash Sales | 914.60 | 718.00 | 1,322.40 | 661.60 | 3,616.60 | ||||||||
| Card Sales | - | 14.00 | 251.50 | 102.50 | 368.00 | ||||||||
| Audience Analysis |
|||||||||||||
| Total Tickets Sold | 752 | 424 | 957 | 368 | 2,501 | ||||||||
| Number of Performances |
5 | 4 | 6 | 4 | 19 | ||||||||
| Average Audience |
150 | 106 | 160 | 92 | 132 | ||||||||
| Ticket Sales | 7,541.44 | 5,395.50 | 10,945.17 | 4,490.37 | 28,372.48 | ||||||||
| Average Ticket Price |
10.03 | 12.73 | 11.44 | 12.20 | 11.34 | ||||||||
| Comps Issued | 4 | 10 | 10 | 9 | 33 | ||||||||
| Total Audience | 756 | 434 | 967 | 377 | 2,534 | ||||||||
| Front of House | 914.60 | 732.00 | 1,573.90 | 764.10 | 3,984.60 | ||||||||
| Average FOH Spend |
1.21 | 1.69 | 1.63 | 2.03 | 1.57 |
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