Company Reglstsred Number IEngland and VValesl.'02171893
Charlty Registered Number'.1029450
A.M. QATTAN FOUNDATION
(A Company Limited by Guarantee)
TRUSTEES, REPORT AND FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020

A.M. QAThAN FOUNDATION
IA Company Limlted by Guarantee)
CONTENTS
Page
Reference and Administrative D2tails of the Foundation, its Trustees and Adv1s8rs
Trustees. Report
2-27
Statemerht of Trustees. Responsibllitles
28
Independent Auditors, Report on the Financial Statements
29-32
Statement Df Financial Activities
33
Bala￿ce Sheet
34
statement of Cash Flows
35
Notes to the Financial Statements
36-59

A.M. QATTAN FOUNDATION
IA Company LlmSted by Guarante91
REFERENCE AND ADMINISTRATIVE DETAILS OF THE FOUNDATION, ITS TRUSTEES AND ADVISERS
FOR THE YEAR ENDED 31 DECEMBER 2020
Trustees
Omar Abdul Muhsen Al-Qaltan, Chair
Dr Najwa Al-Qattan
Nadia Hijab
Abla Maayah
Dr Khalil Hindi
Dr Raif Zreik
Professor Khaled Fahmy (appointed 1 October 20201
Dr Mezna aalo (appointed 1 October 20201
Company registered
number
02171893
Charity regist&r8d
number
1029450
Registered offi¢*
Tower House
226 Cromwell Road
London
SW5 OSW
Director General
FidÈ Touma - Ramallah
Independènt auditors
MHA Maclntyre Hudson
Charte￿d Accountants and Statutory Auditor
6th Floor
2 London Wall Place
London
EC2Y SAU
Bankers
EuropeArab Bank
73 Broc>k Street
Mayfaii
London
W1K4HX
Natwest Bank PIC
South Kensington Station Branch
PQ Box 592
18 Crotnwell Place
London
SW7 2LB
Solicitors
Thomas Eggar
75176 Shoe Lane
London
EC31 3JB
Page 1

A.M. QATTAN FOUNDATION
IA colnpany limited by guarantee)
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 DECEMBER 2020
The Trustees present their annual report togeth8r with the audited financial statements of the Foundation for
the year 1 January 2020 to 31 December 2020. The Trustees confirm that th8 Annual Report and financial
Staleme￿(S of the company comply with the curr&nt statutory requirEtnent5, thE requirements of the company's
governing document and the provisions of the Slalement ol Recommended Practice ISORPI. applicable lo
charities preparing their accoLsnts in acoordance with the FI￿3￿ClaI Reporting Standard applicable in the UK
and Republic of Ireland (FR8 102} 3s amended by Update Bulletin 1.
Foreword
This report provides a summary of 2020 achievements measured against the objectives sel by our 2020-2024
strategic plan, which wag approved by the Board on 12 D¢cember 2019. The core direction of prograrnmes
has not radically chanued. NDnetheless, the stralegy for the m8ntionod years included audience building
engagement and outreach as a key objective, znd while for the first Iwo tnonths of the year this seemed
attainable, the first cases ol COVID-19 in Palestine and the UK appeared in March 2020, both countries wént
into inlermiltenl lookdowns. creating an overall state of uncertainty. This meant ¢onlinuous review of plans and
planning lor shorter periods as well 2$ resourcè redistribution and changes in contracts and dgr8&ments.
However, despite all of this, the Foundation was able lo implement morè thzn 60D/o Df its planned activities and
readapl its operationg and proj&cts lo suppori ils staff, beneficiaries and partners in a manner that serves ils
goals and objectives.
Th@ report is divided into the tnain adminislralive divisions of the Foundation.. General Management lin¢luding
finance, ai5ministiative. cornmunications ancs ILJnd-r8ising units) and each ol the live main programme5.' Culture
and Arts Programme, Edu¢ational Research and Development (Palestinel, the Child Centré Gsza, the Public
Programme IPaleslinel and the Mosaic RoDtHs IUKI.
OBJECTIVES AND ACTIVITIES
Objects
The objects of the Charity are the advancement of the education of Arabs in general 2nd Df Palestinians in
particular, and the advancement of th8 education ol the public in Arab and Palestinian sludie5.
Activities
While this trxtended review procèss was underway, the Foundation continued to work along the five Irack5
below. However, th2t process is expected lo affect both the nature ènd scope of currenl programmes and,
consequently, the Foun(falion's programmatic and Drganizational structures.
Culture and Arts ProgrammÈ ICAPI is the main grant making activity at thé Foundation. CAP offers
grant5, residencies, awards, and training in all fields of cultural practi¢e. The core criteria lor awarding its granls
are excellence, creativity, and innovalion. Grants and awards follow a procedure approved by the Board, are
anno￿nce4 through open calls, and judged by external juries. Based on CAP'S well documented and credited
track record in supporting cullure and arts, it has successfully developed long-lerm co-lunding programmes in
various fields, most recently in the visual arts with the Sw&dish Int&rnational Development Agency and with the
Swiss Development Cooperation ISDCI on the in Culture, Arts and Social Engagement programme.
Page 2

A.M. QATTAN FOUNDATION
IA company limited by guarantee)
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 DEGEMBER 2020
Educatlonal Research and Dèvèlopment Programme IERDPI is focused
on the formation
and developrnenl of teachers in Palestine and contnbutes directly lo the Foundation's goals ol supporting
a critical public discussion on culture and education, as well as promoting progressivei 8ducatlDnal and
oultur81 policies that respond lo so¢i$ty's evolving needs. ERDP adopts a long- term p3rticipalory approach
with teachers in all fiélds ol knc>wledge in the belief that they can be 2gents c>1 change in Iheii Gommunity. In
the Drama in EduGatiQD as well as the Early Childhood tracks, teachers are engaged through workshops that
vary in duration and complexity. ERDP also founded the Interactive Soienc8 Studio, which is a cfgsign and
fabrication workshop ol eduGaI￿na5 scienc8 8xhibits, where teachers, families, artists, and scientists meet lo
explore science-related Ihemes and ways to improve science @ducalion. The programme also runs tho
Foundation's public Iit)rary In Ramallah, publishes a joutnal on education PFovideb SUPPOrt to t83chers'
Ir)cal and regional forums and other initiatives.
Child Centre - Gaza ICCGI is a full-fledged cuf(ural centre that caters to children aged 0-15 in the Gaza
Strip. Centred around one ol the biggest childrèn's libraries in the region Iwilh over 100,000 library materials &
books), thè Centre offers all-day Scheduled and open activities to children, f8tnilies, professionals and
institutions. The activities calendar is built seasonally. During the school year activities are organized with
schools while during the winter alld summer breaks these are also open to the publiG and planned In
coordination wilh child-focused Community organizalions. Annual plans include short term trainings, long term
courses, annual festivals and special proje¢ts on a wido spectrum ol èducational and Gulluial themes and
topics The main goal ol the Child Gentr8 IS to contribute lo a society that encourageg knowledge by providing
children with diyerenl experiBnces that nurture critical thinking and engages parènts, teachers and
prolegsionals who work with the children. The Cenlre also works in remote areas of the Gaz8 Strip through an
extensive outreach service arid mobile library. Ihus increasing its network and impact and creating an
infrastructure of p8rtn8rs that shar& ils values and objectives. The Centr6's activities also Gontribut6 to the
Foundation's goal ol offering an inspiryational model of inslitulional performance. Approximately 50,000 childrèn
benefit from the Centre and its outreach programmes annually.
The Public Programme organiaes and implements the Foundation's events and activities at Its Cultural
Centre in Ramallah and throughout Palestine, inGludino exhibitions, Gomtllissioned research, musical
performancgs, plays, rèadings, film screenings and so on.
The Mosaic Rooms is a non-profit art gallery and bookshop in London dedic2ted to supporting and
promoting contemporary culture from thè Arab world and beyond, through free art exhibitions, a
mullidisciplinary &vent% programme including film screenings, current affairs talks and book launches, and a
learning and engagement programme. MR works in partnership with local, national, and inlernation21
organisations to disseminate th8ir programme to the widest r>ossible audienc8 in London and beyond.
Previous partnfjrs include The British Museum, Institute of Conlempor3ry Arts IICAI, Shubbak Festival, London
Design Fegtival and the London Festival of Architecture. amongst rriany otheis. MR also organizes the annual
Edward W Said London lecluie. MR belitrves in the InipDrtance of creating a cultural space th3t presents new
thinking and dering Crèativity, illuminates idgas, inspires understanding, and interrogate5 contemporary issues.
Its vision is foi a London audience wlth a more informed. engagèd and critical und9rstanding ol Arab culture
and society.
Pège 3

A.M. QAThAN FOUNDATION
IA company limited by guarantee)
TRUSTEES. REPORT
FOR THE YEAR ENDED 31 DECEMBER 2020
Achievements and Pèrformance
Culture and Arts Programm• ICAPI
The culture sector was gravely impacted by the spread of the pandemic and ils repercussions on mobility,
social ii)leraction and tullLtrr81 lil& as well as the cultLJral economy generally. Almosl all in-person events and
activities were halted, and new productions w@re frozen. This has required a new way ol thinking and of
implemenlation, as well as Ilèxibility and patience. As a grant-making programme, we listened lo our partners,
and tried our best lo assist them to ovércom& th8 effects of the crisis by supporting their most urgent needs.
The Art and Literature Unil supportèd 55 projects in various lields. These projects were selected from arrong
102 applications submitted by individual art1sls after the programme announcecl an emergency fund to support
srn811 productions after the spread of coronavirus. Meanwhile, we continued lo rllonilor two projects that were
underway from the prèvious funding Cycle. All of these projects provided new opportunities for many artists and
also contributed to their livelihoods.
In partnership with Al Mawr6d Al Thaqafy In Lebanon, CAP also laun¢h$d 'Takalof', a new grant to support
cultural institutlons operating in Palesline and Lebanon. The grant came as a response to thé éscalating Itnpa¢t
of the coronaviius. 17 grants totalling $422.000 USD were approved.
A further six study support grants were awarded lo sludenls who were still able lo pursue their education during
the year and in addition lo two new grants werè also awarded. This year also saw five students complete their
studi&5 With our support. Most hav8 since found work andlor uncsertzken new creative projecls.
As part of our capacity-building interventior)s, we announced the results Trl the Young Writers Award at the end
of 2019. A reading event Ic>r the prize-winlling books was scheduled to be held on 16 March 2020 but was
cancelled due lo thè pandémic. DL5ring Ihe first hall ol the 2020, we organised a zoom playJvri(ing workshop
with six young pla￿rIght$, who dEveloped thBir texts in preparation for the last ph&se of the playwriting projecl,
planned lor 2021.
Doa Qishla, a visu21 artigl from Gaza, was supported lo join an zrtisl's residency at the Cité Internatic>nale des
Arts in January 2020. Regrettably, artists Taqi al-oin Sibati from Bethlehèm and Mohammed Omari from Gaza
nominal6d to join the following cycle were unable to do so because of the oulbreak and bc>rder closuies. We 81so
nominated Zeina ZarDur frotn Jenin l Ramallah for a residency at UNIDEE in Italy, which was held virtually this
year. A furthei four artists from Hebron, Jerusalem and Ramallah were hosted at the Visual and Perfoimin9 Arts
Studios of the Foundation's Culluial Centre in Ramallah lo pursue their projects, and lo receive financial and
lechnifjal support and artistic guidance from several established artists.
W8 also continued lo work on the special edition of the Young Artist of the Year Award IYAYAI 2020. Five of our
six ariisls were contracted and. in dialogue with curator Ad£nia Shibli, began developin9 projects to implement
in 2021 with production grants of 10,000 USD per project. The programm@ also resumed its meetings with
Ramallah Doc partners during May 2020 in pieparation for the upcoming edition ol th? film festival.
We continued lo tnake available seasonal grants to support various f8StIV215, events, and important cultural and
art projects, and funded 32 such activities in the fields ol lilerature, performing arts, visual arts and cinema and
which COLJld take place during the pandemic. These activities were held in Hebron, Ramallah, Tayb&t al-
Mulhalath, Nablus, Jerusalem, Gaza 2nd Nazareth and, inlernationally, in Franoe. the US, Germany, Sweden
and the UK. Approximately 41,598 people allended. We also supported two international traine8s in Lebanon
and Spain.
Page 4

A.NI. QATTAN FOUNDATION
IA company limitèd by guaranteel
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 DECEMBER 2020
We also organized "Night Shift a joint project befvieen the Foundation in Ramallah, Khashabi Th8atre in Haila
and Vooruit in Ghent, as part a two-tracked programme. The first track aims lo foster artistic collaborations
between six Palestinian Flemish artists to develop ideas during a one-year period and then present them as
WOTks-in-piogress during the festival. The second track organizes a series of events in public spacos with 12 of
these projects. Due lo the outbreak of Ihe eoronavirus, howevei, Ihtrse èvenls were postponed until further noliGe.
In April, a delegation 0115 programmers and diredors of French cultural centres and festivals was clue to visit
P21estine through Onda Foundation, and to attend more than 18 plsys, music and dance performances, film
screenings and mpgtings wth artists and cultural professionsls in Ramallah, Jerusalem, Hebron, JeniTr, H£ifa
and Birzeil howev81 this visit was also cancelled du$ lo the pandemic.
We also SUPPOrted the publication and promotion ol new works, through a collabor81ion with al-Ahliah Publishing
House, and which will include publication of works by Young Writers Award 2019 winners. By the end of 2020,
fSve works had been publish8d, and a further seven will bg published within the next year.
Close collaboration with our collèagiies in the Educational Research and Developmelll Programme IERDPI on
the second round of the Culture, Art and Social Engagèment ICASEI project co-lunded by the Swiss Agency
lor Development and Cooperation ISOCI continued. Five project grants totalling $200,000 USD were awarded.
and implementation began in various areas of the West Bank and the Gaza Strip. A monitoring and evaluation
system for the project was developed, and three journalists and filrnmakers w&re conlracted to documènt the
proj8Cts.
In Cycle 2 of the Visual Arts.. A Flouiishing Field" IVAFFI prtsjo¢t, which spans 2019 to 2021, len partner
institutions implemented more than 110 activities and int8rv6ntions including speGialist workshops taTgeting
artists, ¢ulturgl professionals andlor the genfsral public. These activities were dèlivered despite the lirnitations and
difficullies causèd by the corollavirus. The opportunities offered lo artists through the partner institutions stretch8d
over a wide geogiaphy from Tulkarem in the north Its the Gaza Strip in the south. 34 f6male and 31 malg artists
r$¢$ived produLtiori yranls, and eight femalé and eight male artists participated in residencies. 15 art workshops
were held and attended by 519 people, in addition ID nine virtU31 workshops attendod by 304 artists. 10 workshops
attracted 577 children. Among the participants in these educational workshops were 446 studénts who
participatÈd Èn seven academic progratnmes. Six ol Ihese programmes werè delivered in person and one virtua15y.
30 lectures and seminars wèrè also organized, six of them hBld in-person with 134 parti¢lpants, and 24 via zoom
with 546 partlGip3nt5.
In r9sponse to the nèw coronavirus context, some institutions adapted their activities to become accessible online
through various sccial media platfoms and websites. Othei institutions also developed programmes which
responded lo emerging needs including the Khalina Nshuf (Let's Seel initiative 8iTrèd at encouraging creative
practi¢es within familiès, particularly duiinq lockdowns. This inilialiv& was implemented collaboratively by the
Visual Arts Forum IVAFI and Dar Qandeel lor Culture and Arts. Many institutions also d8veloped Online
exhibilions, such 85 th8 Artist at Work exhibition organized by the Khalil Sakakini Cultural Centre IKSCCI, or
thos@ that were produced in par81191 to a physical exhibilion sueh as Prlntèd In Jerusalem at the Palestinian
Museum, and the exhibitions organized by the General Union ol Cultural Centres and the Elleqaa Group in thè
Gaza Sliip. We also sUPPOrted ten exhibitions end open studios allended by 1.481 people in-person, and three
onlln• exhlbS1Sons viewed by 5,475 p80pIe.
Finzlly, the exlernal evaluatDr Moukhtzr Kocache completed his review of CAP which was prgsented lo the Board
ol Trustees,, who took notè ol its very positive findings whilst also noting its récofflfftendations. Th&se will be
incorporated into the Foundalion's new organisational structure and stiategic plan.
Page 5

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TRUSTEES, REPORT
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Success Stories and Case Studies
The "Huna al-Quds' I"This is Jerusaletn'l project run by the Palestine Institute for Cultural Development
NAWA received a S50,000 awzrd from TAAWON. We have supported Nawa's projects on sevFral occasions
during the la51 few years.
Purple Girl, a children's slory written by Ibtigam Barakat, illustrated by Sinan Hallaq and published by the Tamer
Institute for Community EducAli¢)n which is supported by VAFF, received the prestigious Sheikh Z2yid Award.
The Story was published as an animation video narrated by artist Alaa Hleihel aDd has been watched and shared
widely.
Aller a long and ¢areful survey, the Dar al-Kalima University College ol Arts & Culture succ8ssfully launched a
new academic track focused on the coTrsep(ation and restoration of paintings. This track will network with
professionalg region211y and internationally and was launched with the partieipalion of 12 students from varic>us
Palests'nian cities, and of many Experts from various Ljniversities in Palestine, UK, China d the U.S. among
othèrs.
Educational Research and Developtnent Programme IERDP
In the lirsl quarter of 2020, the Foundation commissioned the evaluation of ERDP by 8n external education
oonsullant, Di Rabab Tsmish. We also contracled consuliant Fadya Salfiti to plan the futurè dis8ngag8ment of
the Ni'lin Centre from the Foundation and to develop a sustainability plan to ensure that it will continue ils work
in Ni'lin and nearby areas.
As the coronavirus hit Palestine, thè first facilities to be closed were the schools, and chaos ensued as result. No
one in the education sector was ready, and that iemains largely unchanged to date. In addition lo incapacity.
inlernel connectivity and access to cornputers was a major issue, particularly in the public sector, In rural aroas
and throughtsul the Gaza btrip. ERDP sought to provide support to teachèis, both emotionally aiid ped¢igogiL£illy.
Our first responsè was to listen to teachers and give them space to share their concerns online, then to offer
online training, discussion forums, and the development of various new leaching lools.
Unabl$ lo hold in-person activities with tBa¢hers arhcs the public such as festivals 2nd scientific activities, we
redesigned our plans in line with the new health and safety measures imposed by the pandemi¢ As an example,
all meetings and workshops with teacher5 were held onlin8 during full lockdowns. During partial Ic)ckdowns,
courses took place online and in person and included teachers from the Ramallah distriGI able to be present at
the Foundation. Teachèrs from distant districts and the Ar8b world were inviled lo join online. This shift towards
online workshops and the cancellation of in-person activf(ies enabled the programme to re-allocate funds lo
support individuals and institutions within the Takalol Gran Is99 above under CAPI.
Among our tnost important achievements during this rèporting p9ri0d were the educational produc15, package5
nd distance-learning activities which we created and were able to share via social networking platforms and
through the "Frc>tn Home" button created on Ihe Foundation's website and detailed below.
Going forward, there will undoubtedly be structLiral chang8s and revisions to our programme in light of the
external ieview. We also lace a number of challenges to deliver the BOT'S 2019 recommendations, which
include(J closing our offi¢$ in Gaza. Ni'lin Centre disengagement, the possible merging ol the Sci8nce Studio with
the Public Programme and reconsidering the format ol the Drama in Education Summer School and Ru'8
rarbawiyya journal
all of which have been pillaTS of our programme's mission as a cultural and educational
laboratory. Furthemioie. the 8xlent of the challenges has increased with the realities produced by the pandemic
and the shtft towards digital learning. Nevertheless, our team 113s continuèd to work togethef following Ihe
"employees as partners" principle and we look forward to transforming these challenges into opportunbties.
Page 6

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ERDP'S achiev8rnents during 2020 (online & offline) includèd".
The Science Studio organized 11 school visils which included 220 students from various ag8s, and 25 teachers
and supervisors to ils exhibition 'Echo' on sound and its phenomena. It also created 6 inteiactive science stations
and organized a Science Night at the Cultural Centre in Ramallah. The évent attracted approximately 150 people
aged ov8r 18 years old while maintaining CQVID-19 health and safety measures. The exhibition was lenl lo the
Edwaid Said Music Conservatory in Bethlehem,
Four animated film sereenings were held during February and March as part of a programme on Cinem8 In
Education, targeting 72 students from four schools. The screenings wère follow&d by discussion sessions and
creative writing ex8rcisès based on the films. Student5 also practiced developing a visual narrativè inspired by
the film plots using cinema Iwls including seènography.
In our Approaches to Home Education programmt, we created 5 digital education psckages in response lo the
challenges of the corongviius. Thè packages focussed on major historical disasters which affect&d humanity and
our various respDnses to them. They aimed to assist teaeh6rs, students and parents to reflect deeply on such
events and lo emplo¥y art, soence. research gnd storytelling to understand these tragedies and ways lo overcome
them.
Online Educational Material.. As part of our"From Home" online platform, the programme shared sci8nb.fic exhibits
and interactive a¢tivities and produced a Wonder Box., a collection of online exercises on horne gardening
dèsigned for educationa1 purposes.11 also collaboralively produced educational p3ckages will a group of earfy
Childhood @ducators focLJsed on dealing with Children during the pandemic and these were implemented in 15
participating KGS. A film club was also established to provide a space for learning and teaching for teachers
interested in ulilizing cinema in classès. Six online meetings wer& held with a small group of t82chèrs with the
aim of dovelopiiL g a family cinema progremme. Thesè six teachers now form a core group. Weekly film
recommendations were published lo Inlroduc8 children and their families lo a variety ol films from world cinÈma.
Three winter gduLational modules were held ovèr three days15 - 7 January 20201 at the Oasis Hotel in Jericho
with the participation 0191 teachèrs and earty childhood eduoalors. They covered them95 ol drama and social
conl&xt and the 'Manlle of the Expert, educab"on81 approach.
A nurnber of in-pgison trainings with 300 leacheTS took place, including in the use of drama in earty childhood
education.
More than 100 people were able to attgnd our papèr-folding and tinkering workshops.
We also hosted four artists who were part of Ihg Public Programme's'We8d Control axhibition and helped them
to develop and create their proj8ct8.
The Leila Miqdadi al-Qattan Library bècame a main attraction in Ramallah thanks lo its collectiori of books and
Gomfortablo reading and working spaces. The library received approximately 5,100 guests this year despite being
Glosed for four months because of the pandemic.
The Diama in Education Summer Programrne was held in August with 15 teachers partiapating in person fiom
all over Palestine, and 26 other teachers joinir)g us from 8Gross Palestine and the Arab woild. Follow up courses
w¢re held in September with 41 participants and È second and third in Novembgr and DeEember. It is expected
thal additional courses will be held in 2021 to give leachers the opportunity lo complete their graduation trotll thè
programme.
Page 7

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The first meeting of the Early Childhood Educators Forum wis hèld In F@bruary 2020 and was allended by 35
educatois.
We were also successful in securing funding of $450,000 USD over thre6 y8ars frorn Drosos Foundation for our
Professional Develupment programme on early childhood. science and drama. AdditlDnally, the piogrzmme
profflotes collaborative methods to dov$lop online ecjucalional technique5 and share them through courses lor
teachers. alongside a cultural programme on cin8tlla in educalion, tinkering, animation and. in partnership with
the Ministry of Education, a training project in drama lor teachers.
e also published Ihe first Arabic translation of The Hidden Plot - Not8s on The8lr8 and the Slate by Edward
Bond, translated by Nuha abu Arqoub.
Within th8 fT2mewotk ol the Sada IEchol exhlbitltsn, the Abbasid musician a5-A￿aw1'S book on ancient musical
rhythms was notated and shared with the audience in collaboration with the percussionist Jihad al-shuaibi. The
scores weie recorded al the Edward Said Conservatory of IAusic studios.
Other achievemenls ol note include the publication of Issue 61 of Ru'a T8rb8WIyy8 Journal.
The Child Centre, Gaza
2020 brought major Ghallenges unlike any challenges th8 Child Centre had faced in p￿VIOuS yoars. Whil& working
wilh a large audience has been a constant challenge, this yBar in-person allendance diminished due to the
pzndernic. The new reality forced staff lo adopt ngw methods that have added to their skills. It also served as a
practical exercis6 to t8St somé of the new intervenlitsn me¢hanism5 proposed in the Fc>undation's rÈ-structu￿ng
process. Most Import2ntly, we succeeded in implementing long-term programtnès targ8ting sp8cifi¢ gioups
during peak periDd5 like the winter and summer holid2ys. In the digit21 realm, the Centre invested in its extended
n8twoik of partners Lo continue working via online platforms. This allowed It to reach beneficiaries who could not
be reached otherwise. particularly in distant a￿aS such as R2fah and Khan Younis.
We created an online programme allracting a large group of inleFested and enthusiastic audiences lo IhB Centr&.
The programme was varied and included science and technology activit165, SCl8ncg and art exhibitions, provision
of various Infortnation iesources, and Lltilizing th? different media outlets of the Foundalion lo provide Va￿ed and
r8newable conl&nl to the public.
The Centre provided ils services in-person and online to serve the audience's various needs focusing on
promoting three oompelencies for our childrèn, including accumulating essenbal knowledge, acquiring effective
skills, and adopling approaches that appreciate CLilture, openness and active participation. As part of our
performing arts programme, we organized various 8Ctivities and drama courses lucused on creating experiences
merging fiction with re8lity. The young members of the theatre and drama Grubs, performing arts, the Foundation's
Ghoir and chess club took part in variou8 events including the production of plays. Many of their productions were
shared online such as the play "In Caesar's Shadow" the Teei Ya Hawa" video clip, and DÈbk8 P8rfoitn8nc8
and songs such as"Dal'ona- and "Meeli bi Abaytek..
Our Little Painters Club mat frequently and produced a large number of artworks which we shared both online
and in offline exhib.,tions including "Eyes of Gaza., "A Palette fiom Home and "A Larger lrnagination. We also
organized a national art competition 8ntitled 'Your Window is Our Window
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We also C￿&ted a series of tèchnology prugrammes airned at enhancing children's ¢reative and teohnological
skills. Among the most important were in robotlcs, motion graphics and smart elèctronics. Work continued in the
designers and programmers club to d8velop children's competencies in coding and design_ Children worked on
th8 microcontro11er board Adruino and gained understanding of how the system works. Participan15 gained
sufficient skills to be ablè to design and iniplement many integrated eleGlroni¢ projects.
In the Science track, we worked with teachers to 8nable them to gain tools in scientific research skills, most
not8bly through the "Design your Own 8cience Project", "Physics DI Electrical Energy" Simple Sciences" end
Fab Lab programmes.
In th8 library, we organized tllany cultural and reading programmes and activities, which contributed to enhancing
Ihe competencies of ehildren and their parents In reading, creative writing, research melhods, Crltical thinking,
storytelling, self-learning and questioning. Evenls included thg "T8a on Coal online lileiary evening. hosting
many local and international writèrs such as Asmaa Aiaizeh, Ahlam Bisharat, Fatima Sharaf al-Din, Michael
Loder and Melissa Madenski.
We also succeeded in providing safe spaces for parents and children und8r six years old ancl providpd SCTentific,
leohnc)logi¢Èl, educational and artistic aclivities which contributed to enhancing the skills of the children and
allowed for parents to connect with their children by sharing those activities with them. As part of the 'Dardashat"
programme, we held 24 meetings on educationsl matt8rs led by qualified and experienced parents.
In outreach, we were able to expand our circle Of interventions to rfiach boy5 and girls in rnany marginalized
arèas where we iw,plemented face-to-lace art and reading activities. We also organiz8d 18 external sessions on
various art and literary lopi¢s that prc>vided the childrèn with learning opportunities equal to those held at the
Cenlre's own gpac6S.
Approximately 1,000 new bor)ks on v8rious subjects were ordered ltsr our library collection but only some weTe
received with the rest prcymised lor 2021. We continued to iestorè a number of daFllaged books.
A number of colleagues in the public and outreach teavll parti¢lpated in a mobil8 Iilming and editing training
workshop, which look pla¢e online and aimed lo d8vèlop their technical skills to produce horne videos.
In partnership with the ERDP, we also developed a number ol programmss in the fields ol drama, anlmation and
early education. Howèver, these were suspended duè to the panrtsemic.
During the year, the Centre worked with many grassroc>ts institutions, schools and kindergarten5 thrc>ugh our
mobile library and the 'child-friendly zones" Our partnership with the Edward Said National Conserv81ory of
Music continiJed through a violin leaching programme involving 11 girls from uur choir. Additionally, we
succeeded In n8tworking with the Averioos ASSOLiélion in Berlin to organize 'Eyes ol Gaaa
The'your Windowls our Window painting competition which was exhibited in our virtual gallL+ry on social media
Bnhanced the PL5blic's knowledge of the Foundation and facilitatèd their access lo the Foundalion's productions.
The productions also provid8d a vital space for people tD share Iheir poirits DI view and contributlOn5. For
example, our chDir's video clip entitled 'Teer Ya Hawa" was widely watched and undoublodly reached new
audiences.
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Gaza initially underwent a lockdDwn schedule that was dissimilar to the Vlest Bank, but the inherent Dbslacles
and challeng&s in the Strip were exacerbated when the pandemic finally hit. As a iesull of 14 years of siege,
access to clean water, electricity and the internet is already Iimitad ancl inlermillenl with m2ny homes facing
overcrowding. As a result, il was not easy to Iiznsition to rinline working and our many different commur)ilies of
beneficiaries did not hav& the same levels ol internet access. Nonetheless anol despite all tsf the abov&, we were
still able lo serve a large portic>n the community by intensifying OLJtrea¢h during lirnes outside of lockdown and
by planning online work lo meet the electricity schedule and the availability of participants. The vast majority of
online work was done in the form c>f Facebook closed groups in order to maintain privacy and provide adequate
support wh8n needed.
Below are some key numbers from 2020, which are significantly below the annu21 avérsges from previous years
s expected, but on the positive sid8, lower numbers of allendees meant More engagement lime pei pe150n and
this is a lesson to learn for when the centre fully opens ils doors again..
During our 2020 open periods11 January- 22 M8ich & 22 May- 23 August), there wèré a total of 1,726 new and
renewed fflemberships, w11h 6.047 children benefiting from the mobile library bus seNice, 4,475 from educational
and community organisations visiting and a further 27,333 beneficiaries from our programme8 and activities at
the Centre.
We organised 400 onlin8 meetings, workshops and ev&nts with approximately 900 childr6n participating.
Success StorSes
Batool Abu Aqleen115 years) won first prsie in the Barjeel Po•try Prize foT the YoulhlArabic pc>elry category
organized by the Barjeel Art Foundatlon lor her poem '1 Dld Not Steal the Cloud"
Abu Aqleen is the
youngest ever winner of the piize. She is an active member of our Literafy Club and a regular visitor to Dur library.
.1 visited the A.M. Qallan Foundation for the first time while I was in 5th grade. I had a purple nDtebook in my
hand, in which I wrote my first tgxt about the sea. I still have it today. Back then, I was not connÈcted lo books
and.1 did not like writing but being in a plaoe like the Centre encouraged rne. That is where my story began.
In this context, Salool says,. 'It was beyond my dreams to rneel sorne writers and poets, and the club not only
offered me the opportunity lo meet them, bul also tts talk to them and learn from their experience. l also connected
with some writers and wè'r6 still 8xch2nging emails. We write to live,. the passion inside me needed 2 wake-up
Thtr Publi¢ Programme IPPI
As was the case with all cultural ￿￿treS around the globe, public progriimmes had to be frozen, relhoughl,
and replanned. And this was the oase with ours. Despite these challenges. many of our planned activities were
held and othois were Teformulaled. Below wè pr8sent a summary ol what took place.
Five exhibitions were produced, of which one, 'Weed ContrDI', was on a large scale. The exhibition 'ForensiC
Aichitecture.. Assembltrd Practices" opened in partnership with the Forensic Architecture regearch group at
Goldsmith University. London in January 2020. The aim ol the exhibition was to inforrn Ihe public aboul thè
methodologies ol the Forengic Architecture group, which erllploys aichiteclure, law, art, elc., in Order to expos8
slate crin',es, in addition to contributing to the development of research methodologie5 in Palestine, especially at
the academic level. Architecture students at Birzeil University worked on a proposal lo build prototypes and
projects based on new methodologies. About 700 people attended the exhibition due to the pandemic, more than
15 tours weie organized with the curators and three films were Screened in parallel to the exhibilion.
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A relrospeGlive Sxhibition ol the Palostinian artist Suzan Hijab was also held, in cooperation with al-ma'mal
Foundation in Jerusalem. The exhibition summaiizes the artist's career over the past lour dec8des, focuging
specrfically on her oil pastel works on paper. The exhibition includ8d more than 50 of Hijab's important works.
'Weed Control, included the participation of 33 artists from Palestine and the Diaspora and opened on 9 January
2020. In addition, tours of the exhibilion were organized foi tllany Palestinian illslitulions and universities such
as Birzeit University, al-Najah University, Dar al Kalima, the Polytechnic in H&bron, al-Haq Organisalion, Union
of Agricultural Work Committeès, the Khalil Sakakini C&ntro, Riwaq Cenler, Dar Qsndil. Ishtar Thealer and the
Dalia Foundation. We also organised tOLJrs for sohool teachers and for the Ministry of Information. The exhibition
was visited by nearly 3,000 people. In addition, the catalogue included contributions by 33 artlSts and 10 writers
in both Arabic and English and was launched on 23 November 2020 wilh the participation of 3rtist Emil Saba and
the journalist NasTeen Awad. We also launched new5 books by Aish8 Odeh, Zakaria Muhammad, and the artigt
Khaled Jarrar and commissioned Rima Hamami's book on the wildllow6rs of Paleslir)e. In parallel to the
exhibilion, Jumana Manna's Iilm Wild Relatives" was screened.
Work continued on the prèparation c)f the 'Palesline Iiorn Above. exhibition, due lo open in 2021, coronaviru8
permilling. In addition, two issues181 & 821 of th¢ Jerusalem auarterly (Jal journal were produced in GOOPEration
with the Institute lor Palestine Studies, with contributions from 15 academic iesearchers and 10 artists in both
Arabic and English. The two issues locussed on the topic of the view ol Palestine and its geography from abova.
These two Issuos were exceptionally combined and tianslated into Arabic lo form the exhibition cataloguè.
As part of our in-person cinema programme, we presented a weekly programme of European cla5si¢s which the
Foundation had previously subtitled. Six films were initially screen&d but the programm9 was then interrupted by
the lockdown. We also worked with the ERDP to devslop a schools, filrll prograrnme but only 4 in person
scr88nings were able to be held due lo the Par￿eMT¢. These were focugséd on Japanese animated films. Four
films directèd by Youssef Sh8heen were also shown. A vid¢o installation by artists Tumer-Prize winner Naim
Muhaimin, entitled Two Meètings and a Funeral was also held lor a week during Det6mber 2020.
During the first hall of Ihe year, we were due lo hold two thèatrical performances by the winners of the Performing
Arts Grant, including Bis8n by VV8se¢m Kheir and The Roundabout by Alaa Shehadeh. We were also due lo host
a large part of the Ratmallah Conlemporèry Dance Festival. However, ihe Contemporary Dance Festival had lo
be cancelled and the thealrical performances postponed indefinitely due lo the COFDnavirus. A performan¢¢ by
'Stereo 48 entitled A Journey lo Jenjsalem, was organized on August 31, 2020, and was attended by 60 people.
Our residències prwramme included hosting Swiss artistArron Rossmann, who came tc> Palestine early March
2020 but was forced lo return home 14 days after his atrival, which he had spent in quarantine. As a result, we
decided lo suspend all residenoies for the year 2020. In addition, we ¢ontacted all participating artists to
relormLJlate thèir projects within our new four-year plan, starting In 2021.
As for our partnerships program, we worked with Mohammed V University in Morocco. Cairo Univgrsity in Egypt
and the Centre for the Modern East in Germany through a grant from the Volksw3gen Foundation, on a composite
proj8ct callèd Liminal Spaces as Silfjs ol Socio-cultural Transformation ènd Knowledge ProduGlion In the Arab
World. This project CDllSlSts of several small inilialives. This year It produced ajoinl publiGation called al-mubtada,
with contributions from 11 writers.
We also work8d on the catalogue for our previous exhibition Past Disquiet12019-20201. This was edited by
Guralors Rasha Salti and Chri8tine Khoury and features texts OD the topic of international solidarity with Palestine
through art by Vora Tamari, Yazid Anani, Abaher el Sakka and Birzeit Universty studènts, Rawan Sharaf, Saji
al-Sh8wa, and Hanna Quply.
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We also organised six concerts by Sarr3j Choir. Habib Shehadeh and Reem Talhami, Shadi Zaqlan, Rihlel
Asdiqa,, Malar Band, and Stale of Four. Regrettably, these havg not yel been able to take place due to the
pandemiG.
During the lockdown period, an experimental platform for interactive music was launGhed online by recording the
song 'Oyounak (Your Eyésl by muSlGl8n Maysa Daw. The platform 811ows the listener to control the musical
arrangernenls ol the song and intéract with thg piece.
In addition. there were projects during the home quarantine and pandemic 3irned at supporting artists and
connecting wilh the public SUGh as..
Project CoronaPhone." through the Continuous interventions of a group of writers. the project looked at the
implications on the Palestinian cUlt￿ra1 field of the temporary shutdown of the world econorny during 2020. 18
were comrnissioned to publish four pieces on thèir Fac8book and social media pages leqvivalenl to 72 texts). An
agreement was signed with Magazine 28 to publish a special issue on this,
Magazin9 28 then produced its 17th issue launched under the CoronaPhone framework. In the first stage, a
group ol writers was asked lo create short texts that would be published al the bèginning on SQGial rnedia
platforms, with the aim ol creating a wide dialogue about the current crisis, and then edrtor Dalia Taha and the
Magazine 28 slay were assigned to work on tuming it into a magazine.
AnolhEI online piojeol was On the Wall" which aimed lo collect video eonlnbutions from people throughout
Palesline aboui Storiès of painting5, family photos, historical posters, or other objects hanging on the walls ol
iheii hotnBS, to aGknowledge the importance of Ihése artistic, social or political items and tell their story. kn open
call was posted on thè Foundation's Facebook page and social nebMork5.
To complement Ihe project, an Invi181ion was 18unched lor art15t5 and film producers lo work with us collectively,
to formulate an art exhibition that will be héld during Ilie firsl quarter ul 2022. This exhibition will examine Ihe
visual materials that fortn the identity of Palestinian homes, through the objects and works hanging tsn the w2lls
of these homes, particularly thè living rooms.
The"This Is Palestine" project.. This projact aims to provide an opportunity loi Palestinian artists and writers from
inside and outside Palestine, and from various creative fields, lo present themselves to a wide audience through
social media. and to lamili3rizè the public with Ihe work of artists 2nd writers. and their 8rlislic and intelleclual
orienlalions, 3nd to promot2 their latest creations. This is done by accompanying th6m on a virtual visit to their
studios, where the artist introduces their private space in which they produce their work, before presenting it lo
the public. Thé artist provides an explanation of their work proTrss noting any visual or audio materials Ihal
contribute to their Inspiratii)n. The artists also share their peisonal persp&ctives aboul tlig current crisis. and their
vièws on th8 iole ol art in imagining a better future. Through an open call, 8 artists from various fields participated
in the project.
In cooperation with the Child Centre in Gaza, the PP implemented an art competition for children aged betwee
8-17 years old called Your Window is Our Window, to encourage children to produce artworks during the
quarantine period using materials available at home that gimulat8 the reality ol the pandemic and quarantine and
use materials th81 are environmentally friendly and easily available. Nparly 200 participation requests were
received. Artists Mohamed Abu Sal, Mahdi 8araghithi, Raedah Saadeh, and Maisarah Baroud were 2PPOlntÉd
as the jury to evaluate the applications, gnd the audience was given all opportunity to votè on the works with
20°/0 of the total score. The competition was concluded with nine winners from thrèe age groups1&111112-151
115-171.
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We also launched An Hour with,..
whi¢h aims tD present electronic music21 parformances for a period of one
hour through a live broadc85t on the Foundation's Facebook page. During the performance. the participants were
also able to prDvide their choice of videos to accompany the musical performance. 5 electronic musicians
participated in the project for two months every week. Work on this project will continue in 2021.
We also published Isolation. Separ8fion and Quaranlin&- on the social, econorlliG and political repercussions of
the pandemic on Palestine and globally. The book, in both Arabic and English, contains len articles by writers
from Palestine, Canada, Germany, and the United Kingdom and was edited by tho eminent sociologist Jami
Hilal. We also produced a monograph on artist Veia Tamari as an artist, educator, and art aclivisl, the first such
extensive study ol hér work, with contributions from 12 curators, artists and critics including Alaa Younis, Amer
Shomali. Hanan Toukan, Huda Shawwa, Inas Y8ssin, Rasha Salli, Rawan Sharal, S8mia Halaby, fania Tamari,
Tina Sherwell, Rania Estifan and Yazid Anani. The monograph was edited by Penny Johnson gnd Anita VitLIIIo
(Khouryl and was published in Arabic and English.
In addition, Èn partnership with the Mosaic Rooms in London, we held a series of online discussions under
the title 'Culture in Crisis, Crisis in Culture, with thè participation of dislinguished speakers and experienced
professionals from around the world.
We also held a number of book laLEnchsg namely "Palestinian Bereavemont.. A Nalional and Reliqious
Perspective" by Maram IAasarwEh, Èltended by 90 people 3nd"DÈtained Childhood and the PolitlGS Df Childhood
Digamament" by Nadira Shalhoub-Kevorkian, with 100 attendees, both held in January. However, other events
had to be cancelled due lo the pandemic.
Our lecture programme inGluded Canadian wrilèi Max Haiven who introduced his book Art After Money. Money
After Art.. Crea ive Strategies Against Finanoializalion" at 8 lecture attended by 150 people, including students
from Dar al Kalima College and Birzeit Unlvtsrsty. Another lecture was organizéd lor Mr Haiven at Bard CollegB
at al-Quds University l Abu Dis on his book 'Radical Imagination and visits lo several other inslÈtutions in the
Country weie also arranged for him.
P8lestinian artist Shurouq Harb spoke online about struggling with boredom un(ler the pandemic. The event was
allended by 35 per)ple. Photographèr Rola Halawani spoke abouL her creative journey from studying
mathemalics in Canada, to her work as a photojournalist in Paleslino. and later as a leading Arab photographer.
The avonl was attended by 30 people.
Four poetry readin9 sessions were organized by poet and novelist Maya Abu Al Hayat under thè title'A poem a
day, keeps the doctor away." These were hèld in November and in¢luded readings selected by p08ts and
presented by actor5, and discussions on key issues lacing contèmporary poetry.
A symposium solidarity through art, entitled 'Art Solidarity was held on the 1 December 2020, in which a
group of intematitsnal solidarity projects with Pal8stin& through art were reviewed. Eighl SPBakers were hosted..
8c>yana Bishkur, Mila Touraglik, Rasha Salti, Vera Tamari, Yazid Anani, Abaher 31-Sakka, Faye2 Sarsawi and
Hanna Qupty either In PèTson or online. Only six people attended the symposium in person, in addition to 9,400
joining online through our Facebook page.
Finally, within the 'Mujawara" programme, the Public Prograrnme hosted 4 loca1 trainees. The number of f8ce-
lo-face attendees at the programme's events lor 2020 was about 5,680 péoplè in spite Df the pand¢mi¢.
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5. The Mosaic Rooms
Like 211 Cultural organisations around the globe, The Mosaic Roorlls experienced 8n unpreoedenled and
challenging yezr due to the advent of COVID-19 and its impact.
Nationwide lo¢kdown5, UK Government u-turns and the ever-changing epidemiological natur¢ of COVID-19 has
made il extraordinarily difficult to plan even in the short-term.
Exhibitions. events anLI activities were
continuously having lo be rescheduled, Bhange formal or lo be cancelled. The lockdowng result8d In th& gallery
being open to visitors foi just 22 wcoks Idue lo social distancing regulalionsl, which has meant our audiBnce
figur8s for 2020 have been Gompaiatively very low.
Despite these challenges, The Mosaic Rooms did produce and present two important exhibitions by artists
Mohammad Omar Khalil and Heba Y. Amin. Heba Y. Awin's solo exhibition in particular a¢hieved exl¢fjsive
international press coveragé and in terms of her own practice ha5 been her most ambitious and intellectually
rigorous oxhibilion to dale. We also have in place an exciting and ambitious exhibition programme for 2021.
Whilst The Mo821e Rooms was often physically closed. lor the first lime we experim8nted and deliveied a critically
acclaimed online programmo which had a total 0129,700 participants from the UK and around the worlts. 11 h35
b8en a huge learning curve lor the team and we are very proud Df what wè have 18arnt 8nd delivered in such a
Shori space of timp.
We also managed to conceive and deliver soms lèaining activities remotely, including a bespokè online
programme with local schools, which has been recognised as outstanding example of best practice within the
¢reatlve laarning sector.
Fundraising and income has Dbviously taken a huge hil during this lumulluous year. However, we re81igned our
programming activities because of the lockdowns, made savings across various individual budgets and tDok
advantage of the UK Government's furlough scheme and as a result achi8V8d an underspend in this year's
budget.
STRATEGIC OBJECTIVE 1- The Go To Place
To achieve this Thè Mosaic Rooms conceived and produced • year-round programme ol temporaiy exhibitlOnS
and public events. However, like many places in the world, the UK experiencèd lockdowns during 2020 due to
the pandemic. Our exhibition and evenl programme was rewhedvled accordingly and two exhibitions instead
of thé three planned were presented.
EXHIBITIONS
Mohammad Omar Khalll- Honpeland Under My Nai15
22101120 - 30108120
Vlsitor Numb8rs.' 1,144 visitors
The exhibition WBS ¢losed to the public from 16 March to 9 July 2020 due lo a UK lockdown. As a result. for the
majority of the exhibition Ihere werè no in person events which usually account for 40°/D ol visitors lo The Mosaic
Rooms.
Page 14

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Heba Y. Amin- When I see the future, I close my eyes
1110120 616121
Vlsltor Numbers.. 46411110120 151121201
Pleagè note the gaSlery was closed from 5 November until 2 December and subs6quently closed from 19
Decembèr due lo a nationwide lockdown. We plan to reopen the exhibition on 17 Klay 2021 in linè with UK
gov8rnménl guidance.
Touring Exhlbitions
The MosaiG Room5 toured ils exhibition Nèw W8ves.' Mohamed A4elehi ènd the G8S8bl&n¢a Art School to two
international venues. 11 was presented at MACA4L, Marrakech from 21 Septemb&r 2019- 5 January 2020 and
received 3,200 visltors. 11 then Iravelled to Concrete, Alserkal Avenue, Dubai from 19 Sèptember
to 21
November 2020 and received 1,841 visitors.
PUBLIC EVENT PROGRAMME
In 2020, Dur Public Event programme audience lolalled 30,073.. 373 visited th8 gallery in person and 29.700
p3￿cIPated online.
A total of 373 attendéd the'Homeland Undt3r My Nails, live programme of Mohammad Ornar Khalil's work. Due
lo the first UK lockdown in MarGh 2020 we had to cancel sev8ral liv8 events however the team reacted quickly
and pulled logeth9r a compèlling and well received online programme r6lating to Mohammad Omai Khalil's show
which altraGted an audien￿ of 12,231. This was the first lime The Mosaic Rooms had spe¢ifically produced an
online events prograrnme.
Encouiagéd by this extremely positive uplake for our online programme, the team curated and produced a new
interim online programme Fthure Threads, featuring artists, Curators and thinkers from the Arab world gnd its
diaspora. Tho overarching theme was lo explore how £lrtisls' respond to past and to ongoing orises as well as lo
profile some ol Ihe Inost innovative and original responses by MENA artists during this ¢urrent pandemic. For
example, Radio Al Hara was founded during quarantine in Palestin8 and Younes Baba-AIT'S Project
003278079060 was part of a sound art projscl where people Gould ring a tnobile phone numbèr and listen lo
Pi8C8 01 sound art via its voicfjmail system. The programmè was as follows..
Future Thread5= 1 June 2020 - 16 Augu$t 2020 Total engagement= 16,922
Heba Y. Amin Public Programmo-. 7 October. 10 December 2020 {continued in 20211 Total engagement:
547
Even though we could install and upen Heba Y. Arnin's èxhibition, social distancing reslrictinn.% unfortunately
meant that Dur public event programme could not take place in the gallery and so il was transfèrrèd online.
Edward W. Saifl London Lècture
Unfortunately. thE 2020 Edward W Said Annual London LeGture, that was to be given by Abdulrazak Gurnah
and hosted at the British Library was cancelled becaus¢ of social distancing r&strietions in place throughout 2020.
UDIENCE I VISITORS SUMMARY FOR 2020
The total nurrber of visitors to the gallery in 2020 was. 1,728 (Mohammad Omar Khalil.. 1.314 visitors and Heba
Y. Amin. 414 visitors). Despite low visitor figures, The Mosaic Rooms, for the first lime in its history, expp.riménted
and deliveied bespoke onlinè programming and Gontent. It achieved a total of 29,700 online participants,
attendees and viewers from the UK, MENA countries including Egypt, UAE, Palestine, Saudi Arabia among
olheis, U.S., Europe Iweb an8lytics note online visits from Gemany, Netherlands and France).
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DIGITAL GROWTH SLIMMARY
The digital audience interaction has ch&nged dramatically since the pandemi¢ began. Audiences are now
accessing The Mosaic Rooms across various platforms for live inleraclions, something that wasn't previously
c)ffered by the gallery. Animating the digital channels on Inslagram and Fatebook with live ev&nts increased
followers lo Instagram particularly. The increase in numbers allending films and recorded events was also
significant. Thi5 strand ol work has developed significantly and will need to b8 maintained and buill on in 2021,
to continue to encourage the demands of existing and new audiences off-site through recoided live events, and
exhibition inlerviews and tours.
VISITOR SURVEY
The 201912020 survey was compl6tèd In spring this year. A total of 385 peoplè parti¢ip8ted over a 12-month
period. The respondents were a mix of exhibition and events visitors lo ensure feedback was ￿presentative. The
svrvey completed was the Audience Agency's Audience Finder survey which énables data comparison with other
museums and galleries in England.
SUMMARY FINDINGS
The burvey's findings show that The Mosaic Rooms continues to attract a young audience. 11 also continues to
attract a high proportion ol visitors identifyinq as Arab, reflecting Ilie gallery's role as an important meeting point
for these groups to oncounler contgmporary culture connected with their idenlily. The proportion of black visitors
rose which could reflect the prograrnming around the Mohammed Omar Khalil's exhibiliori. This should be born
in mind wh6n programming in 2021 to encourage the offer lo a diverse range of London audi6nCèS.
Co116Ction D* lurth8r audience data was a challenge because ol the pandemic. The visitor survey is about physical
visits, and to collect data we have to Gollecl 380 contributions which would not have been possible within the
lockdown closures this year. Unfortunately, a survèy developed on the existing lormal and capable of integrating
exisling data was not SLlltable for use for online event visitors. Although data from online engagement shows a
spread of UK and international visitors, a ThOT8 comprehensive suNey to build on ¢xisting data is needed. We
are speaking with The Audience Agency about this and recognise this is a point for urgent dev61Dpment in 2021.
The increasè in proportion cif inlernalional visitors to our site, and anecdotally lo our events, indicat8s an audienc
who we have not been Interacting with previously. The online events programme and increase of our digilal offer
provides opportunity lo build our relationship with these audiences and data collection in 2021 which will help
us learn more.
STRATEGIC OBJECTIVE TWO - Advocate for the role of arts & ¢ulture in society
We have pul on pause developing a network ol organisztions adopting a similar approach to Thè Mosaic Rooms.
The pandemic and its Impact has meant this is not the right lime, particulzrly 85 many argani88lions are in survival
mode. However, this year The Mobaic Roorns has joined both CVAN Iconlemporary Visual Arts Nelwoikl and
VALS (Visual Art5 London Strategy Group) and allended monthly meetings with directors from leading public
g211&Fl&S to share knowledge and feed into government policy and sectorial advocacy including approaches lo
funding souices.
As a result, the key activity lor this objective was our learning piogramme. A Creative Learning Curator was
appointed in early 2020 and with this new role we were able to respond tts the pandernic by delivering digital
projects for schools, yDung petsple and families.
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Crtatlve Learnlng activities that took place in 2020..
SCHOOLS
TogetherApart.' LoGkdown Di6rie5 was a Ic>ur-week school project which ran online during the UK lockdown from
May - July 2020. The proje¢t engagecj a total of 60 students and wag a partnership with trNo local secondary
schools.. The Cardinal Vaughan Memorial School and Kensington Aldridge Academy IKAAI. Both schools h&v8
a diverse inlske IKAA has a particularly high proportion of pupils from disadvantaged b8¢kgroundsl.
Our Creative Learning Curator, Najia Bagi, was invited to present the proj8Gt to the University ol the Arts London
teachers, netwoth as an exatllple of a high-quality arts eduGalion prol¢¢t and resources have b8en shared with
sevoral educational institutions.
"Working remofelyl digitally is going to play an gv@r-greaterp8rt in our futures, and espeGi811y In educétion, so it
felt like we were &xploring very relevant n8kV ground" Te2cher, The Cardinal Vaughan School.
'The project was a greaf opportunity to express ordinary things into £rt, I have learned that 8nything be art"
lsraa, student Kensington Aldridge Ac8deThy.
FAMILIES
In February 2020, Mohammad Sabaaneh delivered a print making WDikshop artended by 30 children along with
their farnilie5.
As part c>f the FIrtU￿ Threads digital programme, wè presènted four online experiences for fBmilies, which tDok
the form of pre-recorded vidg05 made by artists Nadlne Kaadan and Elias Matar. Nadine read her books
Tomorrow and Answer m8 Leila with an activity at tho end and Elias created a storytelling workshop and
storytelling perfoFm2nce. Cumulatively, all wideos were watched over 3.000 timas eith81 on Instsgram or Vimeo.
There were over 100 likes and shares through Facebook.
In Novembèr Dla Batal deliveied an online workshop. Testing a new foimal, the woikshop was delivered live,
and art materials were postod to families in advance. Ten families look part, creating collage and practisTrng Arabic
words rèlated to Heba Y. Amin's exhibition.
Lastly, Dia Batal and Najia B8gi designed an art pack for families, comprising of a sheet of creative activities
about Heba Y. Amin's exhibilion, together with art materials. A total 0190 packs were sent140 to local corrmunity
centres, D2lgarno Trust and Al Hassaniya centre, 40 to Kensington and Chtrlsea Food Bank ar)d 10 to familiès
for the November session}.
YOUTH WORKSHOPS
A on@-w8ek onlin8 art prc>ject in partnership with th¢ University Cif the Ar15 London IUALI took place in July
engaging 15 students in a week-long in16nsive course. The Mosaic Rooms cornmissioned artist Aya Haidar to
work with the UAL Insights programme which supports young people from first generation immigrant
b8¢kgrounds, and olhers idonlified by teachérs ag in need of support lo participate and consider applying for arts
in higher education. The student5 respondBd to a brief from Aya Haidgr which related to the artist's Work with
spatial and 3D d@sign and considered the building and ethos of Thè Mosaic Rooms whi¢h was presented by
Najia Bagi. The standard ol work was impressive wilh all 15 students e8eh submitting a well-considered portfolio.
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A.M. QATTAN FOUNDATION
IA company limited by guarante&l
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 DECEMBER 2020
ADULT WORKSHOPS
On 14 March 2020 we held an artist-led linocut workshop for adults again with political cartoonist Mohammad
Sabaaneh inspired by the works of Mohammad Ornai Khalil. On 16 December 2020 we delivered an online
exhibition lour lo 12 women at Dalgarno Trust cornmunity oenlre.
RELATIONSHIP BUILDING
Creative Learning Curator Najia Bagi has created new workin9 ielationships with INIVA, Barnel RelLigeB Service.
national reading charity The Reader and youth education charity Into University. She has devoloped existing
relationships with Al Hassaniya and Dalgarno Trust comrnunity groups.
The MosaiG Rooms are now members ol Young K&C,' an organisalion working with young people in the IoGal
area which offers opportunities for partnerships and funding as well as marketing fo¥r crealive learr)ing.1n autumn
2020, Together Apart was featured In the tnetllbers, newsleller and featured Dn the website of the national
learning network Engage_ In summer 2020, The Mtssaic Rooms, cligital learning projects were featuied in an
Inslagr2m takeover by Aris CDuncil England on the Arts Council England Instagram account.
An inlom)al neMork ol knowledge sharing has been developed between Najia Bagi, Heather Kaye, Family
Manager at South London Gallery and AIBX Thorp, Learning Curalor at Serpentine Galleries.
SUMMARY
A total of 145 people engaged with the live Crealive Learning programme at The Mosaic Rooms and onlina
recorded sessions receiverl 3,000 views.
The family programme teslBd different approaches lo reach audiences, including pi8-Feicorded sessions, a live
session and an activity pack. The 2021 plan will use the live session formal for online sessions as it offB15 the
most inleractive experience tc> families. The activity pack will be offered. 8nd a new activity sheet produced for
th@ next exhibition. This expands thè family off8r for children visiting outside Ihe family woikshops.
Work with the University of Arts London IUALI was a useful learning experien¢& to understand how to deliver
workshops to this age group online. Howevei, UAL plans W&Fe unGlear 8t Ihe end of 2020, and so it was d6cided
not to Commit to a 2021 workshop, but to hope to use their network lo share newg.
Community engagetnenl is a challenge under lockdown conditions bècause f8ce to facg visits in the community
are usually an important part ol this work, however we have built ¢onneclions via online contact and we will offer
further CDmmunity ttsur5 in 2021.
STRATEGIC OBJECTIVE 3.. Competent Organisatior
Rach8al Jarvis, the diiector ol The Mosaic Rooms, went on maternity leave in March 2020. Sh@ is returning full-
time in April 2021. To cover her absence, we recruited Sandra Ross 2$ Acting Deputy Director Ipart-lime, 2
days p81 weekl- Because of the lockdowns th$ loam have often had to work from home. We have adapted
lalively WBII lo remote working arkd have put in place systems and pioc8sses to ensure good communicalion
and effici&nt ways of working within this context. We have weekly online team mEelings as well using MiGrosoft
Planner.
A compr6hènsive Tisk assesstment followed by implementation of health and safely prccedures and protocols i
relation lo the pandemic are in place for when staff can work in the office. A review of th& P4R manual will be
conductéd in 2021 when Rachael J<irvib relurnts from matgrnily leave.
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A.M. QAThAN FOUNDATION
IA company limlted by guaranteel
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 DECEMBER 2020
STRATEGIC OBJECTIVE FOUR- FINANCIAL STABILITY
FUNDRAISING
Arts Council England IACEI
Arts Council England is the UK'S biggest arts funder 2nd this yaar we continued lo develop our relationship,
including with senior staff and decision makers. In J8nuary 2020 we submitted a £38K grant application lo
support our cxhibition programme from mid-2020 to mid-2021. However duè to the pandemic ACE suspended
all ils open funding progravnmes and unfortunately this application did not proceed,
In late April w¢ applied to ACE'S Emergency Fund fcir £11 K towards oui Dnline programme. Unfortunately, we
wère not successful, most likgly because Ihe primary purpose of this grant was for organisations faGed with
immediate financial difficulty although the guidelines dicl stale a grant ¢ould be made for onlinè programme
activities.
In November we submitted another grant application, lor £29K towards the costs Cif the two exhibitions taking
place in 2021. We received notification in February 2021 that w$ were successful and this show in our 2021
budget.
statutory Fundlng and Trusts & Foundatlons (all figurss 8rs subject to final audit)
During this Teporting period we recèivèd the last part of the 2019 gr8nt from the Royal Netherlands Ernbassy
towards the costs of a publication by Praneet Soi.
A guceessful application was made to the Royal Borough ol Kensington and Chelsea Arts Grant Schem¢, and
we were awarded £2,460 for production and dislributiDn of family art rnalerial pa¢ks to gallery visitors and local
community groups.
However, s&veTal applications submitted lo trusts and foundations wer8 not successful. Often, WB dcin'l gel
individual feedback. bul we know that fundèrs have been receivin9 an overwhelming number of applications and
ftjnding is becoming evgn more compelilive.
Lastly, as a srp.all team cap8cityto apply to all 2vailable funding opportunities as well explore new income stre3ms
is limited. To address this th8 Acting Director who has been covering the Director's malernily leave will continue
for six rnonlh5 Wlth a new role fDcussing c>n fundraising and income generation when the DiTector returns.
EARNED INCOME A￿D REBATES (all figures ar$ subject to final audit)
Museums & Exhibition Tax Rellef
The Museums & GallÈries Exhibition Tax Relief allDWS qual￿tyIng charitable museums and galleries in the UK to
olaitn a payable cash tax Credit on èligible expenditure incurred while producing a qualifying exhibition. Fof thig
recording period we claimed £15,291 against the ¢osls ol exhibitions in 2018 which has been credited tD 2020's
buclgel. This year we have completed a claim for £30,716.40 against exhibition costs in 2019 including a
PTOPOrtitsn of staff costs. This tax credit will show In the 2021 budget.
Coronavlyus Job Retention Schème
At the beginning of the p2ndemic the UK Govemment put in place a Inb retention sch&me whereby eTnployers
Goulos furlough staff and the government would subsidise their wag8slsalary up to 80Q/, IcappBd clt £2,500 p8r
monthl as well as National Insurance. We have be8n taking advantage ol this schéme with staff at intermittent
points on full-lime 01 part-tim& furlough. This énabled a saving of £40.224 on staffing costs.
Page 19

A.M. QATTAN FOUNDATION
IA company limited by guarantee)
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 DECEMBER 2020
Private hire, Café and Studlo rental
Earned incotne from private hire, the café and th9 residency studio have been soverely impacted by the
pandemic. However, unlike many cultural venues in the UK, our business model does not heavily rely on 8arn8d
incom¢, Th&re were two private hires LEP until March 2020 to the value of £1,125 but private hires booked after
mid-march had lo be canc8lled and iefunded to the value of £1.481. Total private hire income in 2019 was £2,382
and It is likely this would have increasgd in 2020 had the￿ been no pandetllic.
Bookshop (all figures are subject to final audilj
The tDtsI bookshop revenue generated online and at the gallery is £B,226 llo be confirmed by audill. This is
compared lo £8,494 in 2019. Despite sales at the physical bookshop being severely impacted by low audience
figures, we have seen dramatic growth in our onlin8 book sales.
W¢ expanded our range of books from independent publishers and specrfie 8rtist's books such as Kayfa ta,
Barakunan and Lifta which increased our sales as li attra¢l¢d a new young audience. During 2020 we hosted
five book 12unches.' The Hundred Years War an Palestine, Death is Hard Work, How to remember your d￿&MS,
Htrw to love 8 homeland and The General's SILirk (see public programmel.
To highlight the visibility of our bookshop, w8 Introduced 'Book of the Week, wh$re $a¢h week a book is selected
and presented on our websitè and on sar.ial media, in alignmenl with the exhibition and public programme. This
also allovrfed us lo highlight our own publications, such as Flowers of Palesline (19971, with a sale 0121 copies.
During the month of August, we lundrai5ed £1,179 Irom bookshop sales for the British Red Cross Beirut
Emergency Appeal.
FINANCIAL REVIEW
Incoming resources in the 12 months to D8C8tllb8r 2020 wore £5,875,422 which w85 lowèr than £13,937,465
in the 12 months lo December 2019. The main source of funding for the FoundaliDn's core progiamme 2nd
adminislralive expenses is the Al-Qattan Ghaiilable Trust, Jersey, Omar Al-Qallan, Najwa Al-aattan and
Leenah Al-Qattan.
Total expenditures w&re £7,785,059 which has increased from £7,038,884 in the previous period. The
percentage of total expendilure vs. the approved budget for this yèar was 860/0, which rises lo 90°/o when
excluding the building costs cif the new Cultural Centre_
Overall Iho Charity reported a deficit for Ihe ye£[ of £3,540,89612019'. net surplus c>f £5,215,081).
Al the encl of the fiscal year, the balanc& ol the provident fund for employ¢es in Palestine was £926,628, while
the severance fund b21ance for employees in Palestine was £1.831,890.
Th8 funds of th8 Charity carried forward as at the 31 December 2020 were £39,793,736, of which £28,920,104
was held as restricted funds and £10.873.632 as unrestricted funds.
Reserves pollcy
The Trustees hèvo reviewed the Foundation5 need5 lor reserves in line with the guidance issu6d by the Charity
Commission.
The Trustees believe that a prudent level of reserves would be in the region of £1,700,000. This would enabl&
thé Found8tion to have the financial resources to meet employees, salaries and basic running Gosts for 6 months.
Page 20

A.M. QATTAN FOUNDATION
IA company limited by guarantee)
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 DECEMBER 2020
Thé Al-Qattan Charitable Trust in Jersey has been thè Foundations largest donor to date, over a period of morè
than twenty years. The Al-Qatlan Charitable Trust was set up with a mandate to support the Foundations core
prograrnmes and running expenses, among other charitablè goals. The Foundations Truste85 thérefore feel
Confldent ol Ihe short- and m8dium-term security of this funding source. However, they also regaid Ime emergellGy
provisions outlined abovB as ne￿$S￿ry to cover any suspension of the M-Qattan Gharitable Trust's funding lor
reasons beyond their control.
At the year end the free reserves ol the Charity las defined by unrestricted funds not held as fixed asseis and
investment51 was £2,083,645 which is £383,645 in oxcess of this policy. The TrustBes have i&viewed the luture
plans ol tlie Charity and are satisfied that the 19vel of free reserves will decrease in ling Wlth the policy over the
curning year. However, at the end 012021 they will review the level and policy for free reserves as part of the
budgét getting plan and in line with the strategic plan.
Investment Policy
Duiing 2020, the Board's Investment Committ&e recommended Ihe appointment ol an inv8Stment advisor lo help
it place ils excess cash reserves in a conservativ&ly managed portfolio which would generale better returns than
the currently very low rates offer8d on the money markets. Thus, 2 selection procèss was undertaken to appoint
th8 advisor and three Gandidates were con8idèred on the basis of Iheii experience with Gharitigs, Lrusted third
party recommendations, size and cost with Ihe Jersey-based lirm Enhancé winning the bid. Following a
prgsentstEon of a draft invesltrLent policy by the Board, a'beauty paraote" of three possible investment managers
were picked by ENHANCE and presented to the committee, the final choice falling Dn Sarasin & Partners in
London. The dup diligence and onboarding process was thèn launched, and we expect lo transfer $2.5m ol
reserve funds for investm8nt by Sarasin in mid-2021.
P05t-audÈt event.. Amman House
In early 2021, the Trustees were inforrned by the Charity's lawyer in Jordan, Attorney Thamer Obeic5at, that the
Amman hous8 bequèathed by the late Mr5. Leila Al-Qatt8n ta thè charity on her death in January 2015 had finally
beon registered in the C,harity's name after years of bureaucratic obslruclion. We are now working on securing
the necessary excmptions which would allow u5 to sell Ihe house on the open mark@1 without having to wzit out
the legally binding period of seven years imposed on foreign institutions, real estate asseis under Joidanian law.
The investment committee will also be Iwking to ¢Dmmission an up-to-date valuation on the house during 2021.
Principal risks and uncertainties
2020 has been an unpTecedented year in terms of uncertainties and risks as the pandemic swept the globo. The
onset of the pandemic varied 8mong the various geog18phi8s and CDmmunili¢s the FDundalion servès.
Please see the programme reports above for its direct impact on our work.
More specifically for the Palestine context, thé first cases were reporied in March 2020, public events were
cancelled, schools were closed ill the first week of March, and the country wfjnt into total lockdown on the 22nd
March until end of May. Whilè strict measures were adopted in the Vvesl Bank during Jun8 and July, life went
back lo normal in Gaza until Ihe end of August. By August, the authorities in the Wlost Bank eased restTlCtions
and allowed public galherings, only to re-impose a IoGkdown late in Novembei. Meanwhile in Gaza, the second
lockdown started at Ihg end Df August and continLJed, without effective Implementation, until the end of th8 year.
As a rèsult, the Foundation, in addition lo caring for its staff and rgsource5 and to fulfilling its obligations ID Its
beiieficiaries, also had to adapt to different regulations depending on the location of its operations. This affected
internal Gorllmunications and flow of information.
Page 21

A.M. QATTAN FOUNOATION
IA COTnpany lim*ted by guarantèe)
TRUSTEES. REPORT
FOR THE YEAR ENDED 31 DECEMBER 2020
Despite these challenges, the Foundation was able to impos? its own coronavirus health and safety regulations
swiftly and 8ff8CtIV91y at ils premises in Palestine and was able to transition to remote working relatively easily
as the technological infrastivcture 15 new and up to dat8. As expected though, all public events anct activities
were initially postponed, Ihen cancelled or transferred online where possible, Programmes revisited thèir plang,
made budgel changes where necessary and were able to iespond lo the changing enviionrnent at varying rates.
CAP was exceedingly responsive to the needs ol its contracted grantees and the emerging needs of the cultur8
seclor by introducing two new grant schemes,. ERDP slowly lesled and tried onlinè traininqs with teachers, the
Child Centre in Gaza was able to provide support to community cenlres and kindergartPns using unspent
budgets, whilé trying lo balancg aLcess with health risks,. while the Public Programme drastically transformed its
plans to accommodate online foimats.
We are also very proud to have L>een able to maintain all our stall in full employment in Palestine despite a lack
of govemment support, and in addition to supporting other organisations and individuals in the mogt difficult
moments of the pandemic. Nonetheless, the impact of the pandemic has only bèèn slightly alleviated, and we
expect further disruption in 2021, for which we are planning carefully,
STRUCTURE, GOVERNANGE AND MANAGEMENT
GovernanG8
The Charity is governed by policies and PTocedures devised originally with support from a professional firtn of
auditors lo cover all operations. A semi-annual and an annual report on all programmés, projects and
management issues are Submitted lo thè Board of Trustees IBOTI lor dis¢ussion, guidance and approval. Th
BOT meets with the Managerll&nt Committee IMCI of the Charity al least twice a yèar. Th8 MG is Qomposed ol
all members c)f staff at Director level and other selected senior staff. In April 2019, the Board 2lsD lorffted a
Programmes Committee to focus on specific lasks related to content development and better integration between
its five programmes.
Two new Board Members were $leGled at the end of 2020. Th8y are Professor Khaled Fahmy and Dr Mezna
Qato, both distinguished Cambridge Univèrsity academics teaching tnodein Egyptian history and the history of
education in Palestine, rospeclively.
The Foijndation has a long and successful history of collaboration with other maioi charities and instilulions,
in¢luding the Ford Foundation, The Swedish International Development Agency, the Or0505 Foundation
(Switzerlandl, the Art5 Council England, Taawon Ipreviously Welfare Associationl, the European Union, the
Palestinian Museum and many Dtheis. Historical and current proj8cts have mainly been c(hfunding intetvenlions
in medium lo long-term strategic goals. Our Chair of the Board was elected to chair the Palestinian Museum in
August 2020.
The Foundation has a risk Matrix and risk register that Is updal@d every year.
The Const5tution of the Charity
A registered Charity- a company limited by guarantee.
The Articles of Associalion sets out the charity's purposés and its governing slruclure. It is supported by a
Governance Manual which lays oul the detail of the pcilicies and piocesses in place to rnanage and administer
the governance function.
Page 22

A.M. QArrAN FOUNDATION
IA compally limitèd by guarantee)
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 DECEMBER 2020
Reeruitment and Induction of Trustees
The Charity rnay by ordinaTy resolution appoint a person who is willing to be Trustee. Potential candidates are
recommended by the Nominations Cotnmitteè b3sed on several criteria. These are mostly fo¢uss¢d on
candidates. professional expert15e in the Foundation's areas of work, as well as other areas such as management,
audit, public relations and fundraising. Candidates are th8n presentèd for approval by the Board.
The Chair of the Board is r¢sponsible for the induction of n8w Trustees. An inlormatlon pack is provided on
appointmont, meetings with relevant members of staff and Truslees arranged 8lld any training provided as
neeaed. Newly appointed Trustees return a signed Confidentiality Agreemenl. Declaration ol Iril¢rests and
a Trustee Eligibility Form.
Remunèration policy
The Board conducts règul2r research on cornparab19 remuneration packages for all kèy management posts. All
stall except for the DG are peid according to a salary scale that is reviewed regularly by the Board, The DG'S
remuneration is negotiated directly with the Chair of the Board.
Pybllc Bèneflt
We have referrèd to thè guidance in Section 17 of the Charities Act 2011 on Publ1¢ Ben¢fil when reviewing our
aims and objectives and in planning our future activities. In particular, the Trustees, as well as all sgnior mEmbers
of staff. are aske¥d to C8r8fully consider how planned aGtivities will conlribute lo the aims znd objectives they have
s&L
In that regard, th$ Trustees are salisfied that all activities and the benefits arising from them are strictly in lin¢
with the Charty's staled aims,. that ils activities are solely focussed on children, teachers, artists and creators.,
that all opportunities and benefits ar6 offered on an open, IiaDsparent but competitive basis, while ensuring that
activitigs are distributed across geographica1, SGonomic and sDcial areas and strsts with a specific focus On
marginali5pd or impoverished cOmm￿nitIeS {for example in rural areas or ielugee camps), without ¢ompromising
the quality of services provided.
General Managernent (including Iinance, administrative, communications and resource dovelopment
Dunng 2020, much time and effort was expended in responding to and planning for changos in the work
environment resu5ting Iiom COVID-19. COVID-19 WHO and local regulations were adapted to the Foundation's
faGililies in Ramallali and Gaza, and regular updates to staff and visitors wore duly shared and publicizgd.
While several items on the 2020 work plans were delay8d, cancelled or shifted many w¢r¢ realized. The below
is a summary of key achievements.,
With the goal of making operations more effective, efficient, and responslV8, the Foundation revisited its
organizational slructur8 and worked Ihroughoul the year on building a new one. An external consultant
was hired to do the job with the BOT and stzff. The inception report Idiagnostlcs) was presented lo the
BOT in June 2020, and the overall layout lor the new structure was approved by Ihe BOT in its Oécemb&r
meeting. The new structLJre will be operalionalized in th6 secDnd quarter 012021. Its main results are..
replacing the current programme divisions with Ihe following ngw dgpartm¢nts'. 11 Culture and Education
Programme with three subdivisions al Grantmaking & Capabilit18% Support, bl Educational Development,
cl Ghildren's Cieativty," 21 Public Prograrnme. which will be overseeing programming and outreach in all
of thg Foundations branches and facilities including the Science Studio, and which has three subdivisions
Page 23

A.M. QATTAN FOUNDATION
IA company limited by guarant661
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 DECEMBER 2020
al Curation & Programming, bl Outreach and Engagement and dl Libraries,. 31 Communications and
Development which will serv6 as th8 knowledge processing anc5 sharing hub and which will include al
Communications and Multimedia, bl Fundraising cl Monitoring & Evaluation and dl Sectoral research.
In terms of int8rnal measures and the continuous diive to make operations more effective, payroll
preparalion wa5 moved to the oversight of the HR unit basèd on th& Internal Audit recommendations
from previous years, which also allowed lor the automation of payroll-related operations lend ol service,
providenl fund, loan requests, elc.) In addition, our HR software was upgraded lo accommodate the
special requirements of the Ramallah restaurant staff. Finally, we trailed 2 new attendance system in
synchronization with the HR one, and which will be In use in 2021.
In terms ol policies and regulations.. our Staff Code of Conduct was reviewed, updated, and approved by
the BOT,. our Employees, Children's Grants Policy was updated b£sed on the Grants, Committee's
recommendations,. our IT User Manual l Regulations were drafted, and our Health and Safety Cofflrnittee
TORS and Regulations were also drafted and reviewed. Additionally. 70Q/Tr of the Internal Audit notes on
IT were iesolved and will be further reviewed during the Internal Audit of 2020, duL4 to GommenGe in
March 2021.
In 2020, threg n¢w fixed-lerm contracts and one permanent IProGuremenl & Contracting officer)
employee were recruitèd", whil8 14 employees left lor various reèsons Iietirement, resignation and end
of contrkct P8ri0dl. By the end ol the year, th$re were 95 full time employees. 45.10 of whom w8re
female.
All facility maintenance and service Gonlracls were updated and r8new8d.' eleaning, security, insurance,
elevators, generators, building managemènt sofb￿2re, etc and a new facility rental website was
commissioned and is being built. Additionally, a Health and Safely assessmelll was carried out l(>r the
Foundation's new cultural eentre in Ram211ah, a rerredial plan was prepared and 70 /0 implemented with
all saf6ty signs designed and placed where appropriate.
The Employ88s' Children's Grant 6th cycle took place and a lolal of 13 grants Itotalling $31,300) w8r8
disbursed.
In reference lo con5tiuclion maintenance of the new cultural c&ntre in Rarrallah, the soulhern street
was paved by the Municipality, allowing for th@ use of the parking lot., and 90°/0 ol electromechanical
adjustment works were implemented, faulty cor-vision glass faGades were replaced, the grey water
filtration system was adjusted, and th6 Photovoltaic Cells project was tendered Ito be implemented in
20211.
Communications and Multimedia.. wilh the ong$l of ￿e coronavirus, the online spac8 bec8tll8 our main
hub lor audience building and relenlion. Social media applications continued to be the key tODls used
with Facebook being the most populaF19010 increase in number ol followersl with a wider geographical
span lJordanlUAEIEgypll, followed by Inslagram (with a 41Q/g in¢r&a5e in followers), Twitter and
Linkedln. The communications team woiked In sync wilh the progiatnmES' teams providing solutions and
oppo.rt.Jnities for engagement and outreaeh through the editing, Iransformalion and PLJblicalion of online
content. This amounted to 23 onlin8 visual arts exhibitions, 15 promotional vide05 and the editing of 35
videos for the Foundatior)'s YouTube channel Ivideos of public activities that took place at th6 Found8tion
and were recorded in th6 past two y88r81 which more than doubled the numb¢r ol views of the channel.
Page 24

A.M. QArrAN FOUNDATION
IA company limitèd by guarantee)
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 DECEMBER 2020
On the lundraising level, seven co-funding agreements weie signed during 2020 totalling $2,486,151.
These were as follows=
Phase 11 ol the Culture & Arts & Social Engagement project with the Swiss Development Council
for the period 0112020- 1212023 for $1.599,407
Quality and Inclusive ECCD for the most deprived and neglected children in ow with Save the
Children lor the period 0IJ2020 to 0212021 for $26,522 and a further increase lo $40,146.
Early Childhood Sector Support in Gaza with Taawon lor the period 06,'2020 to 0712021 for
$120.000
Children Oulreaoh AdiYiliBs with IDRF Ilnlernational D&velopment and Relief Foundation) for
0712020 to 1012021 for $55,076
Support for our"Takalof' initiative frorn Al Mawred Al Thaqaty for $100,000
Creative Child - Blight Future project lor educational advancement with Drosos for the period
0112021 tD 1212023 for $450,OOD
Finally, Ihe Fouridation coopÉrated with the King Baudouin Fund-us lo allow for individual
donations lo the Foundation from US lax residenls. Accordingly, an amount of $95,000 was
donated through this scheme by our Trustee Dr Najwa Al-Qattan and was allocaled lo the
Science Sludio aclivilies.
Olhgl incotlle genèrationl investrnent streams in¢luded=
Due lo closures and lockdowns, equipment and facility rental activities generated $9,732 and
$33,092 respectively.
The Founcfalitsn's previous premises (two buildingg and one unoccupied land lot) WBie publicised
for lease and we received several offeis. The BOT Investment Committee reviewed the offers
and chose the Barenboim-said Music Foundation IBSMFI for the headquarters, building, bul
offers foi the other building (the Old Al Quds University offices) and the unoccupied land were
found unsalisfaclory and no decision was taken. BSMF will be rBnting Ihe premises for 5 years
starting 0912020 lor a total of $77,U50 annually.
The Foundation acquired 961244 shar8s ol thè land lot at the western border ol ils new cultural
centre and is p5anning lo acquire the rest in 2021 as a movè towards preserving the natur81
landscape surrounding its centre.
Al Mat81 Restaurant.. The Foundation's restauranl IAI-M3tall h8d planned its grand opening for
the 21sI of March around 6 months after its soft opening however, due to the pandemic this did
not lake plaGQ but the restaurant continued to opérate according lo the govemmenvs regLilations.
Despite a total loss of $165,854, the restaurant did achieve sevtrral imporianl tasks.. menus were
tested arid approved, staffing and staff training werè fully rèalized, internal facility adjustment
end equipmént purchases were finalizsd, the storage area was *LJlly @quippèd, and the restaurant
catBred for all activitie5 that look place al the Foundation. Most importantly though.. Ramallah
wa5 open Iiom August to November and Al Malal was the hil restaurant of the 2020 season due
lo its delicious mènu and comfDrtablè gèating and outdoor spaGe.
FUNDRAISING STANDARDS
The Foundation has an in-house Rosource Development Manag8r at its Ramallah heacfouarters who is
responsible for fundr2isinq. In the UK, the fvlosaic Rooms, Directoi manages the fundrzising process. Both follow
the FoundatlOll'5 ovin fundraising pnlicy approved by the Board of Tiustees. The Policy stales that Oxleindl
funding should not exceed 40 /0 of the Foundation's annual budget. and that the FoLindalion should play a leading
role in the design and implementalion ol all its proje¢t5. In addition, no conditions should be attachBd to external
funding that contradict the Foundation's core mission. The Foundation appio8¢hes donors lo exlend and 8xp8nd
its programmes, operations by co-funding gelecled projects 2nd programmes.
Page 25

A.M. QATTAN FOUNDATION
IA ¢ornpany litnited by guarantee
TRUSTEES. REPORT
FOR THE YEAR ENDED 31 DECEMBER 2020
Thè R8sourc8 Dev81opmenl Manager answers dire¢tly lo the Oirector General and follows an annual plan that is
approved by the Board of Ttuslee5. This will now changa with the n8W Strudure.
The Foundation does not solicit lurilling from the public OF frotn individuals except in very rare cases where a
personal introduction has been made by one of its Trustees lo an individual who has expressed interest in its
work or in one of Its projects. No CDrnplainls were received from members of the public about the Foundstion's
fundraising activrties.
PLANS FOR THE FUTURE
Foi 2021, the new structure will be operational, but will n88d tim8 to be lully embedded into the Foundation's
daily operations, Iherefore for 2021, OUT key administration tasks will be to
Review the strategic plan to r8flect the new structure
U*lift the Foundation's brand. revisit its communications 51ralegy and content, develop a new wèbsit8
Adapt sofLware configurations to the new struclLJre le.g. Accounting & HR)
Focus on the intemal environm¢nl and team building as a number ol posts will be eliminated leading to
several voluntary redundancies, which will no doubt impact the remaining staff.
With reference to c>ui 2019 report and the list of follow-up Issues rgquested by the BOT please note..
Board Recommendatlon.. Develop a programme to cover both the future Df the Science Studio and the way
il works especially in connection with the new cultU121 c8ntre. Mana
emenl res
onse.. in the new
organizational slmclure, the studio will b& m8n8ged under Ihe Public Programme as it Serv￿ Ihe
Foundètions goal of public engagem&nf in the Sciences. The new approach will open fh6 Studio for
P￿GlIt10ners, artists and th8 public wh￿Ie also supporting teacher training in science education. The newly
intmducad 8rrangemenl is expecled to last to 2022 during which the studio will he evaluafed and 8ny
suggested changes will be communicated ancl approved by the Bor.
Board Recomtnendation= Pteparalory steps for the merging of the Child.GentFe IGCCI with the Education
Research and Development Programme IERDPI In Gaza, including defining Ihe new needs of thg Child
Gentre & developing TORS for th¢ rehabililalion and development of It5 building. Mana
emenl res
onse..
ERDPS offiG8 in Gaza will be closing by éh& end of Jun8 2027 and its aclivities will be incorporated the
GCC which is lo becoffne & full-fledged Cultural centre whife c(Intinuing ils main focus on children. Plans for
rehabililalion have been prepared anrl the budgel will be sha￿& with the BOT in May 2021 for réview and
approvél.
Early childhood education..
Board Recommendatitsn= A pilot between GCC and ERDP 15 to lake place in eaily 2020.
Mana
ement res
onse.- This WEIS partially achiev6d 2020,. full fiedged inlegration is lo start in
May 2027.
Board Recommendation: A 2020 study to survey inlervenlions with children Inot just èarly
childhood education) was planned lo support the Foundation's strategic goal of working with children
as a key segrrent in th& coming years Mana
ement res
onse.. The saidstudy is underway. Resulls
will be out by n7id-2021
Board Recommendatlon.. RLJa' Magazine.. ideas on how to put>li5h it digitally need to go further lo serve as
part of a learning plzrform to showcase the Foundation's cultural and 9ducalional products. In 2020. ERDP
to print a limited number of hard copiès but to move towards a user-Iriend1y digital fortnal. Mana
emenl
res
on
e.- The 2020 issue was digital and will lo be so.
Pag8 26

A.M. QATTAN FOUNDATION
IA company 5imited by guaranleel
TRUSTEES, REPORT
FOR THE YEAR ENDED 31 DECEMBER 2020
Board Recommendation.. Key to note the internal vs external function of media platforms., il wa5 8grBed
that an editorial team is to tje established to work on the editorial 'lines" of the Foundation, to be led by
Mohamoud Abu Hashhash. The Cotllrnunications & PR department is lo work closely on developing the
ToRs for any external consultancies needed. Mana
ement res
onse.. This was postponed until th8 new
organizational Structu￿ is operalionalizgd (Q3 of 2021).
Board Recommendation.. Awards.. CAP, ERDP, PP to jointly review the future of visual arts in Palestine, in
dialogue with a range of artlSts, given that the public is attached lo the Young Artist of the Year Award IYAYAI.
Key that Interventions musl be based on long-lerm 5tr8tegic investment in the sector, avoiding duplication.
Mana
ement res
onse.. A nsw version of YA YA was commissioned and is described in the earlier CAP
seGlion above. This will rEsuIt in a new inleNention in 2Q21 lo new appmaches starting in 2022.
Board RecommendatSon'. Selat (Lebanon) on hold for 2020 until a partner can be found. Mana
res
onse.. Project was frozen.
Board Recommendation.. Ni'lin Centre to become independent within two years li.e. by January 2022 Ni'lin
will be a separate entityl. Mana
emenl res
onse.- Plan was prepared and dis&ngagemenl process to start
in March 2021.
Drama in Education school lo be hfyld in Ramallah this summer to pilot the usè of the building, while
developing p18ns for cost-effective engagement from Arab countri8s. Mana
ement res
onse.- The Soh()ol
took place in Ramallah in 2027, although not in fh& previous ftrrmat due lo the paft7demic
Board Recommendation.. Public programme.. Yazid to organize an exhibition at the Mosaic Rooms in 2021
and Rachael in Ramallah in 2022. Mana
ement res
onse.. Agre8d butposlponed due to the pandern￿e.
During the same period and in tandem with the above ts5ks, th@ Board also requested that an independent
consultant be appointed lo review the current organizational structure. Mana
ement res
onse.. Complele and
d&scribed in eèrlierAdministration section above.
èment
This report was approved and authorised for issue by the Trustees on
behalf by..
1*16 lJo&l
and signed on its
Omar Abdul Muhsen Al-Qattan
Trustee
Page 27

A.M. QATTAN FOUNDATION
{A Company Limited by Guarantee)
STATEMENT OF TRUSTEES. RESPONSIBILITIES
FOR THE YEAR ENDED 31 DECEMBER 2020
The Trustees (who ale also the Directors of the Foundation for the purposes of company lawl are responsiblè
for preparing the Trustees, Report including the Strategic Report and the financial statements in accordance
with applicable law and United Kingdom Accounting Standards (United Kingdom Generally Accepted
Accounting Practice).
Company law requires the Trustees to pr8pare financial statements lor each finencial year. Under company law
the Trustees must not approve the financial statement5 unless they are satisfied that they givB a ttU8 and fair
view of the state of affairs of the Foundation and of its incoming resources and application of resources,
including its income and expenditure, foi that pe￿0d. In preparing these financial stat8rnents. the Trustees are
required lo..
select suitable accoLJnting policies and then apply them consistently.,
observe the tnethods and principles of the Charities SORP IFRS 1021.,
make judgernents and accounting estimates th81 are reasonable and prudent.,
state whether applicable UK Accounting Standards IFRS 1021 have been followed, subject to any
material departures disclosed and explained in the financial slalemenls.,
prepare the financial statements on the going concern basis Ljnless it is inappropriate lo presume that the
Foundation will continue In business.
The Trustees are responsible for keeping adequate accounting records that are sufficient to show and explain
the Foundation's transactions and disclose with reasonable accuracy at any time the financ181 position ol the
Foundation and enablè th8m to ensure Ihal the financial statements comply with the Companies Act 2006. They
ré also responsible for safeguarding the assets ol the Foundation and h8nc8 for taking reasonable steps for
the prevention and detection of fraud and other irregularities.
In so far as the Trustees are aware..
Ihere is no relevant audit information of which the Foundation's auditor is Ljnaware., and
the Tiustees have taken all steps that they ought lo have taken to make themselves aware of any relevant
audit information and to establish that the auditor is aware of that infortll8tion_
Approved by order of the Members of the Board of Trusttsss and signed on its behalf by..
OmarAbdul Muhsèn Al-Qattan
Trustee
Date..
Page 28

A.M. QArrAN FOUNDATION
IA Company Limited by Guaranteèl
INDEPENDENT AUDITORS, REPORT TO THE MEMBERS OF A.M. QATTAN FOUNDATION
Opinion
Wo have audited the financial slatements of A,M. Qattan Fotsndats'on (the 'Found8tion'l lor the year ended 31
December 2020 which compris8 th8 Statement c>f Financial Activities, the Balance Sheet, the Statement ol
Cash Flows and the related nolps, including a summary ol significant accounting policies. The financial
reporting framework that has been applied in their preparation is applicable law and United Kingdom Accounting
Standards, including Financial Reporting Standdrd 102 'Th& Financial Reporting Standard app5iGable in IhB UK
and Republic of Ir&land' (United Kingdom Generally Accepted Accountitjg Practicel.
In our opinion the financial st8tèmÈnts'.
give a true and fair view of the stale of the charitable ¢ompanls affairs as at 31 D8cèmber 2020 and of
its incoming resources and gppl£calton of resources, incbuding its Incorne and expenditur9 for th6 y&ar
then èftdèd,.
have been properly prèpared in accordance wqlh Un¢(ed Kingdom Generally Accepted A¢counting
Practice," and
have begn prrspared in accoidance with the requirements of the Companies Act 2006.
Basis for opinion
We conductecf our 8udlt in a¢¢ordance with International Stsndards on Auditing IUKI IISAS IUKII and applicable
law. Our rgsponsibilitiès under those standards are furthei described in the Auditors. responsibilities for the audit
of the financial statements section of our réport. We are independent of the Gharitable company in accor(lan¢o
with the ethical requirements thÈt are relevant to our audit of th¢ financial statements in the Unitèd Kingdom,
including the Financial Reporting Gouncil's Ethical Standard, and we have fulfilled our other ethical
responsibilities in accordance with those requiremènts. We believe that the audit evidence we have obtsin8d ig
sufficient and appropriate to provide a basis lor our opinion.
Conclusions relating to going concem
In auditing Ihp financial stat8ments, we have concluded that the TrusteES' use of the going coneèrn basis of
aGoounting in the preparation of the financi31 statements is appropriate.
Sased on the work we have performed. w8 havè not identified any material unGertaintÉes relating to events or
conditions that, individually or GDllectively, tllay cast signifipanl doubl on the charitable company's ability to
continije as a going concem for a period of at least twelv8 months from when the finanGial stiilEments are
authoris8d for issuè.
Our respon8ibilrties 2nd the r&sponsibilities of the Trustees with respect lo going concern are described in the
relevant sections of this report_
Page 29

A.M. QAThAN FOUNDATION
IA Compartry Limited by Guaranteè)
INDEPENDENT AUDITORS, REPORT TO THE MEMBERS OF A.M. QAThAN FOUNDATION
ICONTINUEDI
other informatlon
Th& Trustees are responsible lor the other information. Thè oth6r information comprises the information
included in the Trustees, Rewrt, other Ihan the financial statements and our Auditors, Report theieon. Our
opinion on the linantial statements does not cover the other information and, except to the extent otherwise
explicitly slated in our report, we do not @xpress any form of assurance conclusion Ihereon.
In cc)nne¢tion wth our audit of the financi21 statements, our responsibility is to read the other information ancl, in
doing so, consider ivhether the Dther information is materially inGonsislenl with the financial statements or our
knowl¢dge obtained in the audit or othepNise appears lo be materially misstated. 11 wè identify such material
inconsistèncièg 01 app2renl material misstatements, we are required to determine whether there is a material
rnisstaternenl in the financial sl3temenls 01 a material misstatetllent of th8 other information. If, based on the
work we have performed. we conclude that there is a material misstatement ol this other inlormakn'on, we are
required lo report that fact.
Wf> have nothing lo report in this rega￿.
Opinion on other matters prèseribed by the Companles Act 2006
In our opinion, based on the work undèrtak8n In the course ol the audit,.
the information given in the Trustees. Report including the Strategic Report for the financial yèar for which
the financial statements are prepared is consistent with the financial statements.
the Trustees, Report and the Strategic Report have been prepared in accordance wilh applicable legal
requir&mènts.
Matters on which we are required to report by Èxceptlon
In the light ol our knowledge and understanding of the chaiitabl8 company and ils environment obtained in th8
course of the audit. we have not identified material misstatemenls in the Trustees, Report including the Strategic
Report.
We have nothing to report in respect of the followng matters in relation lo which Companies Act 2006 r8quir8S
us lo report to you if, in our opinion..
adequate accounting records have not been kept, or returns adequate for our audtt have not been
received from blanches not visited by us; or
the financial statements are not in agreement with the eccounling records and retums,. or
certain disclosures ol Trustees, remuneration specified by law are not Fllade., or
we have not ￿CeiVed all the Information and explanations we require for our audit.
Page 30

A.M. QArrAN FOUNDATION
IA Company Limited by Guarantee)
INDEPENtJENf AUDITORS. REPORT TO THE MEMBERS OF A.M. QATTAN FOUNDATION
ICONTINUEDI
Rèsponsibilities of Trustees
As explainèd more fully in the StateTnent of Trustees, Responsibilitiès. the Trustees Iwho are also the Directors
ol the charitable company for the purposes of Gompany lawl are responsible for thè preparation of the financial
slalemgnts and lor being satisfied that they givè a true and lair view, and for such internal control as the
Trustees determine is neoo55ary lo enable thè preparation of linan¢ial stalements that are Ir86 from material
misstatement, whtslher due to fraLJd c)r error.
In preparing the financlal statements, the Trustees 8r8 responsible for assessing the charilable company's
ability to conbnue as a going concern, disclosing, as èpplicable, matters rèlated lo going concern and using the
going concern basis ol accounting unlèss the Trustees either intend to liquidatè the charitable company or to
cease operations, or have no realistic altèrnative but lo do so.
Audltors. responsibilities for the audit of the financial statèmènts
Our objectives are lo obl¥in reasonable assurance about whèlher the financial statemgnts as 8 whrjle are free
from Matenal tnisstatement, whether due lo fraud or Brror, and to issue an ALJditors' Report that inoludes our
opinion. Reasonable assurance is 8 high level of assurance, bul is not a guarantee that an audit conducted in
accordance with ISAS IUKI will always detect a material misstatement when it exists. Misstatements Gan arise
from fraud 01 errol and are considered mat&rial if, individually or in the aggreg8te, they could reasonably be
expected to influence the economic decisions of users taken on the basis of these financial statèments.
Irr8gulariti6s, including Iraud, are instances ol non-compliance with laws and regulations. We design
procedures in line with our respc>nsibililies, outlined above, to detect material misstaterrents in respect of
irregula￿tIeS, inelucsing fraud. The ext&nl lo which our procedures arè e2pable ol detecting irregularities,
inGluding fiaud is delailed below..
Obtsining an understanding Df the legal and regulatory frarn¢works that the entity operates in, focusing on
those 18wg and regulations that had a direot Bffect on the financial slalements
Enquiry of management to identify any instances of known or suspected instances of fraud.,
Enquiry ol managèment and those charged with govemance around actual and potential litigation and
claims,.
Enquiry of management about any instances Of non-compliancé with laws and regulations,.
Reviewino the contrc>l systems in place testing the elfec.tiveng8s ol the controls.,
Perfoming audit work over the risk ol management override of controls, including testing of journal entries
and olhei adjustments IDr appropriateness, evaluating the business rationale of significant transactions
outside the normal course ol bu5intrss and reviewing accounting estimates foi bias.,
R8viewing minutes of meetings of those charged with govem8nce',
Reviewing fingncial statement disclosures and t&sting to supporting documentation to assess compliance
with applicable laws and regulations.
Enqulri&s made ol the component guditors of the Palestine branGh.
Because of the inherent limitstions of an audit, there Is 8 risk that we will not det¢ct all irregularities, inoluding
those leading to a material misstatement in the financial statements or non-compliance with regulation. This risk
inGrease5 the more that comp112nce with a law or regulation is removed from the events and transactions
reflected in the finanGial statements, as we will be less likely to become aware of instancès of non-compliancg.
The risk is also groalor regardin9 irr&gulaiilies occurring due lo fraud rather than erior, as fraud invc>lves
Int8ntion£l concealrnent, forgery, collusion, omissic>n or misrepresentation.
Page 31

A.M. QATTAN FOUNDATION
IA Company Llmltèd by Guarantee)
INDEPENDENT AUDITORS. REPORT TO THE MEMBERS OF A.M. QArrAN FOUNDATION
(CONTINUED
A further description of our responsibilities for the audit of the financial stztements is located on the Financial
Reporting Council's website at.. www.frc.or
.uklauditoisres
onsibilities. This description forms part of our
Auditors, Report.
Use of our report
This report is rnade solely to the Bharitable company's Members, as a body, in accordance with Chapter 3 of
Part 16 of th8 Corrpanies Acl 2006. Our audit work has been undertaken so that we might State to the
charitable corr,pany's Members those matters we are required to stat8 to them in an Auditors, Report and for no
other purpose. To the fullest extent permitl&d by law, we do not accept or assume responsibility to anyone other
than the ¢haritable company and its Members, as a body, lor our audit work, for this report, C)r for the opinic>ns
we have formed.
Sudhir Singh FCA (Senior Statutory Auditor)
for and on bEhal* of
MHA Maclntyre Hudson
Chartered A￿0￿￿tantS and Stslulory Auditor
6th Floor
2 London Wall Place
London
EC2Y SAU
Date. 21 September 2021
Page 32

A.M. QATTAN FOUNDATION
IA Company Limlted by Guarantepl
STATEMENT OF FINANCIAL ACTIVITIES IINCORPORATING INCOME AND EXPENDITURE ACCOUNTI
FOR THE YEAR ENDED 31 DECEMBER 2020
Unrestricted
funds
2020
Restricted
fund5
2020
Total
funds
2020
Total
funds
2019
Note
Income from..
DonatiC>115, legdcies and grants
Charitabl& activiti8S
Investments
541,717
11,572
174,969
5,045,199
76,493
25,472
5,586,916
88,065
200.441
13,.569,604
88,924
278.937
Total income
Expendlture on..
Raising funds
Charitable acts'vilies
728,258
5,147,164
S,B75,422
13,937,465
45,024
496.817
45,024
7,74D,035
26,943
7,07 1,941
7.243,21 B
Totsl expenditurè
541.841
7.243.218
7,785,059
7,038,884
Nel losses on invostments
14
1648.7731
{648,7731
(516, 739)
Net mov8mènt in funds before other
rgGogni5ed galnslllossesl
186,417
12,744,827) 12,558.4101
6,381,842
Loss on foreign exchange
1982,4861
1982,4861 {1, 166, 7611
Net movement in funds
Rèeonclliation of funds..
Total funds brought fotwaid
Net movement in funds
186,417
13,727,3131 13.540,8961
5,215.081
10,6B7,215
186,417
32,647.417
43,334,632
13,727,3131 13.540,8961
38, 119,551
5,275,081
Total funds carried forward
10,873,632
28,920,104
39,793,736
43,334,632
The Slaterllenl of FinanGial Activities includes all gains and lossès rècognised in the year.
All income and expenditure derive from Continuing activities.
The notes on pages 36 to 59 fonn part ofthese financial statements.
Page 33

A.M. QATTAN FOUNDATION
IA Company Limited by Guarantee)
REGISTERED NUMBER.. 02171893
BALANCE SHEET
AS AT 31 DECEMBER 2020
2020
2020
2019
2019
Note
Fixed assets
Tangible assets
Investments
13
21,915.089
14,554,923
22,92Q, 727
15,369, 765
14
36,470,012
38,289.892
Current assets
Stocks
15
20,491
1.493,734
7,214,354
2Q,491
160,899
8,444.000
Debtors
Cash at bank and in hand
22
8,728,579
8,625,390
C￿dItOrS.. amounts falling due within one
year
17
12,646,337)
fl, 155,263)
Net current assets
6,082,242
7,470, 127
Total assets less current liabilities
42,552.2M
45, 760,019
Provisions for employees, benefits
12.758.518)
(2,425,387J
Total net assets
39,793,736
45,334,632
Charity funds
Restricted funds
Unrestricted funds
19
28,920,104
10,873,632
32,647,47 7
10,687,215
19
Tolal funds
39.793.736
43,334,652
Th8 Ttustees acknowledge their responsibilities lor complying with the requirements of the Act with respect to
accounting recoids and preparation of financial st8temenls.
The financial 51alemenls were approved and 8uthorised lor issue by the Trustees and signed on their behalf by:
OmarAbdul Muhsen Al.Qattan
Trustee
Date..
141&
The notes on pages 36 to 59 form part of these financial statements.
Page 34

A.M. QATTAN FOUNDATION
IA Company Llmited by Guarantee)
STATEMENT OF CASH FLOWS
FOR THE YEAR ENDED 31 DECEMBER 2020
2020
2019
Note
Cash flows from operating activities
Nel Gosh used in opemting activities
21
1392,2051
8,453,225
Cash fl¢ws from Investlng actlvlties
Investment income
200,441
278,937
11,D37,8821 (7,616,6201
427,053
(79.095)
PurGhas& of tsngible fixed assels
Proceeds from sale cif investmènts
Puichasè of inv&stments
14
14
Net ¢ash used In Investlng actlvltles
1837.4411 {6,989, 725)
Change In ¢a$h and cash equlvalents in the year
Cash and cash equival&nls at the beginning of th& year
11,229.6461
8,444,000
1.463,500
6,980,500
Cash and cash equivalents at the end of the year
22
7,214,354
S,444,000
Th8 notès on pag6s 36 to 59 form part of these financial statBtllents.
P*geTr 35

A.M. QA￿AN FOUNDATION
IA Company Llmited by Guarantee)
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
General infom)atlon
The Foundation is a CDtnpany lirllitgd by guarantee and is r8gist@red with the Charity Cc>mmission
(Chaiity Registered Number 10294501 and Registrar of Companie5 (Cornpany Registration Number
021718931.
The Members of th8 Foundation are the Trustees named on page 1. In the event of thè Foundation b8ing
wound up, the liability in rèspèct of the guarantee is limited to £1 per Member of the Foundation.
The address til the registeied office is given in the Foundation information on page 1 01 these financial
stat8ments. The nature ol the Foundation's operations and principal activities are delailed in the
Trustees Report.
Accounting policl•s
2.1 Basis of preparation Lif financial slatem&nts
The finzncial stalernents have been pr6par8d in accordance with the Charities SORP IFRS 1021
Accounting and Reporting by Charities.. Statement ol Recommended Practice applicable to charities
preparing their accounls in accordance with the Financial Reporting Standard applicable in the UK
and Republic of Ireland IFRS 1021, the Finan¢ial Reporting Standard applicable in the UK and
Republic ol Ireland IFRS 1021 and the Companies Act 2006.
A.M. Qattan Foundation meets the definition of 8 public bgnefit enlily under FRS 102. Ass&ts and
liabilities are initially recognised sl historic81 cost or Iransaction value unless otherwise stated in the
relevant a¢counling policy.
Thè financi21 statements are pFepaied in sterling, although the function81 currency is US dollars.
The Charity IS fBgislered in the UK but condLECts thè majority of ils business via a branch in
PÈl8stine, where US dollars is th$ preferred currency. Amounts presellled in these financial
statemen& are roundod lo the nearest pound.
2.2 Golng concern
The Trustees have assessed whether the use ol going conc81n and have consiclered Possible
èvents or conditions that might cast significant doubt nn the ability Of the Foundation lo continue as
going conLgrn, including the impact ol Covid-19, which is ￿nsidered lo be a non-adjusling post
balance sheet event. The Trusteeg have made this assesstnent for a peiiod of at least one year
from the date of the approval of these fingnGial stalemenls. In pzrticulsr, the Trustees have
cor)sidered the Foundation'5 forecasts and projection. After making enquiries, the Trustees have
concluded that there is a reasonable expectation that the Foundation has ad8quate iesources lo
continue in operational existence for the foreseeable future. The Foundation therefore continue5 10
adopt th9 going concern basis in preparing ils financial statements
Page 36

A.M. QAffAN FOUNDATION
(A Company Limlted by Guaranteel
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
Accounting policie5 Icontinuedl
2.3 Income
All income is recognlsod once the Foundation has enlitlgment to th8 Tncome, it is probable that the
incom8 will b8 rèceived and the amount of income rec@ivable can be measured reliably.
For donations lo bc iocognised the Fc>undation will have been notified of the amounts and thè
sellloment date in wriling. If there are conditions atlaehèd to the donation and this iequiFES a level of
pèrformance before entitlement Gan be obtained then income is deferred until those ¢onditions are
fully met or the fufrFillment of thos¢ ¢onditions is within the control of the Foundation and il is probable
that they will bé fulfilled.
For legacies, enlitlem&nl is taken as the earlier ol the date on whiGh ellher.. the Foundation is aware
that piobat& has been granted, the estat& has been finaliséd and notiiication has be&n made by thè
èxeculorlsl to the FDundalion that a distribution will be made, or when a distributlDn is received from
the estate. Receipt ol a legacy, in whole or in part, is only considcred probsble when the amount
can be measured reliably and the Foundation has been nolilied of thg executorfs intention to make a
distribution. Where legacifjs have been notifiéd to the Foundation, or the Foundation is awarè ol the
granting of probate, and the lor income recognition have not been met, then the legacy 18
treated as * ￿ntinuent asset and disclosed if malgrial.
Investment income Is earnèd through holding assets for investrnent purposes such as shares and
PToperty. It includes dividends and interest. Vvheie It is not practicable lo identify investment
management cosls incurred within a scheme with reasonable accuracy the investtllent income is
reported nel of these costs. It 15 included when the amount can bo measured reliably. Interest
income is recognised using the effective inlerosl method and dividend incorne is recognlsed as the
Foundation's right to receive payment is eslablishod.
Fixed asset gifts in a￿ recognised when recewable and are included al fair value. Th8y ars not
deferred over the life ol the asset_
Income frorn trading activities includes income earned from fundraising events and trading a¢tivities
to raise fLJnds for the Foundation. In¢omo is re¢èived in exchange for supplying goods and services
in order lo raise funds and is rècognised when entitlement has occurted.
Income from government and other grants ar8 recognised al fair value when tho Founddtiun has
entillemenl after any performatsce conditions have been met, it is probable that the income will be
received and th& amount cgn be measured reliably. 11 entitlornent 15 not mel then these amounts arg
deferred.
Inler@sl on funds held on deposit is included when recèivable and the amount can be ThEasured
réliably by the Foundation.. this is normally upon notrfication of the interest paid or payable by the
Bank.
Income tax recoverable in relation lo donations received under Grft Aid or dèéds Cif covenant is
recognised al the time of th8 donation.
Income tax recoverable in relation to investment income is recognised at Ihtr tlme the investment
incorne is receivable.
Pag8 37

A.M. QAfrAN FOUNDATION
IA Company Limited by Guarantee)
NOTES TO THE FINANGIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
Accounllng pollcles l¢ontinuedl
2.4 Expenditure
All expenditur6 is accounted for on an accrLJals basis. Expenditure is recognised oncè therè is
legal or constructive obligation lo transfer economic benefit to a third party, il is probable Ihal a
transfer of economic benefits will be requirèd in spttlgment and the atnount of the obligation can be
measured reliably. Expondilure is classrfied by activity. The costs of each activity are made up of the
total Df direct cos15 and shared costs, including support cosls involved in undL4rtaking each activity.
Direct costs allribulable lo a single activity are alloGaled directly to that activity. Shared cogts which
oonlribule to more than activity and support costs whtr¢h are not allributable to a single activity
are apportioned between Ihose aGtivilie5 on a basis consistent with the usè of resouTces. Cential
staff costs are allocated on the basis of lime spent, and depreeiatioTr charges allccaled on the
portion of Ihe asset's use.
Expenditure on raising fundg includes all expenditure incurred by the Foundation to raise funds lor
Ils ¢haritable purposes and includes costs ol all fundraising activitiés events and non-charitable
trading.
Exp6ndilur8 on chaiilaL>le activities is incurred on directty undertaking the activities which further the
Foundation's objectives, as well as any associat6d support oosts.
Costs ol generallng funds are c(>sts incurred En attracting voluntary income, and those incurred in
trading activities that raise fundg.
Other expenditure 18presents those items not falling Into the categories above.
Grants payable are charged in the year when the offer is made excepl in thos¢ ¢as&s where the
offer ig conditional, such gr*nts being recognised as expenditure when the conditions attaching arè
fulfilled. Grants offered subject to conditions which have not been met at the year end are noted as a
commitment, but not aCCTued as expenditure.
All 6xpènditure is inclusive of irrecoverable VAT.
2.5 Foreign cu￿enC1eS
Monetary assets and liabilities denominated in foreign currencies are translated into sterling at rates
of ex¢hange ruling at the reporting date_
Transactions in foreign cutrencies are translated into sterling at the rat9 ruling on the dale ol the
transactlDn_
ExGhange gains and Ic>sses ar6 rècognis&d in the Stalement ol Financial Activities.
2.6 Taxation
The Foundation 15 considered to pa55 the tests set out in Paraqraph 1 Schedule 6 of the Finance Act
2010 2nd Ihorefore it meets the definition of a oharitable company lor UK corporation lax purposes.
Accordingly, the Foundation 15 Potentially exempl from taxation in respect of income c>r capital gains
received within categorios covered by Ghapter 3 Part 11 of the Corpoialion Tax Act 2010 or Section
256 of the Taxation of Chargeable Gains Act 1992, to the extent that such income or gains are
applied exclusiv81y to charitable purposes.
Page 38

A.M. QArrAN FOUNDATION
A Company Limited by Guaranteel
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
Accountlng policies Icontinuedl
2.7 Tangible flxed assets and depreciatio
Tangible fixed assets ar? initially recognised at cost. After recognition, under the cost model,
tangible fixed assets are measured al cost less accumLJlaled depreeiation and any accumulated
imp(iirment Iosges. All costs Incurrèd to bring a tangible fixod asset into its intended working
condition should be ino1uded in the measurernenl ol cost.
Depreciation is charged so as to allocate the cost of tangible fixèd assets less their residual value
over their estimatèd useful lives, using the slraight-line method.
Depreciation is provided on ths following bases..
Buildings
Fumiture and fillings
Books
Computei equipment
Motor vehicles
20 years straight line
4 - 7 years straight line
10 years straight line
3 years straight line
5 y6ars straight line
2.8 Investment propèrties
Inveslmer)t properties arè recorded at fair value at each reporting datè with changes in fair value
reco9nised in nel Igainslllosses in th& Statèmént of Financial Activities.
2.9 Investments
Fixed asset investments are a form of basic financial instrument are initially recognised at their
transaction value and subséquently measured al their fair value using the closing quotèd market
price or the share of the Net Asset Valu& ol thè fund lif unlisted). All gains and losses are taken lo
the Statement of Finanoial Activitie5 as they arise.
The St8tém8nl of Finanaal Activitie5 includes all net gains and losses ariging on revalualiun and
disposals throughout the year. Ag investments are revalued lo fair value continuously, no realised
gains or losses ans8.
Investments held as fixed assels are shown at cost less provision for irnpairment.
2.10 stocks
stocks are valued al the Sower of Cost and nel reali58ble value after making du9 allowance for
obsolelts and slow-moving stocks. Gost includes all direct costs and an appiopriate proportion of
rixed gnd variable overheads.
2.11 Debtors
Trade and other debtors ale recognised al the .Egttlement amount after any trade discount offered.
Prepayments are valued al the amount prgpaid nèt c>f any trade discounts due.
Page 39

A.M. QATTAN FOUNDATION
IA Company Limited by Guaranteel
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
Accounting policies Iconllnuedl
2.12 Cash at bank and in hand
Cash at bank and in hand includes cash and short-term highly liquid investmènts with a short
Maturity of thre6 fflonths or less from the dale of acquisition or opening of the deposit or sirni18r
account.
2.13 Liabilities
Liabilities and provision5 are recognised when theie 15 an obligation al the Balance Sheet date 8$ a
re5uII of a past event, it is probable that a transfer of economic benefit will be reqbired in settlement,
and the amount of the settlement can be pstimated rBliably.
Liibilities are iecognised al Ihe amount that the Foundation anticipates il will pay to settle the debt or
the amount it has receiveol as advanced paym6nts for goods or services it must provide.
Provisions are measured at the best 8Stimate of the amounts required to settle the obligation. Where
the effect of the time value of money is material. the provision is based on the present valuè ol thos8
amounts, discounted at the pre-tax disoount rale that reflects the risks specific to the liability. The
unwinding of the discount is recognised in th¢ Statement of Financial Activities as a finance cost.
2.14 Financial instruments
The Foundation only holds basic Financial Inslruments. The finan¢ial assets and financial liabilities
of the Charity are as follows..
DÈbtors
trade and other debtors lincluding accrued income) arè basic financial inslrumenls and
are debt instrutnents rneasured al amortised cost as detailed in Nole 16. Prepayrnents are not
financial instruments.
Cash at bank- is classifietl as a basic financial instrument and is measured at face value.
trade creditors. accruals and other ¢reditors will be classified as financial Instrurnents.
and are measured al atnorti5ed cost as detailed in Note 17. Taxation and social security are not
included In the financial instruments disclosure
Deferred income Is not deemed lo be a financial
liabilily, as in the cash settlement has already iaken p12ce and there is simply an obligation to deliv$r
Gharilable services rather than cash or another financial instrument.
2.15 Pensions
The Foundation operatgs a defined contribution pension scheme and th& pension charge iepresents
the amounts payable by thlk Foundation to the fund in respect of the year.
2.16 Termination paymènts
Termination benefits, including redundancy costs, are recognised when thè Charity h8S the
obligation to pay thE benefits and they can be reliably measured.
Page 40

A.M. QArrAN FOUNDATION
IA Company Limited by Guarant881
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
Accounting polielès Icontinuedl
2.17 Fund accounting
General funds are unrestiicted funds which are avail8ble for use al the discretion of thè Trustees in
*urther2ncÈ tsf the general Dbjeclives ol the Foundation and which have not been designated for
other purposes.
Restricted funds are funds which are to be used in accordance with specific rèstrictions imposed by
donors or which have been raised by thè Foundation lor particular purpDsES. The costs of rÈising
and administering such funds are charged against the speerfic fund. The airn and usè of each
restricted fund is set out in the not&5 to the financial statements.
2.18 Crltlcal accounting eslimalès and areas of judgemerÈt
Estimates and judgements are continually evaluated and are based on historical experiencé and
other factors, including expe¢tations of lulure events that are bèlieved to be reasonable under the
circumstancèg.
In the view of the Trugtéès in applying the accounting policies adopted, the following judgements
have be8n made in the process of applwng the above accounting policies that have had the most
significant effect on amounts reGognised in the account5..
Depreciation rates for tsngible fixed assets
Basis of valuation of investment properties and financial investments
Foreign exchange fflovÉmènts
Page 41

A.M. QATTAN FOUNDATION
IA Company Llmited by Guarantee)
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
Income from donations, legacies and grants
Unrestrlcted Restri¢ted
funds
funds
2020
2020
Total
funds
2020
Dc>nations
LL4gacie5
Grants
Coronavirus Job Retention SchetnB income
501,493
4,507,é11
5.009,104
537,588
537,588
40.224
40,224
Total 2020
541,717
5,045,199
5,586,916
The Charity has claimed funding from government support schemes in response to the coronavirus
oulbieak. The Charity furloughed its staff undgr the government's Coronavirus Job Retention Scheme
and the funding received of £40,224 relates to slaff costs ID respect of those furloughed staff members.
There ale no unfulfilled conditions and other contingencies aliaching to grants that have been recognised
in incc>me.
Unreslricled
funds
2019
Restrietèd
runds
2019
Tot81
funds
2019
Donations
1.659,936 10,869,774 12,529, TI0
923
923
20,000
1.038,971
Legacies
Grants
1,018,971
rolal 2019
7.680,859
7 1,888, 745
13,56J,604
Page 42

A.M. QAThAN FOUNDATIO
IA company LSmlted by Guarantee)
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
In¢ome from charltable actlvllles
Unrestricted
fund5
2020
Restrictèd
funds
2020
Total
funds
2020
The Mosai¢ Rooms
11,572
76,493
88,065
UnRBslricted
runds
2019
ReslriGlgd
funds
2019
Tolal
funds
2019
The Mosaic Rooms
33,018
55.906
88,924
Investment lrt¢ome
Unrestrlcted Restricted
funds
fLEnds
2020
2020
Total
funds
2020
Rental incomo
Bank interest receivable
174,839
130
174,839
25,602
25,472
Total 2020
174,969
25,472
200,441
Unreslrictgd
funds
2019
Restricled
funds
2C>19
Total
funds
2019
Rontal incDTne
Bank inlerest receivable
216,941
421
216,941
6Y,996
61,575
Total 2019
217,362
61,575
279,937
Page 43

A.M. QATTAN FOUNDATION
{A Company Limited by Guaranteel
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
Inve5trnent management costs
Unrestricted
funds
2020
Total
funds
2020
Investmènt management Gosts
45,024
45.024
UnrÉslrictecl
funds
2019
Total
runds
2019
Invéstment rnanagement costs
26,943
26,943
Invoslment management costs wÈre incurred in respect of rental incomg on the investment prDperty.
Page 44

A.M. QATTAN FOUNDATION
IA Comparsy Limlt#d by Guarantee}
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
An8lysÈs of &xp&ndlture on charitable aGtivities - by fund
Unrestricted
funds
2020
Restrlcted
funds
2020
Total
funds
2020
Culture and Arts Programmé
Educational Research & Development PTogramme
Child Centre
135,461
,604
91,635
43,826
126,291
2,426,947
1,738,822
2,219,401
858,048
2,562,408
1,838,426
2,311,036
901,874
126,291
PubliG Programme
The Musaic Rooms
Total 2020
496.817
7.243,218
7,740.035
UMr&stricled
fvnds
2019
R&slricted
funds
2Q19
Total
funrls
2019
Culture and Arts Programme
Educational Res$ai¢h & Development Programm8
Child Centre
Publi¢ Programme
Thè Mosaic Rooms
127,834
93.996
86,476
41,358
270, 710
7,899,095
1,713,906
1.978,319
780,247
20,000
2,026,929
1,807,902
2,064, 795
821.6Q5
29Q, 710
rotal 2Q19
620,3T4
6,391,567
7.011,941
Page 45

A.M. QATTAN FOUNDATION
IA Company LlmFted by Guarantee
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
Analysis of expendlture on charitable activlties by typè
Activities
undertaken
directly
2020
Grant
fundlng of
activ￿tieS
2020
Support
costs
2020
Total
funds
2020
Culture and Arts Programme
Educational Research & Development
Programme
Child Centre
Public Programme
Th8 Mosaic Rooms
463,827
1,149,078
949,503
2,562N08
1,104,615
1,394,041
555,657
98,402
46,868
71,470
10,754
686,943
845,525
335,463
27,889
1,838N26
2.311,036
901,874
126,291
Total 2020
3,616,542
1,278,170
2,845.323
7,740,035
Activities
undertaken
dir8CtIy
201g
Granl
fundin9 01
arlivities
Supptrrt
sls
2019
Total
funds
2019
2019
Culture and Arts Programme
Educational Research & Developm8nt
Programme
Ghild Centre
590,208
867,576
569. 145
2,026,929
1,282, 760
7,479,838
593,892
244,391
33, T54
39. 720
6,284
20,000
491,988
545,237
227,429
26,319
1,80T,902
2,064, 795
821.605
29C>,770
Public Prograrnme
Th@ Mosaic Rooms
Total 2079
4, 190,469
967,334
1.854, 118
7,011,941
Page 46

A.M. QArrAN FOUNDATION
IA Company Limited by Guarantee)
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
Analysis of expendTrture on charitable activities - by typè Icontlnuedl
Analysls of support COSt5
Total
fund5
2020
Total
riJnd.g
2Q19
Stsff costs
1,155.548
1,385.120
21.079
3,519
26,215
24,312
32,064
35,035
101,494
8,074
44,752
7,908
205
3,017,830
479,963
75,340
Depreciation and itrpairtnenis
Advertisement and promotion
Events and activities
Gov8rnÈn¢g ¢OSts
Insurance
Lègsl and professional fee5
Maintenance and ¢onsutnabl&s
Other costs
Other stay costs
36,
29,588
24,008
34,048
89,083
20.545
43,493
10,672
13, 704
39,063
Prèmisès costs
Subscriptions and memb2Tship fèes
Transportation, travel and accommodatlon
Residencies and workshop expenses
2,845,323
1,854, 118
Governance costs
2020
2019
Auditorfs remuneration Audit of the financial statements
Auditorfs remuneration - Preparation of the financial statements
Audilorfs remuneration Other non-audit serVi￿S
12.600
3.840
9,775
13,305
2,500
12,575
8,398
other govem2nce costs
26.215
36,778
Page 47

A.M. QATTAN FOUNDATION
{A Company Limited by Guarantee)
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 37 DECEMBER 2020
Summary of grants pald
2020
2019
Grants paid to insb-tutions
Grants paid to> individuals
1,018,591
259,579
766,792
200,542
1.278,170
967,334
An analysis of grant5 paid can be found below. Only grants paid over £10,000 are sepèrately disclosed.
Page 48

A.M. QAThAN FOUNDATION
{A Company Limited by Guarantee)
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
2020
2019
Grants to institutions
Al-Awda Center fDr Childhood and Youth
12,464
81,795
12,464
Al Hoash
Al Mada Association
Al Mamal Foundation
Association Circus Mini (Assirk Assaghirl
Baladi Cenler for CultuiB & Arts
Bglt Byout Chariiable Assoaalion
Bethlehem Icon Centre
8irzeit University
Columbia University
Dai Al Kalima Collage
Fragments Ishalhayal Theatre
Fridgo Theatre Association IThalaja Theatrel
Gaza Association for Culture and Art
Gener81 Union of Cultural Centers
73, 663
18,696
15,580
15,580
12,464
86,833
21.422
38,546
15,580
12.464
59,477
70,788
7 19,080
21,543
75,511
95,778
52.654
54, 190
Institute lor Palestinian Studies
Khalil Sakakini Cultural Center
Khazaaen Association
Nawa Association
Naqsh PopulaT Art Association
Oushaq Arts Center
Palestine Writing Association
Qandeel for Arts and Culture
Sakyia
Shubbak
Tamer Institute
Thè Freedom Theater ITFTI
The Palestinian Museum
The Society of Awtar Center
Visual Arts Forum
70,788
15,580
10.184
12,464
13,710
18,696
54,214
80,894
36,4T2
20,000
19,459
10, 184
47,023
70,164
74, 107
49,299
112,081
18,696
98,016
Yaa Samar Dance Theatre
Grants paid to institutions < £10,000
166, 160
1,018,591
766, 792
Gianls to individuals
259,579
200,542
1,278,170
967,334
Page 49

A.M. QATTAN FOUNDATION
IA Company Limited by Guarantee)
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
Staff costs
2020
2019
Wages and salari8S
So¢ial security costs
Pension costs
2,677.657
10,958
573,349
2,459,323
79,39Q
505,424
3.261,964
2,984. 737
Wagès and salaries for 2020 includes leNninalion benefits tot£ling £25,91412019 - £NILI. The paym&nt
Was under contractual terms and there were rFo 8ssociated liabilitie5 at the year end.
The avoTage number of persons 8mployed by the Foundation during the year was as follows..
2020
No.
2019
No.
Etnployoos
117
115
The number of emplc>yees whose employee bènefits (excluding employer pension Costs) exceeded
£60,000 was..
2020
No.
2019
No.
In the band £60,001- £70,000
In the band £70,001 £80,000
In the band £80,001- £90.000
In the band £90,001 £100,000
Key DAanagément Personnel include Ihe Trustees and the Senior Managemènt (consisting of.. th8
Dirgc.tor General, CCG Director. EROP Director, CAP Director. Director of Finance, DireLtor of
Administration, Director ol Communication & Publtc Relations and Public Programme Direclorl. Total
remuneration paid to Kgy Management Personnel amc>unt&d to £653,63312019 - £581,6601-
12.
Trustees. remunèration and expenses
During the yèar, no TTuslees received any remuneration or other benefits (2019- £NIL).
During the year ended 31 Decernber 2020, expenses totalling £122 were reimbursed or pald directly Its 1
Trustee (2019- £3,342 10 3 Trusteesj. In the current year. the Gosls related lo telephone costs and in the
prior year, the expenditure relatèd to tr8V81 and accommodation costs.
Page 50

A.M. QATTAN FOUNDATION
IA Company Limited by Guarantee
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
13.
Tangible fixed assets
Freehold Fumiture,
land and fittings and Computer
buSldin95
books equipment
Motor
vehlcles
Total
Cost or valuation
Al 1 January 2020
Additions
Dispos218
Exchange differences
22,630,718
890,935
1194.2561
1665,224}
2,968,630
108.906
130,4801
198,5691
785,903
38,041
18481
126,2691
124.407 26.509,658
1,037,882
1225,5841
14,0011 1794.0631
At 31 December 2020
22,662,173 2,948,487
796,827
120,406 26,527,893
Depreciation
Al 1 January 2020
Charge foT tha yèar
On disposals
Transfer5 between classes
ExGhange differences
1,652,415 1.327.572
954.909
297,332
1142,190)
130,1841
19,256
119,2561
1102,0881
155,8211
510,111
119,989
18481
98,833
3.588,931
8.736 1,380,966
1173,2221
122,2631
13,6991 1183,B71
At 31 D8cember 2020
2.382,302
1,519,643
606,989
103,870 4,612.804
Net book value
At 31 December 2020
20,279.871
1,428,844
189,838
16,536 21,915,089
Al 37 Decemb9r 2019
20,978,303
1,641,058
275, 792
25,574 22,920, 727
Page 51

A.M. QArrAN FOUNDATION
{A Company Limltad by Guarantee)
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
14.
Fixed a55et investments
Other flxed
Listed
as$el
investments investments
Totsl
Cost or valuation
Al 1 January 2020
Revaluations
3.430,897
1648,7731
171,848}
11,938,268
15,369,165
1648,7731
1161,3151
Ex¢hange differences
{89.467
At 31 December 2020
2,710,276
11,848,801
14,559,077
Impairment
Charge lor the year
14,1541
4,1541
Al 31 December 2020
14,1541
14,154)
Net book value
At 31 December 2020
2,710.276 11,844,fA7 14,554,923
At 31 Dec8mb8r 2019
5,430, 897
71,938,268
15,369, 165
Oth&r fixed asset Investm&nt$
other investments relate to a psinting and artsvork purchased during 2014 by the A.M. Qatttn Foundation
and a painting and property bequeathed to the A.M Qaltan Foundab"on during 2017, as well a5 the
previous offices ol thè A.M. Qattan FoundaliDn, being two buildings and the adjac8nt land in the Masyoun
are8, Rama112h.
The Trustees consider that the valuation r6msins appropriale lor the purposes of these financial
statements.
15. Stock$
2020
2019
FI￿lShed goods
20,491
20,497
Page 52

A.M. QATTAN FOUNDATION
IA Company Limlted by Guarantee)
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
Debtor5
2020
2019
Due within one year
Trade debtors
Other debtors
11,2401
89,920
1,405,054
11,214
97,270
58,475
P￿payMentS and accrued income
1,493,734
160,899
17.
Creditors= Amounts falllng dua within one year
2020
2019
Trade creditors
44,585
8,564
80,724
2,512,464
31, 727
12,683
62,170
1.048, 683
Othér taxation and social security
Other creditors
Accruals and defer￿d income
2,646,337
1, 155,263
2020
2019
Deferred Income
Defeired incorne at 1 January
Resources deferred during the year
Amounts ieletssed from previc)us periods
1,016,781
7, 004, 160
1,940,433
1,076,781
11,016.7811 (1,004, 160)
Deferred income at 31 Dèeèmbèr
1,940,433
I,Ql6, 781
Al 31 December 2020, deferred income was recognised for income received during the financial year for
projects taking place in the year ènded 31 December 2021.
Page 53

A.M. QA￿AN FOUNDATION
IA Company Llmltèd by Guarantee)
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
18.
Provislons
Severance
Provident
pay
pay
Total
At l January 2020
Additions
1.636,141
412,931
1148,8471
166,3351
789,246
294,703
1121,6411
135,6801
2,425,387
707,634
1270.4881
1104,0151
Amounts used
Exchange differonces
1,831,890
926,628
2,758.518
Severance pay
The Foundation in Palèstinè provides for ils employees, sevgranoe pay according to the prevailing labour
law.
Provident fund
The Foundation in Palestine contributes to the employees, provident fund.
Page 54

A.M. QArrAN FOUNDATION
IA Company Limlted by Guarantee)
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
19.
Statemenl ol funds
Statement of funds - current year
Balan¢¢ at
31
Gainsl December
{Lossesl
2020
Balance at 1
January
2020
Income Expendlture
Unrestricted funds
UK branch
10,687,215
728.258
1541,8411
10,873.632
Restrlcted funds
UK brsnch
Pal6stinfr branch
96,308
32,551.109
76,493
S,070,671
201
173,002
17,243,218) 11,631,460) 28.747,102
32,647.417
S,147.164 17,243.218) 11,631,259) 28,920,104
Total of funds
43,334,632
5,875,422
17,785,059) 11,631,2591 39,793,736
On 29 April 1998, A.M. Qattan Foundation
Palestine was ègtablished as a branch ol A.M. Qattan
Foundation for thè specific purposes of managing the Foundation's work iri Paleqtin& and the projects
being carried on out there.
Th8 funds held by the branch are therefore treated ss 8 separate reslricled fund in the accounts of th
Foundation in accordance with the Irealmgnl prescribed in the Charbties SORP,
Gultur8 and Arts Programme.. A five year funding agreement has been supported by the Swedish
Intemational Development Agency ISIDAI in order lo fund a Visual Arts Prouramme entitled, A
Flourishing Field IVAFFI.
Cultural Centre Project., Funds were r@coived from Omar A-Qattan whioh were r¢stncted towards th8
building of a new Cultural Cenlre.
Page 55

A.M. QATTAN FOUNDATION
IA Company Limited by Guarantee)
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
19. Statement of lund5 Icontinuedl
Statemefit of fund5 - prior year
Balance al
31
December
2019
Bklbnc8 81
l January
2Q79
Transf&rs
in/oul
Gains/
(Losses)
Income Expenditure
Unrestricted
funds
UK branch
9,403,293
1.93t,239
(647,317)
10,S8T,215
Rostricted
funds
UK branch
59, 780
55,906
(79,378)
96,308
Palestine
branch".
VAFF Project
ISIDAI
Cultural
Centre Project
Management
& Programmes
427,992
683,500
(1, 111.492)
8,258,973
4,492, [42
(12.751, T15)
19,969,513
6. 774.078
(6,372, 189) 13,853.207 (1,683,500) 32,551, 109
28,716,258 12,006,226
16,391,567)
(1,683,500) 32,647,417
Total of funds
38, 119,551
13,93K,465
(7,038.8g14)
(t,685.5001 43,334,632
Page 56

A.M. QATTAN FOUNDATION
IA Company Limlted by Guarantee)
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
20.
Analysi5 of net assets between funds
Analysis gf net a55ets between funds . current year
Unreslri¢ted
fund5
2020
Restricted
funds
2020
Total
fijnds
2020
Tangible fixed assets
Fixed asset iDv6slments
Current assets
14,132 21,900.957 21,915,089
8,878,160
5,676,763 14,554,923
2,083,645
6.644,934
8,728,579
1102,3051 12.544,0321 12,646,337)
12.758,5181 12.758,S18}
Creditors due within one year
Prc>visions for liabilities and charge5
Total
10,873,632 28,920,104 39,793.736
Analysis of net assets between funds - prior year
Unr8slntttèd
funds
2019
Reslricl&d
funds
2019
Total
funcls
2019
Tangible fixed assets
Fixed 8SSèt Invèstmfrnts
32,960 22,887,767 22,920,727
8,878,160
,491,005
Y5,369, 165
1,843,647
,781,743
8,625,390
167,5521 (1,087,711) (1, 155,263)
12.425,3871 (2,425,387J
Current assets
CrediloTS duo wilhill one yBar
Piovisions for liabilities and charges
Total
10,687,215 32,647,417 43,334,632
Page 57

A.M. QArrAN FOUNDATION
IA Company Limited by Guarantee)
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
21.
ReconclliatSon of net movement in funds to net cash flow from operating activities
2020
2019
Nel lexpenditurellincomé for the period las per Statement of
Financial Activiti981
12,S58.4101
6,381,842
Adjustments for..
Depreciation charges
lrnpairment charges
Loss on Investments
Investment incomè
13
1,380,966
4,154
648,773
578, 739
1200,4411
(278.93T)
S2.362
17.675
11,332,835)
897,317
1.491.074
(9,393?
333,131
484,271
771,507
7, 136,509
1982,4861 (1, 766, 761J
479.963
14
14
Loss on the sale of fixed assets
Ilncreaselldecrease in debtots
In¢r&as$lldecreasel in creditors
Increase in provisions
Foreign exchangè adjustment on fixed assets
Foreign exchange mDvement
17
18
13,14
Net cash provlded (used Inllby operating activities
1392,2051
8,453,225
22. Analysls of cash and cash equivalents
2020
2019
Cash in hand
7,214,354
8.444,tr00
Total cash and cash equivalents
7,214,354
8,444,000
23.
Analysis of Net Debt
At1
January
2020 Cash flows
At31
December
2020
Cash at bank and in hand
8.444,000
11,229,646) 7,214,354
8,444,000
11,229,646) 7,214,354
Page 58

A.M. QAThAN FOUNDATION
IA Company Limited by Guarant8é1
NOTES TO THE FINANCIAL STATEMENTS
FOR THE YEAR ENDED 31 DECEMBER 2020
24.
Related party transactrons
The Foundation was established by the late Abdul Mohsin and Leila Al-Qaltan, and by their lour children,
who continLJe to be its sole Members lin addition lo r)ne grand<hild, also named Leilal. Members of the
Al-Qattan family also provide some of the Foundation's financial support. M&mbers havo Do involvement
in operahonal Matters 8nd only approve annual budgets based on the recommendations of the Board of
Trustees, which h2s sole oversight over annual plans and operations. Members may also appoiiit
Trustees (based on the recommendations of the Boerd's Nominations and Appointmenl Subcommilteel
and any new Members must also btt approved by the Board of Ttustee5. The Board ol Trustees may not
comprise more than two Mèmbers, who musl form a minority r)f Trustees.
A legally and operationally separate body named the Al-Qattan Charitable Trust was settled by the late
Abdul Mohsin Al-Qattan in Jersey. The Trust was endowed to support the Foundation's core exponsos,
as well as c>ther similar charitable Causes, from ils annual incom9 and It Ig govérnod by an independent
investmont board under the management of a Jersey Trust Cotnpany.
2020
2019
Contribution from Al Qattan Charitable Trust- Guernsey
In-kind donation from Najwa, Hani, Leena and Omar Al-Qattan
Unrestncted contribution from Omar Al-Qatt8n
Restricted conlnbulion from Omar Al-Q2tlÈn
Unrestricted contribution Irom Najwa, Hani, Leenah and Omar Al-Qattan
Not assets with donor r¢stri¢tic>ns - Najwa A-Qatlan Family TnJst- Science
Studio
2,988,564
3,545,433
3, 138,946
7,253,421
4,492, 742
1,168,497
70,032
69,602
4,296,695 72.430.548
25.
Subsèquènt events
In earfy 2021, the Trust&es were informed that the Amm8n house bequeathed by the late Mrs Leila Al-
Qaltsn to Ihtr Charity on her death in January 2015 had been regislered in the Charills name after yearg
ol bureaucratic obstruction. The Charity Is Cufrently working on securing the nocessaiy exemptions vthich
would allow il lo sell the house (>n the open mark61. The estimate value of the land and building is about
£2.5-£3rn_ Th8 Charity will commissiDn an up to date valuation on the hc)use during 2021.
Page 59