Report of the Directors and
Financial Statements
For the Year Ended 31 March 2021
For
The Milap Festival Trust
(Company limited by guarantee and not having share capital)
The Milap Festival Trust (Company limited by guarantee and not having share capital)
Contents of the Financial Statements
for the Year Ended 31 March 2021
| Page | |
|---|---|
| Chair’s Introduction | 3 |
| Company Information | 4 |
| Report of the Directors/Trustees | 8 |
| Statement of Financial Activities | 13 |
| Balance Sheet | 14 |
| Notes to the Financial Statements | 15 |
| The following pages do not form part | |
| of the statutory financial statements: | |
| Independent Examiner’ Report | 21 |
| Profit and Loss Account | 22 |
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
2
The Milap Festival Trust (Company limited by guarantee and not having share capital)
The Chair’s Introduction
for the Year Ended 31 March 2021
Welcome to the Milap Festival Trust Annual Report
For everyone around the world, this year was unprecedented, and we faced a most unusual and challenging time, which has changed our organisation, arts sector and the way we work forever. Over this financial year, we faced cancellations and suspensions of live work, moved productions and teaching online, and were forced into a new working culture. Thankfully, we were able to navigate the new environment successfully, and have carefully managed our programme and finances, to prepare for the coming years. While we have suspended much of our work, and changed the way we view our programme of activities, we have had time to reflect, assess and renew our approach for the future. Most importantly, we have presented a diverse and popular programme of recordings, premieres and activities online via our YouTube channel, and continued online teaching for the Arts School.
Our team is full of experience and talent, and over the year our workforce changed its approach to work, but adapted brilliantly under trying circumstances. We have a Liverpool based team, led by CEO and Artistic Director Alok Nayak, artists and freelancers across England, and a growing base for productions and ensembles activities in Chennai and Kolkata, in India. While working remotely, the pandemic has brought them closer together, and the organisation installed a new Microsoft 365 system to communicate and collaborate at the start of 2020-21, and we now have a team of 20 people connected online, working for Milap in a full time, part-time or freelance basis.
The dedication and work of the Milap staff team, artists and associated team members is central to the ongoing success and performance of the organisation, and we thank each team member for their contribution. On behalf of the whole board, we also want to thank the individuals, partners and trusts who have supported Milap and care for our work – we are indebted to voluntary contributions of time and money, and the support of a network of artists, parents and audience members. We also thank Liverpool City Council for their faith in us, and Arts Council England for its continued investment and confidence in our work. Particularly during the most trying times during the pandemic, our funders were supportive and sympathetic, making sure we were able to survice as an organisation, continue our work, and thrive under new circumstances.
At the end of this financial year, the board is delighted to find Milap Festival Trust in a safe and secure situation, with the funds and set up to enable us to relaunch our programme, engage with new activities, and continue to serve our audiences, participants and artists in the future.
Ravi Nagpaul Chair, Milap Festival Trust
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
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The Milap Festival Trust (Company limited by guarantee and not having share capital)
Company Information
for the Year Ended 31 March 2021
DIRECTORS & TRUSTEES: Dr R Nagpaul - Chair Dr U Muthu Mrs R Gatfield Dr H K Um Mr A Gatfield Dr Atulya Nagar Mr K Baird Mr M Patel Dr G Nayak Dr S Muthu COMPANY SECRETARY: Archana Shastri REGISTERED OFFICE: The Arts Centre Liverpool Hope University Creative Campus 17 Shaw Street Liverpool L6 1HP REGISTERED NUMBER: - COMPANY: 2834226 (England and Wales) - CHARITY: 1024761 (England and Wales) INDEPENDENT EXAMINER: Paul Taylor 74 Brook Vale Liverpool L22 3YB
BANKERS: National Westminster Bank plc
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
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The Milap Festival Trust (Company limited by guarantee and not having share capital)
Company Information (continued)
for the Year Ended 31 March 2021
RESULTS
The results for the year are shown in the annexed financial statements.
REVIEW OF THE BUSINESS
Milap Festival Trust (known as Milap) is an Indian Arts and Culture Company, operating nationally and internationally from its base in Liverpool. The organisation does this through year-round performances, festivals, productions, education projects and an artist development programme.
MISSION
To inspire, educate and entertain people of all backgrounds, through a world-class programme of Indian Arts.
KEY VALUES
Uniting Hearts Through Arts
Milap aims to bring people together through the arts programme - this includes artists and audiences, people from diverse backgrounds and geographical areas, and artists, organisations or professionals who may not otherwise work together. Uniting people is a first step towards success.
Supporting and empowering artists, organisations and partners
In order to deliver our mission and aims, we need a strong Indian artists’ sector who are well trained, connected and have the opportunities and support to be successful. To be able to achieve this, a strong education & training programme must continue to develop & grow, especially in areas outside Greater London.
A Company culture that values artists, audiences, team members, and partners
In order to deliver a programme of work that helps to change people’s lives for the better, Milap Festival Trust’s organisational values must also ensure that anyone working with or for it are inspired, uplifted and treated with respect.
Excellence in Artistic productions
Milap will programme new, innovative performances and productions for live and recorded consumption, as well as developing programmes that support artists’ career progression, and a sustained education and outreach agenda that introduces Indian arts to people of all backgrounds. As a developmental organisation, it will also ensure that strategic interventions and support is given to those who need it, in the form of grants, seminars and conferences, information and advice
BACKGROUND
Milap Festival Trust (known as Milap) began life as a weekend festival of Indian Arts in 1985. From its early forays in Indian music and dance performance in Liverpool, the organisation grew into a year-round programme, and achieved charitable status and regular funding in the 1990s from Liverpool City Council and the North West Arts Board. Over the years, the charitable aims developed to include education, artist development and strategy alongside a programme of performances around the country. In order to deliver a programme of work that helps to change people’s lives for the better, Milap’s organisational values must also ensure that anyone working with or for it are inspired, uplifted and treated with respect. In order to deliver our mission and aims, we need to nurture an international network of artists, who are well trained, connected and have the opportunities to be successful. Education and training for everyone underpins this ideal.
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
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The Milap Festival Trust (Company limited by guarantee and not having share capital)
Company Information (continued)
for the Year Ended 31 March 2021
Milap’s family of brands constitute our ‘normal programme of work’. In 2021-22 we will be conducting a thorough review, using the connections and tools that we create, to plan the future from 2022, based on the traditional model, but with the intention to grow our reach, improve our impact and income.
This live concert series took place for over 25 years in Liverpool primarily, and also in Manchester and London. In 2020 ‘MFMS’ concerts were YouTube Premiere studio recordings.
A summer festival from 2013-17, in Winter in 2018, and on hold for a new multivenue, 12-day event since 2019.
This residential training programme took place from 2006-19 in England and from 2011-2020 in Singapore.
Saturday morning dance and music classes have taken place at Liverpool Hope University since 2011, and online via Zoom and Teams in 2020-21.
Founded in 2002, the orchestra provides concert and training opportunities to young people, and presents new music each year.
Created in 2003, the Indian music ensemble creates contemporary classical music and presents tours, album recordings and one-off concerts.
As part of SAMYO & TARANG’s wider work for singers, the choir began to perform and record in 2016.
The annual summer residential for participants of our ensembles, on hold since Summer 2019.
Opened at Liverpool Hope University on October 1, 2014, this institute’s digital archive and library offers students, academics and the general public the opportunity to access a vast archive of Indian music and dance resources.
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
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The Milap Festival Trust (Company limited by guarantee and not having share capital)
Company Information (continued)
for the Year Ended 31 March 2021
AIMS 2019-2024
In 2019, Milap began a 5-year project to renew and revamp the organisation’s work, reach and long-term sustainability. To respond to the challenges faced in 2020-21, the company adapted and developed to face a new future, and the plans put in place for 2021-22 have both represented a major change to annual operations, while still following our core mission and values, and matching the aims of our principal supporters, Arts Council England, and the cultural vision for Liverpool. As such, this business plan closely follows the detailed agenda set out in the 2021-22 Business Plan, by building on that agenda.
In the future, we will have to compete with many different forms of art and entertainment, because of the choices people have. In the short-term, our aim for our audiences, participants and artists is to help them return to the activities that shaped and improved their lives, including live entertainment, artistic engagement and education. In the longer-term, Milap will continue its new approach to producing content, matching new trends in behaviour and the consumption of art and culture. Our challenges will also include the competition for space and attention, finance and resources. To continue the renewal and revamp work started in 2019, and to respond to the challenges of 2020 the company recognises the need to adapt and develop. We also will review and respond to the South Asian dance and music sector mapping study commissioned by Arts Council England, written by Courtney Consulting.
The foundations are being laid in 2021-22 for a new Milap, which is renewed, ambitious, dynamic and relevant, and we will continue this endeavour in 2022-23. Our charity’s programme of work is supported by a strong awareness of environmental responsibility, and the need to engage with diverse voices and people. The work of this year will help Milap to transform its way of working, and engage more successfully with people and places in England.
Our 4 categories of work are:
Indian Arts Pathway (Artist Development)
Milap has launched the career of many artists in England through the various programmes we have on offer, including through DANCE INDIA and our ENSEMBLES. Creating a single pathway, that clearly charts out the opportunities at each stage in an artist’s journey will give students, teachers and early career professionals the inspiration and confidence that they can grow with Milap. We will establish new ARTS SCHOOL and ENSEMBLE Programmes, and use our resources, we will be able to reach out to schools and education settings to share Indian arts more widely.
Production
Milap began in 1985 as ‘Milapfest’, a weekend festival, and then later a festival organisation. Live events and festivals are a key strength of the organisation, and while we have diversified into productions and recorded content, we will aim to develop a programme that is local to Liverpool, Manchester, London and available online internationally.
Strategy
It is crucial that Milap is a voice that stands up for all of the groups we represent. Because of our wide-ranging work that cuts across performance, artist development, strategy and education, it is imperative that we also take the responsibility of championing our sector through various media, including in writing, through events in person, online, and advocacy.
Business Development
We will work to grow the base of people who have attended Milap programmes online and in person over the past few years, including audience members, participants and artists, while finding new ways to generate income for our activities.
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
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The Milap Festival Trust (Company limited by guarantee and not having share capital)
Report of the Trustees/Directors
for the Year Ended 31 March 2021
CEO / ARTISTIC DIRECTOR’S REPORT
Just before the start of this financial year, I confirmed the work from home instructions to the Milap team, and we officially moved in line with the first lockdown of 2020. In that time, we have had one of the most exciting, challenging and transformational years in Milap’s history. We have experimented, innovated and remained in touch with many of our audience and participants. We have made new contacts, found new approaches to our work, and yet have managed to stay true to our mission and values. Those areas which just could not function online are soon to return, and in 2021 I am looking forward to a year which will accurately model how Milap will look in the next 10 years.
In this report, I reflect on the activities over the last year. Using a combination of Facebook, Instagram, and, primarily, YouTube premieres, we have shown several thousand new views each and have seen an increase of 20% in our followers online.
In 2020-21 our strategy was to bring as much as we could online, to help support people through our work, and deliver on our promise to inspire, educate and entertain through Indian arts performances and talks. At the end of the financial year, we planned on how we would move forward, making a business plan and outline strategy for the next 10 years.With one eye on the immediate future, we are also planning up to 2027, which matches the next major NPO application due to Arts Council England.
We can reflect on a year of significant progress and change, and can look forward to 2021/22 and beyond with a lot of hope and optimism. There have been three key seasons in 2020, which have shaped our approach:
April – July: As we came to terms with the early months of lockdown, Milap experimented with partnership, one-off major online events (e.g. the World Dance Day), and new video productions of Music for the Mind & Soul.
Over Summer we had successful collaborations with Tea India, Gen Next and continued to programme regular online studio concerts, ending in September with the major project ‘The Thillana’.
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
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The Milap Festival Trust (Company limited by guarantee and not having share capital)
Report of the Trustees/Directors (Cont’d) for the Year Ended 31 March 2021
CEO / ARTISTIC DIRECTOR’S REPORT (cont’d)
In the last part of the year, since September, we moved to ‘festival season’, with series’ to mark Navratri, Diwali and Christmas.
All of this has helped us to shape Milap’s online programme in new ways, and we have learned to produce work collaboratively, remotely and internationally; we have presented talks, workshops and discussions; we have produced 3 major new recordings; and Milap has found a way to move its live performances online, in
studio settings. Overall, we have produced more than 60 new recordings of performances,
conducted a full year of Arts School classes online, and continued with some significant partnership work. We have also been able to develop skills and experience as publishers of audio and video content. In the next phase, we will build this into our core work so that we can adapt and be ready for the new future, and also learn how to turn this success into financial gain for the charity.
In the 2-year period since April 2019, our follower numbers have grown by 51%, and in the period just since June 2020 alone, by 20%
One Fell Swoop continues to deliver our Marketing & PR strategy.
----- Start of picture text -----
Social Media Followers since April 2019
Total figure 16061 (March 2021)
20000
10000
0
08-Apr-19 08-Jun-20 20-Mar-21
YouTube 3261 3910 5102
Instagram 1236 1647 2128
Twitter 2742 2930 2998
Facebook 3370 4858 5833
Facebook Twitter Instagram YouTube
----- End of picture text -----
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
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The Milap Festival Trust (Company limited by guarantee and not having share capital)
Report of the Trustees/Directors (continued) for the Year Ended 31 March 2021
BOARD OF TRUSTEES
The organisation’s board of trustees include a broad range of experienced professionals, from varied backgrounds, and some founding members of the charity. Attendance at board meetings, and Milap activities is high, and the official meetings are 4 times per year (every quarter). New board members are invited to join the board according to selection criteria that ensures board diversity, experience and skills. The normal period of service is 3 years after appointment, and following this, trustees may be appointed for a further three years.
All new trustees meet with the CEO and Chair for a new trustee induction meeting. The senior management and Trustees work closely together, and the CEO, Director of Marketing & Finance and on occasion senior staff regularly attend board meetings. Trustees also participate in events, volunteering, and offer their time and resources as a donation to the organisation. In addition, from 2019-20 ‘Task and Finish Groups’ have been appointed to advise, report or action trust board agenda items. This includes a group to reform the workings of the board. The only standing Board Committee is the Finance Committee, which regularly reviews budgets, cashflow, management accounts and all associated matters.
Mr. Kenneth Baird Mr. Alfred Gatfield Mrs. Rekha Gatfield Dr Sundar Muthu Dr Usha Muthu Prof Atulya Nagar (Vice-Chair) Dr. Ravi Nagpaul (Chair) Dr Geeta Nayak Mr. Mayoor Patel Dr Hae-Kyung Um
REGULAR STAFF TEAM
Chief Executive & Artistic Director Alok Nayak Director of Finance & Marketing Archana Shastri Head of Programming Pravinder Singh Finance Manager Helen Kelly Artist in Residence / Arts School Teacher Kousic Sen Arts School Coordinator / Arts School Teacher Arts School Assistant / Arts School Teacher Santosh Nair Ensembles Composer & Producer Girishh Gopalakrishnan Ensembles Composer & Music Officer Ramshanker Sathianarayanan Associate Artist Sheetal Maru
ARTS SCHOOL TEACHERS
Veena Prashanthini Jeyarajan Bharatanatyam Manisha Solanki Vocal Vijay Rajput Bharatanatyam Nrithya Rammohan Vocal Ramya Tangirala Kathak Aditi Sen
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
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The Milap Festival Trust (Company limited by guarantee and not having share capital)
Report of the Trustees/Directors (continued) for the Year Ended 31 March 2021
FINANCE AND FUTURE STRATEGY
The strategy of the board is to protect against unforeseen events and financial challenges by building a reserve fund that represents a minimum of 3 months of running costs. In addition, designated funds towards equipment purchase and capital expenditure has been earmarked to ensure that the organisation is able to invest in digital and new project resources to face the new approach to Milap’s work in the future, with a focus on productions and online distribution. In turn, this should lead to further income from streaming, sales and other associated use of our music and dance properties. The cancellation and suspension of activities in London, and for our ensembles in residence, added to our strategy of careful expenditure strategic changes to our programme has led to considerable savings in this financial year, which will be carried forward for designated expenditure in the new year 2021-22. Suspended activities will be resumed or rearranged in the financial year, and the costs of marketing and PR, health and safety protocols and increased costs will be met by our designated funds.
The Statement of Financial Activities shows net income for the year of £112,196, and the charity carries forward a restricted fund balance of £Nil and an unrestricted fund balance of £160,218, of which £90,000 has been designated to the charity’s reserve fund towards expenditure during the next two financial years. This leaves a non-designated unrestricted fund balance of £70,218.
RESERVES POLICY
The general reserves fund represents unrestricted funds arising from surplus funds raised. The current level of unrestricted funds is £ 70,218
RISK REVIEW
This Board recognises the potential risks that the charity is exposed to particularly those relating to the operations and finances of the organisation. The potential risks are: increased costs due to the impact of the pandemic, cancellations and postponement due to COVID-19 protocols, falling revenue from ticket sales, funding cuts and the increased costs of travel and event management. Systems are being established to mitigate and manage exposure to such risks. Balancing this is our efforts to explore new funding sources as well as internationalisation of our work which will create new funding streams in the next two years.
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
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The Milap Festival Trust (Company limited by guarantee and not having share capital)
Report of the Trustees/Directors (continued)
for the Year Ended 31 March 2021
STATEMENT OF DIRECTORS’ RESPONSIBILITIES
Company law requires the directors to prepare financial statements for each financial year which give a true and fair view of the state of the affairs of the charitable company as at the balance sheet date and of its incoming resources and application of resources, including income and expenditure, for the financial year. In preparing those financial statements, the directors should follow best practice and:
-
select suitable accounting policies and then apply them consistently;
-
make judgements and estimates that are reasonable and prudent; and
-
prepare the financial statements on the going concern basis unless it is inappropriate to assume that the company will continue on that basis.
The directors are responsible for maintaining proper accounting records which disclose with reasonable accuracy at any time the financial position of the charitable company and to enable them to ensure that the financial statements comply with the Companies Act 2006. They are also responsible for safeguarding the assets of the charitable company and hence for taking reasonable steps for the prevention and detection of fraud and other irregularities.
DIRECTORS
The following were directors of the company for the year under review:
Dr R Nagpaul - Chair Dr U Muthu Mrs R Gatfield Dr H K Um Mr A Gatfield Dr Atulya Nagar Mr K Baird Mr M Patel Dr G Nayak Dr S Muthu
The company is limited by guarantee and does not have share capital, and therefore the directors have no beneficial interest in the share capital of the company. All directors are members of the Board of Trustees and receive neither remuneration nor reimbursement of expenses for their services in this capacity.
Trustees of the charity are appointed by invitation from or application to the existing Board of Trustees. No other person or body is entitled to appoint a trustee. There is a flexible three-year rotation policy in place for the trustees.
This report has been prepared in accordance with the Statement of Recommended Practice, “Accounting and Reporting by Charities” and in accordance with the special provisions of Part 15 of the Companies Act 2006 relating to small companies.
ON BEHALF OF THE BOARD:
Dr R Nagpaul - Chair Dated:
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
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The Milap Festival Trust (Company limited by guarantee and not having share capital)
Statement of Financial Activities (including Income and Expenditure Account)
For the Year Ended 31 March 2021
| Notes Incoming resources from generated funds 2 Voluntary income: Grants receivable Contributed income Activities for generating funds Investment income Incoming resources from charitable activities: 2 Total incoming resources Resources expended Costs of generating funds Costs of generating voluntary income 3 Charitable activities 4 Governance costs 5 Total resources expended 6 Net incoming resources - Net income for the year 7 Gross transfers between funds Net movement in funds Total funds at 1 April 2020 Total funds at 31 March 2021 |
Unrestricted Funds £ 330,817 621 38 28,014 359,490 72,689 142,677 31,928 247,294 112,196 - 112,196 48,022 160,218 |
Restricted Funds £ 118,140 - - - 118,140 - 118,140 - 118,140 - - - - - |
2021 Total Funds £ 448,957 621 38 28,014 477,630 72,689 260,817 31,928 365,434 112,196 - 112,196 48,022 160,218 |
2020 Total Funds £ 451,882 6,918 46 98,521 557,367 62,060 419,679 32,654 514,393 42,974 - 42,974 5,048 48,022 |
|---|---|---|---|---|
Movements in funds are disclosed in Note 14 to the financial statements. Transfer between funds represents purchase of computer equipment on which the restriction has elapsed.
DESIGNATED AND ENDOWMENT FUNDS
The charity has designated £90,000 of its unrestricted funds towards expenditure for the next two financial years The charity had no endowment funds in either the current year or the previous year.
The notes form part of these financial statements.
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
13
The Milap Festival Trust
(Company limited by guarantee and not having share capital)
Balance Sheet
As at 31 March 2021
| Notes FIXED ASSETS: Tangible assets 10 CURRENT ASSETS: Stock of merchandise Debtors 11 Cash at bank and in hand CREDITORS:Amounts falling due with one year 12 NET CURRENT ASSETS TOTAL ASSETS LESS CURRENT LIABILITIES CREDITORS Amounts falling due after more than one year 13 NET ASSETS RESERVES: Restricted funds 14 Unrestricted funds 14 Designated Non-designated |
2021 £ 8,361 3,670 153,187 165,218 10,265 £ 90,000 70,218 £ |
£ 7,373 154,953 162,326 2,108 160,218 - 160,218 160,218 |
2020 £ 8,361 4,172 50,841 63,374 15,492 - 48,022 |
£ |
£ 4,521 47,882 |
|---|---|---|---|---|---|
52,403 4,381 |
|||||
48,022 |
|||||
- - 48,022 48,022 |
|||||
£ |
The financial statements have been prepared in accordance with the special provisions of Part 15 of the Companies Act 2006 relating to small companies and with FRS 102 (Section 1A).
ON BEHALF OF THE BOARD:
Dr R Nagpaul - Chair Approved by the board on 6[th] December 2021
The notes form part of these financial statements
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
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The Milap Festival Trust (Company limited by guarantee and not having share capital)
Notes to the Financial Statements
for the Year Ended 31 March 2021
1. ACCOUNTING POLICIES
Basis of preparation of accounts
The financial statements have been prepared under the historical cost convention and in accordance with FRS 102 (Section 1A), the Companies Act 2006 and follow the recommendations of the Statement of Recommended Practice applicable to charities.
Incoming resources
Incoming resources consist of grants received, donations and subscriptions, receipts from ticket sales, and bank deposit interest received. Grants are credited to the profit and loss account as receivable, and when the claim can be substantiated. Other income is credited to the profit and loss account as received.
Resources expended
Resources expended are included in the Statement of Financial Activities on an accruals basis, exclusive of any VAT. Irrecoverable VAT is charged to the relevant expenditure category.
Fundraising and publicity costs comprise those costs incurred in raising funds for the charity and promoting its public profile.
Resources expended on charitable activities comprise all expenditure directly in undertaking the charity’s work to meet its charitable objectives.
Governance costs comprise costs incurred directly in governance arrangements relating to the general running of the charity.
Tangible fixed assets
Depreciation is provided at the following annual rates in order to write off tangible fixed assets over their expected useful economic lives, as follows:
| Computer equipment | - 33% on cost |
|---|---|
| Motor vehicles | - 20% on cost |
| Equipment | - 20% on reducing balance |
Items of equipment are capitalised where the purchase price exceed £50, and are of an obvious capital nature.
Restricted funds
Restricted funds are subject to specific conditions imposed by the donors. These conditions are being complied with.
Unrestricted funds
Unrestricted funds are grants and other incoming resources receivable or generated for the objects of the charity without further specified purpose and are available as general funds. They are available for use at the discretion of the charity in furtherance of its general charitable objectives.
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
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The Milap Festival Trust (Company limited by guarantee and not having share capital)
Notes to the Financial Statements (continued) for the Year Ended 31 March 2021
2. INCOMING RESOURCES
| Grants receivable: Liverpool City Council Arts Council England NYMO City of Liverpool – River Festival Arts Council England NPO Contributed income: Donations In Kind Donations Sponsorships Investment income: Bank deposit interest received Incoming resources from charitable activities: Ticket and merchandise sales Teaching and student fees |
Unrestricted Funds £ 22,285 - - 308,532 330,817 |
Restricted Funds £ - 118,140 - - 118,140 |
2021 Total Funds £ 22,285 118,140 - 308,532 448,957 |
2020 Total Funds £ 19,276 118,140 12,612 301,854 451,882 1,918 5,000 - 6,918 46 30,835 67,686 98,521 |
|---|---|---|---|---|
261 360 - 621 38 |
- - - - - |
261 360 - 621 38 |
||
| 2,906 25,108 28,014 |
- - - |
2,906 25,108 28,014 |
3. COST OF GENERATING VOLUNTARY INCOME
| Wages and salaries (note 8) Printing, publicity and advertisements |
Unrestricted Funds £ 46,444 26,245 72,689 |
Restricted Funds £ - - - |
2021 Total Funds £ 46,444 26,245 72,689 |
2020 Total Funds £ 45,774 16,286 62,060 |
|---|---|---|---|---|
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
16
The Milap Festival Trust (Company limited by guarantee and not having share capital)
Notes to the Financial Statements (continued) for the Year Ended 31 March 2021
4. CHARITABLE ACTIVITIES
| Artists’ fees and performance costs Artists’ and staff travel and subsistence Wages and salaries (note 8) - Artistic - Education - Administration Venue hire and studio costs Telephone Postage, stationery and consumables Insurance Rent Teaching and education costs Bank charges Cost of merchandise Training Repairs and renewals Compute & IT costs HP interest Depreciation: Motor vehicles Computer equipment Equipment 5. GOVERNANCE COSTS Wages and salaries (note 8) Independent examiner’s fee Other accountancy and HR costs |
Unrestricted Funds £ 25,104 1,383 21,853 42,178 21,559 8,646 1,735 368 2,367 - 8,496 646 - - - 3,909 847 1,350 2,146 90 142,677 Unrestricted Funds £ 25,642 2,000 4,286 31,928 |
Restricted Funds £ 12,012 - 106,128 - - - - - - - - - - - - - - - - - 118,140 Restricted Funds £ - - - - |
2021 Total Funds £ 37,116 1,383 127,981 42,178 21,559 8,646 1,735 368 2,367 - 8,496 646 - - - 3,909 847 1,350 2,146 90 260,817 2021 Total Funds £ 25,642 2,000 4,286 31,928 |
2020 Total Funds £ 59,405 23,339 128,211 37,915 21,883 38,108 2,151 890 1,734 8,811 90,185 864 96 1,854 591 1,327 847 1,350 - 118 419,679 2020 Total Funds £ 25,617 2,000 5,037 32,654 |
|---|---|---|---|---|
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
17
The Milap Festival Trust (Company limited by guarantee and not having share capital)
Notes to the Financial Statements (continued)
for the Year Ended 31 March 2021
6. TOTAL RESOURCES EXPENDED
| Activities Support Undertaken Costs Directly £ £ Cost of generating funds 72,689 - Charitable activities 260,817 - Governance costs - 31,928 333,506 31,928 7. NET INCOMING RESOURCES FOR THE YEAR This is stated after charging/(crediting): Depreciation of tangible fixed assets Profit on disposal of fixed assets Directors’ emoluments and other benefits, etc 8. STAFF COSTS Staff costs were as follows: Wages and salaries Social security costs |
Activities Support Undertaken Costs Directly £ £ Cost of generating funds 72,689 - Charitable activities 260,817 - Governance costs - 31,928 333,506 31,928 7. NET INCOMING RESOURCES FOR THE YEAR This is stated after charging/(crediting): Depreciation of tangible fixed assets Profit on disposal of fixed assets Directors’ emoluments and other benefits, etc 8. STAFF COSTS Staff costs were as follows: Wages and salaries Social security costs |
2021 £ 3,586 - |
2021 Total Costs £ 72,689 260,817 31,928 |
2020 £ 1,468 - |
2020 £ 1,468 - |
|---|---|---|---|---|---|
31,928 |
365,434 |
||||
| - | - | ||||
| 2021 £ 245,829 17,975 |
|||||
263,804 |
No employee received emoluments of more than £60,000.
The average weekly number of employees during the year, calculated on the basis of full-time equivalents, was as follows:
| follows: | ||
|---|---|---|
| 2021 | 2020 | |
| No | No | |
| Costs of generating voluntary income | 2 | 2 |
| Charitable activities | 11 | 10 |
| Governance | 1 | 1 |
The directors and charity trustees received no remuneration from the company during the current or previous years, nor were any expenses reimbursed to them in either year.
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
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The Milap Festival Trust (Company limited by guarantee and not having share capital)
Notes to the Financial Statements (continued)
for the Year Ended 31 March 2021
9. TAXATION
The charitable company is exempt from corporation tax on its charitable activities.
10. TANGIBLE FIXED ASSETS
| COST At 1 April 2020 Additions Disposals At 31 March 2021 DEPRECIATION At 1 April 2020 Charge for year Eliminated on disposal At 31 March 2021 NET BOOK VALUE At 31 March 2021 At 31 March 2020 |
Fixtures and fittings £ 22,432 - - 22,432 21,985 90 - |
Motor vehicles £ 27,000 - - 27,000 22,950 1,350 - |
Computer equipment £ 39,803 6,438 - 46,241 39,779 2,146 - |
Totals £ 89,235 6,438 - 95,673 84,714 3,586 - 88,300 7,373 4,521 |
|---|---|---|---|---|
| 22,075 357 447 |
24,300 2,700 4,050 |
41,925 4,316 24 |
The net book value represents tangible fixed assets used for direct charitable purposes.
| 11. DEBTORS: AMOUNTS FALLING DUE WITHIN ONE YEAR Prepayments & accrued income VAT 12. CREDITORS: AMOUNTS FALLING DUE WITHIN ONE YEAR Hire purchase contracts Social security and other taxes Accruals & deferred income |
2021 £ 1,070 2,600 3,670 2021 £ 2,273 4,440 3,552 10,265 |
2020 £ 2,925 1,247 4,173 2020 £ 2,273 6,382 6,837 |
|---|---|---|
15,492 |
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
19
The Milap Festival Trust (Company limited by guarantee and not having share capital)
Notes to the Financial Statements (continued)
for the Year Ended 31 March 2021
13. CREDITORS: AMOUNTS FALLING DUE AFTER MORE THAN ONE YEAR
| Hire purchase contracts | 2021 £ 2,108 |
2020 £ 4,381 |
|---|---|---|
- ANALYSIS OF NET ASSETS BETWEEN FUNDS
| Tangible fixed assets Current assets Current liabilities Long term liabilities Net assets at 31 March 2021 |
General Funds £ 7,373 75,218 (10,265) (2,108) 70,218 |
Designated Funds £ - 90,000 - - 90,000 |
Restricted Funds £ - - - - - |
Total Funds £ 7,373 165,218 (10,265) (2,108) 160,218 |
|---|---|---|---|---|
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
20
The Milap Festival Trust
(Company limited by guarantee and not having share capital)
Independent Examiner’s Report to the Trustees of The Milap Festival Trust
Respective responsibilities of trustees and examiner
The trustees (who are also the directors of the company for the purposes of company law) are responsible for the preparation of the accounts. The charity’s trustees consider that an audit is not required for this year under section 144(2) of the Charities Act 2011 (the 2011 Act) and that an independent examination is needed. The charity’s gross income exceeded £250,000 and I am qualified to undertake the examination by being a member of the ACCA.
Having satisfied myself that the charity is not subject to audit under Part 16 of the Companies Act 2006 and is eligible for independent examination, it is my responsibility to:
-
examine the accounts under section 145 of the 2011 Act;
-
to follow the procedures laid down in the General Directions given by the Charity Commission under section 145(5)(b) of the 2011 Act; and
-
to state whether particular matters have come to my attention.
Basis of independent examiner’s report
My examination was carried out in accordance with the General Directions given by the Charities Commission. An examination includes a review of the accounting records kept by the charity and a comparison of the accounts presented with those records. It also includes consideration of any unusual items or disclosures in the accounts, and the seeking of explanations from you as trustees concerning any such matters. The procedures undertaken do not provide all the evidence that would be required in an audit and, consequently, no opinion is given as to whether the accounts present a ‘true and fair view’ and the report is limited to those matters set out in the statement below.
Independent examiner’s statement
In connection with my examination, no matter has come to my attention:
-
which gives me reasonable cause to believe that, in any material respect, the requirements
-
(a) to keep accounting records in accordance with section 386 of the Companies Act 2006; and
-
(b) to prepare accounts which accord with the accounting records, comply with the accounting requirements of the Companies Act 2006 and with the methods and principles of the Statement of Recommended Practice: Accounting and Reporting by Charities have not been met; or
-
to which, in my opinion, attention should be drawn in order to enable a proper understanding of the accounts to be reached.
Name: P Taylor Relevant professional qualification or body: ACCA Address: 74 Brook Vale Waterloo Liverpool L22 3YB
Date:
This page does not form part of the statutory financial statements
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
21
The Milap Festival Trust (Company limited by guarantee and not having share capital)
Profit and Loss Account
for the Year Ended 31 March 2021
| Income: Grants receivable Contributed income Other income Other income: Investment income Administration costs: Artist fees and performance costs Artist & staff travel and subsistence Wages and salaries Telephone Postage, stationery and consumables Printing, publicity and advertisements Cost of merchandise Venue hire and studio costs Teaching and education costs Training Repairs & renewals Computer & IT costs Accountancy and HR costs Establishment costs: Insurance Rent Finance costs: HP interest Bank charges Bank interest Depreciation: Motor vehicles Computer equipment Equipment Profit on disposal of fixed assets NET PROFIT/(LOSS) |
2021 £ 448,957 621 28,014 37,116 1,383 263,804 1,735 368 26,245 - 8,646 8,496 - - 3,909 6,286 2,367 - 847 646 - 1,350 2,146 90 £ |
£ 477,592 38 477,630 357,988 2,367 1,493 3,586 - 112,196 |
2020 £ 451,882 6,918 98,521 59,405 23,339 259,400 2,151 890 16,286 96 38,108 90,185 1,854 591 1,327 7,057 1,734 8,811 847 864 - 1,350 - 118 £ |
£ 557,321 46 557,367 500,669 10,545 1,711 1,468 - 42,974 |
|---|---|---|---|---|
This page does not form part of the statutory financial statements
Report of the Directors and Financial Statements (Year Ended 31 March 2021)
22