## **Trustees’ Annual Report for the period** 

**From 1 September 2023    Period start date To 31 August 2024        Period end date** 

## **Charity name: City of Bristol Choir** 

## **Charity registration number: 1015961** 

## **Objectives and Activities** 

|||
|---|---|
|Summary of the purposes of<br>the charity as set out in its<br>governing document|“To  promote,  improve,  develop  and  maintain  public<br>education in and appreciation of the art and science of<br>music in all its aspects by the presentation of public<br>concerts and recitals and by such other means as the<br>Choir, through its committee,shall determine from time to<br>time.”|
|Summary of the main<br>activities in relation to those<br>purposes for the public<br>benefit, in particular, the<br>activities, projects or services<br>identified in the accounts.|**City of Bristol Choir 2023–2024**<br>**14 October 2023 – Fauré and Rheinberger**, All Saints'<br>Church, Clifton, 7:30pm<br>A programme featuring Gabriel Fauré's_Requiem_and<br>Joseph Rheinberger's_Cantus Missae_, showcasing the<br>choir's rich harmonic blend in sacred choral works.<br>**16 December 2023 – Christmas Spectacular**, St<br>George's Bristol, 7:30pm<br>A festive concert with City of Bristol Choir and Bristol<br>Ensemble, conducted by David Ogden, bringing<br>Christmas cheer with a selection of seasonal music.<br>**19 December 2023 – Festive Fiesta**, St George's<br>Bristol, 7:30pm<br>An interactive evening featuring audience carol singing,<br>festive orchestral pieces, and choral favourites,<br>accompanied by Bristol Ensemble and led by David<br>Ogden and Roger Huckle.<br>**28 January 2024 – Odyssey by Jonathan Dove**, Bristol<br>Beacon, 5:00pm<br>The world premiere of_Odyssey_, a powerful new music-<br>drama for singers and orchestra composed by Jonathan<br>Dove, performed by City of Bristol Choir.<br>**22 March 2024 – That Friday Feeling**, All Saints'<br>Church, Clifton, 7:45pm<br>A concert featuring Amy Summers'_The Lord Is My_<br>_Shepherd_(world premiere), alongside works by Sidney|





Campbell, Morten Lauridsen, and others, offering an invigorating choral experience. **16 June 2024 – Holst: The Planets** , Bristol Beacon, 7:00pm A collaborative performance with Exultate Singers and Bristol Metropolitan Orchestra, presenting Holst's _The Planets_ , Finzi's _Imitations of Immortality_ , and Zimmer's _Aurora_ . **13 July 2024 – Summer Choral Spectacular** , Bristol Beacon, 7:30pm A joint concert with the Chorus of Westerly from Rhode Island, USA, and Bath Philharmonia, conducted by Andrew Howell and David Ogden, celebrating choral music's transatlantic connections. Statement confirming Yes whether the trustees have had regard to the guidance issued by the Charity Commission on public benefit 

**Additional information (optional)** You may choose to include further statements where relevant about: 

|||
|---|---|
|Policy on grant making|There is no policy but decisions are taken on a case by<br>case basis by the Trustees and the committee for the<br>commission of new musical works and to award Bursary<br>Scholarships for young singers.|
|Policy on social investment<br>including program related<br>investment|N/A|
|Contribution made by<br>volunteers|Volunteer stewards, committee members, librarian and<br>front of house team are thanked publicly and thanks are<br>published in the concert programmes.|
|Other|N/A|





**Achievements and Performance** 

Summary of the main achievements of the charity, identifying the difference the charity’s work has made to the circumstances of its beneficiaries and  any wider benefits to society as a whole. 

## **City of Bristol Choir 2023–2024: Main Achievements & Charitable Impact** 

## **14 October 2023 –** _**Fauré and Rheinberger** All Saints' Church, Clifton, 7:30pm_ 

This concert presented two masterworks of sacred choral repertoire: Gabriel Fauré’s _Requiem_ and Joseph Rheinberger’s _Cantus Missae_ . The performance offered the public an opportunity to experience the spiritual depth and harmonic richness of these contrasting works — one intimate and ethereal, the other majestic and polyphonic. The choir engaged new and returning audiences in the appreciation of classical sacred music while offering singers and listeners alike an educational exploration of 19th-century European liturgical traditions. 

## **16 December 2023 –** _**Christmas Spectacular** St George’s Bristol, 7:30pm_ 

In collaboration with the Bristol Ensemble, this festive programme celebrated seasonal music from across the centuries. The performance combined well-known carols with lesser-heard works, creating an engaging and uplifting experience for a wide audience. By presenting a professionally directed concert in a prestigious venue, the choir encouraged appreciation for choral and orchestral music traditions while making them accessible to a broad public, including families and first-time concertgoers. 

## **19 December 2023 –** _**Festive Fiesta**_ 

## _St George’s Bristol, 7:30pm_ 

This interactive concert encouraged audience participation through communal carol singing, bringing music education into the realm of direct experience. Featuring the Bristol Ensemble and led by David Ogden and Roger Huckle, the programme included orchestral highlights and choral classics. The event helped demystify classical concert-going and fostered a joyful, inclusive environment, furthering the choir’s mission to develop musical appreciation across diverse community groups. **28 January 2024 –** _**Odyssey**_ **by Jonathan Dove (World Premiere)** _Bristol Beacon, 5:00pm_ A landmark event for the choir, this concert featured the world premiere of _Odyssey_ , a new dramatic cantata by leading British composer Jonathan Dove. Commissioned to mark the reopening of Bristol Beacon, the performance placed City of Bristol Choir at the heart of the city’s cultural renewal. The choir’s participation in the premiere of a major contemporary work expanded public awareness of modern choral composition and offered singers a unique opportunity to work directly with living music creators, fulfilling the choir’s educational remit 




**----- Start of picture text -----**<br>
through innovation and collaboration.<br>22 March 2024 –  That Friday Feeling<br>All Saints’ Church, Clifton, 7:45pm<br> This concert featured a rich and varied programme<br>designed to challenge and inspire both choir members<br>and the audience. A highlight was the world premiere of<br>The Lord Is My Shepherd  by emerging composer Amy<br>Summers, providing a platform for new British talent.<br>Works by Campbell, Lauridsen, Howells, and others<br>introduced listeners to a broad spectrum of sacred and<br>secular choral music. The educational value was<br>enhanced through thoughtful programming that balanced<br>traditional favourites with contemporary voices,<br>reinforcing the choir’s role as a cultural educator.<br>16 June 2024 –  Holst: The Planets<br>Bristol Beacon, 7:00pm<br> In partnership with Exultate Singers and the Bristol<br>Metropolitan Orchestra, this large-scale concert<br>showcased Holst’s iconic  The Planets  suite, alongside<br>Finzi’s  Imitations of Immortality  and Hans Zimmer’s<br>Aurora . The performance combined visual, instrumental,<br>and choral elements to provide a multidimensional artistic<br>experience. Through collaboration with other ensembles<br>and the inclusion of both classical and cinematic<br>repertoire, the choir reached new audiences and<br>encouraged cross-genre musical appreciation, supporting<br>its aim to broaden public engagement with the musical<br>arts.<br>13 July 2024 –  Summer Choral Spectacular<br>Bristol Beacon, 7:30pm<br> A unique collaboration with the Chorus of Westerly from<br>Rhode Island, USA, and Bath Philharmonia, this concert<br>celebrated international friendship through music.<br>Featuring works from both sides of the Atlantic, the event<br>highlighted the universal language of choral singing. The<br>cultural exchange deepened musical understanding for<br>participants and audiences alike, demonstrating the<br>choir’s commitment to developing appreciation of music<br>in its many forms and fostering global connections<br>through performance.<br>**----- End of picture text -----**<br>


## **Additional information (optional)** 

## You may choose to include further statements where relevant about: 

|<br>Achievements against<br>objectives set|<br>City of Bristol Choir enjoyed another remarkably<br>successful  year  -  the  choir  continued  to  draw  large<br>audiences for its performances. More and more people<br>across Bristol and beyond are being exposed to fantastic<br>choral  performances  and  a  huge  range  of  new  and<br>classical<br>pieces.<br>The choir continues to collaborate with many ensembles<br>and individuals across the city, strengthening relationships<br>andpartnerships  across  the  wider  music  scene.  The|
|---|---|





||performances were held in a variety of venues across the<br>city and exceptions and discounts were always granted to<br>those eligible to make sure access was not limited to<br>those with monetary means.|
|---|---|
|Performance of fundraising<br>activities against objectives<br>set|**N/A**|
|Investment performance<br>against objectives|**N/A**|
|Other|**N/A**|



## **Financial Review** 

|Review of the charity’s<br>financial position at the end<br>of the period|Para 1.21|The 2023/24 season has given a necessary boost to<br>choir funds. Collaborations with other choirs, orchestras<br>and the Bristol Beacon lowered the element of risk and<br>loss associated with putting on concerts this year. It was<br>an unusual programme year, with two concerts entirely<br>put on by other organisations and therefore with no<br>financial  risk  for  the  choir.  This  will  enable  us  to<br>continue with the Choir’s objectives in future years and<br>think about increasing reserves which currently would<br>not cover one failed concert.|
|---|---|---|
|Statement explaining the<br>policy for holding reserves<br>stating why they are held|Para 1.22|City of Bristol Choir maintains a reserve of at least<br>£5000 to support the Choir’s on-going activities and to<br>provide a contingency fund in case of poor ticket sales<br>or unexpected costs.  The accompanying Accounts<br>quantify  three  designated  funds  (the  CBC  Bursary<br>Fund, the Commissions Fund and the CBC Tour Fund)<br>and explain their purposes.|
|Amount of reserves held|Para 1.22|Minimum of £5000|
|Reasons for holding zero<br>reserves|Para 1.22|N/A|
|Details of fund materially in<br>deficit|Para 1.24|N/A|
|Explanation of any<br>uncertainties about the<br>charity continuing as a going<br>concern|Para 1.23|N/A|



## **Additional information (optional)** 

You may choose to include further statements where relevant about: 



|The charity’s principal<br>sources of funds (including<br>any fundraising)|Para 1.47|Subscriptions from members<br>Concert income<br>Grants and awards for specific projects or concerts|
|---|---|---|
|Investment policy and<br>objectives including any<br>social investment policy<br>adopted|Para 1.46|N/A|
|A description of the principal<br>risks facing the charity|Para 1.46|The principal risks to the Choir are first; ensuring that<br>audiences  continue  to  attend  concerts  given  the<br>growing competition for musical performances in and<br>around Bristol and secondly, that membership remains<br>at an optimum level to deliver the aims and objectives<br>of the choir and to generate subscription income. The<br>Trustees  continue  to  review  this  and  the  choir’s<br>position remains satisfactory. We are also aware of the<br>potential financial risk posed to the choir in the form of<br>the cost of living crisis;<br>ensuring that audiences continue<br>to attend concerts given the growing competition for<br>musical performances  in and around  Bristol  and the<br>increased cost of livingimpactingdisposable income.|
|Other||N/A|



|**Structure, Governance and Management**|**Structure, Governance and Management**|**Structure, Governance and Management**|
|---|---|---|
|Description of charity’s<br>trusts:|||
|Type of governing document<br>(trust deed, royal charter)|Para 1.25|Written constitution.|
|How is the charity<br>constituted?<br>(e.g unincorporated<br>association, CIO)|Para 1.25|City  of  Bristol  Choir  is  an  unincorporated<br>association regulated by  its constitution,<br>adopted at a specially convened<br>Extraordinary General Meeting of the Choir on<br>26thNovember 1992 and amended at<br>specially convened  EGMs of  the Choir on<br>9thSeptember 2001, 29thJune 2003 and at the<br>AGM on 19thJune 2014.|
|Trustee selection methods<br>including details of any<br>constitutional provisions e.g.<br>election to post or name of<br>any person or body entitled<br>to appoint one or more<br>trustees|Para 1.25In|In accordance with the amended Constitution<br>adopted at the AGM on 19thJune 2014, the<br>Trustees are drawn from the members of the<br>Choir and  elected by a simple majority of<br>members  at  the  Charity’s  Annual  General<br>Meeting  or  at  an  Extraordinary  General<br>Meeting. They hold office until the next Annual<br>General  Meeting  and  are  eligible  for  re-<br>election.|





## **Additional information (optional)** You may choose to include further statements where relevant about: 

|<br>Policies and procedures<br>adopted for the induction<br>and training of trustees|<br>Para 1.51|<br>New Trustees are mentored and they meet<br>with outgoing or current Trustees depending<br>what,  if  any  role,  they  will  play  on  the<br>committee.<br>All Trustees are advised of the expectations<br>and duties of Trustees and their attention is<br>specifically<br>drawn<br>to<br>www.<br>Gov.uk/guidance/charity-trustee-whats-<br>involved|
|---|---|---|
|The charity’s organisational<br>structure and any wider<br>network with which the<br>charity works|Para 1.51|N/A|
|Relationship with any<br>related parties|Para 1.51|N/A|
|Other||N/A|



## **Reference and Administrative details** 

|Charity name|City of Bristol Choir|
|---|---|
|Other name the charity<br>uses|N/A|
|Registered charity<br>number|1015961|
|Charity’s principal<br>address|City of Bristol Choir<br>9 Sandstone Rise, Winterbourne,<br>Bristol BS36 1BB|





**Names of the charity trustees who manage the charity** 

|1<br>2<br>3<br>4<br>5<br>6<br>7<br>8<br>9<br>10|**Trustee name**<br><br>Elizabeth<br>Cunningham<br><br>Julia Loveless<br><br>Sarah Pascall<br><br>Tim Jackson<br><br>Rose Lancaster<br><br>Peter Lunt<br><br>Alice Howse<br><br>Helen Burke<br>Nigel Harradine<br>JennyHemming|**Office (if any)**|**Dates acted if not for**<br>**whole year**|**Name of person**<br>**(or body)**<br>**entitled to**<br>**appoint trustee**<br>**(if any)**|
|---|---|---|---|---|
|||Chair|from 1st Sept 2023 until<br>31st January2024|City of Bristol<br>Choir|
|||Vice Chair, then Chair|from 1st Sept 2023 - then<br>Chair from 1st Feb 2024|“|
|||Treasurer||“|
|||Secretary||“|
|||MembershipSec.||“|
|||Concert Manager||“|
|||Ticket Sec.||“|
|||PublicityOfficer||“|
|||Trustee||“|
|||Trustee||“|



– Corporate trustees names of the directors at the date the report was approved 

|**Director name**|||
|---|---|---|
|**N/A**|**N/A**|**N/A**|
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Name of trustees holding title to property belonging to the charity 

|**Trustee name**|**Dates acted if not for**<br>**whole year**||
|---|---|---|
|**N/A**|||
||||
||||
||||
||||
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## **Funds held as custodian trustees on behalf of others** 

Description of the assets N/A held in this capacity Name and objects of the N/A charity on whose behalf the assets are held and how this falls within the custodian charity’s objects Details of arrangements for N/A safe custody and segregation of such assets from the charity’s own assets 

## **Additional information (optional)** 

## **Names and addresses of advisers (Optional information)** 

||**Type of adviser**<br>**Name**<br>**Address**|**Type of adviser**<br>**Name**<br>**Address**|**Type of adviser**<br>**Name**<br>**Address**|
|---|---|---|---|
||**N/A**|||
|||||
|||||
|||||
||**Name of chief executive or names of senior staff members (Optional**<br>**information)**|||
||N/A|||



## **Exemptions from disclosure** 

Reason for non-disclosure of key personnel details 

**N/A** 

## **Other optional information** 

## **N/A** 



## **Declarations** 

**The trustees declare that they have approved the trustees’ report above.** 

**Signed on behalf of the charity’s trustees** 

**Full name(s)_______ JULIA LOVELESS________** 

**Position (e.g. Secretary, Chair etc)_________CHAIR (as of 1st February 2024)_________** 

**Date______22nd April 2025_______** 



## **CITY OF BRISTOL CHOIR** 

## **ACCOUNTS FOR THE YEAR ENDED 31 AUGUST 2024** 

## **STATEMENT OF FINANCIAL ACTIVITIES** 

|**UNRESTRICTED FUNDS**<br>**2024**<br>£<br>£<br>£<br>£<br>£<br>**INCOME**<br>Notes<br>Other<br>CBC Bursary CBC Tour Commissions<br>Total<br>Funds<br>Fund<br>Fund<br>Fund<br>Subscriptions<br>25,864<br>25,864<br>Gift Aid<br>5,613<br>0<br>5,613<br>Donations and grants<br>100<br>0<br>100<br>Concert Income<br>2<br>28,878<br>28,878<br>Performance Fees<br>4,467<br>4,467<br>Sponsorship and fundraising<br>690<br>690<br>Sale of goods<br>3<br>1,341<br>1,341<br>Deposits<br>2,350<br>2,350<br>Interest received<br>94<br>94<br>67,047<br>0<br>2,350<br>0<br>69,397<br>**EXPENDITURE**<br>Rehearsal Costs<br>15,155<br>15,155<br>Concert expenditure<br>2<br>24,942<br>24,942<br>Performance Costs<br>2,579<br>2,579<br>Cost of goods sold<br>3<br>339<br>339<br>Grants and commissions<br>0<br>750<br>750<br>Subscriptions paid<br>53<br>53<br>Insurance<br>450<br>450<br>Amortisation<br>964<br>964<br>Professional costs<br>0<br>Stock write off<br>0<br>Other costs<br>641<br>641<br>Tour costs<br>0<br>0<br>45,123<br>0<br>0<br>750<br>45,873<br>**NET INCOME/(EXPENDITURE)**<br>21,924<br>0<br>2,350<br>(750)<br>23,524<br>**FUNDS AT 1 SEPTEMBER**<br>25,512<br>377<br>97<br>4,177<br>30,163|**UNRESTRICTED FUNDS**<br>**2024**<br>£<br>£<br>£<br>£<br>£<br>**INCOME**<br>Notes<br>Other<br>CBC Bursary CBC Tour Commissions<br>Total<br>Funds<br>Fund<br>Fund<br>Fund<br>Subscriptions<br>25,864<br>25,864<br>Gift Aid<br>5,613<br>0<br>5,613<br>Donations and grants<br>100<br>0<br>100<br>Concert Income<br>2<br>28,878<br>28,878<br>Performance Fees<br>4,467<br>4,467<br>Sponsorship and fundraising<br>690<br>690<br>Sale of goods<br>3<br>1,341<br>1,341<br>Deposits<br>2,350<br>2,350<br>Interest received<br>94<br>94<br>67,047<br>0<br>2,350<br>0<br>69,397<br>**EXPENDITURE**<br>Rehearsal Costs<br>15,155<br>15,155<br>Concert expenditure<br>2<br>24,942<br>24,942<br>Performance Costs<br>2,579<br>2,579<br>Cost of goods sold<br>3<br>339<br>339<br>Grants and commissions<br>0<br>750<br>750<br>Subscriptions paid<br>53<br>53<br>Insurance<br>450<br>450<br>Amortisation<br>964<br>964<br>Professional costs<br>0<br>Stock write off<br>0<br>Other costs<br>641<br>641<br>Tour costs<br>0<br>0<br>45,123<br>0<br>0<br>750<br>45,873<br>**NET INCOME/(EXPENDITURE)**<br>21,924<br>0<br>2,350<br>(750)<br>23,524<br>**FUNDS AT 1 SEPTEMBER**<br>25,512<br>377<br>97<br>4,177<br>30,163|**2023**<br>£<br>20,053<br>5,224<br>251<br>16,075<br>6,466<br>2,404<br>2,400<br>50|
|---|---|---|
||67,047<br>0<br>2,350<br>0<br>69,397<br>15,155<br>15,155<br>24,942<br>24,942<br>2,579<br>2,579<br>339<br>339<br>0<br>750<br>750<br>53<br>53<br>450<br>450<br>964<br>964<br>0<br>0<br>641<br>641<br>0<br>0<br>45,123<br>0<br>0<br>750<br>45,873<br>21,924<br>0<br>2,350<br>(750)<br>23,524<br>25,512<br>377<br>97<br>4,177<br>30,163|52,923|
|||15,190<br>26,340<br>1,927<br>2,210<br>250<br>53<br>201<br>914<br>2,705<br>861<br>1,654|
|||52,305|
|||618<br>29,545|
||||
|**FUNDS AT 31 AUGUST**|47,436<br>377<br>2,447<br>3,427<br>53,687|30,163|
||||






**----- Start of picture text -----**<br>
CITY OF BRISTOL CHOIR<br>ACCOUNTS FOR THE YEAR ENDED 31 AUGUST 2024<br>BALANCE SHEET<br>      UNRESTRICTED FUNDS<br>2024 2023<br>£ £ £ £ £ £<br>Notes Other CBC Bursary CBC Tour Commissions  Total<br>Funds Fund Fund Fund<br>FIXED ASSETS 4 10,321 10,321 10,521<br>CURRENT ASSETS<br>Music Library 1,5 1,686 1,686 1,917<br>Stock 0 0 0<br>Gift Aid receivable 10,687 10,687 5,074<br>Debtors and prepayments 1,311 1,311 527<br>Cash at bank and in hand 30,923 377 2,447 3,427 37,174 14,831<br>COIF Deposit Account 1,000 1,000 1,000<br>45,607 377 2,447 3,427 51,858 23,349<br>CURRENT LIABILITIES<br>Creditors and Accruals 8,492 8,492 3,707<br>8,492 8,492 3,707<br>NET CURRENT ASSETS 37,115 377 2,447 3,427 43,366 19,642<br>NET ASSETS 47,436 377 2,447 3,427 53,687 30,163<br>RESERVES<br>General Funds 47,436 47,436 25,512<br>CBC Tour Fund 6 2,447 2,447 98<br>CBC Bursary Fund 6 377 377 377<br>CBC Commissions Fund 6 3,427 3,427 4,176<br>47,436 377 2,447 3,427 53,687 30,163<br>Approved by the Trustees and signed on their behalf<br>J Loveless S Pascall<br>Chairman Treasurer<br>**----- End of picture text -----**<br>




## **CITY OF BRISTOL CHOIR** 

## **ACCOUNTS FOR THE YEAR ENDED 31 AUGUST 2024** 

## **NOTES TO THE ACCOUNTS** 

**1. Accounting policies** 

## **Basis of Accounting** 

These accounts have been prepared on the basis of historic costs in accordance with Accounting and Reporting by Charities (SORP 2015), and with the Charities Act 1993. The basis of accounting has not changed during the year. 

## **Going concern** 

There are no material uncertainties which might affect the ability of the Choir to continue. 

## **Public benefit** 

The Choir is a public benefit entity; to promote, improve, develop and maintain public education in and appreciation of the art and science of music in all its aspects by the presentation of public concerts and recitals and by such other means as the Choir, through its committee, shall determine from time to time. 

## **Recognition of income** 

Income is recognised in the Statement of Financial Activities (SofA) when the charity becomes entitled to the resources; the Trustees are virtually certain they will receive the resources; and the monetary value can be measured with sufficient reliability 

## **Income with related expenditure** 

Where income has related expenditure, such as concert income, the income and related expenditure are reported gross in the SofA 

## **Grants and donations** 

Grants and donations are only included in the SofA when the charity has unconditional entitlement to the resources. 

## **Tax reclaims on donations, subscriptions and gifts** 

Income from tax reclaims is included in the SofA at the same time as the gift to which they relate. 

## **Contractual income and performance related grants** 

This is only included in the SofA once the related services have been delivered. 

## **Investment Income** 

This is included in the accounts when receivable. 

## **Liability recognition** 

Liabilities are recognised as soon as there is a legal or constructive obligation committing the charity to pay out resources 

## **Fixed Assets** 

Fixed assets comprise folding chairs used in concert performances, which are depreciated over 10 years on a straight-line basis, recording equipment, which is depreciated over five years on a straight line basis, and concert staging, which is depreciated to net residual value over twenty years on a straight line basis. 

## **Music Library** 

Items held by the choir for its own use, or for rental by other choirs, are the subject of an annual 

stocktake.  To recognise the reducing value of copies over time, their value is amortised over a period of 5 years, on a reducing balance basis 



## **CITY OF BRISTOL CHOIR** 

|**ACCOUNTS FOR THE YEAR ENDED**<br>**NOTES TO THE ACCOUNTS**<br>**2. Concert income and expenditure**<br>Income<br>Ticket Sales<br>Grants Received<br>Programme Sales<br>Refreshment Sales<br>Total Income<br>Expenditure<br>Musicians and soloists<br>Venue costs<br>Music Hire<br>Programme Costs<br>Refreshment Costs<br>Publicity and postage<br>Commission on ticket sales<br>Profit Share<br>Other costs|**31 AUGUST 2024**<br>That<br>Fauré<br>Friday<br>Rheinberger<br>Feeling<br>£<br>£<br>4,033<br>2,755<br>0<br>0<br>0<br>0<br>0<br>0|Finzi<br>£<br>20,529<br>1,050<br>511<br>0|Finzi<br>£<br>20,529<br>1,050<br>511<br>0|2024<br>Total<br>£<br>27,317<br>1,050<br>511<br>0|2024<br>Total<br>£<br>27,317<br>1,050<br>511<br>0|2023<br>Total<br>£<br>15,075<br>1,000<br>16,075<br>11,027<br>5,106<br>3,014<br>450<br>236<br>3,493<br>1,285<br>1,729<br>26,340<br>(10,265)<br>2023<br>Total<br>£<br>2,400<br>2,210<br>190|
|---|---|---|---|---|---|---|
||4,033<br>2,755|22,090||28,878||16,075|
||200<br>150<br>300<br>300<br>0<br>374<br>120<br>132<br>286<br>272<br>1,224<br>1,027<br>93<br>89<br>324<br>378|2,312<br>7,400<br>395<br>575<br>0<br>1,061<br>7<br>7,759<br>164||2,662<br>8,000<br>769<br>827<br>558<br>3,312<br>189<br>7,759<br>866||11,027<br>5,106<br>3,014<br>450<br>236<br>3,493<br>1,285<br>1,729|
||2,547<br>2,722|19,673||24,942||26,340|
||||||||
|Surplus/(deficit)|1,486<br>33|2,417||3,936||(10,265)|
|**3. Sale of goods**<br>Income<br>Expenditure|Music<br>CD<br>Sales<br>Sales<br>£<br>£<br>1,341<br>0<br>339<br>0|||2024<br>Total<br>£<br>1,341<br>339||2023<br>Total<br>£<br>2,400<br>2,210|
||||||||
|Surplus/Deficit|1,002<br>0|||1,002||190|
||||||||





## **CITY OF BRISTOL CHOIR** 

|**ACCOUNTS FOR THE YEAR ENDED**<br>**NOTES TO THE ACCOUNTS**<br>**4. Fixed Assets**<br>Brought forward<br>Additions during the year<br>Depreciation charge|**31 AUGUST 2024**<br>Cost<br>Depreciation<br>£<br>£<br>11,712<br>(1,191)<br>343<br>(543)|2024|Net Book Value<br>£<br>10,521<br>343<br>(543)|Net Book Value<br>£<br>10,521<br>343<br>(543)|2,023<br>£<br>10,709<br>246<br>(434)<br>10,521<br>2023<br>£<br>1,386<br>1,012<br>(480)<br>1,918|
|---|---|---|---|---|---|
|||||||
|Carried forward|12,055<br>(1,734)||10,321||10,521|
|**5. Music Library**<br>Net book value b/fwd<br>Additions during the year<br>Amortization|||2024<br>£<br>1,918<br>189<br>(421)||2023<br>£<br>1,386<br>1,012<br>(480)|
|||||||
|Net book value c/fwd|||1,686||1,918|
|||||||



## **6. Designated funds** 

The CBC Bursary Fund is a designated fund established to provide funds to advance the musical education of young singers, who are required to join the choir during the period for which they are in receipt of bursary funding. 

The CBC Tour Fund is a designated fund established to meet the incidental costs associated with overseas and domestic concert tours which the choir may undertake periodically. 

## **7. Trustee's remuneration and expenses** 

No trustees were in receipt of remuneration during the year. 

## **8. Related party transactions** 

There were no related party transactions during the year. 



CHARITY (OMMISSION
FOR ENGLAND AND WALES
Independent examiner's report
on the accounts
..Seetlon A
Independent Examlnerfs Report
Report to the trusteesl
members of
City of Bristol Choir
On accounts for the year
ended
31 August 2024
Charity no
(if any)
1015961
Set out on pages
I report to the trustees on my examination of the accounts of the above
charity ("the Trusy,) for the year ended 31 August 2024.
Responsibilities and As the chanty trustees, you are responsible for the preparats'on of the
basis of report accounts in accordance with the Charities Act 2011 ("the Act").
I report in respect of my examination of the Trust's accounts carried out
under section 145 of the 2011 Act and in carrying out my examination, I
have followed all the applicable Directions given by the Charity Commission
under section 145(5)(b) of the Act.
Independent I have completed my examination. I confirm that no material matters have
examiner's statement come to my attention in connection with the examinatson which gives me
cause to believe that In, any material respect,.
the accounting records were not kept in accordance with section 130
of the Act. or
the accounts did not accord with th.e accounb'ng records; or
the accounts did not comply with the applicable requirements
concerning the form and content of accounts set out In the Charities
(Accounts and Reports) Regulations 2008 other than any requirement
that the accounts give a 'true and fair, view which is not a matter
considered as part of an Independent examination.
I have no concerns and have come across no other matters in connecbon
with the examination to which attention should be drawn In this report in
order to enable a proper understanding of the accounts to be reached.
Signed:
Date:
27 June 2025
Name:
Richard Francis Bacon
Relevant professional
qualification(s) or body
(if any):
FCA
Address:
17 Westfield Road
BRISTOL
BS9 3HG
IER
October 2018