
## **Trustees’ Annual Report for the period** 

**From 1 September 2022    Period start date To 31 August 2023        Period end date** 

## **Charity name: City of Bristol Choir** 

## **Charity registration number: 1015961** 

## **Objectives and Activities** 

|||
|---|---|
|Summary of the purposes of<br>the charity as set out in its<br>governing document|“To promote, improve, develop and maintain public<br>education in and appreciation of the art and science of<br>music in all its aspects by the presentation of public<br>concerts and recitals and by such other means as the<br>Choir, through its committee,shall determine from time<br>to time.”|
|Summary of the main<br>activities in relation to those<br>purposes for the public<br>benefit, in particular, the<br>activities, projects or services<br>identified in the accounts.|**City of Bristol Choir 2022-2023**<br>**13 November 2022 – Remembrance Sunday Concert,**<br>**St George’s Concert Hall, 6pm**<br>Blackford’s_Pietà_and Vaughan Williams;_Dona nobis_<br>_pacem._<br>Soloists Felix Kemp and Rebecca Afonwy-Jones<br>**17  December 2022  Christmas Spectacular, St**<br>**George’s Bristol**<br>With Bristol Ensemble<br>**20 December 2022 Festive Fiesta, St George’s,**<br>**Bristol**<br>With Bristol Ensemble<br>**24 March 2023, That Friday Feeling Concert, All**<br>**Saints Church, 7:45pm**<br>My beloved spake Patrick Hadley<br>Ubi caritas Maurice Duruflé<br>O sing unto the Lord Cecilia McDowall<br>Let all mortal flesh keep silence Edward Bairstow<br>Beati quorum via Charles Villiers Stanford<br>Five Spirituals from A Child of our Time Michael Tippett<br>Organ: Épiphanie Gaston Litaize<br>The Call Gail Randall|





||Faire is the heaven William H. Harris<br>Ave Verum Colin Mawby<br>Northern Lights Ola Gjeilo<br>Magnificat from St Paul’s Service Herbert Howells<br>**25 June 2023 Then Sing We All, St George’s Concert**<br>**Hall, 6pm**<br>Jazz Cantata – Then Sing We All, Iain Farrington<br>Stars, Night, Music and Light Judith Weir<br>Two Songs and Sonnets George Shearing<br>They can’t take that away from me George Gershwin<br>Summertime George Gershwin<br>Shall I compare thee to a Summer’s day Owain Park<br>Excerpts from Sacred Concert Duke Ellington|
|---|---|
|Statement confirming<br>whether the trustees have<br>had regard to the guidance<br>issued by the Charity<br>Commission on public<br>benefit|Yes|



## **Additional information (optional)** You may choose to include further statements where relevant about: 

|||
|---|---|
|||
|Policy on grant making|There is no policy but decisions are taken on a case by<br>case basis by the Trustees and the committee for the<br>commission of new musical works and to award Bursary<br>Scholarships for young singers.|
|Policy on social investment<br>including program related<br>investment|N/A|
|Contribution made by<br>volunteers|Volunteer stewards, committee members, librarian and<br>front of house team are thanked publicly and thanks are<br>published in the concert programmes.|
|Other|N/A|
|||





**Achievements and Performance** 

|Summary<br>of<br>the<br>main<br>achievements of the charity,<br>identifying the difference the<br>charity’s work has made to<br>the<br>circumstances<br>of<br>its<br>beneficiaries and any wider<br>benefits to society as a<br>whole.|**13 November 2022 – Remembrance Sunday Concert,**<br>**St George’s Concert Hall, 6pm**<br>The Remembrance Sunday Concert was a resounding<br>success, receiving widespread positive reviews. The<br>program featured impactful performances of Blackford's<br>Pietà and Vaughan Williams' Dona nobis pacem,<br>showcasing the talents of soloists Felix Kemp and<br>Rebecca Afonwy-Jones. The concert not only paid tribute<br>to Remembrance Sunday but also left a lasting<br>impression on the audience with its emotive and powerful<br>musical renditions. The combination of compelling<br>compositions and outstanding soloists contributed to the<br>overall success of the event, earning it high praise from<br>the audience. The composer, Blackford was in attendance<br>and we also collaborated with Bristol Youth Choir to<br>further our objective of supporting emerging music talent.<br>**17  December 2022  Christmas Spectacular, St**<br>**George’s Bristol**<br>City of Bristol Choir accompanied the Bristol Ensemble<br>and delivered the Christmas Spectacular at St George's<br>Bristol that captivated the audience and proved, again, to<br>be a resounding success. This festive event, flled with<br>holiday cheer, featured the choir's renditions of classic<br>Christmas carols and seasonal favourites. The<br>collaboration with the Bristol Ensemble, as always, added<br>a rich musical dimension to the performance, elevating<br>the overall experience.<br>**20 December 2022 Festive Fiesta, St George’s, Bristol**<br>As above, but this version of our collaborative concert<br>with the Bristol Ensemble involves a bit more audience<br>participation. There are more carols for the audience to<br>join in with and just generally, there is a slightly more<br>celebratory atmosphere for this concert.<br>**24 March 2023, That Friday Feeling Concert, All**<br>**Saints Church, 7:45pm**<br>As a slightly new idea /initiative for a concert, CBC put on<br>“That Friday Feeling” in March 2023.The Choir performed<br>a full programme with no interval which meant the running<br>time was shorter, with no interval and was on a Friday<br>night, avoiding clashes with other musical performances<br>in Bristol. It proved to be a spectacular success, leaving<br>the audience enraptured with an evening of diverse,<br>feel-good musical performances. The programme<br>featured a rich selection of choral pieces, spanning<br>various composers and styles, showcasing the versatility<br>and talent of theperformers. The musical offering|
|---|---|





seamlessly transitioned through a range of emotions, from the uplifting "Faire is the heaven" by William H. Harris to the serene "Ave Verum" by Colin Mawby. It was a great experiment and having sold out the audience, CBC have resolved to try a similar concert to this formula in March 2024. **25 June 2023 Then Sing We All, St George’s Concert Hall, 6pm** "Then Sing We All" was an exceptional musical event that unfolded excellently. The evening featured a diverse array of compositions that seamlessly blended Jazz-type genres, captivating the audience with a unique evening experience. The concert included the first performance of Iain Farrington's Jazz Cantata, "Then Sing We All," set the tone for the concert, showcasing a fusion of jazz elements with traditional choral arrangements. This was accompanied by a number of other works including Duke Ellington’s Sacred Concert. The fusion of sacred and jazz elements in Ellington's work provided a fitting reflection of the concert’s aim; to combine the more traditional choral elements of City of Bristol choir with a small jazz trio. It was a hugely effective concert and even better for being hosted in the beautiful space of St George’s concert Hall. 

## **Additional information (optional)** 

You may choose to include further statements where relevant about: 

|Achievements against<br>objectives set|City of Bristol Choir enjoyed a remarkably successful year<br>from September 2022 to August 2023, marked by a<br>diverse and challenging repertoire that showcased the<br>choir's capability and high musical standards. This period<br>proved to be yet another successful year for the choir,<br>executing some of their key objectives and goals. The<br>primary objectives for the year included commissioning<br>new works, performing in various venues across the city,<br>and<br>fostering<br>extensive<br>collaborations<br>with other<br>performers. These goals were not only met but<br>surpassed,<br>refecting<br>the<br>choir's<br>commitment<br>to<br>promoting, improving, developing, and maintaining public<br>education in (and appreciation of) the art and gift of<br>music.<br>An additional triumph was witnessed in good ticket sales<br>throughout the year, a testament to the choir's popularity<br>and<br>the<br>effectiveness<br>of<br>its<br>expert,<br>thoughtful<br>programming. This success not onlyfulflled the objective|
|---|---|





||of protecting the existing audience but also contributed to<br>the growth of the choir's viewership.<br>The 2022-2023 season was indeed a banner year for City<br>of Bristol Choir, marked by artistic excellence and a<br>commitment to maintaining high musical & performance<br>standards.|
|---|---|
|Performance of fundraising<br>activities against objectives<br>set|**N/A**|
|Investment performance<br>against objectives|**N/A**|
|Other|**N/A**|



## **Financial Review** 

|**Financial Review**|||
|---|---|---|
|Review of the charity’s<br>financial position at the end<br>of the period|Para 1.21|The Choir’s finances have held up well despite<br>emerging from the difficulties of the pandemic, a<br>large investment in staging in 2020/21, increased<br>costs and two concerts last year in St George’s,<br>one of which made a significant loss.<br>An increase in subscription income and an increase<br>in performance fees helped to balance the loss.|
|Statement explaining the<br>policy for holding reserves<br>stating why they are held|Para 1.22|City of Bristol Choir tries to maintain a reserve of at<br>least £5000 to support the Choir’s on-going<br>activities and to provide a contingency fund in case<br>of poor ticket sales or unexpected costs.  The<br>accompanying Accounts quantify three designated<br>funds (the CBC Bursary Fund, the Commissions<br>Fund and the CBC Tour Fund) and explain their<br>purposes.|
|Amount of reserves held|Para 1.22|Minimum of £5000|
|Reasons for holding zero<br>reserves|Para 1.22|N/A|
|Details of fund materially in<br>deficit|Para 1.24|N/A|
|Explanation of any<br>uncertainties about the|Para 1.23|N/A|





charity continuing as a going concern 

## **Additional information (optional)** 

## You may choose to include further statements where relevant about: 

||||
|---|---|---|
|The charity’s principal<br>sources of funds (including<br>any fundraising)|Para 1.47|Subscriptions from members<br>Concert income<br>Grants and awards for specific projects or concerts|
|Investment policy and<br>objectives including any<br>social investment policy<br>adopted|Para 1.46|N/A|
|A description of the principal<br>risks facing the charity|Para 1.46|The principal risks to the Choir are first; ensuring<br>that audiences continue to attend concerts given<br>the growing competition for musical performances<br>in<br>and<br>around<br>Bristol<br>and<br>secondly,<br>that<br>membership remains at an optimum level to deliver<br>the aims and objectives of the choir and to<br>generate<br>subscription<br>income.<br>The<br>Trustees<br>continue to review this and the choir’s position<br>remains satisfactory.|
|Other||N/A|
||||



## **Structure, Governance and Management** 

|Description of charity’s<br>trusts:|||
|---|---|---|
|Type of governing document<br>(trust deed, royal charter)|Para<br>1.25|Written constitution.|
|How is the charity<br>constituted?<br>(e.g unincorporated<br>association, CIO)|Para<br>1.25|City of Bristol Choir is an unincorporated<br>association regulated by its constitution, adopted<br>at a specially convened Extraordinary General<br>Meeting of the Choir on 26thNovember 1992 and<br>amended at specially convened EGMs of the<br>Choir on 9thSeptember 2001, 29thJune 2003 and<br>at the AGM on 19thJune 2014.|
|Trustee selection methods<br>including details of any<br>constitutional provisions e.g.<br>election to post or name of<br>any person or body entitled<br>to appoint one or more<br>trustees|Para<br>1.25|In accordance with the amended Constitution<br>adopted at the AGM on 19thJune 2014, the<br>Trustees are drawn from the members of the<br>Choir and elected by a simple majority of<br>members at the Charity’s Annual General Meeting<br>or at an Extraordinary General Meeting. They hold<br>office until the next Annual General Meeting and<br>are eligible for re-election.|
||||





## **Additional information (optional)** You may choose to include further statements where relevant about: 

||||
|---|---|---|
|Policies and procedures<br>adopted for the induction<br>and training of trustees|Para 1.51|New Trustees are mentored and they meet<br>with<br>outgoing<br>or<br>current<br>Trustees<br>depending what, if any role, they will play<br>on the committee.<br>All Trustees are advised of the expectations<br>and duties of Trustees and their attention is<br>specifically<br>drawn<br>to<br>www.<br>Gov.uk/guidance/charity-trustee-whats-invol<br>ved|
|The charity’s organisational<br>structure and any wider<br>network with which the<br>charity works|Para 1.51|N/A|
|Relationship with any<br>related parties|Para 1.51|N/A|
|Other||N/A|
||||



## **Reference and Administrative details** 

|Charity name|City of Bristol Choir|
|---|---|
|Other name the charity<br>uses|N/A|
|Registered charity<br>number|1015961|
|Charity’s principal<br>address|City of Bristol Choir<br>9 Sandstone Rise, Winterbourne,<br>Bristol BS36 1BB|





## **Names of the charity trustees who manage the charity** 

|**Trustee name**|**Office (if any)**|**Dates acted if not for**<br>**whole year**<br>**Name of**<br>**person (or**<br>**body)**<br>**entitled to**<br>**appoint**<br>**trustee (if**<br>**any)**|
|---|---|---|
|Elizabeth Cunningham|Chair|City of<br>Bristol Choir|
|Ian Blenkinsop|Treasurer|“|
|Tim Jackson|Secretary|“|
|Rose Lancaster|MembershipSec.|“|
|Peter Lunt|Concert Manager|“|
|Alice Howse|Ticket Sec.|“|
|Helen Burke|PublicityOfficer|“|
|Julia Loveless|Vice Chair|from 25th May2023<br>“|
|Nigel Harradine|Trustee|from 25th May2023<br>“|
|JennyHemming|Trustee|from 25th May2023<br>“|



– Corporate trustees names of the directors at the date the report was approved **Director name N/A** 

Name of trustees holding title to property belonging to the charity 

|**Trustee name**|**Dates acted if not for**<br>**whole year**||
|---|---|---|
|**N/A**|||
||||
||||
||||
||||
||||





## **Funds held as custodian trustees on behalf of others** 

|Description of the assets<br>held in this capacity|N/A|
|---|---|
|Name and objects of the<br>charity on whose behalf the<br>assets are held and how this<br>falls within the custodian<br>charity’s objects|N/A|
|Details of arrangements for<br>safe custody and<br>segregation of such assets<br>from the charity’s own assets|N/A|



## **Additional information (optional)** 

## **Names and addresses of advisers (Optional information)** 

|**Names and addresses of advisers (Optional information)**|**Names and addresses of advisers (Optional information)**|**Names and addresses of advisers (Optional information)**|**Names and addresses of advisers (Optional information)**|
|---|---|---|---|
|**Type of**<br>**adviser**<br>**Name**<br>**Address**||||
||**N/A**|||
|||||
|||||
|||||



## **Exemptions from disclosure** 

Reason for non-disclosure of key personnel details 

**N/A Other optional information N/A** 



## **Declarations** 

**The trustees declare that they have approved the trustees’ report above.** 

**Signed on behalf of the charity’s trustees** 

**Signature(s)_______                                           _______** 

**Full name(s)_______ JULIA LOVELESS________** 

**Position (e.g. Secretary, Chair etc)_________CHAIR (as of 1st February 2024)_________** 

**Date______2nd April 2024_______** 



## **CITY OF BRISTOL CHOIR** 

## **ACCOUNTS FOR THE YEAR ENDED 31 AUGUST 2023** 

## **STATEMENT OF FINANCIAL ACTIVITIES** 

|**INCOME**<br>Notes<br>Subscriptions<br>Gift Aid<br>Donations and grants<br>Concert Income<br>2<br>Performance Fees<br>Sponsorship and fundraising<br>Sale of goods<br>3<br>Interest received<br>**EXPENDITURE**<br>Rehearsal Costs<br>Concert expenditure<br>2<br>Performance Costs<br>Cost of goods sold<br>3<br>Grants and commissions<br>Subscriptions paid<br>Insurance<br>Amortisation and depreciation<br>Professional Costs<br>Tour Expenses<br>Stock Write Off<br>**NET INCOME/(EXPENDITURE)**<br>**FUNDS AT 1 SEPTEMBER**<br>**FUNDS AT 31 AUGUST**|**UNRESTRICTED FUNDS**<br>**2023**<br>£<br>£<br>£<br>£<br>£<br>Other<br>CBC Bursary CBC Tour<br>Commissions<br>Total<br>Funds<br>Fund<br>Fund<br>Fund<br>20,053<br>20,053<br>5,224<br>0<br>5,224<br>251<br>0<br>251<br>16,075<br>16,075<br>6,466<br>6,466<br>404<br>2,000<br>2,404<br>2,400<br>2,400<br>50<br>50|**2022**<br>£<br>16,516<br>2,670<br>2,900<br>17,209<br>4,439<br>0<br>166<br>6|
|---|---|---|
||50,923<br>2,000<br>0<br>52,923<br>15,190<br>15,190<br>26,340<br>26,340<br>1,927<br>1,927<br>2,210<br>2,210<br>250<br>0<br>250<br>53<br>53<br>201<br>201<br>914<br>914<br>2,705<br>2,705<br>1,654<br>1,654<br>860.64<br>50,401<br>250<br>1,654<br>0<br>51,444<br>522<br>(250)<br>346<br>0<br>618<br>24,990<br>627<br>(248)<br>4,176<br>29,545|43,906|
|||13,802<br>22,478<br>1,108<br>0<br>4,500<br>40<br>137<br>785<br>492|
|||0<br>43,342|
|||564<br>28,981|
||25,512<br>377<br>98<br>4,176<br>30,163|29,545|





## **CITY OF BRISTOL CHOIR** 

## **ACCOUNTS FOR THE YEAR ENDED 31 AUGUST 2023** 

## **BALANCE SHEET** 

## **UNRESTRICTED FUNDS** 

|Notes<br>**FIXED ASSETS**<br>4<br>**CURRENT ASSETS**<br>Music Library<br>1,5<br>Stock<br>Gift Aid receivable<br>Debtors and prepayments<br>Cash at bank and in hand<br>COIF Deposit Account<br>**CURRENT LIABILITIES**<br>Creditors and Accruals<br>**NET CURRENT ASSETS**<br>**NET ASSETS**<br>**RESERVES**<br>General Funds<br>CBC Tour Fund<br>6<br>CBC Bursary Fund<br>6<br>CBC Commissions Fund<br>6|**2023**<br>£<br>£<br>£<br>£<br>£<br>Other<br>CBC Bursary CBC Tour<br>Commissions<br>Total<br>Funds<br>Fund<br>Fund<br>Fund<br>10,521<br>10,521<br>1,917<br>1,917<br>0<br>0<br>5,074<br>5,074<br>527<br>527<br>10,180<br>377<br>98<br>4,176<br>14,831<br>1,000<br>1,000|**2022**<br>£<br>10,709<br>1,385<br>861<br>5,309<br>3,236<br>8,497<br>1,000|
|---|---|---|
||18,698<br>377<br>98<br>4,176<br>23,349<br>3,707<br>3,707<br>3,707<br>3,707<br>14,991<br>377<br>98<br>4,176<br>19,642<br>25,512<br>377<br>98<br>4,176<br>30,163<br>25,512<br>25,512<br>98<br>98<br>377<br>377<br>4,176<br>4,176<br>25,512<br>377<br>98<br>4,176<br>30,163|20,288|
|||1,452|
|||1,452|
|||18,836|
|||29,545|
|||24,990<br>(248)<br>627<br>4,176|
|||29,545|



Approved by the Trustees and signed on their behalf 

J Loveless S Pascall Chairman Treasurer 



## **CITY OF BRISTOL CHOIR** 

## **ACCOUNTS FOR THE YEAR ENDED 31 AUGUST 2023** 

## **NOTES TO THE ACCOUNTS** 

## **1. Accounting policies** 

## **Basis of Accounting** 

These accounts have been prepared on the basis of historic costs in accordance with Accounting and Reporting by Charities (SORP 2015), and with the Charities Act 1993. The basis of accounting has not changed during the year 

## **Going concern** 

There are no material uncertainties which might affect the ability of the Choir to continue 

## **Public benefit** 

The Choir is a public benefit entity 

## **Recognition of income** 

Income is recognised in the Statement of Financial Activities (SofA) when the charity becomes entitled to the resources; the Trustees are virtually certain they will receive the resources; and the monetary value can be measured with sufficient reliability 

## **Income with related expenditure** 

Where income has related expenditure, such as concert income, the income and related expenditure are reported gross in the SofA 

## **Grants and donations** 

Grants and donations are only included in the SofA when the charity has unconditional entitlement to the resources. From time to time the choir has acted as agent in collecting money from choir members for charitable purposes and gifts. These amounts are not included in the accounts at year end. The total amount excluded was £413.51. 

## **Tax reclaims on donations, subscriptions and gifts** 

Income from tax reclaims is included in the SofA at the same time as the gift to which they relate. 

## **Contractual income and performance related grants** 

This is only included in the SofA once the related services have been delivered. 

## **Investment Income** 

This is included in the accounts when receivable. 

## **Liability recognition** 

Liabilities are recognised as soon as there is a legal or constructive obligation committing the charity to pay out resources 

## **Fixed Assets** 

Fixed assets comprise folding chairs used in concert performances, which are depreciated over 10 years on a straight-line basis, recording equipment, which is depreciated over five years on a straight line basis, and concert staging, which is depreciated to net residual value over twenty years on a straight line basis. 

## **Music Library** 

Items held by the choir for its own use, or for rental by other choirs, are the subject of an annual stocktake.  To recognise the reducing value of copies over time, their value is amortised over a period of 5 years, on a reducing balance basis 

**Stock** 



Stock write off comprises compact disc recordings. 

## **CITY OF BRISTOL CHOIR** 

## **ACCOUNTS FOR THE YEAR ENDED 31 AUGUST 2023** 

## **NOTES TO THE ACCOUNTS** 

## **2. Concert income and expenditure** 

|Income<br>Ticket Sales<br>Grants Received<br>Total Income<br>Expenditure<br>Musicians and soloists<br>Venue costs<br>Music Hire<br>Programme Costs<br>Refreshment Costs<br>Publicity and postage<br>Commission on ticket sales<br>Other costs<br>Surplus/(deficit)<br>**3. Sale of goods**<br>Income<br>Expenditure<br>Surplus/Deficit|That<br>Music of<br>Friday<br>Then Sing<br>Remembrance<br>Feeling<br>We All<br>Celebration<br>£<br>£<br>£<br>£<br>6,203<br>3,560<br>5,312<br>0<br>1,000<br>0<br>0<br>0|2023<br>Total<br>£<br>15,075<br>1,000|2022<br>Total<br>£<br>17,209<br>6,900|
|---|---|---|---|
||7,203<br>3,560<br>5,312<br>0<br>9,877<br>150<br>1,000<br>0<br>2,514<br>300<br>2,292<br>0<br>1,328<br>754<br>932<br>0<br>295<br>95<br>60<br>0<br>0<br>236<br>0<br>0<br>1,482<br>987<br>1,024<br>0<br>625<br>91<br>569<br>0<br>495<br>218<br>1,016<br>0<br>16,616<br>2,831<br>6,893<br>0<br>(9,413)<br>729<br>(1,581)<br>0<br>Music<br>CD<br>Sales<br>Sales<br>£<br>£<br>2,400<br>0<br>2,210<br>0<br>190<br>0|16,075<br>11,027<br>5,106<br>3,014<br>450<br>236<br>3,493<br>1,285<br>1,729<br>26,340<br>(10,265)<br>2023<br>Total<br>£<br>2,400<br>2,210<br>190|24,109|
||||10,981<br>5,500<br>964<br>605<br>172<br>3,830<br>1,542<br>3,039|
||||26,633|
||||(2,524)|
||||2022<br>Total<br>£<br>166|
||||166|





## **CITY OF BRISTOL CHOIR** 

## **ACCOUNTS FOR THE YEAR ENDED 31 AUGUST 2023** 

## **NOTES TO THE ACCOUNTS** 

|**4. Fixed Assets**<br>Brought forward<br>Additions during the year<br>Depreciation charge<br>Carried forward<br>**5. Music Library**<br>Net book value b/fwd<br>Additions during the year<br>Amortization<br>Net book value c/fwd|2023<br>Cost<br>Depreciation<br>Net Book Value<br>£<br>£<br>£<br>11,466<br>(757)<br>10,709<br>246<br>246<br>(434)<br>(434)|2023<br>Cost<br>Depreciation<br>Net Book Value<br>£<br>£<br>£<br>11,466<br>(757)<br>10,709<br>246<br>246<br>(434)<br>(434)|2022<br>£<br>117<br>11,031<br>(439)|
|---|---|---|---|
||11,712<br>(1,191)|10,521<br>2023<br>£<br>1,386<br>1,012<br>(480)<br>1,918|10,709|
||||2022<br>£<br>1,586<br>146<br>(346)|
||||1,386|



## **6. Designated funds** 

The CBC Bursary Fund is a designated fund established to provide funds to advance the musical education of young singers, who are required to join the choir during the period for which they are in receipt of bursary funding. 

The CBC Tour Fund is a designated fund established to meet the incidental costs associated with overseas and domestic concert tours which the choir may undertake periodically. 

## **7. Trustee's remuneration and expenses** 

No trustees were in receipt of remuneration during the year. Expenses were reimbursed in respect of travelling and subsistence incurred in attending meetings on choir business 

## **8. Related party transactions** 

There were no related party transactions during the year. 



CHARITY COMMISSION
FOR ENGLAND AND WALES
Independent examiner's report
on the accounts
Section A
Independent Examiner'5 Report
Report to thè trnsteesl
members of
City of Bristol Choir
On accounts for tho year
ended
31 August 2023
Charfty no
(If any)
1015961
Set out on pages
I report to the trustees on my examination of the accounts of the above
charity {llhe Trust") for the year ended 31 August 2023.
Responslbllltles and As the charity tnJst8es. you ar8 r8sponsible for the preparation of th8
basls of report accounts in accordance with the Charities Act 2011 {"the Acf.).
I report in respect of my examination of the Trust's accounts carried out
und8r section 145 of the 2011 A¢1 and In carrying out my examlnatlon, I
have followed all the applicable Directions given by the Charity Commlsslon
under section 145(5)(b) of the Act.
Independent I have ￿1Mpleted my examination. I confimi that no material matters have
examlner's statement come to my attenlion in connectlon with the examination which gives me
cause to bèlieve that in, any malerlal ￿Spect,.
the a¢¢ounting rècords We￿ not kept in accordan¢a with se¢llon 130
of the Act., or
the accounts did not accord with the accountlng r8cords; or
the accounts did not eomply with the applicable requirements
concemlng the form and content of accounts set out in the Charilles
(Accounts and Reports) Regulations 2008 other than any requirem8nt
that the accounts give a 'true and fair, view which is not a matter
considered as part of an independenl examination.
I have no concems and have come across no other matters in connecllon
with the examination to which attention should be drawn in Ihis report in
order lo enable a proper understsnding of Ihe accounts to be reached.
Slgnod:
Date:
18 June 2024
Name:
Richard Francis Bacon
Relevant professional
quallflcatlon(s) or body
(If any):
FCA
Address:
8 Easffield
BRISTOL
BS9 4BQ
IER
October 2018